Dintre toate picturile lui Johan Per (Per) Sodermark, Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848) este cea mai celebră; aceasta este expusă în Nationalmuseum, Stockholm. Imediat după ei urmează Portrait of Werner Holmberg (1853) și Christoffer Eichhorn (1837-1889), librarian, art historian (1889). Dintre cele 3 opere ale lui Johan Per (Per) Sodermark din catalogul nostru, acestea 3 sunt cele mai celebre, fiecare fiind prezentată cu data creării, muzeul de păstrare și povestea sa.
Clasate în funcție de scorul nostru de popularitate, care combină numărul de căutări, vizitele și comenzile pentru fiecare operă. Actualizat Noiembrie 2026. Fiecare pictură de pe această pagină poate fi comandată sub formă de reproducere pictată manual în ulei pe pânză de in, sau ca print de artă, realizat la dimensiunea aleasă de dumneavoastră.
Cele 2 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui Johan Per (Per) Sodermark | Picturi din această listă |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
Helsinki | 1 | Portrait of Werner Holmberg |
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Nationalmuseum, Stockholm. Urmează Portrait of Werner Holmberg (1853) și Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Johan Per (Per) Sodermark, născut în 1822, avea 26 de ani: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery datează din 1848.
În catalogul nostru sunt 3 lucrări ale lui Johan Per (Per) Sodermark, datate între 1848 și 1889.
În principal în Nationalmuseum (Stockholm) și Finnish National Gallery (Helsinki); lista de mai sus enumeră fiecare muzeu și picturile sale.
Cea mai veche pânză de aici datează din Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), iar cea mai recentă este din Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Nationalmuseum, Stockholm deține 2 dintre lucrările de pe această pagină, printre care se numără Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery și Christoffer Eichhorn (1837-1889), librarian, art historian.
Da. Orice pictură de pe această pagină poate fi comandată de pe pagina sa dedicată, sub formă de reproducere pictată manual în ulei sau ca print de artă, în dimensiunea aleasă de dumneavoastră.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
