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      Maria Belă, 1633 – 1699

      Cele mai celebre 65 picturi ale lui Maria Belă

      King Charles II (1675) este pictura pentru care Maria Belă este cel mai cunoscut; aceasta face parte din colecția National Portrait Gallery, Londra. Bartholomew Beale (1663) și Portrait of a lady (1680) completează trioul celor mai iubite picturi. Catalogul nostru cuprinde 65 lucrări ale lui Maria Belă. Iată cele 65 cele mai faimate, însoțite de anul realizării, muzeul și povestea fiecărei pânze.

      Clasate în funcție de scorul nostru de popularitate, care combină numărul de căutări, vizite și comenzi pentru fiecare operă. Actualizat Octombrie 2026. Fiecare pictură de pe această pagină poate fi comandată sub formă de reproducere pictată manual în ulei pe pânză de in, sau ca print de artă, realizat la dimensiunea aleasă de dumneavoastră.

      Portretul lui Maria Belă
      Maria Belă · 1633 – 1699
      Născut · Decedat
      1633 – 1699, Suffolk
      Mișcare
      Baroque
      Lucrări din catalogul nostru
      65
      Cele mai celebre
      King Charles II (1675)
      Cele mai multe lucrări la
      National Portrait Gallery

      Cele mai iubite cele zece picturi ale lui Maria Belă

      King Charles II (1675) de Maria Belă
      1

      King Charles II

      1675 · Oil On Canvas · National Portrait Gallery, Londra

      The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that suggests the heavy weight of sovereignty. Light sweeps in from the upper left, catching the high ridge of his cheekbone and the delicate, intricate folds of a white lace cravat. This directional glow carves his features out of the darkness, creating a…

      Bartholomew Beale (1663) de Maria Belă
      2

      Bartholomew Beale

      1663 · Oil On Paper · Yale Center for British Art, New Haven

      A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a soft, directional light that spills from the upper left, casting gentle shadows across the right side of his face. This light creates a sense of three-dimensional volume, making his youthful features feel tangible and present. His hair, a halo of light brown…

      Viscountess Frances Hatton (1664) de Maria Belă
      4

      Viscountess Frances Hatton

      1664 · Oil On Canvas · Smithsonian American Art Museum, Washington, D.C.

      In this close-up portrait of Viscountess Frances Hatton by Mary Beale, the subject is positioned in a three-quarter view. The figure is contained within a painted trompe l'oeil oval frame that sits against a background of deep, dark umber and black. This dark backdrop creates a sharp contrast with the subject, focusing the viewer's attention on the sitter. The color palette is dominated by warm, muted tones, specifically ochre, gold,…

      Maria Belă: pântecele 11 - 65 din clasament

      Cele mai picturate opere ale lui Maria Belă

      Cele patru teme care apar cel mai des pe aceste pânze, fiecare cu cel mai apreciat exemplu al său.

      Unde sunt expuse picturile lui Maria Belă

      Cele 8 muzee care dețin cele mai multe dintre picturile de pe această pagină.

      Muzeu Oraș Lucrări lui Maria Belă Picturi din această listă
      National Portrait Gallery, LondraNational Portrait Gallery Londra 6 King Charles II, Thomas Sydenham, Charles Beale the Elder
      Antony HouseAntony House 3 Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695), Possibly Mary Morice, Lady Carew (d. 1698), Rachel Carew, Mrs Ambrose Manaton (1669–1705)
      Sutton HouseSutton House 2 Lady Sadleir, Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)
      Dulwich Picture Gallery, LondonDulwich Picture Gallery London 2 Portrait of a Physician, Portrait of a Youth
      Osterley Park And House, LondraOsterley Park And House Londra 2 Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713), Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713)
      Penmaenmawr Museum 2 An Unknown Gentleman (believed to be a Member of the Williams Family), An Unknown Lady (believed to be a Member of the Williams Family)
      Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Bartholomew Beale
      National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Portrait of a lady

      Cea mai celebră pânză a lui Maria Belă, deceniu după deceniu

      1. 1650s
      2. 1660s
        Bartholomew Beale (1663) de Maria Belă
        Pânză 2 din 65

        Bartholomew Beale

        Vârsta 27 – 36 · Yale Center for British Art

        A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a…

      3. 1670s
        King Charles II (1675) de Maria Belă
        Pânză 1 din 65

        King Charles II

        Vârsta 37 – 46 · National Portrait Gallery

        The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that…

      4. 1680s
        Portrait of a lady (1680) de Maria Belă
        Pânză 3 din 65

        Portrait of a lady

        Vârsta 47 – 56 · National Gallery of Victoria

        Mary Beale produced this oil on canvas, titled Portrait of a lady, around 1680. The work measures 76.5 × 63.7 cm. It represents a significant example of the…

      5. 1690s

      Pânzele lui Maria Belă, întrebare cu întrebare

      Pentru care pictură este cel mai cunoscut Maria Belă?Citește răspunsul

      King Charles II (1675), National Portrait Gallery, Londra. Urmează Bartholomew Beale (1663) și Portrait of a lady (1680).

      King Charles II: ce vârstă avea Maria Belă când a fost pictată?Citește răspunsul

      Maria Belă, născut în 1633, avea 42 de ani: King Charles II datează din 1675.

      Care sunt cele mai celebre zece picturi ale lui Maria Belă?Citește răspunsul

      King Charles II, Bartholomew Beale, Portrait of a lady, Viscountess Frances Hatton, Lady Elizabeth Cavendish, Countess of Bridgewater (c.1627-1663), Bartholomew Beale, in Profile, An Unknown Man, called John Milton (1608-1674), Portrait of a woman with a black hood, Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695) și Self-Portrait Holding a Palette. Fiecare pictură din clasamentul de mai sus este însoțită de anul creării și de muzeul în care este expusă.

      Câte picturi a creat Maria Belă?Citește răspunsul

      În catalogul nostru sunt 65 lucrări ale lui Maria Belă, datate între 1659 și 1697.

      Unde sunt expuse astăzi cele mai celebrele picturi ale lui Maria Belă?Citește răspunsul

      În principal în National Portrait Gallery (Londra), Antony House și Sutton House; lista de mai sus enumeră fiecare muzeu și picturile sale.

      Când a pictat Maria Belă cele mai celebre picturi?Citește răspunsul

      În 1680s, care a inclus 10 dintre cele 65 lucrări de pe această pagină, Portrait of a lady printre acestea.

      Care a fost prima și care a fost ultima pictură a celebrului Maria Belă?Citește răspunsul

      Cea mai veche pânză de aici datează din Anna Maria, Countess of Shrewsbury (1642–1702) (1659), iar cea mai recentă este din Portrait of Nell Gwyl (1697).

      Ce subiecte a pictat cel mai des Maria Belă?Citește răspunsul

      Portraits (14), Royalty (12) și Portrait (6), din cele 65 lucrări de pe această pagină.

      Care este tehnica cea mai prezentă în picturile lui Maria Belă?Citește răspunsul

      Oil On Canvas, utilizat în 4 dintre cele 65 lucrări de pe această pagină.

      Cu ce mișcare este asociat(ă) Maria Belă?Citește răspunsul

      Baroque, așa cum demonstrează picturile de pe această pagină.

      Ce picturi ale lui Maria Belă sunt păstrate la National Portrait Gallery?Citește răspunsul

      National Portrait Gallery, Londra deține 6 dintre lucrările de pe această pagină, printre care se numără King Charles II, Thomas Sydenham și Charles Beale the Elder.

      Unde pot cumpăra o reproducere a unei picturi a lui Maria Belă?Citește răspunsul

      Da. Orice pictură de pe această pagină poate fi comandată de pe pagina sa dedicată, sub formă de reproducere pictată manual în ulei sau ca print de artă, în dimensiunea aleasă de dumneavoastră.

      Făcând cunoștință cu pictorul: Maria Belă

      A Life Illuminated: The World of Mary Beale

      Born in the quiet Suffolk rectory of Barrow in late March 1633, Mary Cradock entered a world where artistic inclination was considered an acceptable pastime, but a profession for a woman remained largely uncharted. Her father, John Cradock, a rector with a painter’s hand himself, provided her initial grounding in the arts—a fortunate circumstance that would shape her destiny. Growing up near Bury St Edmunds, young Mary likely encountered established artists like Peter Lely and Matthew Snelling, absorbing influences that would later blossom into her own distinctive style. This early exposure to the burgeoning London art scene planted a seed of ambition within her, even as societal expectations sought to confine her talents to the domestic sphere. The loss of her mother at age ten brought hardship, but also a strengthened bond with her father and an increased focus on artistic pursuits as a source of solace and expression.

      Navigating Convention: Portraiture and Family Life

      In 1652, Mary married Charles Beale, a civil servant who would become not only her husband but also her indispensable partner in navigating the complexities of a professional life. Theirs was an unusual collaboration for the era—a true partnership built on mutual respect and shared ambition. The Beales established a home and family, welcoming two sons, Bartholomew and Charles Jr., while simultaneously building Mary’s artistic career. Initially working from their residences in Covent Garden and later Albrook, Hampshire, she began to accept commissions, slowly gaining recognition for her skill. Charles played a pivotal role, managing the practicalities of her studio—preparing materials, handling finances, meticulously recording every detail of her work in his now-famous notebooks. These records offer an invaluable glimpse into 17th-century artistic practice and provide compelling evidence of Mary’s burgeoning success. Her portraits weren't merely likenesses; they were intimate studies of character, capturing the essence of her sitters with a remarkable degree of realism and sensitivity. She specialized in depicting members of her family, friends, local gentry, nobility, and clergy—a diverse clientele that speaks to her growing reputation.

      A Baroque Sensibility: Style and Technique

      Mary Beale’s artistic style was deeply rooted in the Baroque period, characterized by dramatic lighting, rich colors, and a keen attention to detail. However, she wasn't simply an imitator of prevailing trends. She developed a distinctive approach that set her apart from contemporaries like Lely, infusing her portraits with a warmth and psychological depth that resonated with her sitters. Her technique involved careful observation and meticulous rendering, but also a willingness to experiment with materials and methods. Charles Beale’s notes reveal her innovative exploration of cheaper supports for paintings—such as onion bags and bed-ticking—demonstrating both resourcefulness and a commitment to accessibility. She was particularly adept at capturing the textures of fabrics and the nuances of human expression, creating portraits that felt remarkably alive. Her 1663 manuscript on painting techniques, specifically focusing on apricot hues, stands as the earliest known instructional text by a female painter in English—a testament to her knowledge, skill, and willingness to share her expertise.

      Breaking Barriers: Legacy and Historical Significance

      Mary Beale’s career was not without its challenges. As a woman artist in 17th-century England, she faced societal constraints that limited opportunities for professional advancement. Yet, she persevered, establishing a thriving practice while simultaneously fulfilling her roles as wife and mother—a remarkable feat in an era when women were largely excluded from public life. Her financial independence, achieved through her art, was particularly noteworthy, challenging conventional expectations and demonstrating her business acumen. She received praise from prominent artists like Sir Peter Lely and recognition in contemporary writings about British art, solidifying her position within the artistic community. Beale’s legacy extends beyond her individual achievements; she paved the way for future generations of women artists, proving that talent knew no gender. In recent decades, her work has experienced a well-deserved rediscovery, with increased scholarly attention and exhibitions showcasing her remarkable contributions to English portraiture. The detailed records kept by Charles Beale provide invaluable insights into the art world, social customs, and daily life of 17th-century England, ensuring that Mary Beale’s story—and her artistry—continues to inspire and captivate audiences today. Her work is preserved on platforms like TopImpressionists, TopImpressionists, and others, guaranteeing her enduring presence in the cultural landscape.

      Key Figures Influencing Mary Beale

      • Peter Lely: A prominent court painter whose style profoundly influenced Mary’s approach to portraiture, particularly regarding composition and lighting.
      • Matthew Snelling: Another influential artist of his time, whose work provided a foundation for Mary's artistic development.
      • John Cradock (her father): Provided her initial artistic training and instilled in her a love for painting.

      Notable Commissions & Clients

      • Members of the Suffolk gentry
      • Clergy from across England
      • Aristocrats and landowners
      • Several prominent figures within the royal court (though details are scarce)

      Toate cele 65 de lucrări ale lui Maria Belă →