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      John Speed, 1551 – 1629

      John Speed: Cele 2 cele mai cunoscute picturi

      Dintre toate picturile lui John Speed, A Newe Mape of Poland (1676) este cea mai celebră; aceasta este expusă în Ossoliński National Institute, Wroclaw. Dintre cele 2 opere ale lui John Speed din catalogul nostru, acestea 2 sunt cele mai celebre, fiecare fiind prezentată cu data creării, muzeul de păstrare și povestea sa.

      Clasate în funcție de scorul nostru de popularitate, care combină numărul de căutări, vizitele și comenzile pentru fiecare operă. Actualizat Noiembrie 2026. Fiecare pictură de pe această pagină poate fi comandată sub formă de reproducere pictată manual în ulei pe pânză de in, sau ca print de artă, realizat la dimensiunea aleasă de dumneavoastră.

      Portretul lui John Speed
      John Speed · 1551 – 1629
      Născut · Decedat
      1551 – 1629, Farndon
      Lucrări din catalogul nostru
      2
      Cele mai celebre
      A Newe Mape of Poland (1676)
      Cele mai multe lucrări în
      Ossoliński National Institute

      Cele mai celebre 10 picturi ale lui John Speed

      A Newe Mape of Poland (1676) de John Speed
      1

      A Newe Mape of Poland

      1676 · Print · Ossoliński National Institute, Wroclaw

      This English map of Poland and Silesia published in London is an adaptation of an important cartographic work by Gerard Mercator, Polonia et Silesia from 1585, which was the basis for many maps of Poland in the 16th and 17th centuries. In addition, J. Speed’s work distinguishes itself by its exceptional visual attractiveness, achieved by numerous decorative elements. The map falls within the Ossolineum’s collecting scope which focuses on works…

      Reproducere pictată manual în ulei de la $178 35 × 28 cm

      Unde sunt expuse picturile lui John Speed

      Cele 2 muzee care dețin cele mai multe dintre picturile de pe această pagină.

      Muzee Oraș Lucrări lui John Speed Picturi din această listă
      Ossoliński National Institute, WroclawOssoliński National Institute Wroclaw 1 A Newe Mape of Poland
      Library of Virginia, RichmondLibrary of Virginia Richmond 1 Virginia and Maryland

      Întrebările dumneavoastră despre picturile lui John Speed, răspunsuri

      Care este cea mai celebră pictură a lui John Speed?Citește răspunsul

      A Newe Mape of Poland (1676)

      Câte picturi ale lui John Speed sunt cunoscute?Citește răspunsul

      În catalogul nostru se află 2 lucrări ale lui John Speed.

      În ce muzee se află cele mai cunoscute picturi ale lui John Speed?Citește răspunsul

      În principal în Ossoliński National Institute (Wroclaw) și Library of Virginia (Richmond); lista de mai sus enumeră fiecare muzeu și picturile sale.

      Pot comanda o copie pictată manual a unei picturi a lui John Speed?Citește răspunsul

      Da. Orice pictură de pe această pagină poate fi comandată de pe pagina sa dedicată, sub formă de reproducere pictată manual în ulei sau ca print de artă, în dimensiunea aleasă de dumneavoastră.

      John Speed: povestea pictorului

      John Speed: Cartographer of a Nation’s Soul

      John Speed, born in the Cheshire village of Farndon around 1551 or 1552 and passing away in 1629, stands as one of the most pivotal figures in early English cartography. More than simply a mapmaker, he was a historian, a chronologer, and a crucial architect in shaping the nascent concept of British national identity. His work transcended mere geographical representation; it became a powerful tool for asserting authority, solidifying claims to territory, and ultimately, defining what it meant to be English during a period of immense political and social transformation. His legacy is not just found within meticulously drawn maps but in the very fabric of how England perceived itself.

      Early Life and Mercantile Beginnings

      Speed’s origins were firmly rooted in the bustling world of London trade. His father, John Speed, gained the freedom of the Merchant Taylors' Company – a prestigious guild signifying mastery of commerce – in 1556. Following in his father’s footsteps, young John initially pursued mercantile endeavors in London, securing his own freedom within the same esteemed company by patrimony in 1580. This early exposure to trade and the intricacies of business undoubtedly informed his later work, instilling a keen eye for detail and an understanding of the interconnectedness of regions. He married Susanna Draper in 1571 or 1572, beginning a family that would include twelve sons and six daughters – most notably, John Speed, M.D., who continued his father’s legacy of scholarship. The Speed family's relative prosperity provided him with the resources to pursue his intellectual ambitions, though not without the constraints of maintaining a household and managing mercantile affairs.

      Patronage and Scholarly Pursuits

      Speed’s talent didn’t go unnoticed within London’s learned circles. Sir Fulke Greville, a prominent patron of the arts and sciences, recognized Speed's potential and provided him with an allowance – a significant investment in his research endeavors. This patronage proved instrumental, allowing Speed to dedicate himself fully to his cartographic and historical pursuits. Around 1590, he collaborated closely with Hugh Broughton, a Puritan scholar, on projects related to the genealogies of Jesus Christ. This association brought him into contact with intellectual currents shaping religious thought at the time, influencing his approach to historical research and potentially informing the meticulous detail found in his maps. By 1595, Speed had already produced a groundbreaking map of biblical Canaan – a remarkable undertaking that demonstrated his mastery of both cartographic techniques and biblical scholarship. His presentation of these maps to Queen Elizabeth I in 1598 secured royal recognition and ultimately led to his appointment as a “Waiter” (a customs officer), reflecting the esteem in which he was held by the court.

      Mapping Britain: Innovation and Legacy

      Speed’s most enduring contribution lies in his monumental work, *A Newe Mappe of Great Britaine*, published in 1598. This map wasn't simply a representation of existing knowledge; it was a synthesis of numerous sources, incorporating the work of earlier cartographers like Christopher Saxton, John Norden, and others. Crucially, Speed innovated by integrating the hundred-boundaries – divisions of land based on ancient administrative units – into his maps, providing a more accurate and detailed depiction of British topography than had previously been achieved. This detail was not merely aesthetic; it reflected a growing awareness of regional identities and a desire to codify knowledge about the country’s diverse landscape. His work also included extensive historical annotations, weaving together accounts of kings, battles, and local customs, effectively creating a visual history of Britain. The inclusion of town plans within the maps further enhanced their utility, providing valuable information for merchants, travelers, and administrators.

      Beyond Maps: Biblical Genealogies and National Identity

      Speed’s influence extended beyond cartography into the realm of biblical scholarship. He contributed a genealogical frontispiece to Thomas Speght's edition of Geoffrey Chaucer’s works in 1602, demonstrating his expertise in heraldry and historical research. His work on biblical genealogies was formally associated with the first edition of the King James Bible, solidifying his place within the cultural and religious landscape of early modern England. Ultimately, Speed's maps played a significant role in shaping early modern concepts of British national identity – providing a visual framework for understanding the country’s geography, history, and political boundaries. His meticulous research and innovative cartographic techniques cemented his reputation as one of the most important mapmakers of his era, leaving an indelible mark on the way England perceived itself and its place in the world.