De todas as pinturas de Stefano di Giovanni, Madonna of Humility (1432) é a mais famosa; está exposta no Staatliche Museen zu Berlin, em Berlim. Logo atrás vêm Virgin with Child and Four Saints (detail) (1435) e Saint Francis and the Poor Knight, and Francis's Vision (1437). Entre as 56 obras de Stefano di Giovanni em nosso catálogo, estas 56 são as mais celebradas, cada uma apresentada com a sua data, o seu museu e a sua história.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The panel titled Saint Francis and the Poor Knight, and Francis's Vision emerges from the hand of the artist Sassetta. Created about 1437, this work exists as the first of eight distinct paintings that once formed the back of a large, richly coloured and elaborate altarpiece. It belongs to the larger San Sepolcro Altarpiece, a significant assembly of devotional imagery.
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The Agony in the Garden is a poignant and spiritually charged tempera painting from the Early Renaissance period. The composition depicts the biblical scene of Christ's agony in the Garden of Gethsemane, set against a dark, star-studded nocturnal sky and a landscape of rolling hills and a winding path. In the foreground, several apostles are shown in various states of deep sleep, their bodies slumped and heads bowed in a…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a heavy spiritual gravity that anchors the viewer's gaze. He stands upon a small, rocky ground adorned with intricate patterns, a modest stage for such a monumental figure. The saint holds a book and a stylus, the tools of his sacred vocation, which…
The air feels heavy with the scent of woodsmoke and the weight of a gathering crowd. In this 1423 tempera work, a public execution unfolds under a deep blue sky, framed by the soft, rolling hills of the Italian landscape. At the center of the chaos, a figure is bound to a stake, consumed by bright orange flames that lick upward against the dark, charred tones of the victim. The…
This tempera on poplar panel, dating to c. 1435, presents a solitary figure of Saint Margaret against a shimmering gold ground. The composition is vertical and centered, emphasizing a sense of stillness and spiritual focus. She is draped in a heavy, dark mantle over a deep crimson tunic, her head tilted with a gentle, serene expression. At her feet, a dark, dragon-like creature is visible, a symbolic representation of her…
In this vertical composition, Sassetta presents Saint Apollonia as a single, centered figure. The saint is positioned against a flat, decorative gold background that emphasizes her presence through a sense of divine stillness. Her expression remains calm and contemplative, a quietude that contrasts with the heavy symbolism of her attributes. She holds the pincers used in her martyrdom, a specific detail that identifies her within the religious tradition. This object,…
This vertical and narrow tempera painting on a wood panel, created in 1430, depicts St. Nicholas of Bari in a formal, iconographic pose. The subject is presented as…
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The air within the grand hall feels heavy with a sacred stillness, as if time itself has paused to witness this celestial assembly. At the heart of the…
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In the quiet, hallowed atmosphere of the early Italian Renaissance, few works capture the profound intimacy of spiritual transcendence as exquisitely as Sassetta’s The Ecstasy of St. Francis…
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The air feels heavy with the weight of impending tragedy as a crowded procession moves steadily from left to right across the panel. Jesus walks at the center…
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The scene captures the precise instant of Judas's kiss, a moment of profound spiritual and human tension. Within a crowded, shallow space, the figures are compressed together, creating…
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The Madonna of Humility emerges from the golden light of the early fifteenth century, a sacred vision rendered by the hand of Sassetta. Dating to about 1432, this…
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St. Anthony of Padua is a religious panel painting executed by the Sienese artist Sassetta. Known to history as Stefano di Giovanni, the painter was a central figure…
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The painting presents a formal, hierarchical arrangement of figures set against a luminous gold background. At the center, the Madonna is enthroned, her form draped in a mantle…
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The figure of Saint Matthew emerges from a shimmering expanse of gold leaf, his presence commanding a quiet, sacred space. He stands with a dignified stillness, an elderly…
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The heavens open in a rhythmic surge of light and shadow. At the center of this vertical movement, the Virgin Mary ascends, her form caught in a moment…
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is a work by Sassetta (Stefano Di Giovanni), executed between 1437 and 1444. It forms part of a larger cycle, specifically the fifth of eight scenes illustrating the…
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The air in the room seems to settle around the figures, held in a stillness that feels heavy with grace. A woman sits with a gentle, grounded presence,…
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In the quietude of the early fifteenth century, the Sienese master Sassetta captured a moment of profound spiritual intimacy that continues to resonate across the centuries. St Thomas…
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The artwork titled Damnation of the Soul of the Miser of Citerna was executed by the artist Sassetta. This specific panel originated in 1437. It was created as…
The Ecstasy of St Francis is a renowned painting by the Italian artist Sassetta (Stefano Di Giovanni), created in 1437. This tempera on panel artwork, measuring 190 x…
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The image presents a detailed view of a section of a tempera on wood panel painting from 1423. In the foreground, several open books rest upon a wooden…
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In the quiet, hallowed atmosphere of the early Italian Renaissance, few moments capture the intersection of the earthly and the divine as poignantly as Stefano di Giovanni’s The…
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In the delicate brushstrokes of Sassetta, specifically within this exquisite detail from the Virgin with Child and Four Saints, we find ourselves transported to the heart of the…
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In the quiet, luminous corridors of the early Italian Renaissance, few works capture the intersection of earthly devotion and celestial grace as profoundly as Sassetta’s Virgin and Child…
Stefano di Giovanni, known as Sassetta, gifted us with “The Blessed Ranieri Frees the Poor from a Jail in Florence,” a captivating panel painted around 1444 that transcends…
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Stefano di Giovanni, known to art history as Sassetta, gifted us with a profoundly moving and technically brilliant depiction of “St. Thomas Before the Cross” in 1423 –…
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Stefano di Giovanni, known as Sassetta, was a pivotal figure in the transition from late Gothic to early Renaissance painting in Siena during the 15th century. His work…
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The Last Supper by Sassetta (Stefano Di Giovanni) is a remarkable painting that showcases the artist's skill in capturing complex emotional states and conveying religious narratives. Created in…
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The painting St Anthony the Hermit Tortured by the Devils by Sassetta (Stefano Di Giovanni) is a remarkable work of art that showcases the artist's skill in capturing…
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A Moment of Reverence: Sassetta’s St Thomas Inspired by the Dove The painting “St Thomas Inspired by the Dove of the Holy Ghost,” attributed to Sassetta (Stefano di…
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The Madonna sits upon a throne of red and gold, her skin pale against the heavy weight of her garments. She holds the infant Christ, whose small limbs…
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Stefano di Giovanni’s “The Meeting of St. Anthony and St. Paul,” painted around 1440, isn't merely a religious depiction; it’s a profound meditation on faith, solitude, and the…
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To gaze upon Sassetta's "The Journey of the Magi" is to step directly into the luminous heart of the early Italian Renaissance. This exquisite panel, dating from 1435,…
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O Casamento de São Francisco e Lady Poverty Stefano di Giovanni, conhecido como Sassetta (1392-1450), foi um pintor renascentista italiano que desempenhou um papel fundamental na escola sienesa.…
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A Moment of Severance Saint Francis renounces his Earthly Father captures a pivotal moment of spiritual transition through a structured, multi-arched architectural framework. The composition uses pink-toned arches…
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In the quiet sanctity of the Sienese Renaissance, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility with Four Saints. Created…
In the quiet, luminous corridors of the early Italian Renaissance, few works capture the intersection of earthly devotion and celestial grace as profoundly as Sassetta’s The Virgin and…
Leve esta luz para casa →Os quatro temas que mais aparecem nestas telas, cada um com o seu exemplo mais amado.
Os 8 museus que detêm a maioria das pinturas desta página.
| Museu | Cidade | Obras de Stefano di Giovanni | Pinturas desta lista |
|---|---|---|---|
 National Gallery |
Londres | 6 | Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, Saint Francis before the Sultan |
 Szépművészeti Múzeum |
Budapeste | 5 | St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost (detail) |
 Museo Diocesano |
Cortona | 4 | Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail) |
 National Gallery of Art |
Washington | 4 | Saint Margaret, Saint Apollonia, Madonna of Humility |
 Museu do Louvre |
Paris | 4 | Damnation of the Soul of the Miser of Citerna, The Blessed Ranieri Frees the Poor from a Prison in Florence, Virgin and Child with Saints |
 Pinacoteca Nazionale |
Siena | 4 | St Jerome (detail), The Last Supper, St Anthony the Hermit Tortured by the Devils |
 Detroit Institute of Arts |
Detroit | 3 | The Agony in the Garden, The Procession to Calvary, The Betrayal of Christ |
 Metropolitan Museum of Art |
Nova York | 3 | The Annunciation ", Madonna and Child with Angels, The Journey of the Magi |
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a…
The air feels heavy with the scent of woodsmoke and the weight of a gathering crowd. In this 1423 tempera work, a public execution unfolds under a deep…
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432,…
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444.…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally…
Madonna of Humility (1432), Staatliche Museen zu Berlin, Berlim. Seguidos por Virgin with Child and Four Saints (detail) (1435) e Saint Francis and the Poor Knight, and Francis's Vision (1437).
Stefano di Giovanni, nascido(a) em 1392, tinha 40 anos: Madonna of Humility data de 1432.
Madonna of Humility, Virgin with Child and Four Saints (detail), Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, The Agony in the Garden, Saint Francis before the Sultan, Saint John the Evangelist, The burning of a heretic, Saint Margaret e Saint Apollonia. Cada tela no ranking acima inclui o seu ano e o seu museu.
56 obras de Stefano di Giovanni estão em nosso catálogo, datadas de 1412 a 1450.
Principalmente em National Gallery (Londres), Szépművészeti Múzeum (Budapeste) e Museo Diocesano (Cortona); a lista acima indica cada museu e as suas telas.
Em 1430s, que compreende 27 das 56 obras desta página, Madonna of Humility entre elas.
A tela mais antiga aqui é de Saint John the Evangelist (1412); a mais recente é de Saint Francis before the Sultan (1450).
People (10), Gold background (9) e Woman (7), entre as 56 obras nesta página.
Tempera On Panel, utilizado em 27 das 56 obras nesta página.
Early renaissance, como mostram as telas nesta página.
O National Gallery, Londres detém 6 das obras desta página, entre elas Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis e Saint Francis before the Sultan.
Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.
Na era luminosa do Quattrocento italiano, poucos nomes evocam a delicada transição do medieval para o moderno de forma tão pungente quanto Stefano di Giovanni, conhecido mais afetuosamente pela história como Sassetta (Stefano Di Giovanni). Figura central da Escola Sienense, sua arte representa uma ponte profunda entre a elegância decorativa do período Gótico Tardio e o realismo emergente do Renascimento. Embora as origens exatas de sua vida permaneçam envoltas nas névoas do tempo — com estudiosos debatendo se ele nasceu em Siena ou talvez em Cortona — sua presença na paisagem toscana é inegável. Sua obra carrega a alma rítmica e lírica de Siena, mas respira com uma nova vitalidade observacional que sugere um artista profundamente engajado com os ventos de mudança de sua era.
A jornada criativa de Sassetta (Stefano Di Giovanni) foi uma de síntese sofisticada. Ele possuía a rara habilidade de honrar o estilo tradicional sienense — caracterizado por seu detalhamento intrincado e profundidade espiritual — enquanto absorvia, simultaneamente, as inovações revolucionárias que surgiam de Florença. A influência de mestres como Masaccio, Masolino e Gentile da Fabriano pode ser sentida em seu domínio evolutivo sobre as relações espaciais e o uso da luz. Ele não apenas copiou essas novas técnicas; em vez disso, ele as integrou para infundir suas figuras com um brilho naturalista, permitindo que a luz moldasse convincentemente suas formas e criasse uma sensação de espaço coeso e pulsante em suas composições.
A obra de Sassetta (Stefano Di Giovanni) é um testemunho de seu domínio da pintura narrativa, onde cada pincelada serve a um propósito espiritual superior. Suas obras funcionam frequentemente como janelas para o divino, utilizando uma paleta de cores sofisticada e composições rítmicas para guiar o espectador através de histórias sagradas. Em obras-primas como A Última Ceia, ele demonstra uma habilidade extraordinária para capturar estados emocionais complexos, utilizando tons terrosos e uma perspectiva cuidadosa para ancorar a profunda narrativa religiosa em uma realidade palpável e sombria. Sua capacidade de equilibrar a beleza ornamental da tradição gótica com um crescente senso de drama humano torna seus painéis unicamente cativantes.
Além da escala íntima de seus painéis menores, Sassetta (Stefano Di Giovanni) alcançou grande renome através de retábulos e polípticos significativos que definiram a paisagem religiosa de seu tempo. Entre seus feitos artísticos mais notáveis, destacam-se:
A importância histórica de Sassetta (Stefano Di Giovanni) reside em seu papel como guardião e inovador. Ele garantiu que a identidade única da Escola Sienense não desaparecesse diante do domínio florentino, mas que, em vez disso, evoluísse para incluir a nova linguagem de realismo e profundidade. Suas pinturas não são meras relíquias de uma era passada; são diálogos vivos entre o velho mundo e o novo. Através de seu manuseio delicado da luz, seu domínio da iconografia simbólica e sua profunda empatia por seus temas, Sassetta (Stefano Di Giovanni) deixou uma marca indelével na história da arte italiana, assegurando seu lugar como um dos representantes mais importantes do Renascimento Sienense.
