Magdalena Ventura cu soțul și fiul ei (1631) este pictura pentru care José de Ribera este cel mai cunoscut; aceasta face parte din colecția Fundación Lerma, Toledo. The Clubfoot și St. Onuphrius (1637) completează trioul celor mai iubite picturi. Catalogul nostru cuprinde 408 lucrări ale lui José de Ribera. Iată cele 100 cele mai faimate, însoțite de anul realizării, muzeul și povestea fiecărei pânze.
Clasate în funcție de scorul nostru de popularitate, care combină numărul de căutări, vizite și comenzi pentru fiecare operă. Actualizat Octombrie 2026. Fiecare pictură de pe această pagină poate fi comandată sub formă de reproducere pictată manual în ulei pe pânză de in, sau ca print de artă, realizat la dimensiunea aleasă de dumneavoastră.
În anul 1631, Jusepe de Ribera și-a îndreptat pensula către o curiozitate singulară a lumii naturale. Opera rezultată, Magdalena Ventura cu soțul și fiul ei, surprinde un moment de liniște domestică. Subiectul este Magdalena Ventura, o femeie de cincizeci și doi de ani originară din regiunea Abruzzo a Regatului Napoli. Ea stă ca ancoră a compoziției, prezența sa fiind definită de textura neașteptată a mustății sale. Lângă ea stă soțul…
In the profound stillness of Jusepe de Ribera’s “The Clubfoot,” one encounters more than a mere portrait; one meets a testament to the indomitable human spirit. Painted during the height of the Baroque era, this work serves as a breathtaking window into the artist's ability to find extraordinary dignity within the ordinary. The subject, a young man marked by physical deformity, gazes out with an expression that defies his circumstances.…
Jusepe de Ribera's “St. Onuphrius,” painted in 1637, is not merely a depiction of a religious figure; it’s a visceral plunge into the depths of human suffering and spiritual struggle. This arresting oil on canvas immediately commands attention with its dramatic chiaroscuro – a masterful manipulation of light and shadow that dominates the composition. Ribera, working within the powerful framework of Baroque painting, doesn't offer a serene portrayal of sanctity;…
Jusepe de Ribera's "Duel of Women" – a monumental canvas from 1636 – isn’t merely a historical depiction; it’s a visceral embodiment of power, rivalry, and the brutal realities of honor in 16th-century Naples. Commissioned during a period when Spanish influence held firm over the city, this Baroque masterpiece plunges us into a chaotic battlefield scene where Isabella de Carazzi and Diandra de Pettinella engage in a deadly contest –…
The vertical canvas presents the Virgin Mary in a state of upward movement, positioned centrally against a background of amber and gold tones. Her figure forms a stable vertical axis, though her blue mantle creates diagonal lines that cut through the space. She wears a white gown that catches a direct, downward light, contrasting with the deep ultramarine of her outer drapery. Below her, a crescent moon rests near her…
Saint James the Greater is an oil on canvas painting by the artist Jusepe de Ribera. This work originated during the 17th century, specifically during the period when Ribera was living in Naples. The commission for this piece was granted by the Count of Monterrey.
In the profound stillness of Jusepe de Ribera’s The Tears of Saint Peter, we are invited into a private moment of spiritual crisis and overwhelming human vulnerability. Created in 1612, this work stands as a breathtaking testament to the power of the Baroque era to capture the rawest edges of the human soul. The painting does not merely depict a biblical event; it immerses the viewer in the heavy, suffocating…
In the profound stillness of Jusepe de Ribera’s 1632 masterpiece, Saint Matthew, the viewer is not merely an observer but a witness to a transformative moment of spiritual awakening. This monumental canvas serves as a quintessential emblem of the Baroque era, capturing the precise second where the earthly realm intersects with the divine. The painting depicts the apostle in a state of sudden, jarring realization, his gaze caught between the…
In the profound stillness of Jusepe de Ribera’s 1633 masterpiece, The Lamentation, the viewer is not merely an observer but a witness to one of humanity's most visceral moments of grief. This Baroque triumph captures the heavy, breathless aftermath of the Crucifixion, where the lifeless body of Christ is cradled by those who loved him most. Ribera, known affectionately as Lo Spagnoletto, directs our gaze through a masterful use of…
Jusepe de Ribera’s “Saint Jerome Writing,” painted in 1648, isn't merely a portrait; it’s an immersion into the soul of a man wrestling with faith, intellect, and the relentless passage of time. The scene unfolds within a dimly lit study – a space deliberately shrouded in shadow, characteristic of Ribera’s masterful use of chiaroscuro, a technique that dramatically contrasts light and dark to create a powerful sense of drama and…
A man lies heavy against the earth. His head rests upon a cold stone, the weight of his body sinking into the dust. He wears a dark shirt,…
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A muscular male figure dominates the composition, his body contorted in a diagonal descent through an indeterminate dark space. The skin appears pale and luminous against a somber…
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In the profound stillness of Jusepe de Ribera’s Christ in the Crown of Thorns, the viewer is not merely an observer but a witness to an intimate moment…
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The air in the room feels heavy, thick with the scent of sweat and the sudden, sharp tension of violence. A muscular executioner leans into the frame, his…
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The air in the room feels heavy, thick with the scent of damp earth and the silence that follows a violent act. A young man stands in profile,…
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Jusepe de Ribera’s “Saint Sebastian Attended by Saint Irene,” painted in 1628, stands as a monumental testament to the artistic fervor of Naples during its Spanish dominion. More…
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A single shaft of light strikes the face of Saint James the Greater, pulling him from an impenetrable dark. He stands near weathered stone steps, his gaze fixed…
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“St. Jerome penitente,” painted in 1638–40 by Jusepe de Ribera, stands as a cornerstone of Baroque art and exemplifies the artist’s unparalleled ability to convey profound spiritual emotion…
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Saint Bartholomew is an oil on canvas painting by the artist Jusepe de Ribera. The subject of the work is Bartholomew the Apostle. This specific piece is dated…
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An elderly man emerges from a pitch-black void, his face caught in a sudden, sharp beam of light. He is an apostle, perhaps Saint Thomas or Saint Matthias,…
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In this vertical portrait, we encounter a man whose presence is defined by a profound gravity. He is positioned slightly off-center, his gaze directed toward the right, away…
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Step closer to observe the weathered face of Saint Peter. In this work from the 1630s, we find the apostle not in a moment of apostolic authority, but…
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The oil on canvas known as Saint Jerome is a work by the Spanish artist Jusepe de Ribera. Created around 1638–40, the painting captures the biblical figure in…
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The air in the wilderness feels heavy, thick with the scent of dust and old parchment. Amidst the rugged, unforgiving landscape, a muscular, aging figure hunches over his…
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Step closer to observe the way the light finds its mark. In this 1650 oil painting, we find Saint John the Evangelist caught in a singular moment of…
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Step closer to the canvas and observe the quiet intensity of this scene. We find Saint Jerome in a moment of profound scholarly devotion, his presence defined by…
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A single female figure, the Virgin Mary, occupies the center of this 1650 oil painting. Positioned against a near-black background, her upper torso and head are illuminated by…
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This oil on canvas work, titled Saint Jerome, was executed by the Spanish artist Jusepe de Ribera in 1640. It presents a focused study of a significant religious…
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This Baroque oil painting presents Saint Joseph, a figure rendered with the heavy, tactile presence characteristic of Jusepe de Ribera. The subject is captured in a moment of…
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In this oil on canvas, Jusepe de Ribera presents us with Saint Paul the Hermit. The figure before us is Paul of Thebes, a 3rd-century Egyptian saint who…
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Jonathan Brown’s captivating depiction of Saint Michael Archangel stands as a testament to the artistic fervor of the early 1630s, embodying the spirit of Ribera's masterful approach to…
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Sitting Person Conversing One Standing by Jusepe de Ribera, executed about 1629, presents an intimate exchange between two men. The composition is tightly focused on these two figures,…
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Saint Jerome is an oil on canvas work executed by the Spanish artist Jusepe de Ribera in 1640. Born in Játiva, Valencia, Ribera lived from 1591 to 1652,…
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In this 1644 work, Jusepe de Ribera presents the subject of Ecce Homo through a focused, half-length portrait of Jesus Christ. The figure is captured in a moment…
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A Study in Shadow and Suffering: Jusepe de Ribera’s St. Roch Jusepe de Ribera's "St. Roch," painted in 1631, is not merely a portrait of a saint; it’s…
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The light falls heavily upon a weathered face, pulling a single figure from the surrounding gloom. St. Simon sits in a state of profound stillness, his gaze directed…
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Saint Jerome is an oil on canvas work executed by the Spanish artist Jusepe de Ribera in 1640. The subject is a religious figure, a man caught in…
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To stand before this depiction of Christ among the Doctors is to step directly into the charged atmosphere of intellectual awakening. The scene, rendered in the dramatic chiaroscuro…
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The oil on canvas painting titled Rest on the Flight into Egypt was executed by the artist Jusepe de Ribera. Dating to about 1645, the work presents a…
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In this oil on canvas, a young woman and an infant are positioned in a tight, triangular arrangement against a dark, neutral background. The woman, representing the Virgin…
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This work, titled Saint Bartholomew, is a significant example of religious art from the seventeenth century. It was painted by Jusepe de Ribera in 1634. The subject of…
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Jusepe de Ribera’s *Saint Jerome and the Angel of Judgement*, completed in 1626, stands as a cornerstone of Baroque painting—a testament to Ribera's mastery of tenebrismo and his…
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A Titan of Thought: Exploring Jusepe de Ribera’s Archimedes The painting depicts a portrait of Archimedes, the ancient Greek mathematician, physicist, engineer, and astronomer, rendered in the dramatic…
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A single light source carves a profile from the dark. It strikes the high ridge of a forehead and the bridge of a nose, leaving the rest of…
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In the profound shadows of the seventeenth century, few masters could capture the visceral reality of human existence as masterfully as Jusepe de Ribera. His work, Allegory of…
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In the quiet, profound depths of Jusepe de Ribera’s “Head of an Old Man,” we encounter more than a mere portrait; we witness a visceral encounter with the…
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In this intimate depiction, we find ourselves drawn into the dim, quiet sanctuary of a cave. The figure of St. Paul the Hermit occupies the space with a…
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A philosopher, probably Socrates, who considers his reflection in a mirror. Standing, half-hand, sideways on the back.
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In the quiet, hallowed halls of the Monasterio de San Juan de los Reyes in Toledo, there exists a moment of profound stillness captured in paint. Jusepe de…
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In the quiet, profound depths of Jusepe de Ribera’s 1643 masterpiece, St. Francis of Assisi, viewers are invited into a space where the boundaries between the earthly and…
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Jusepe de Ribera's 1626 painting, *Drunken Silenus*, isn’t merely a depiction of a drunken reveler; it’s a visceral plunge into the heart of the Baroque era – a…
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The painting titled Saint Sebastian is a religious work by the artist Jusepe de Ribera. Dated about 1700, this oil on canvas captures the martyrdom of Saint Sebastian.…
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Cele 8 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzeu | Oraș | Lucrări lui José de Ribera | Picturi din această listă |
|---|---|---|---|
 Muzeul Prado |
Madrid | 50 | The Duel of Women (The Duel of Isabella de Carazzi and Diambra de Pettinella), The Immaculate Conception, Jacob's Dream |
 Colecțiile Statale de Pictură din Bavaria |
Munchen | 8 | Martyrdom of Saint Bartholomew, The Executioner with the Head of Saint John the Baptist, Saint Jerome |
 Muzeul Ermitaj |
Sankt Petersburg | 7 | St. Onuphrius, Christ in the Crown of Thorns, Saint Sebastian Attended by Saint Irene |
 Museo di Capodimonte |
Napoli | 6 | St. Jerome and the Angel, Drunken Silenus |
 Gemäldegalerie |
Berlin | 5 | Portrait of a Man, Saint Sebastian |
 Muzeul de Fine Arte din Córdoba |
Cordova | 3 | Saint Michael Archangel, Rest on the Flight into Egypt |
 Museo de Arte de Ponce |
Ponce | 2 | Saint Jerome Writing, Saint Paul |
 Detroit Institute of Arts |
Detroit | 2 | Saint Jerome in the Wilderness, An Old Man |
An elderly man emerges from a pitch-black void, his face caught in a sudden, sharp beam of light. He is an apostle, perhaps Saint Thomas or Saint Matthias,…
Saint James the Greater is an oil on canvas painting by the artist Jusepe de Ribera. This work originated during the 17th century, specifically during the period when…
The air in the room feels heavy, thick with the scent of sweat and the sudden, sharp tension of violence. A muscular executioner leans into the frame, his…
În anul 1631, Jusepe de Ribera și-a îndreptat pensula către o curiozitate singulară a lumii naturale. Opera rezultată, Magdalena Ventura cu soțul și fiul ei, surprinde un moment…
The vertical canvas presents the Virgin Mary in a state of upward movement, positioned centrally against a background of amber and gold tones. Her figure forms a stable…
A muscular male figure dominates the composition, his body contorted in a diagonal descent through an indeterminate dark space. The skin appears pale and luminous against a somber…
Magdalena Ventura cu soțul și fiul ei (1631), Fundación Lerma, Toledo. Urmează The Clubfoot și St. Onuphrius (1637).
José de Ribera, născut în 1591, avea 40 de ani: Magdalena Ventura cu soțul și fiul ei datează din 1631.
Magdalena Ventura cu soțul și fiul ei, The Clubfoot, St. Onuphrius, The Duel of Women (The Duel of Isabella de Carazzi and Diambra de Pettinella), The Immaculate Conception, Saint James the Greater, The Tears of Saint Peter, Saint Matthew, The Lamentation și Saint Jerome Writing. Fiecare pictură din clasamentul de mai sus este însoțită de anul creării și de muzeul în care este expusă.
În catalogul nostru sunt 408 lucrări ale lui José de Ribera, datate între 1601 și 1652.
În principal în Muzeul Prado (Madrid), Colecțiile Statale de Pictură din Bavaria (Munchen) și Muzeul Ermitaj (Sankt Petersburg); lista de mai sus enumeră fiecare muzeu și picturile sale.
În 1630s, care a inclus 31 dintre cele 100 lucrări de pe această pagină, Magdalena Ventura cu soțul și fiul ei printre acestea.
Cea mai veche pânză de aici datează din An Apostle (1601), iar cea mai recentă este din St. Jerome penitente (1652).
Man (27), Beard (18) și Dark background (12), din cele 100 lucrări de pe această pagină.
Oil On Canvas, utilizat în 37 dintre cele 100 lucrări de pe această pagină.
Baroque dramatic realism, așa cum demonstrează picturile de pe această pagină.
Muzeul Prado, Madrid deține 16 dintre lucrările de pe această pagină, printre care se numără The Duel of Women (The Duel of Isabella de Carazzi and Diambra de Pettinella), The Immaculate Conception și Jacob's Dream.
Da. Orice pictură de pe această pagină poate fi comandată de pe pagina sa dedicată, sub formă de reproducere pictată manual în ulei sau ca print de artă, în dimensiunea aleasă de dumneavoastră.
