Self-portrait (1379) este pictura pentru care Peter Parler este cel mai cunoscut; aceasta face parte din colecția Catedrala Sfântul Vituș, Praga. Head of Charles IV (1375) și Autorretrat (1379) completează trioul celor mai iubite picturi. Catalogul nostru cuprinde 4 lucrări ale lui Peter Parler. Iată cele 4 cele mai faimate, însoțite de anul realizării, muzeul și povestea fiecărei pânze.
Clasate în funcție de scorul nostru de popularitate, care combină numărul de căutări, vizitele și comenzile pentru fiecare operă. Actualizat Octombrie 2026. Fiecare pictură de pe această pagină poate fi comandată sub formă de reproducere pictată manual în ulei pe pânză de in, sau ca print de artă, realizat la dimensiunea aleasă de dumneavoastră.
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate glimpse into the identity of Peter Parler. He presents himself not as a distant figure of authority, but as a man of flesh and bone, rendered with a startling degree of naturalism. The head is slightly tilted, a subtle movement that breaks…
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight of a crown. Light falls across the brow, catching the deep-set eyes and the sharp, carved lines of a beard that seems to hold the dust of centuries. It is a portrait of a man who shaped a kingdom, rendered in the…
The sculpture of Peter Parler, meticulously crafted around 1379, transcends mere representation; it embodies the spirit of Late Medieval art and stands as a remarkable achievement in sculptural portraiture. Located within the grandeur of St. Vitus Cathedral in Prague – a testament to architectural ambition and spiritual devotion – this piece offers a glimpse into the mind of one of Bohemia’s most influential artists.
Cele patru teme care apar cel mai des pe aceste pânze, fiecare cu cel mai apreciat exemplu al său.
Cele 2 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui Peter Parler | Picturi din această listă |
|---|---|---|---|
 Catedrala Sfântul Vituș |
Praga | 3 | Self-portrait, Head of Charles IV, Autorretrat |
 Catedrala Sf. Vitus |
Praga | 1 | Tomb of Ottokar II |
Pânzele datate ale lui Peter Parler de pe această pagină sunt din perioada 1375 - 1379, pe parcursul a doar 5 ani: iată-le, an după an.
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight…
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate…
The sculpture of Peter Parler, meticulously crafted around 1379, transcends mere representation; it embodies the spirit of Late Medieval art and stands as a remarkable achievement in sculptural…
Self-portrait (1379), Catedrala Sfântul Vituș, Praga. Urmează Head of Charles IV (1375) și Autorretrat (1379).
Peter Parler, născut în 1330, avea 49 de ani: Self-portrait datează din 1379.
În catalogul nostru sunt 4 lucrări ale lui Peter Parler, datate între 1375 și 1379.
În principal în Catedrala Sfântul Vituș (Praga) și Catedrala Sf. Vitus (Praga); lista de mai sus enumeră fiecare muzeu și picturile sale.
În 1379, care a inclus 2 dintre cele 4 lucrări de pe această pagină, Self-portrait printre acestea.
Cea mai veche pânză de aici datează din Head of Charles IV (1375), iar cea mai recentă este din Self-portrait (1379).
Stone, utilizat în 2 dintre cele 4 lucrări de pe această pagină.
Catedrala Sfântul Vituș, Praga deține 3 dintre lucrările de pe această pagină, printre care se numără Self-portrait, Head of Charles IV și Autorretrat.
Da. Orice pictură de pe această pagină poate fi comandată de pe pagina sa dedicată, sub formă de reproducere pictată manual în ulei sau ca print de artă, în dimensiunea aleasă de dumneavoastră.
In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Born into a distinguished dynasty of master builders, he carried the weight of tradition while simultaneously forging a new, expressive language for European architecture. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe. His journey began in the town of Schwäbisch Gmünd, Germany, where he received his early training, eventually leading him to work at significant medieval building sites including Strasbourg, Cologne, and Nuremberg.
The trajectory of Parler’s career reached its zenith when he moved to Prague, the capital of the Kingdom of Bohemia. Here, under the patronage of the Holy Roman Empire, he was able to realize a vision of architectural grandeur that would define the skyline of the city for centuries. His work at St. Vitus Cathedral stands as his most enduring legacy, a monumental achievement where he utilized complex networks of ribbed vaults to create an interior that seems to defy gravity. Through his engineering brilliance, the heavy stone walls appear light and ethereal, allowing for expansive windows that transform the cathedral into a vessel for celestial light.
Parler was not merely a builder of structures but a sculptor of profound emotional depth. His ability to breathe life into cold stone allowed him to bridge the gap between the rigid forms of earlier Gothic traditions and a more naturalistic, human-centric approach. This mastery is perhaps most intimately captured in his Self-Portrait, an evocative piece that offers a rare glimpse into the artist's own contemplative soul. In this work, one can observe the meticulous craftsmanship required to render the subtle textures of hair and the serene expression of a man deeply engaged with both his faith and his craft.
His sculptural contributions often complemented his architectural feats, creating a unified aesthetic experience within the sacred spaces he designed. Notable works such as the Head of Charles IV demonstrate his ability to capture individual character and royal dignity through the Late Gothic style. His achievements were not isolated incidents but part of a broader movement of artistic innovation that saw:
Through his hands, the stone became a chronicle of history, an enduring testament to the skill of the Parler family. His life's work remains etched in the very fabric of Europe, serving as a bridge between the medieval world and the burgeoning complexities of the later centuries.
