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      Adèle Romany, 1769 – 1846

      Cele mai celebre 37 picturi ale lui Adèle Romany

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) este pictura pentru care Adèle Romany este cel mai cunoscut; aceasta face parte din colecția National Museum of Women in the Arts, Washington, D.C.. Madame Coury, Duhamel Widow (1811) și Portrait of a Young Woman (1804) completează trioul celor mai iubite picturi. Catalogul nostru cuprinde 39 lucrări ale lui Adèle Romany. Iată cele 37 cele mai faimate, însoțite de anul realizării, muzeul și povestea fiecărei pânze.

      Clasate în funcție de scorul nostru de popularitate, care combină numărul de căutări, vizitele și comenzile pentru fiecare operă. Actualizat Octombrie 2026. Fiecare pictură de pe această pagină poate fi comandată sub formă de reproducere pictată manual în ulei pe pânză de in, sau ca print de artă, realizat la dimensiunea aleasă de dumneavoastră.

      Portretul lui Adèle Romany
      Adèle Romany · 1769 – 1846
      Născut · Decedat
      1769 – 1846, Paris
      Mișcare
      Neoclassicism
      Lucrări din catalogul nostru
      39
      Cele mai celebre
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
      Cele mai multe lucrări în
      Library-museum of the Comédie-Française

      Cele mai iubite cele zece picturi ale lui Adèle Romany

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) de Adèle Romany
      1

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

      1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

      The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

      Reproducere pictată manual în ulei de la $178 27 × 36 cm Aceeași dimensiune ca originalul $522 97 × 128 cm Comandă în dimensiunea originală →
      Madame Coury, Duhamel Widow (1811) de Adèle Romany
      2

      Madame Coury, Duhamel Widow

      1811 · Oil On Canvas · Nationalmuseum, Stockholm

      In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

      Reproducere pictată manual în ulei de la $178 28 × 36 cm Aceeași dimensiune ca originalul $467 90 × 117 cm Comandă în dimensiunea originală →
      Portrait of a Young Woman (1804) de Adèle Romany
      3

      Portrait of a Young Woman

      1804 · Oil On Canvas · Musée Marmottan Monet, Paris

      The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

      Reproducere pictată manual în ulei de la $178 29 × 35 cm Aceeași dimensiune ca originalul $242 51 × 61 cm Comandă în dimensiunea originală →
      Portrait of Julie Candeille (1791) de Adèle Romany
      4

      Portrait of Julie Candeille

      1791 · Oil On Canvas

      In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

      Reproducere pictată manual în ulei de la $178 29 × 34 cm
      Portrait of a Young Harpist (1795) de Adèle Romany
      5

      Portrait of a Young Harpist

      1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lille

      The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

      Reproducere pictată manual în ulei de la $178 28 × 35 cm Aceeași dimensiune ca originalul $351 73 × 92 cm Comandă în dimensiunea originală →
      Portrait of a woman (1795) de Adèle Romany
      6

      Portrait of a woman

      1795 · Oil On Canvas · Musée Jacquemart-André, Paris

      The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

      Reproducere pictată manual în ulei de la $178 29 × 35 cm Aceeași dimensiune ca originalul $291 62 × 76 cm Comandă în dimensiunea originală →
      Portrait of Amélie-Justine Pontois (1795) de Adèle Romany
      7

      Portrait of Amélie-Justine Pontois

      1795 · Oil

      In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

      Reproducere pictată manual în ulei de la $178 28 × 36 cm Aceeași dimensiune ca originalul $240 49 × 61 cm Comandă în dimensiunea originală →
      Charles-Antoine d'Artenay (1792) de Adèle Romany
      8

      Charles-Antoine d'Artenay

      1792 · Oil On Canvas · Château de Versailles, Versailles

      The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

      Reproducere pictată manual în ulei de la $178 29 × 35 cm Aceeași dimensiune ca originalul $253 53 × 65 cm Comandă în dimensiunea originală →

      Adèle Romany: pântecele 11 - 37 din clasament

      Cele mai picturate opere ale lui Adèle Romany

      Cele patru teme care apar cel mai des pe aceste pânze, fiecare cu cel mai apreciat exemplu al său.

      Unde sunt expuse picturile lui Adèle Romany

      Cele 8 muzee care dețin cele mai multe dintre picturile de pe această pagină.

      Muzee Oraș Lucrări lui Adèle Romany Picturi din această listă
      Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
      Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
      Muzeul de Artă Plastică din Boston, BostonMuzeul de Artă Plastică din Boston Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
      National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
      Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
      Musée Marmottan Monet, ParisMusée Marmottan Monet Paris 1 Portrait of a Young Woman
      Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
      Musée Jacquemart-André, ParisMusée Jacquemart-André Paris 1 Portrait of a woman

      Cea mai celebră pânză a lui Adèle Romany, deceniu după deceniu

      1. 1790s
      2. 1800s
        Portrait of a Young Woman (1804) de Adèle Romany
        3 din 37

        Portrait of a Young Woman

        Vârsta 31 – 40 · Musée Marmottan Monet

        The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

      3. 1810s
        Madame Coury, Duhamel Widow (1811) de Adèle Romany
        Pânză 2 din 37

        Madame Coury, Duhamel Widow

        Vârsta 41 – 50 · Nationalmuseum

        In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

      4. 1830s

      Pânzele lui Adèle Romany, întrebare cu întrebare

      Pentru care pictură este cel mai cunoscut Adèle Romany?Citește răspunsul

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Urmează Madame Coury, Duhamel Widow (1811) și Portrait of a Young Woman (1804).

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou: ce vârstă avea Adèle Romany când a fost pictată?Citește răspunsul

      Adèle Romany, născut în 1769, avea 26 de ani: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou datează din 1795.

      Care sunt cele mai celebre zece picturi ale lui Adèle Romany?Citește răspunsul

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois și A young person hesitating to play the piano in front of her family. Fiecare pictură din clasamentul de mai sus este însoțită de anul creării și de muzeul în care este expusă.

      Câte picturi a creat Adèle Romany?Citește răspunsul

      În catalogul nostru sunt 39 lucrări ale lui Adèle Romany, datate între 1791 și 1836.

      Unde sunt expuse astăzi cele mai celebrele picturi ale lui Adèle Romany?Citește răspunsul

      În principal în Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) și Muzeul de Artă Plastică din Boston (Boston); lista de mai sus enumeră fiecare muzeu și picturile sale.

      Când a pictat Adèle Romany cele mai celebre picturi?Citește răspunsul

      În 1800s, care a inclus 13 dintre cele 37 lucrări de pe această pagină, Portrait of a Young Woman printre acestea.

      Care a fost prima și care a fost ultima pictură a celebrului Adèle Romany?Citește răspunsul

      Cea mai veche pânză de aici datează din Portrait of Julie Candeille (1791), iar cea mai recentă este din Portrait of Voltaire (1836).

      Ce subiecte a pictat cel mai des Adèle Romany?Citește răspunsul

      Woman (7), Dark background (3) și White dress (2), din cele 37 lucrări de pe această pagină.

      Care este tehnica cea mai prezentă în picturile lui Adèle Romany?Citește răspunsul

      Oil On Canvas, utilizat în 6 dintre cele 37 lucrări de pe această pagină.

      Cu ce mișcare este asociat(ă) Adèle Romany?Citește răspunsul

      Neoclassicism, așa cum demonstrează picturile de pe această pagină.

      Ce picturi ale lui Adèle Romany sunt păstrate la Library-museum of the Comédie-Française?Citește răspunsul

      Library-museum of the Comédie-Française, Paris deține 5 dintre lucrările de pe această pagină, printre care se numără Portrait of Emilie Leverd, Mlle Raucourt as Agrippine și Portrait of Fleury.

      Unde pot cumpăra o reproducere a unei picturi a lui Adèle Romany?Citește răspunsul

      Da. Orice pictură de pe această pagină poate fi comandată de pe pagina sa dedicată, sub formă de reproducere pictată manual în ulei sau ca print de artă, în dimensiunea aleasă de dumneavoastră.

      Făcând cunoștință cu pictorul: Adèle Romany

      Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

      Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

      Early Life and Artistic Training

      • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
      • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
      • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

      Artistic Style and Notable Works

      • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
      • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
      • Notable Works:
        • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
        • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
        • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
      • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

      Recognition and Historical Significance

      • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
      • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
      • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
      • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

      Legacy and Rediscovery

      Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.