The best-loved painting by Masaccio is A Trindade (1428). O Tributo (1425) and A Expulsão do Paraíso (1426) come next among the canvases readers know best. Our catalogue holds 97 works by Masaccio: here are the 97 most famous, each with its year, its museum and what makes it memorable.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated Outubro 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
A Trindade Masaccio criou uma obra que transcende o tempo, uma pintura em afresco que marcou o despertar do Renascimento na Itália. Criada por volta de 1425, a obra é amplamente considerada um dos pilares mais fundamentais do período do início do Renascimento, residindo hoje no coração da igreja Santa Maria Novella, em Florença, Itália. Inovações Artísticas A Trindade, de Masaccio, foi uma obra revolucionária que introduziu conceitos que mudariam…
A cena desenrola-se no interior da Capela Brancacci, na basílica de Santa Maria del Carmine, em Florença. Aqui, o fresco intitulado O Tributo, de Masaccio, traz uma narrativa bíblica à vida nas paredes da capela. Encomendada por Felice Brancacci, esta obra constitui uma parte significativa de um ciclo maior dedicado à vida de São Pedro. O ar na capela parece carregar o peso desta história sagrada, enquanto as figuras atravessam…
O silêncio pesado da Capela Brancacci, na igreja de Santa Maria del Carmine em Florença, Itália, carrega o peso de uma tragédia profunda. Aqui, as paredes respiram com a história de A Expulsão do Paraíso, um fresco pintado por Masaccio por volta de 1425. O ar parece engrossar ao redor das figuras enquanto elas enfrentam sua partida súbita e irreversível do paraíso. Esta cena marca o início de uma narrativa…
Este detalhe cativante origina-se do revolucionário afresco de Masaccio, “O Tributo Monetário”, uma obra fundamental na Capela Brancacci, em Florença. Executada por volta de 1426, ela representa um ponto de virada na arte ocidental, afastando-se das convenções estilizadas do período gótico em direção a uma nova era de naturalismo e expressão humanística.
To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426, this work captures Masaccio at the zenith of his revolutionary power. It is not merely a depiction of the Crucifixion; it is a profound meditation on sacrifice, community, and the weight of divine narrative rendered with startling immediacy. The composition draws the…
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…
The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene, identified by the traditional iconography of her long hair and a head covering. She possesses a contemplative expression, directing her gaze slightly downwards toward an object held in her right hand, which may be interpreted as a symbol of faith or devotion.
In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed in 1426, these panels are far more than mere fragments of a lost polyptych; they are windows into a transformative moment when the rigid conventions of the Gothic period began to dissolve, giving way to the profound humanism of the Early Italian…
To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of the Renaissance. Painted between 1425 and 1427 within the hallowed walls of Santa Maria Novella in Florence, this fresco does not merely depict a religious scene; it carves a hole in the very wall of the chapel, inviting the viewer to step…
Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring the arrival of the High Renaissance. Painted between 1425 and 1427, this intimate section captures the essence of Masaccio’s revolutionary approach to depicting reality, a departure from the stylized elegance of the preceding Gothic era and a profound influence on generations of…
A imagem que temos diante de nós, um retrato em preto e branco da Capela Brancacci antes das meticulosas restaurações, é mais do que uma simples fotografia de…
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Masaccio’s “Trinity (Scheme of the Perspective),” painted in 1425-1427, isn’t merely a depiction of a sacred subject; it’s a profound demonstration of artistic innovation—a pivotal moment where the…
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Raising of the Son of Theophilus and St Peter Enthroned (detail) is a fresco by Masaccio. Executed between 1426 and 1427, this fragment belongs to a larger cycle…
The artwork titled St Peter Healing the Sick with his Shadow (detail) is a work by the artist Masaccio. This specific piece was executed in 1426. It is…
A Cappella Brancacci, localizada no coração da Igreja Carmelite em Florença, é um monumento à arte renascentista e um testemunho da genialidade de dois artistas que transformaram a…
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Frescoes in the Cappella Brancacci (left view) The Cappella Brancacci, nestled within Santa Maria del Carmine basilica in Florence, stands as an unparalleled testament to the dawn of…
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The Baptism of the Neophytes is a renowned fresco painted by Masaccio in the early 15th century. This iconic artwork is part of the decoration of the Brancacci…
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The garden holds a heavy stillness. In this detail from 1424, a single figure kneels upon the earth, hands clasped in a tight knot of devotion. The light…
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Masaccio’s Crucifixion, painted in 1426 during his tragically brief career, isn’t merely a depiction of a pivotal biblical event; it’s a foundational moment in Western art. Born in…
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In the quiet, profound depths of Masaccio’s Distribution of Alms and Death of Ananias, we encounter a moment where the divine intersects with the earthly through the simple,…
In the quiet intensity of Masaccio’s Profile Portrait of a Young Man, we encounter more than just a painted face; we witness the very moment Western art began…
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In the quiet, profound stillness of Masaccio’s St Jerome and St John the Baptist, we are transported back to the early 15th century, a period where the rigid…
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The painting Christ in the Garden of Gethsemane is a renowned work by the Italian artist Masaccio, created in 1424. This tempera painting, measuring 62 x 44 cm,…
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The San Giovenale Triptych, Left Panel by Masaccio is a seminal work of art that showcases the artist's innovative style and technique. Created in 1422, this painting is…
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The Portrait of a Young Woman is a captivating painting by the renowned Italian artist Masaccio, created in 1425. This early Renaissance masterpiece measures 42 x 32 cm…
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In this oil painting on wood panel, dating to 1424, we find a quiet moment of sacred intimacy. The composition is built upon a pyramidal structure, a hallmark…
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In the quiet intimacy of the Plate of Nativity (Berlin Tondo), we witness one of the most profound transformations in the history of Western art. Painted in 1427…
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Masaccio's "Madonna with Child and Angels," painted in 1426, stands as a monumental work—a pivotal moment in the burgeoning Renaissance. More than simply a depiction of the Virgin…
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To stand before Masaccio’s Adoration of the Magi is not merely to observe a painting; it is to step directly into the revolutionary atmosphere of the early Italian…
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The Martyrdom of San Giovanni Battista is a captivating painting by the renowned Italian artist Masaccio (Ser Giovanni, Mone Cassai), created in 1426. This early Renaissance masterpiece measures…
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The world of 15th-century Florentine painting was undergoing a seismic shift, and at the heart of this transformation stood Masaccio – a name that resonates with an almost…
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A Revolutionary Vision of Faith: Masaccio’s St. Andrew Masaccio's *St. Andrew*, painted in 1426, is a landmark work of the Early Renaissance, embodying the seismic shift towards naturalism…
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Masaccio's 1426 painting, *Crucifixion of St. Peter*, is not merely a depiction of a pivotal moment in Christian history; it’s a foundational cornerstone of the Early Italian Renaissance.…
Bring this light home →The four subjects that return most often on these canvases, each with its best-loved example.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Masaccio | Paintings from this list |
|---|---|---|---|
 Santa Maria del Carmine |
Florença | 7 | Visão da Cappella Brancacci (antes da restauração), Frescoes na Cappella Brancacci (direita), Frescoes na Cappella Brancacci (esquerda) |
 Staatliche Museen zu Berlin |
Berlim | 6 | Predella panel from the Pisa Altar, Two panels from the Pisa Altarpiece, Plate of Nativity (Berlin Tondo) |
 Gemäldegalerie |
Berlim | 5 | Martyrdom of San Giovanni Battista, A Bearded Carmelite Saint, San Agustín |
 Santa Maria Novella |
Florença | 4 | Trinity (detail), Trinity, Trinity (detail) |
 Lindenau-Museum |
Altengau | 3 | Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane |
 National Gallery of Art |
Washington | 2 | Profile Portrait of a Young Man, Madonna of Humility |
 National Gallery |
Londres | 2 | Madonna with Child and Angels, St.Girolamo end Giovanni Battista |
 Museo di Capodimonte |
Nápoles | 1 | Crucifixion |
Some ten years of painting, 1420 to 1428, hold the dated canvases of Masaccio on this page: walk through them year by year.
The San Giovenale Triptych, Left Panel by Masaccio is a seminal work of art that showcases the artist's innovative style and technique. Created in 1422, this painting is…
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this…
The garden holds a heavy stillness. In this detail from 1424, a single figure kneels upon the earth, hands clasped in a tight knot of devotion. The light…
The painting Christ in the Garden of Gethsemane is a renowned work by the Italian artist Masaccio, created in 1424. This tempera painting, measuring 62 x 44 cm,…
A cena desenrola-se no interior da Capela Brancacci, na basílica de Santa Maria del Carmine, em Florença. Aqui, o fresco intitulado O Tributo, de Masaccio, traz uma narrativa…
The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene,…
To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of…
Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring…
O silêncio pesado da Capela Brancacci, na igreja de Santa Maria del Carmine em Florença, Itália, carrega o peso de uma tragédia profunda. Aqui, as paredes respiram com…
To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426,…
In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed…
A imagem que temos diante de nós, um retrato em preto e branco da Capela Brancacci antes das meticulosas restaurações, é mais do que uma simples fotografia de…
The Baptism of the Neophytes is a renowned fresco painted by Masaccio in the early 15th century. This iconic artwork is part of the decoration of the Brancacci…
In the quiet intimacy of the Plate of Nativity (Berlin Tondo), we witness one of the most profound transformations in the history of Western art. Painted in 1427…
A Trindade Masaccio criou uma obra que transcende o tempo, uma pintura em afresco que marcou o despertar do Renascimento na Itália. Criada por volta de 1425, a…
A Trindade (1428), followed by O Tributo (1425) and A Expulsão do Paraíso (1426).
Masaccio, born in 1401, was 27 years old: A Trindade dates from 1428.
A Trindade, O Tributo, A Expulsão do Paraíso, Rendering da Moeda Tributária (Detalhe), Predella panel from the Pisa Altar, The Madonna of Humility, Trinity (detail), Two panels from the Pisa Altarpiece, Trinity and Trinity (detail). Each canvas in the ranking above comes with its year and its museum.
97 works by Masaccio are in our catalogue, dated 1420 to 1428.
Mostly in Santa Maria del Carmine (Florença), Staatliche Museen zu Berlin (Berlim) and Gemäldegalerie (Berlim); the list above names each museum and its canvases.
In 1426, which gave 41 of the 97 works on this page, A Expulsão do Paraíso among them.
The earliest canvas here is Madonna of Humility (1420); the latest is A Trindade (1428).
Saints (30), Religious (25) and Renaissance (16), across the 97 works on this page.
Tempera On Panel, used in 6 of the 97 works on this page.
Renascimento inicial, as the canvases on this page show.
The Santa Maria del Carmine, Florença holds 7 of the works on this page, among them Visão da Cappella Brancacci (antes da restauração), Frescoes na Cappella Brancacci (direita) and Frescoes na Cappella Brancacci (esquerda).
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
