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      George Roth, 1739 – 1821

      George Roth: Cele 1 cele mai cunoscute picturi

      Dintre toate picturile lui George Roth, The Death of General James Wolfe (1727-1759) (after Benjamin West PRA) (1784) este cea mai celebră; aceasta este expusă în Quebec House, Westerham. Dintre cele 1 opere ale lui George Roth din catalogul nostru, acestea 1 sunt cele mai celebre, fiecare fiind prezentată cu data creării, muzeul de păstrare și povestea sa.

      Clasate în funcție de scorul nostru de popularitate, care combină numărul de căutări, vizitele și comenzile pentru fiecare operă. Actualizat Octombrie 2026. Fiecare pictură de pe această pagină poate fi comandată sub formă de reproducere pictată manual în ulei pe pânză de in, sau ca print de artă, realizat la dimensiunea aleasă de dumneavoastră.

      Portretul lui George Roth
      George Roth · 1739 – 1821
      Născut · Decedat
      1739 – 1821
      Lucrări din catalogul nostru
      1
      Cele mai celebre
      The Death of General James Wolfe (1727-1759) (after Benjamin West PRA) (1784)
      Cele mai multe lucrări în
      Quebec House

      Cele mai celebre 10 picturi ale lui George Roth

      Unde sunt expuse picturile lui George Roth

      Muzeul care deține cele mai multe dintre picturile prezentate pe această pagină.

      Muzee Oraș Lucrări lui George Roth Picturi din această listă
      Quebec House, WesterhamQuebec House Westerham 1 The Death of General James Wolfe (1727-1759) (after Benjamin West PRA)

      Anul de anul: cele mai celebre picturi ale lui George Roth

      Un an, 1784, cuprge toate picturile datate ale lui George Roth de pe această pagină: iată-le, cele mai celebre fiind pe primele locuri.

      Întrebările dumneavoastră despre picturile lui George Roth, răspunsuri

      Care este cea mai celebră pictură a lui George Roth?Citește răspunsul

      The Death of General James Wolfe (1727-1759) (after Benjamin West PRA) (1784)

      Ce vârstă avea George Roth la momentul creării The Death of General James Wolfe (1727-1759) (after Benjamin West PRA)?Citește răspunsul

      George Roth, născut în 1739, avea 45 de ani: The Death of General James Wolfe (1727-1759) (after Benjamin West PRA) datează din 1784.

      Câte picturi ale lui George Roth sunt cunoscute?Citește răspunsul

      În catalogul nostru se află 1 lucrări ale lui George Roth.

      În ce muzee se află cele mai cunoscute picturi ale lui George Roth?Citește răspunsul

      În principal în Quebec House (Westerham); lista de mai sus enumeră fiecare muzeu și picturile sale.

      Pot comanda o copie pictată manual a unei picturi a lui George Roth?Citește răspunsul

      Da. Orice pictură de pe această pagină poate fi comandată de pe pagina sa dedicată, sub formă de reproducere pictată manual în ulei sau ca print de artă, în dimensiunea aleasă de dumneavoastră.

      George Roth: povestea pictorului

      The Lineage of a London Painter

      George Roth was a man defined by his connections to the professional art circles of the eighteenth century. Born around 1739, he was the son of George Roth, an artist who worked under the direction of Allan Ramsay, specifically focusing on the rendering of drapery. This familial link provided a technical foundation that Roth carried into his own career. He did not merely exist in the shadow of his father; he established his own presence through a series of portraits and exhibitions that spanned the major hubs of British art life.

      His professional footprint was not confined to a single city. He moved between the bustling atmosphere of London and the more refined setting of Bath. This mobility allowed him to access diverse markets and social circles. By the time he was exhibiting at the Society of Arts between 1771 and 1776, he had already carved out a niche as a reliable hand in the portraiture market. His work was a product of a specific era of British painting, where the ability to capture a sitter's likeness was the primary currency of the trade.

      A Record of Commissions and Presence

      The surviving evidence of Roth's output reveals a painter focused on the social realities of his time. His work was not about abstract concepts but about the people who formed the backbone of provincial and urban society. His commissions often centered on specific families, leaving behind a tangible record of their existence through oil and pigment.

      • Portraits of the Beckwith and Webster families from Ipswich.
      • A series of family portraits including William Healey and Sarah Burks, dated 1793.
      • Works exhibited at the Society of Arts during the 1770s.

      His connection to East Anglia is particularly evident in his subject matter. The presence of sitters from Ipswich and the involvement of related artists in Norwich and Great Yarmouth suggest a family network deeply embedded in the regional art scene. This was a professional dynasty, one where names like Roth were synonymous with the production of portraiture across several English counties.

      The Final Years in Westminster

      Roth's career concluded in the same urban environment that had facilitated his rise. He died in 1821, leaving behind a legacy tied to the practicalities of the portraitist's craft. He was buried at St Anne, Westminster, at the age of 82. His life reflects the steady, industrious nature of the eighteenth-century painter, a man whose value was measured by the accuracy of his likenesses and his ability to navigate the competitive art markets of London and Bath.