Cea mai iubită pictură a lui Werner Büttner este The third world pushing its way to the regulars' table (1981), expusă în Städel Museum, Frankfurt pe Main. Catalogul nostru cuprinde 2 lucrări ale lui Werner Büttner: iată cele 1 cele mai faimoase, fiecare cu anul creării, muzeul de păstrare și elementul care o face memorabilă.
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Muzeul care deține cele mai multe dintre picturile prezentate pe această pagină.
| Muzee | Oraș | Lucrări lui Werner Büttner | Picturi din această listă |
|---|---|---|---|
| Frankfurt pe Main | 1 | The third world pushing its way to the regulars' table |
Fiecare pictură datată a lui Werner Büttner de pe această pagină a fost pictată în 1981; iată-le, începând cu cele mai celebre.
The third world pushing its way to the regulars' table (1981)
Werner Büttner, născut în 1954, avea 27 de ani: The third world pushing its way to the regulars' table datează din 1981.
În catalogul nostru se află 2 lucrări ale lui Werner Büttner.
În principal în Städel Museum (Frankfurt pe Main); lista de mai sus enumeră fiecare muzeu și picturile sale.
Born in Jena, Germany, Werner Büttner moved to Munich with his parents in 1961 before relocating to Berlin in 1968. After studying law at the Freie Universität Berlin from 1973 to 1977, he worked as a social assistant in the Tegel correctional facility. His early career was marked by the founding of various organizations, such as the Dum-Dum-Liga-Journal and the Liga zur Bekämpfung des widersprüchlichen Verhaltens, the latter established with Albert Oehlen. During the 1980s, Büttner was associated with the Neuen or Jungen Wilden movement, a group of painters who advocated for a Rückkehr der Malerei, or a return to painting, moving away from conceptual art. His work during this period was characterized as neo-expressionist and neo-dadaist, often utilizing humorous and sarcastic references to everyday life within his titles and subjects.
Büttner’s influence extended into academia, where he served as a lecturer and later as a professor at the Hochschule für Bildende Künste in Hamburg from 1989 to 2021. During his tenure, he taught painting and was involved in university politics, mentoring students such as Daniel Richter and Matvey Slavin. In addition to his teaching, he co-founded the Meter-Verlag with Albert Oehlen. His later artistic focus has shifted toward neo-dadaist collages, which have been exhibited at venues like the Deichtorhallen in Hamburg. His work is held in several collections, including: