Along the River Front, New York (1912) este pictura pentru care Everett Warner este cel mai cunoscut; aceasta face parte din colecția Toledo Museum of Art, Toledo. Catalogul nostru cuprinde 5 lucrări ale lui Everett Warner. Iată cele 2 cele mai faimate, însoțite de anul realizării, muzeul și povestea fiecărei pânze.
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Cele 2 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui Everett Warner | Picturi din această listă |
|---|---|---|---|
| Toledo | 1 | Along the River Front, New York | |
| New York City | 1 | "Manhattan Contrasts," New York City |
Pânzele datate ale lui Everett Warner de pe această pagină sunt din perioada 1912 - 1917, pe parcursul a doar 6 ani: iată-le, an după an.
Along the River Front, New York (1912)
Everett Warner, născut în 1877, avea 35 de ani: Along the River Front, New York datează din 1912.
În catalogul nostru sunt 5 lucrări ale lui Everett Warner, datate între 1912 și 1917.
În principal în Toledo Museum of Art (Toledo) și New York Historical Society (New York City); lista de mai sus enumeră fiecare muzeu și picturile sale.
Cea mai veche pânză de aici datează din Along the River Front, New York (1912), iar cea mai recentă este din "Manhattan Contrasts," New York City (1917).
Born in Vinton, United States, Everett Warner was an American Impressionist painter and printmaker. His early education included studies at the Corcoran Museum and the Washington Art Students League, followed by training at the Art Students League in New York under George Bridgman and Walter Clark. Warner's work gained recognition through selection for prestigious competitions at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, and the National Academy of Design. He also served as an art critic for the Evening Star in Washington, D.C.
Warner's career was marked by significant contributions to maritime history. During World War I, he developed the Warner System, a ship camouflage method designed to break up a vessel's silhouette to make it difficult for enemies to obtain a range. He served as a lieutenant in the US Naval Reserves, managing a design-based subdivision in Washington, D.C. He later returned to serve as Chief Civilian Aid to Commander Charles Bittinger during World War II to assist in the design of ship camouflage.
Beyond his maritime work, Warner explored unique perspectives through aerial painting. Following the end of World War I, he utilized military seaplanes to observe New York City and the Eastern seaboard from above, becoming one of the first artists to sketch and paint from an aerial view. He even experimented with anamorphosis, displaying his large-scale paintings flat on the floor to be viewed from an oblique angle to enhance the sense of depth.
In his later professional life, Warner held a position as an associate professor of painting and design at the Carnegie Institute of Technology in Pittsburgh, Pennsylvania, for eighteen years. After retiring from teaching, he settled in Westmoreland, New Hampshire. He eventually transitioned from painting to writing articles for publication before his death in 1963.