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      Thomas Sully, 1783 – 1872

      Cele mai celebre 100 picturi ale lui Thomas Sully

      Queen Victoria (1838) este pictura pentru care Thomas Sully este cel mai cunoscut; aceasta face parte din colecția Wallace Collection, Londra. Thomas Jefferson (1743-1826), LL.D. 1786 (1823) și George Washington (1840) completează trioul celor mai iubite picturi. Catalogul nostru cuprinde 437 lucrări ale lui Thomas Sully. Iată cele 100 cele mai faimate, însoțite de anul realizării, muzeul și povestea fiecărei pânze.

      Clasate în funcție de scorul nostru de popularitate, care combină numărul de căutări, vizite și comenzi pentru fiecare operă. Actualizat Octombrie 2026. Fiecare pictură de pe această pagină poate fi comandată sub formă de reproducere pictată manual în ulei pe pânză de in, sau ca print de artă, realizat la dimensiunea aleasă de dumneavoastră.

      Portretul lui Thomas Sully
      Thomas Sully · 1783 – 1872
      Născut · Decedat
      1783 – 1872, Horncastle
      Mișcare
      Romanticism
      Lucrări din catalogul nostru
      437
      Cele mai celebre
      Queen Victoria (1838)
      Cele mai multe lucrări la
      Metropolitan Museum of Art

      Cele mai iubite cele zece picturi ale lui Thomas Sully

      Thomas Jefferson (1743-1826), LL.D. 1786 (1823) de Thomas Sully
      2

      Thomas Jefferson (1743-1826), LL.D. 1786

      1823 · Oil On Canvas · Yale University Art Gallery, New Haven

      Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that remains indistinct and atmospheric. His gaze is directed slightly upward and away, suggesting a mind preoccupied with matters beyond the immediate frame. He wears a long, dark purple or plum-colored coat with wide cuffs, a garment that holds its form through heavy,…

      Dr. Edward Hudson (1810) de Thomas Sully
      4

      Dr. Edward Hudson

      1810 · Oil On Canvas · Detroit Institute of Arts, Detroit

      Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just a likeness of Dr. Edward Hudson—a prominent physician and influential figure within London society—the painting embodies the ideals of refinement, intellect, and moral virtue that defined the period’s artistic sensibilities.

      Child Asleep (The Rosebud) (1841) de Thomas Sully
      5

      Child Asleep (The Rosebud)

      1841 · Oil On Canvas · Metropolitan Museum of Art, New York

      In the quietude of Thomas Sully’s 1841 masterpiece, Child Asleep (The Rosebud), we find more than a mere depiction of infancy; we encounter a profound meditation on innocence and the ephemeral nature of beauty. This exquisite oil on canvas serves as a cornerstone of American Romanticism, capturing a moment of absolute tranquility that seems to suspend time itself. The painting presents a serene tableau where a sleeping infant rests upon…

      The Coleman Sisters (1844) de Thomas Sully
      6

      The Coleman Sisters

      1844 · Acrylic On Canvas · National Gallery of Art, Washington

      Thomas Sully’s “The Coleman Sisters,” painted in 1844, is more than just a portrait; it's a carefully constructed tableau of Victorian elegance imbued with an undercurrent of melancholic beauty. The painting depicts three young women – likely sisters – posed before a simple wall backdrop, their postures and expressions hinting at both composure and a quiet introspection that speaks volumes about the era’s societal expectations for women.

      William B. Wood as "Charles de Moor" (1810) de Thomas Sully
      7

      William B. Wood as "Charles de Moor"

      1810 · Oil · National Gallery of Art, Washington

      In this oil painting from 1810, we find ourselves drawn into a dramatic landscape at the edge of day. The composition centers on a reclining figure, William B. Wood, portrayed here through the persona of "Charles de Moor." He rests within a rugged terrain, his arm outstretched toward the left, guiding our gaze across the scene. There is a certain tension in his pose, an energy that suggests a narrative…

      Thomas Sully (1815) de Thomas Sully
      8

      Thomas Sully

      1815 · Oil · National Portrait Gallery, Washington, D.C.

      The Painter in the Shadows A young man gazes out from the canvas, his eyes meeting the viewer with a calm, contemplative stillness. He sits amidst the tools of his trade, the blurred shapes of a palette and paintbrushes resting in the foreground, hinting at a life lived through the application of pigment. The light falls heavily upon one side of his face, a technique of deep shadows and bright…

      Colonel Samuel Boyer Davis (1819) de Thomas Sully
      9

      Colonel Samuel Boyer Davis

      1819 · Oil On Canvas · Crystal Bridges Museum of American Art, Бентовил

      Colonel Samuel Boyer Davis is rendered in a full-length, vertical composition that emphasizes his military authority. He stands with a slight, dynamic tilt, positioned off-center against an atmospheric backdrop of swirling grey and beige clouds. This setting suggests the smoke and dust of a battlefield, providing a somber environment for the subject. The lighting, originating from the upper left, casts subtle shadows across his face and body, creating a sense…

      Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853) (1831) de Thomas Sully
      10

      Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853)

      1831 · Oil On Canvas · Harvard Art Museums, Cambridge

      The air in the room feels still, held in a quiet suspension as Eliza Melville Young McAllister meets the viewer's gaze. She sits with a poise that suggests a life of quiet refinement, her expression composed and steady. The light, soft and directional, spills from the upper left, brushing against the pale curve of her cheek and the delicate, translucent lace of her headpiece. This illumination creates a gentle depth,…

      Thomas Sully: pântecele 11 - 100 din clasament

      John Finley (1821) de Thomas Sully
      #11

      John Finley

      1821 · Metropolitan Museum of Art

      Thomas Sully's "John Finley," painted in 1821, is more than just a likeness; it’s a carefully constructed embodiment of power and prestige within the burgeoning American landscape. The…

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      John Sergeant (1811) de Thomas Sully
      #13

      John Sergeant

      1811 · National Portrait Gallery

      This portrait of John Sergeant was painted by Thomas Sully in 1811. The sitter, a man of significant political and legal standing, is captured here in a moment…

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      Mother and Son (1840) de Thomas Sully
      #14

      Mother and Son

      1840 · Metropolitan Museum of Art

      Mother and Son: An Allegory of Domestic Harmony This magnificent portrait by Thomas Sully, completed in 1840, transcends mere representation; it embodies a profound meditation on familial bonds…

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      Isabella Tod Stewart (1837) de Thomas Sully
      #16

      Isabella Tod Stewart

      1837 · Isabella Stewart Gardner Museum

      The sitter faces the viewer with a steady, direct gaze, her presence anchored by the deep shadows of a dark background. A soft, directional light brushes the right…

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      Thomas Ash II (1807) de Thomas Sully
      #18

      Thomas Ash II

      1807 · National Portrait Gallery

      This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is…

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      John Vaughan (1819) de Thomas Sully
      #23

      John Vaughan

      1819 · National Portrait Gallery

      Thomas Sully rendered this oil on canvas portrait of John Vaughan between 1815 and 1823. The work captures the subject in a dignified, intimate bust-length composition, positioning him…

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      Thomas Heyward, Jr. (1854) de Thomas Sully
      #24

      Thomas Heyward, Jr.

      1854 · National Portrait Gallery

      Thomas Sully presents a portrait of Thomas Heyward, Jr., executed about 1854. The work features a single male figure, rendered with the technical precision characteristic of the American…

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      Mischief (Girl's Head) (1866) de Thomas Sully
      #27

      Mischief (Girl's Head)

      1866 · Reading Public Museum

      Thomas Sully executed Mischief (Girl's Head) in 1866. This oil on canvas painting belongs to the artist's later period, capturing a specific moment of youthful curiosity through a…

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      Self-Portrait (1850) de Thomas Sully
      #63

      Self-Portrait

      1850 · National Gallery of Art

      The gaze meets us directly in Self-Portrait, a work where the artist Thomas Sully turns his brush upon his own likeness. Created in 1850, this painting captures the…

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      Charles Carnan Ridgely (1820) de Thomas Sully
      #72

      Charles Carnan Ridgely

      1820 · National Gallery of Art

      This portrait presents Charles Carnan Ridgely, a man who held significant influence as the second master of the Hampton estate. Painted in 1820, the work captures the sitter…

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      Major John Biddle (1818) de Thomas Sully
      #74

      Major John Biddle

      1818 · Metropolitan Museum of Art

      The gaze of Major John Biddle meets the viewer with a steady, unyielding weight. He sits encased in a black coat, the fabric absorbing the light, punctuated only…

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      James Pollard Espy (1849) de Thomas Sully
      #79

      James Pollard Espy

      1849 · National Portrait Gallery

      This 1849 oil on canvas presents a bust-length portrait of James Pollard Espy. The subject is positioned slightly off-center, facing towards the viewer's right while his gaze meets…

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      Rosalie Spang (1848) de Thomas Sully
      #81

      Rosalie Spang

      1848 · Carnegie Museum of Art

      This oil on canvas portrait depicts Rosalie Spang. The work was executed by the artist Thomas Sully in 1848. The subject is presented in a formal manner, positioned…

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      Rebecca Gratz (1831) de Thomas Sully
      #82

      Rebecca Gratz

      1831

      The Rebecca Gratz painting, created by Thomas Sully in 1831, is a captivating oil on panel portrait that showcases the artist's skill in capturing the essence of his…

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      Musidora (1813) de Thomas Sully
      #83

      Musidora

      1813 · Metropolitan Museum of Art

      Thomas Sully’s “Musidora,” completed in 1813, is more than just a depiction of a nude figure; it's a carefully constructed moment of burgeoning romance, steeped in the sensibilities…

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      The Student (1839) de Thomas Sully
      #86

      The Student

      1839 · Metropolitan Museum of Art

      Thomas Sully's "The Student," painted in 1839, is more than just a likeness; it’s a carefully constructed tableau of introspection and nascent artistic promise. This captivating portrait, rendered…

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      Governor Peyton Randolph (1806) de Thomas Sully
      #91

      Governor Peyton Randolph

      1806 · Wilton House Museum

      In the quiet, commanding presence of Thomas Sully’s 1806 portrait, Governor Peyton Randolph, one finds more than a mere likeness of a political figure; one encounters the very…

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      Pânzele lui Thomas Sully, perioadă cu perioadă

      Cele mai picturate opere ale lui Thomas Sully

      Cele patru teme care apar cel mai des pe aceste pânze, fiecare cu cel mai apreciat exemplu al său.

      Unde sunt expuse picturile lui Thomas Sully

      Cele 8 muzee care dețin cele mai multe dintre picturile de pe această pagină.

      Muzeu Oraș Lucrări lui Thomas Sully Picturi din această listă
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 23 George Washington, Child Asleep (The Rosebud), John Finley
      National Gallery of Art, WashingtonNational Gallery of Art Washington 22 The Coleman Sisters, William B. Wood as "Charles de Moor", John Quincy Adams
      National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 6 Thomas Sully, John Sergeant, Thomas Ash II
      Pennsylvania Academy of Fine Arts, PhiladelphiaPennsylvania Academy of Fine Arts Philadelphia 8 George Frederick Cooke as Richard III, Elizabeth Willing Jackson, Frances Anne Kemble as Beatrice
      Muzeul de Artă Plastică din Boston, BostonMuzeul de Artă Plastică din Boston Boston 7 John Myers, Mrs. Joseph Rotch (Anne Smith), Victor René Value and His Daughter Charlotte
      Yale University Art Gallery, New HavenYale University Art Gallery New Haven 4 Thomas Jefferson (1743-1826), LL.D. 1786, Lester Wallach (1820-1888), Elizabeth Cook (Mrs. Benjamin Franklin Bache) as The Country Girl
      Cincinnati Art Museum, CincinnatiCincinnati Art Museum Cincinnati 4 Portia, Merchant of Venice (Recto) / Sketch of a Woman's Head (Verso), William Alston
      Muzeul de Artă Dallas, DallasMuzeul de Artă Dallas Dallas 3 Mary Harvey, Mrs. Paul Beck, Jr., Portrait of Mrs. George H. Crossman

      Cea mai celebră pânză a lui Thomas Sully, deceniu după deceniu

      1. 1800s
        Thomas Ash II (1807) de Thomas Sully
        Pânză 18 din 100

        Thomas Ash II

        Vârsta 17 – 26 · National Portrait Gallery

        This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is…

      2. 1810s
        Dr. Edward Hudson (1810) de Thomas Sully
        Pânză 4 din 100

        Dr. Edward Hudson

        Vârsta 27 – 36 · Detroit Institute of Arts

        Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just…

      3. 1820s
        Thomas Jefferson (1743-1826), LL.D. 1786 (1823) de Thomas Sully
        Pânză 2 din 100

        Thomas Jefferson (1743-1826), LL.D. 1786

        Vârsta 37 – 46 · Yale University Art Gallery

        Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that…

      4. 1830s
        Queen Victoria (1838) de Thomas Sully
        Poziția 1 din 100

        Queen Victoria

        Vârsta 47 – 56 · Wallace Collection
      5. 1840s
        George Washington (1840) de Thomas Sully
        Poziția 3 din 100

        George Washington

        Vârsta 57 – 66 · Metropolitan Museum of Art

        Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on…

      6. 1850s
        Thomas Heyward, Jr. (1854) de Thomas Sully
        Poziția 24 din 100

        Thomas Heyward, Jr.

        Vârsta 67 – 76 · National Portrait Gallery

        Thomas Sully presents a portrait of Thomas Heyward, Jr., executed about 1854. The work features a single male figure, rendered with the technical precision characteristic of the American…

      7. 1860s
        Mischief (Girl's Head) (1866) de Thomas Sully
        Poziția 27 din 100

        Mischief (Girl's Head)

        Vârsta 77 – 86 · Reading Public Museum

        Thomas Sully executed Mischief (Girl's Head) in 1866. This oil on canvas painting belongs to the artist's later period, capturing a specific moment of youthful curiosity through a…

      Pânzele lui Thomas Sully, întrebare cu întrebare

      Pentru care pictură este cel mai cunoscut Thomas Sully?Citește răspunsul

      Queen Victoria (1838), Wallace Collection, Londra. Urmează Thomas Jefferson (1743-1826), LL.D. 1786 (1823) și George Washington (1840).

      Queen Victoria: ce vârstă avea Thomas Sully când a fost pictată?Citește răspunsul

      Thomas Sully, născut în 1783, avea 55 de ani: Queen Victoria datează din 1838.

      Care sunt cele mai celebre zece picturi ale lui Thomas Sully?Citește răspunsul

      Queen Victoria, Thomas Jefferson (1743-1826), LL.D. 1786, George Washington, Dr. Edward Hudson, Child Asleep (The Rosebud), The Coleman Sisters, William B. Wood as "Charles de Moor", Thomas Sully, Colonel Samuel Boyer Davis și Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853). Fiecare pictură din clasamentul de mai sus este însoțită de anul creării și de muzeul în care este expusă.

      Câte picturi a creat Thomas Sully?Citește răspunsul

      În catalogul nostru sunt 437 lucrări ale lui Thomas Sully, datate între 1802 și 1866.

      Unde sunt expuse astăzi cele mai celebrele picturi ale lui Thomas Sully?Citește răspunsul

      În principal în Metropolitan Museum of Art (New York), National Gallery of Art (Washington) și National Portrait Gallery (Washington, D.C.); lista de mai sus enumeră fiecare muzeu și picturile sale.

      Când a pictat Thomas Sully cele mai celebre picturi?Citește răspunsul

      În 1810s, care a inclus 25 dintre cele 100 lucrări de pe această pagină, Dr. Edward Hudson printre acestea.

      Care a fost prima și care a fost ultima pictură a celebrului Thomas Sully?Citește răspunsul

      Cea mai veche pânză de aici datează din Mrs. Thomas Sully (Sarah Annis) (1802), iar cea mai recentă este din Mischief (Girl's Head) (1866).

      Ce subiecte a pictat cel mai des Thomas Sully?Citește răspunsul

      Man (18), Portrait (17) și Woman (10), din cele 100 lucrări de pe această pagină.

      Care este tehnica cea mai prezentă în picturile lui Thomas Sully?Citește răspunsul

      Oil On Canvas, utilizat în 32 dintre cele 100 lucrări de pe această pagină.

      Cu ce mișcare este asociat(ă) Thomas Sully?Citește răspunsul

      Romanticism și Neoclassicism, așa cum demonstrează picturile de pe această pagină.

      Ce picturi ale lui Thomas Sully sunt păstrate la Metropolitan Museum of Art?Citește răspunsul

      Metropolitan Museum of Art, New York deține 11 dintre lucrările de pe această pagină, printre care se numără George Washington, Child Asleep (The Rosebud) și John Finley.

      Unde pot cumpăra o reproducere a unei picturi a lui Thomas Sully?Citește răspunsul

      Da. Orice pictură de pe această pagină poate fi comandată de pe pagina sa dedicată, sub formă de reproducere pictată manual în ulei sau ca print de artă, în dimensiunea aleasă de dumneavoastră.

      Făcând cunoștință cu pictorul: Thomas Sully

      A Transatlantic Brushstroke: The Life and Art of Thomas Sully

      Thomas Sully’s story is one woven from threads of performance, migration, and artistic transformation – a journey that took him from the stages of Charleston to the hallowed halls of Philadelphia. Born in Horncastle, Lincolnshire, England, in 1783, his early life was far removed from the world of portraiture he would ultimately dominate. His parents, Matthew and Sarah Chester Sully, were actors, and young Thomas spent his childhood traveling with them, experiencing the vibrant energy of theatrical productions across America. This immersion in performance—the study of expressions, gestures, and the ability to embody a character—laid the foundation for his keen eye for capturing human psychology within his paintings. It was a formative experience that instilled in him an understanding of how to convey emotion and personality through visual means – a skill he would later hone into a remarkable artistic style.

      From Miniature to Monumental: Forging an American Style

      Sully’s artistic development wasn't a sudden shift, but rather a gradual evolution shaped by diverse influences. Initially apprenticed to an insurance broker, his talent for detail and observation quickly became apparent. However, it was the guidance of Charles Fraser, a local artist, and later his brother-in-law Jean Belzons, that truly ignited his passion for miniature painting – a technique he mastered with remarkable precision. This early work provided him with invaluable skills in rendering delicate details, capturing textures, and working on a small scale—skills that would prove essential as he transitioned to larger-scale portraiture. Crucially, his time spent studying under Benjamin West in London from 1808 onward proved pivotal. While West was a celebrated figure in his own right, it was the influence of Thomas Lawrence – known for his elegant style, mastery of light and texture, and ability to capture both likeness and character – that profoundly shaped Sully’s artistic sensibilities. Returning to America imbued with this aesthetic, he earned the moniker “the Sir Thomas Lawrence of America,” a testament to the striking similarities between their styles. However, Sully didn't simply imitate; he adapted and refined these influences, forging a distinctly American style—a blend of European sophistication and a uniquely New World sensibility. His portraits weren’t merely representations of wealth or status; they were explorations of personality, imbued with psychological depth and emotional resonance.

      Capturing the Essence: Portraits of Prominence

      Sully's career flourished in Philadelphia, where he quickly established himself as one of the city’s leading portrait painters. He possessed a remarkable ability to capture not just physical likenesses but also the essence of his subjects—their personalities, their aspirations, and their social standing. His portraits adorned the homes of prominent figures from across Pennsylvania and Maryland: Thomas Jefferson, John Quincy Adams, Andrew Jackson, and countless other influential citizens. He wasn’t simply painting faces; he was creating lasting impressions, preserving the memories of an era through his art. The meticulous detail in his brushwork—the subtle shading, the delicate rendering of fabrics, the carefully observed expressions—all contributed to the captivating realism of his portraits. His ability to convey a sense of dignity and gravitas made him highly sought after by wealthy patrons eager to immortalize themselves and their families.

      Beyond Likeness: Historical Narratives and Artistic Legacy

      While celebrated for his portraits, Sully’s artistic ambition extended beyond capturing individual faces. He ventured into historical painting with works like *The Passage of the Delaware* (1819), a grand depiction of Washington's iconic crossing—a piece that demonstrated his ability to handle large-scale compositions and imbue them with dramatic power. This willingness to engage with historical narratives broadened his appeal and cemented his place in the American art world. His prolific output—over 2,000 paintings over seven decades—testifies to both his skill and his relentless dedication. He wasn’t merely a painter of the elite; he documented an era, preserving the faces and stories of a nation undergoing rapid transformation. Sully's influence extended beyond his own canvases. He was a dedicated teacher, mentoring numerous artists including Marcus Aurelius Root, who would later become a pioneer in photography.

      A Patron of Culture: Music, Society, and Enduring Influence

      Sully’s contributions weren’t limited to the visual arts. As a founding member of Philadelphia's Musical Fund Society, he demonstrated a deep commitment to fostering cultural life within his community. This involvement speaks to a broader artistic sensibility – an understanding that art in all its forms enriches society and elevates the human spirit. His work was even adapted for use on United States coinage, further solidifying his place in the national consciousness. Though Romanticism and Neoclassicism were dominant movements during his lifetime, Sully’s style transcended easy categorization. He skillfully blended elements of both, creating a unique aesthetic that prioritized emotional depth, technical precision, and psychological insight. Today, Thomas Sully's paintings hang in prestigious museums across the country, continuing to captivate audiences with their beauty, elegance, and enduring power. His legacy remains as a testament to the transformative potential of art and the enduring allure of the human face.

      Toate cele 437 de lucrări ale lui Thomas Sully →