A pintura mais amada de Xia Gui é Twelve Views of Landscape (Shan-shui shih-erh-ching), que está exposta no Nelson-Atkins Museum of Art, Kansas City. O nosso catálogo contém 2 obras de Xia Gui: aqui estão as 2 mais famosas, cada uma com o seu ano, o seu museu e o que a torna memorável.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.
Os 2 museus que detêm a maioria das pinturas desta página.
| Museu | Cidade | Obras de Xia Gui | Pinturas desta lista |
|---|---|---|---|
| Kansas City | 1 | Twelve Views of Landscape (Shan-shui shih-erh-ching) | |
| Taipé | 1 | Pure and Remote View of Streams and Mountains |
Twelve Views of Landscape (Shan-shui shih-erh-ching)
2 obras de Xia Gui estão em nosso catálogo.
Principalmente em Nelson-Atkins Museum of Art (Kansas City) e National Palace Museum (Taipé); a lista acima indica cada museu e as suas telas.
Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.
Xia Gui was a Chinese landscape painter of the Song dynasty, most likely born in Hangzhou, People's Republic of China. Alongside his contemporary Ma Yuan, he founded the influential Ma-Xia school. While much of his life remains unknown, he served in the Imperial Painting Academy during the reign of Emperor Ningzong. His artistic approach was characterized by a move away from highly detailed, complex compositions toward a more immediate and striking effect, often utilizing limited materials to achieve this impact.
His technical mastery is evident in his use of extremely subtle, graded ink washes and overlapping brushstrokes to create atmospheric effects of mist, sky, and infinity. He was noted for his ability to work with great ease and speed, often producing spontaneous creations on paper that absorbed ink quickly. Furthermore, Xia Gui was praised for his skill in drawing architecture freehand without the use of a ruler.
The surviving works of Xia Gui include various genres, such as small album leaves and hand scrolls. His technique often featured perfectly balanced diagonal compositions where void and solid mass played equally important roles. Notable examples of his work include:
His influence extended far beyond his own era, impacting the Japanese master Sesshū Tōyō, who was influenced by Xia's idiom and made studies of his landscape fans.