Cea mai iubită pictură a lui Peter Cain este Pathfinder (1992), expusă în Art Institute of Chicago, Chicago. Catalogul nostru cuprinde 1 lucrări ale lui Peter Cain: iată cele 1 cele mai faimoase, fiecare cu anul creării, muzeul de păstrare și elementul care o face memorabilă.
Clasate în funcție de scorul nostru de popularitate, care combină numărul de căutări, vizitele și comenzile pentru fiecare operă. Actualizat Noiembrie 2026.
The painting Pathfinder emerges from the mind of Peter Cain as a strange, fragmented entity. Created between 1992 and 1993, this work captures a moment of structural impossibility. It presents a surreal collision of automotive parts, where the front fender and headlights of a black SUV merge seamlessly with the rear third of the vehicle. The hood, front doors, and cab have vanished entirely, leaving behind a distorted silhouette that…
Muzeul care deține cele mai multe dintre picturile prezentate pe această pagină.
| Muzee | Oraș | Lucrări lui Peter Cain | Picturi din această listă |
|---|---|---|---|
 Art Institute of Chicago |
Chicago | 1 | Pathfinder |
Fiecare pictură datată a lui Peter Cain de pe această pagină a fost pictată în 1992; iată-le, începând cu cele mai celebre.
The painting Pathfinder emerges from the mind of Peter Cain as a strange, fragmented entity. Created between 1992 and 1993, this work captures a moment of structural impossibility.…
Pathfinder (1992)
Peter Cain, născut în 1959, avea 33 de ani: Pathfinder datează din 1992.
În catalogul nostru se află 1 lucrări ale lui Peter Cain.
În principal în Art Institute of Chicago (Chicago); lista de mai sus enumeră fiecare muzeu și picturile sale.
Peter Cain was a painter and draftsperson born in Orange, New Jersey. His artistic practice involved the meticulous execution of paintings and drawings, often focusing on surreal and aberrant versions of automobiles. His early works drew subjects from advertisements for luxury sedans, high end sports coupes, muscle cars, and rare or vintage automobiles. To create these forms, he frequently began by collaging source material to produce distorted and abbreviated versions of a vehicle's original shape, using these collages as studies for his final paintings.
In his later work, Cain shifted his focus toward Los Angeles gas stations and convenience stores. These landscapes were characterized by a lack of human presence and the erasure of logos and type from various signs. In these pieces, foliage was rendered using micro-faceted masses of green paint. His career included representation by the Matthew Marks Gallery in New York and participation in the Whitney Biennial.
The work of Peter Cain is held in several prominent public collections, including:
His exhibitions spanned various locations, including the Daniel Weinberg Gallery in Santa Monica and the Galerie Aurel Scheibler in Cologne. His paintings and drawings were featured in several exhibitions at the Matthew Marks Gallery in New York.
