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      Walter Richard Sickert, 1860 – 1942

      The 100 Most Famous Walter Richard Sickert Paintings, Ranked

      The best-loved painting by Walter Richard Sickert is The Idyll (1931), which hangs in the Ferens Art Gallery, Kingston upon Hull. The Cigarette (Jeanne Daurmont) (1906) and Chagford, Devon, across Fields (1915) come next among the canvases readers know best. Our catalogue holds 292 works by Walter Richard Sickert: here are the 100 most famous, each with its year, its museum and what makes it memorable.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated Outubro 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Walter Richard Sickert
      Walter Richard Sickert · 1860 – 1942
      Born · died
      1860 – 1942, Munique
      Movement
      Post-impressionism
      Works in our catalogue
      292
      Most famous
      The Idyll (1931)
      Most works at
      Tate Gallery

      Top 10 Walter Richard Sickert paintings: the canvases everyone knows

      The Idyll (1931) by Walter Richard Sickert
      1

      The Idyll

      1931 · Oil On Canvas · Ferens Art Gallery, Kingston upon Hull

      In the quietude of 1931, Walter Richard Sickert captured a scene that transcends mere landscape, offering instead a profound meditation on connection and stillness. The Idyll is not simply a depiction of a lakeside retreat; it is a psychological threshold where the boundaries between the external world and internal emotion blur. The painting presents two figures poised before a tranquil expanse of water, their presence anchored by a shared, silent…

      The Cigarette (Jeanne Daurmont) (1906) by Walter Richard Sickert
      2

      The Cigarette (Jeanne Daurmont)

      1906 · Oil On Canvas · Metropolitan Museum of Art, Nova York

      A monochromatic portrait captures Jeanne Daurmont in profile, her form emerging from a dark, indistinct background through a careful application of chiaroscuro. The composition focuses on the head and shoulders, positioned slightly off-center to create a sense of quiet intimacy. A light source from the front-left illuminates the subject's face and neck, while deep shadows swallow much of her hair and the brim of her wide hat.

      Cicely Hey (1923) by Walter Richard Sickert
      8

      Cicely Hey

      1923 · Oil On Canvas · Coleção do Conselho Britânico, Londres

      In the quiet intensity of Walter Richard Sickert’s 1923 masterpiece, “Cicely Hey,” we encounter more than just a portrait; we step into a profound psychological landscape. The painting captures a young woman in a moment of suspended animation, where her outward serenity is subtly undercut by an unmistakable sense of inner distress. As the viewer approaches this canvas, the subject's gaze pulls us into a state of deep contemplation, inviting…

      Mrs Swinton (1905) by Walter Richard Sickert
      9

      Mrs Swinton

      1905 · Oil On Canvas

      A Glimpse into the Life of Mrs. Swinton The painting Mrs Swinton by Walter Richard Sickert, created in 1905, is a captivating portrait that invites viewers to ponder the life and character of its subject. Located at the Fitzwilliam Museum in Cambridge, United Kingdom, this oil on canvas piece is a testament to Sickert's skill in capturing the essence of his subjects. The Composition and Symbolism The painting depicts Mrs.…

      Gatti’s Hungerford Palace of Varieties. Second Turn of Katie Lawrence (1888) by Walter Richard Sickert
      10

      Gatti’s Hungerford Palace of Varieties. Second Turn of Katie Lawrence

      1888 · Oil On Canvas · Yale University Art Gallery, New Haven

      We are looking at Gatti’s Hungerford Palace of Varieties. Second Turn of Katie Lawrence, an oil on canvas created by Walter Sickert. This work, dating to 1888, captures a specific moment within the theatrical atmosphere of the music hall. The scene focuses on Katie Lawrence, a music hall singer, as she performs her turn on stage.

      More Walter Richard Sickert canvases, 11 to 100

      The Miner (1935) by Walter Richard Sickert
      #15

      The Miner

      1935 · Birmingham Museum and Art Gallery

      Walter Richard Sickert's "The Miner," painted in 1935-36, isn’t merely a depiction of a working man; it’s an intimate excavation of human experience. This oil painting, currently residing…

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      George Moore (1890) by Walter Richard Sickert
      #16

      George Moore

      1890

      A Glimpse into Introspection: Walter Sickert's Portrait of George Moore This compelling portrait offers a poignant glimpse into the life of Irish author and playwright George Moore, captured…

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      The Brighton Pierrots (1915) by Walter Richard Sickert
      #17

      The Brighton Pierrots

      1915 · Museu Ashmolean de Arte e Arqueologia

      The scene unfolds in the monochrome shadows of a seaside night. Under the artificial glow of the pier, figures move through a landscape of salt air and darkness.…

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      George Moore (1890) by Walter Richard Sickert
      #35

      George Moore

      1890 · Tate Gallery

      Walter Richard Sickert’s portrait, "George Moore," is not merely a likeness captured on canvas; it is an encounter with a profound, internalized moment. The subject confronts the viewer…

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      Ennui (1918) by Walter Richard Sickert
      #37

      Ennui

      1918 · Museu Ashmolean de Arte e Arqueologia

      In the dim, muted light of Walter Richard Sickert’s 1918 masterpiece, Ennui, we are invited into a private moment of profound emotional stagnation. The painting serves as a…

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      Mrs Swinton (1906) by Walter Richard Sickert
      #42

      Mrs Swinton

      1906 · Museu Fitzwilliam

      In the quiet, evocative depths of Walter Richard Sickert’s 1906 masterpiece, "Mrs Swinton," viewers are invited into a world where the boundaries between portraiture and atmosphere dissolve. This…

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      The Sisters Lloyd (1889) by Walter Richard Sickert
      #47

      The Sisters Lloyd

      1889 · Government Art Collection

      Walter Richard Sickert’s The Sisters Lloyd transports us into an intimate moment suspended in time, a scene steeped in the delicate artifice of domestic life. This portrait captures…

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      Jacques-Emile Blanche (1910) by Walter Richard Sickert
      #48

      Jacques-Emile Blanche

      1910 · Tate Gallery

      In the quiet, shadowed corners of late nineteenth and early twentieth-century European art, few works capture the profound weight of identity as poignantly as Walter Richard Sickert’s “Jacques-Émile…

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      Israel Zangwill (1898) by Walter Richard Sickert
      #49

      Israel Zangwill

      1898

      In the quiet depths of Walter Richard Sickert’s 1898 masterpiece, Israel Zangwill, we encounter more than just a mere likeness; we are invited into a profound moment of…

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      Baccarat, Dieppe (1920) by Walter Richard Sickert
      #50

      Baccarat, Dieppe

      1920 · Auckland Art Gallery Toi o Tāmaki

      The scene unfolds in a moment of quiet concentration as a group of people gathers closely around a table. In Baccarat, Dieppe, the artist Walter Sickert captures a…

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      Mrs Barrett (1905) by Walter Richard Sickert
      #51

      Mrs Barrett

      1905 · Tate Gallery

      Walter Richard Sickert’s ‘Mrs Barrett’: A Study in Shadows and Subtlety Walter Richard Sickert's “Mrs Barrett,” painted around 1905, isn’t merely a portrait; it’s a carefully constructed tableau…

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      The Yellow Sleeve (1904) by Walter Richard Sickert
      #54

      The Yellow Sleeve

      1904 · New Walk Museum - Art Gallery

      In the quiet corners of art history, few moments possess the profound stillness found in Walter Richard Sickert’s 1904 masterpiece, The Yellow Sleeve. This evocative portrait invites the…

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      Camden Town Portrait (1915) by Walter Richard Sickert
      #58

      Camden Town Portrait

      1915 · Amgueddfa Cymru - National Museum of Wales

      Camden Town Portrait - A Study in Shadow and Observation Walter Richard Sickert’s “Camden Town Portrait,” completed in 1915–16, resides within the National Museum Wales collection—a deceptively simple…

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      The Bar Parlour (1922) by Walter Richard Sickert
      #59

      The Bar Parlour

      1922 · Museu Fitzwilliam

      In the quiet, amber-hued corners of early twentieth-century London, Walter Richard Sickert found his most profound muses. The Bar Parlorp, painted in 1922, serves as a masterful window…

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      The Horses of St Mark's, Venice (1905) by Walter Richard Sickert
      #60

      The Horses of St Mark's, Venice

      1905 · Birmingham Museum and Art Gallery

      Walter Richard Sickert's "The Horses of St Mark's, Venice," painted in 1905, is a captivating oil on canvas that transports viewers to the heart of Venice. This artwork,…

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      Harold Gilman (1912) by Walter Richard Sickert
      #62

      Harold Gilman

      1912 · Tate Gallery

      Walter Richard Sickert’s depiction of Harold Gilman is more than just a likeness; it is a carefully preserved moment plucked from the vibrant, sometimes fraught, atmosphere of early…

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      Miss Earhart's Arrival (1932) by Walter Richard Sickert
      #64

      Miss Earhart's Arrival

      1932 · Tate Gallery

      Walter Richard Sickert’s Miss Earhart's Arrival is not merely a depiction of a rainy day; it is an immersion into a specific, charged moment of modern urban life.…

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      The Front at Hove (1930) by Walter Richard Sickert
      #67

      The Front at Hove

      1930 · Tate Gallery

      Walter Richard Sickert's "The Front at Hove," painted in 1930, isn’t merely a depiction of a seaside scene; it’s a carefully constructed tableau brimming with psychological depth and…

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      Santa Maria del Carmelo, Venice (1900) by Walter Richard Sickert
      #68

      Santa Maria del Carmelo, Venice

      1900 · Museu Ashmolean de Arte e Arqueologia

      In the quiet, amber-hued twilight of Venice, where the mist of the lagoons meets the ancient stone of the city, Walter Richard Sickert captured a moment of profound…

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      Ennui (1917) by Walter Richard Sickert
      #69

      Ennui

      1917 · Ashmolean Museum

      Walter Richard Sickert's 1917 painting, *Ennui*, is not merely a depiction of two women; it’s a carefully constructed tableau of quiet desperation, a poignant snapshot of the burgeoning…

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      A Marengo (1903) by Walter Richard Sickert
      #71

      A Marengo

      1903 · Tate Gallery

      Walter Richard Sickert's “A Marengo,” painted in 1903, isn’t merely a depiction of two women engaged in conversation; it’s a carefully constructed tableau brimming with psychological depth and…

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      The Oxford Music Hall by Walter Richard Sickert
      #73

      The Oxford Music Hall

      Galeria de Arte da Nova Gales do Sul

      The Oxford Music Hall is a significant work by the artist Walter Sickert. This piece, which is also known by the alternative title The old Bedford, offers a…

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      Her Majesty's (1934) by Walter Richard Sickert
      #74

      Her Majesty's

      1934 · Ashmolean Museum

      A Glimpse of Victorian Grandeur: Walter Richard Sickert’s “Her Majesty’s” Walter Richard Sickert's "Her Majesty’s," painted around 1934, isn’t merely a depiction of a London theatre; it’s a…

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      Wellington House Academy (1914) by Walter Richard Sickert
      #75

      Wellington House Academy

      1914

      In the soft, filtered light of 1914, Walter Richard Sickert captured a moment that transcends mere musical practice to become a profound study of human connection and shared…

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      Interior of St Mark's, Venice (1895) by Walter Richard Sickert
      #76

      Interior of St Mark's, Venice

      1895 · Tate Gallery

      Walter Richard Sickert’s “Interior of St Mark’s, Venice” (1895-6) isn't merely a depiction of a cathedral; it’s an immersive experience. This oil on canvas transports the viewer directly…

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      Bathing Huts, Dieppe (1890) by Walter Richard Sickert
      #83

      Bathing Huts, Dieppe

      1890 · Courtauld Gallery

      Walter Richard Sickert's "Bathing Huts, Dieppe" isn’t merely a depiction of a coastal scene; it’s a carefully constructed tableau brimming with atmosphere and a subtle undercurrent of melancholy.…

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      Walter Richard Sickert's canvases, period by period

      What Walter Richard Sickert painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Walter Richard Sickert's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Walter Richard Sickert Paintings from this list
      Tate Gallery, LondresTate Gallery Londres 19 George Moore, Jacques-Emile Blanche, Mrs Barrett
      Museu Ashmolean de Arte e Arqueologia, OxfordMuseu Ashmolean de Arte e Arqueologia Oxford 6 The Brighton Pierrots, Ennui, Santa Maria del Carmelo, Venice
      Museu Fitzwilliam, CambridgeMuseu Fitzwilliam Cambridge 4 Mrs Swinton, The Bar Parlour, The Old Bedford Music Hall
      Ashmolean Museum, OxfordAshmolean Museum Oxford 4 Ennui, Her Majesty's, Gaieté Montparnasse, dernière galerie de gauche
      Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 7 The Miner, The Horses of St Mark's, Venice
      Galeria de Arte da Nova Gales do Sul, SydneyGaleria de Arte da Nova Gales do Sul Sydney 6 Portrait of the artist's first wife, née Ellen Cobden, The Oxford Music Hall
      Metropolitan Museum of Art, Nova YorkMetropolitan Museum of Art Nova York 4 The Cigarette (Jeanne Daurmont), Reclining Nude (Thin Adeline)
      Courtauld Gallery, LondresCourtauld Gallery Londres 4 View of Dieppe with Eglise du Pollet, Bathing Huts, Dieppe

      Walter Richard Sickert's best-loved canvas of each decade

      1. 1880s
      2. 1890s
        Portrait of the artist's first wife, née Ellen Cobden (1893) by Walter Richard Sickert
        12 of 100

        Portrait of the artist's first wife, née Ellen Cobden

        Age 30 – 39 · Galeria de Arte da Nova Gales do Sul

        The work titled Portrait of the artist's first wife, née Ellen Cobden is a painting by the artist Walter Sickert. The subject of this portrait is Ellen Cobden,…

      3. 1900s
        The Cigarette (Jeanne Daurmont) (1906) by Walter Richard Sickert
        2 of 100

        The Cigarette (Jeanne Daurmont)

        Age 40 – 49 · Metropolitan Museum of Art

        A monochromatic portrait captures Jeanne Daurmont in profile, her form emerging from a dark, indistinct background through a careful application of chiaroscuro. The composition focuses on the head…

      4. 1910s
      5. 1920s
        Portrait of Rear Admiral Walter Lumsden, C.I.E., C.V.O. (1927) by Walter Richard Sickert
        Canvas 6 of 100

        Portrait of Rear Admiral Walter Lumsden, C.I.E., C.V.O.

        Age 60 – 69 · Minneapolis Institute of Art

        Portrait of Rear Admiral Walter Lumsden, C.I.E., C.V.O. is an oil on canvas created by Walter Sickert. The work dates to 1927. It is currently held in the…

      6. 1930s
        The Idyll (1931) by Walter Richard Sickert
        Ranked 1 of 100

        The Idyll

        Age 70 – 79 · Ferens Art Gallery

        In the quietude of 1931, Walter Richard Sickert captured a scene that transcends mere landscape, offering instead a profound meditation on connection and stillness. The Idyll is not…

      About Walter Richard Sickert's canvases: your questions answered

      What is the best-known painting by Walter Richard Sickert?Read the answer

      The Idyll (1931), Ferens Art Gallery, Kingston upon Hull. The Cigarette (Jeanne Daurmont) (1906) and Chagford, Devon, across Fields (1915) follow.

      What age was Walter Richard Sickert when The Idyll was painted?Read the answer

      Walter Richard Sickert, born in 1860, was 71 years old: The Idyll dates from 1931.

      What are the 10 most famous paintings by Walter Richard Sickert?Read the answer

      The Idyll, The Cigarette (Jeanne Daurmont), Chagford, Devon, across Fields, The Laundry Shop, Dieppe, France, The Red Shop (The October Sun), Portrait of Rear Admiral Walter Lumsden, C.I.E., C.V.O., The Honourable Lady Fry, Cicely Hey, Mrs Swinton and Gatti’s Hungerford Palace of Varieties. Second Turn of Katie Lawrence. Each canvas in the ranking above comes with its year and its museum.

      How many works did Walter Richard Sickert paint in all?Read the answer

      292 works by Walter Richard Sickert are in our catalogue, dated 1880 to 1937.

      Where can I see Walter Richard Sickert's most famous canvases?Read the answer

      Mostly in Tate Gallery (Londres), Museu Ashmolean de Arte e Arqueologia (Oxford) and Museu Fitzwilliam (Cambridge); the list above names each museum and its canvases.

      When did Walter Richard Sickert paint the best-loved canvases?Read the answer

      In 1890s, which gave 25 of the 100 works on this page, Portrait of the artist's first wife, née Ellen Cobden among them.

      Which are Walter Richard Sickert's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Violets (1880); the latest is Pimlico (1937).

      What did Walter Richard Sickert paint most often?Read the answer

      Portrait (12), Victorian era (11) and Woman (9), across the 100 works on this page.

      Which medium did Walter Richard Sickert paint in most often?Read the answer

      Oil On Canvas, used in 33 of the 100 works on this page.

      Which movement is Walter Richard Sickert's painting part of?Read the answer

      Post-impressionism and Impressionism, as the canvases on this page show.

      Which Walter Richard Sickert canvases hang at the Tate Gallery?Read the answer

      The Tate Gallery, Londres holds 12 of the works on this page, among them George Moore, Jacques-Emile Blanche and Mrs Barrett.

      Can I buy a reproduction of a Walter Richard Sickert canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Walter Richard Sickert: a life in paint

      A Life Painted in Shadows and Light

      Walter Richard Sickert, born in Munich in 1860, was a figure perpetually caught between worlds – German by birth, British by adoption, and an artist forever oscillating between the established traditions of painting and the burgeoning currents of modernism. His early life was marked by movement; the family’s relocation to England in 1868, prompted by political shifts in Europe, instilled within him a sense of displacement that perhaps fueled his lifelong fascination with outsiders and marginalized figures. Though descended from a lineage of artists – his father, Oswald Sickert, was a Danish painter – young Walter initially harbored ambitions for the stage, briefly treading the boards as an actor alongside the renowned Sir Henry Irving. This early exposure to performance, to the art of illusion and character, would profoundly shape his artistic vision, imbuing his paintings with a theatricality and psychological depth that set him apart from his contemporaries. However, the allure of visual expression proved stronger, leading him to enroll at the Slade School in 1881 and subsequently become a devoted pupil of James Abbott McNeill Whistler. This mentorship was formative, instilling in Sickert a preference for tonal studies painted *alla prima*, directly from nature, and a refined aesthetic sensibility that would underpin his early work. The influence of Whistler wasn’t merely technical; it fostered an appreciation for artistic independence and a willingness to challenge conventional norms.

      London's Underbelly and the Allure of Modern Life

      Sickert’s artistic compass quickly gravitated towards the vibrant, often gritty realities of London life. He became captivated by the atmosphere of the city’s music halls – spaces teeming with energy, spectacle, and a diverse cross-section of society. His paintings from this period, such as Katie Lawrence at Gatti's, are remarkable for their unflinching portrayal of these environments and their inhabitants. These weren’t simply depictions; they were explorations of modern urban existence, capturing the fleeting moments and raw emotions experienced within those walls. He sought to paint life as it was lived, not as it was idealized, a radical departure from Victorian artistic conventions. The figures in his paintings—often women performers, street vendors, or casual observers—were rendered with a keen eye for detail and an understanding of their social context. Critics of the time often dismissed these scenes as vulgar and unsettling, but Sickert’s work offered a starkly honest portrayal of London's underbelly – a world largely ignored by mainstream art. His fascination with this milieu continued throughout his career, informing many of his most iconic works.

      The Influence of Whistler and the Pursuit of Tone

      James Abbott McNeill Whistler profoundly shaped Sickert’s artistic approach. The American painter championed *tonality*—the use of color and light to create mood and atmosphere—over detailed representation. This philosophy resonated deeply with Sickert, who developed a distinctive style characterized by subtle gradations of tone and a deliberate avoidance of sharp outlines. He favored *alla prima* painting—working directly onto the canvas without preliminary sketches—to capture the fleeting effects of light and shadow. Whistler’s emphasis on “art for art's sake” encouraged Sickert to prioritize aesthetic expression over narrative or moralistic themes, a principle that would become central to his artistic practice. This commitment to tonal harmony and atmospheric effect is evident in many of his early works, particularly those depicting landscapes and interiors.

      The Camden Town Group and the Embrace of Modernism

      As the 20th century dawned, Sickert became a central figure in the burgeoning British avant-garde movement. He joined the New English Art Club in 1888, aligning himself with artists who embraced French Impressionist principles. Later, he played a pivotal role in establishing the Camden Town Group in 1911 – a collective of artists dedicated to portraying modern life with unflinching honesty and stylistic innovation. Sickert’s influence on this group was profound, encouraging them to break away from traditional academic constraints and explore new forms of expression. He championed an unromanticized vision of the urban landscape, focusing on everyday scenes and ordinary people. His paintings during this period often featured unsettling subject matter, such as his Camden Town Murder series, reflecting a growing fascination with crime and psychological tension. This willingness to confront difficult themes cemented his reputation as a provocative and challenging artist.

      Legacy and Lingering Mysteries

      Walter Richard Sickert’s legacy extends far beyond his prolific output. He was a catalyst for change in British art, paving the way for subsequent generations of artists to embrace modernism and explore new avenues of expression. His influence can be seen in the work of numerous painters who followed, particularly those associated with the London Group and other avant-garde movements. Sickert’s pioneering spirit, his commitment to realism, and his willingness to challenge societal norms continue to resonate with artists today. While controversies surrounding his life – including speculation about his potential involvement in the Jack the Ripper murders – have added layers of intrigue to his story, they do not diminish his artistic achievements. These theories, though largely dismissed by scholars, speak to the unsettling quality of his work and its preoccupation with themes of violence and urban decay. His paintings remain powerful testaments to a changing world, offering glimpses into the lives and experiences of those often overlooked by traditional art history. He was an artist who dared to look beyond the surface, to confront the uncomfortable truths of modern life, and to capture them on canvas with unflinching honesty.

      Key Details & Influences

      • Born: May 31, 1860, Munich, Bavaria
      • Died: January 22, 1942, Bathampton, England
      • Key Influences: James Abbott McNeill Whistler, Edgar Degas
      • Associated Groups: New English Art Club, Camden Town Group
      Sickert’s work can be found in major museums worldwide, ensuring that his vision continues to inspire and provoke audiences for years to come. He remains a pivotal figure in the history of British art, an artist who dared to challenge conventions and to paint the world as he saw it – in all its beauty, ugliness, and complexity.

      All 292 works by Walter Richard Sickert →