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Peter Dollond (1731–1821)

Nume Clasă Date

John Hoppner, Peter Dollond (1731–1821), College of Optometrists. Domeniu public. Observați această pânză sub o lumină în mișcare: desenul, culoarea reală de sub vernis, pigmentul pur

Fapte relevante

Artist
John Hoppner topimpressionists.com/ro/artists/john-hoppner_ro/
Date despre artist
1758 – 1810
Dimensiune originală
73 x 63 cm
Mișcare
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Organizat la
College of Optometrists topimpressionists.com/ro/museums/college-of-optometrists-london/

În context

Peter Dollond (1731–1821) — John Hoppner

Care sunt dimensiunile sale?

Originalul măsoară 73 × 63 cm (înălțime × lățime), prezentat aici alături de un adult de înălțime medie.

Când ar fi putut fi pictată această lucrare?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810

Rândul de sus: anii. Rândul de jos: vârsta artistului la începutul și la sfârșitul fiecărei perioade — 0 la naștere, 52 la moarte.

Shaded: întreaga viață a lui John Hoppner (1758–1810) fiecare pictură datată, deceniu cu deceniu

Primele lucrări: până în 1793 Anii principali de activitate: 1793–1800 Lucrări târzii: din 1800

Aceste trei intervale împart lucrările datate în acest catalog într-un prim trimestru, o perioadă intermediară și un ultim trimestru. Acestea nu reprezintă întreaga producție a artistului: o perioadă scurtă poate fi o lacună în arhivă, mai degrabă decât o perioadă de inactivitate. Aceleași ani în care viața artistului s-a desfășurat paralel cu ei

Pentru această înregistrare nu există un an exact în arhivă — având în vedere perioada de viață a artistului și stilul operei, ce deceniu ați ghici?

Compară cu

Alege o lucrare de mai sus: numește două elemente pe care le are în comun cu aceasta și unul care o diferențiază.

Alte lucrări care pot fi puse alături de aceasta: topimpressionists.com/ro/art/similar/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/

Culori

Măsurată din imagine

    Culoare principală

    Clay #a07357

    Paletă catalogată

    • #A07357
    • #241F18
    • #47381D
    • #CAAB8F

    Aceste culori din întreaga paletă a artistului Caută alte picturi după culoare

    Paletă
    Earthy Paleta cromatică dominantă a imaginii.
    Nume culoare principală
    Clay
    Intensitate
    Monochromatic Rândul de saturație și varietatea culorilor, de la o singură nuanță temperată la numeroase nuanțe vibrante.
    Contrast
    Serene Gradul de diferențiere a culorilor în ceea ce privește luminozitatea și saturația pe întreaga suprafață a imaginii.
    Armonie
    Strong Color Unity Modul în care culorile interacționează între ele, de la contrast puternic la o unitate completă.
    Luminozitate
    Deep_shadow Nivelul de luminozitate sau întunecare al întregii imagini, de la umbrele profunde la luminile strălucitoare.
    Saturație
    Muted Cât de pure și intense sunt culorile, de la un gri aproape neutru până la nuanțe complet vibrante.

    Unde în lume este vizualizată această pictură?

    • sub 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% și mai mult
    Această lucrare în parte are prea puțini vizitatori înregistrați pentru a putea fi cartografiată, așa că fișa prezintă fiecare operă a lui John Hoppner din ultimele doceze luni — 11 țări în total. Sursa acestor cifre

    Cele zece principale țări

    1. 1 China 72,0%
    2. 2 Ecuador 5,3%
    3. 3 Hong Kong 5,3%
    4. 4 Statele Unite ale Americii 5,3%
    5. 5 Brazilia 2,7%
    6. 6 Singapore 2,7%
    7. 7 Argentina 1,3%
    8. 8 Costa Rica 1,3%
    9. 9 Franţa 1,3%
    10. 10 Regatul Unit 1,3%
    11. · 1 alte țări 1,5%

    Identifică cele trei cele mai întunecate țări de pe hartă. Muzeul care găzduiește această pictură se află în oricare dintre acestea? Scrie un motiv pentru care oamenii de la distanță ar putea să o privească.

    Cele 20 de opere cele mai vizualizate ale lui John Hoppner

    1. 1 Matthew Raine 13,4%
    2. 2 Girl With A Rabbit 3,7%
    3. 3 A Worshipful Master 3,7%
    4. 4 Elizabeth James Parkyns, 1794 2,4%
    5. 5 IOSEPH HAYDEN, M.D. Oxon., 1791 2,4%
    6. 6 Henry Langford (1758–1800), 1800 2,4%
    7. 7 Henry Augustus Dillon Lee (1777–1832), 13th Viscount Dillon of Costello Gallin - Henric August Dillen Lee (1777–1832), Conte de Costello Gallin, Visconte Dillon al XIII posto 2,4%
    8. 8 Jacob Pleydell-bouverie 2,4%
    9. 9 General The Honourable Frederick St John 2,4%
    10. 10 Portrait Of Elizabeth Howard 2,4%
    11. 11 Admiral Adam Duncan 2,4%
    12. 12 The Frankland Sisters, 1795 2,4%
    13. 13 Untitled (D2X748), 1805 2,4%
    14. 14 The Honourable Reverend Henry Cockayne Cust 2,4%
    15. 15 Sir William Scott (1745–1836), afterwards Baron Stowell, Elder Brother of the Earl of Eldon, Fellow (1764), Judge of the High Court of the Admiralty, 1806 1,2%
    16. 16 Thomas Williams, 1800 1,2%
    17. 17 Maria Wilson (1772–1852), Lady Trevelyan, 1791 1,2%
    18. 18 The Right Honourable William Windham (1750–1810), MP for Norwich, 1804 1,2%
    19. 19 Sir Giles Rooke (1743–1808) 1,2%
    20. — Peter Dollond (1731–1821) această pictură 0,0%

    Împreună, aceste lucrări reprezintă 53,2% din întreaga atenție primită de picturile acestui artist în ultimele doceze luni. Catalogul cuprinde 260 lucrări ale acestui artist, dintre care 57 au fost vizualizate cel puțin o dată. Această pictură nu a fost vizualizată încă în acest interval — aceasta închide lista fără un clasament. Aceleași cifre, lună de lună

    Barele măsoară atenția, nu calitatea. Alege lucrarea de la începutul listei și pe aceasta: numește un singur lucru care ar putea face o pictură celebră, dincolo de cât de bine este executată.

    Artist și muzeu

    Artist

    John Hoppner

    Născut în Londra, Regatul Unit

    a life of artistry and royal patronage

    John Hoppner, a celebrated english portrait painter, left an indelible mark on the art world with his vibrant colour palette. born in whitechapel, london, in 1758 to german immigrant parents who worked at the court of george ii., hoppner's life was marked by royal patronage and artistic brilliance.

    early life and training

    At a young age, hoppner became a chorister at the royal chapel, st james’s, but his inclination towards art led him to enter the royal academy in 1775. In 1778, he received a silver medal for drawing from life, demonstrating exceptional talent and dedication to observation—a cornerstone of reynolds's approach. Furthermore, his formal training instilled within him a profound understanding of composition and technique, shaping his artistic vision for years to come.

    rise to fame and notable works

    Hoppner’s portraits of women and children were deemed his most successful works by competent judges. His distinctive touch—characterized by breadth and freedom—gave his paintings a subtle echo of reynolds's masterful handling of light and colour, establishing him as one of the foremost artists of his time. Among his masterpieces are: mrs jordan as viola in ‘twelfth night’, now at english heritage (london, united kingdom), showcasing his unparalleled skill in capturing emotion and nuance; and portraits of the prince of wales, the duke and duchess of york, lord rodney, and lord nelson—images that graced the state apartments at st james’s palace and solidified hoppner's position within london society.

    influences and artistic style

    Hoppner was deeply influenced by joshua reynolds, whose emphasis on tonal gradation and psychological realism served as a guiding principle for hoppner’s own work. Like reynolds, he prioritized capturing the essence of his subjects—their inner life alongside their outward appearance—resulting in portraits that are both aesthetically striking and emotionally resonant. His palette was particularly notable for its boldness and luminosity, reflecting a desire to convey vibrancy and immediacy.

    legacy and historical significance

    John hoppner’s life was tragically cut short by chronic liver disease on january 23, 1810. Despite his untimely demise, hoppner's legacy endures through his captivating portraits—works that continue to inspire admiration for their beauty and psychological depth. He remains a pivotal figure in british art history, representing the apex of neoclassical portraiture and embodying the ideals of aristocratic patronage during george iii.’s reign. Explore more of john hoppner’s works at https://AllPaintingsStore.com/@/johnhoppner. Discover the broader context of british art at https://en.wikipedia.org/wiki/art_of-the-united-kingdom. Further reading and exploration for a deeper dive into the world of british art, consider the following: Sir edwin landseer lutyens, an english architect known for his imaginative adaptations.

    Muzeu

    College of Optometrists

    Expus la London, United Kingdom

    The Legacy of Sight: Unveiling the Secrets of the Eye at London’s Oldest Optics Museum

    Nestled within a pair of meticulously preserved Georgian townhouses on Craven Street, lies a treasure trove for those fascinated by the history of vision and its meticulous study – the College of Optometrists Museum. More than just a collection of spectacles, this unique institution offers a profoundly intimate glimpse into centuries of innovation, artistry, and the very human desire to understand and correct our perception of the world. Founded in 1901, it stands as the world’s oldest museum dedicated solely to ophthalmic optics, a quiet testament to the enduring pursuit of clarity and the evolution of how we see.

    The museum's heart beats within its remarkable collection of over 28,000 historic spectacles. These aren’t merely functional objects; they are miniature works of art, each frame telling a silent story of its owner – a wealthy merchant in the 18th century, a pioneering surgeon in the Victorian era, or perhaps a discerning gentleman seeking to enhance his vision for reading and leisure. The collection isn't limited to spectacles; it encompasses an astonishing array of ophthalmic instruments, from early retinoscopes used to examine the retina to intricate surgical tools that foreshadowed modern techniques. Examining these objects is akin to tracing the lineage of medical technology itself – a tangible record of incremental advancements driven by human ingenuity and a deep-seated need to alleviate suffering.

    Beyond its technical significance, the museum reveals an unexpected connection to visual culture. A dedicated section showcases artwork, prints, and scientific illustrations that explore the very concept of sight. You’ll find detailed anatomical drawings alongside evocative depictions of the eye, reflecting both the scientific understanding and the artistic fascination with this remarkable organ. The building itself adds another layer to this narrative; originally housing a telescope and optical toy shop in the 1820s – a period marked by burgeoning interest in astronomy and optics – it embodies the museum’s roots in the broader history of visual exploration.

    A Foundation Built on Expertise: History and Heritage

    The College of Optometrists Museum's origins are inextricably linked to the British Optical Association (BOA), established in 1895. This organization, along with several other professional bodies, recognized the need for a centralized institution dedicated to advancing the science and practice of optometry. In 1980, these entities coalesced to form the College of Optometrists, solidifying its position as the leading authority in the field. The Royal Charter granted by Queen Elizabeth II in 1995 served as a formal recognition of the institution’s importance and established it as a vital resource for both practitioners and researchers.

    The museum's location at 41-42 Craven Street, London WC2, is itself a piece of history. These two Georgian townhouses, built in the 1730s, represent a significant architectural style of the period. The building’s transformation from a telescope and optical toy shop to a dedicated museum reflects a remarkable evolution – a testament to the enduring value placed on understanding and improving vision.

    Rare Books & Archives: Unearthing the Past

    Delving deeper into the museum's collection reveals a rich archive of rare books, manuscripts, and organizational records. These materials provide invaluable insights into the history of optometry, tracing its development from early practices to modern advancements. You’ll find publications detailing groundbreaking discoveries, correspondence between pioneering optometrists, and meticulous documentation of professional standards – offering a comprehensive narrative of the field's evolution.

    The archive is particularly significant for its preservation of historical records relating to the British Optical Association and the College of Optometrists. These documents illuminate the institutional development, debates within the profession, and the challenges faced by those dedicated to advancing the science of vision. It’s a window into the intellectual landscape that shaped modern optometry.

    A Hidden Gem for Curious Minds

    The College of Optometrists Museum offers a unique experience – a quiet sanctuary away from the bustling tourist routes of London, yet brimming with fascinating stories and remarkable artifacts. It's a place where history, science, and design converge, appealing to a diverse audience: eye care professionals seeking to connect with their heritage, history enthusiasts eager to explore the evolution of medical technology, and anyone captivated by the intricate workings of the human visual system.

    Guided tours are available, providing expert insights into the museum’s collection and its significance. A visit here is not merely a sightseeing excursion; it's an opportunity for contemplation, discovery, and a deeper appreciation for the remarkable journey of vision – from ancient spectacles to modern corrective lenses.

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    Găsește online

    Cod QR care trimite la pagina de descărcare pentru Peter Dollond (1731–1821)

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    Citează această lucrare

    MLA
    Hoppner, John. Peter Dollond (1731–1821). n.d., College of Optometrists. https://topimpressionists.com/ro/art/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/
    APA
    Hoppner, John (n.d.). Peter Dollond (1731–1821) [Painting]. College of Optometrists. https://topimpressionists.com/ro/art/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/
    Chicago
    John Hoppner. Peter Dollond (1731–1821). n.d. College of Optometrists. https://topimpressionists.com/ro/art/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/
    Harvard
    Hoppner, John (n.d.) Peter Dollond (1731–1821). College of Optometrists. Available at: https://topimpressionists.com/ro/art/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/

    Priviți cu atenție

    Peter Dollond (1731–1821) — John Hoppner

    Privire atentă

    Răspunde cu propriile tale cuvinte. Nu există răspunsuri greșite aici — doar răspunsuri pe care le poți explica.

    1. Ce vă atrage atenția prima dată și de ce?
    2. Ce culori sau forme creează atmosfera — și care este acea atmosferă?
    3. Catalogul nostru clasifică această lucrare sub: portrait, neoclassicism, formal. Sunteți de acord? Ce ați adăuga sau ce ați elimina?
    4. Reveniți la Richard Humphreys, the Boxer, prezentat anterior în acest ghid. Identificați două elemente pe care le împarte cu această lucrare și unul care diferă.
    5. Neoclassicism: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Unde puteți observa acest lucru în această lucrare?

    Răspunsul tău

    Scrie un scurt paragraf despre această operă de artă. Folosește informațiile din secțiunile anterioare ale acestui ghid și răspunsurile oferite mai sus.

    Întrebări și răspunsuri

    Ce paletă de culori utilizează "Peter Dollond (1731–1821)"?

    "Peter Dollond (1731–1821)" de John Hoppner utilizează o paletă de culori Earthy. Această paletă definește caracterul cromatic general al operei.

    Pot vedea o previzualizare a "Peter Dollond (1731–1821)" de John Hoppner înainte de a comanda?

    O previzualizare a lucrării "Peter Dollond (1731–1821)" de John Hoppner este disponibilă pe pagina de Previzualizare în spațiu a acesteia.

    "Peter Dollond (1731–1821)" de John Hoppner este o operă de artă luminoasă sau întunecată?

    "Peter Dollond (1731–1821)" de John Hoppner este înregistrat cu o deep_shadow, având o luminanță de Dark.