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In Mourning

Имя Класс обучения Дата

Андерс Зорн, In Mourning (1880). Общественное достояние Посмотрите на этот холст при движении света: рисунок, истинный цвет под лаком, чистый пигмент

Факты

Автор
Андерс Зорн topimpressionists.com/ru/artists/%D0%B0%D0%BD%D0%B4%D0%B5%D1%80%D1%81-%D0%B7%D0%BE%D1%80%D0%BD_ru/
Даты жизни автора
1860 – 1920
Живопись
1880
Размер оригинала
42 x 31 cm
Динамика
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

В контексте

In Mourning — Андерс Зорн

Размер

Оригинальный размер составляет 42 × 31 см (высота × ширина); здесь он представлен рядом с фигурой взрослого человека среднего роста.

Дата написания

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Верхняя строка: годы. Нижняя строка: возраст художника в начале и в конце каждого периода — 0 при рождении, 60 на момент смерти.

Написано, когда художнику было 20. Художник прожил 60. 3 из 163 датированных работ этого художника в нашем каталоге были созданы ранее.

Затененная область: годы жизни Андерс Зорн (1860–1920) ▲ эта работа, 1880 каждая картина с датой, десятилетие за десятилетием

Первые работы: до 1889 Основные годы творчества: 1889–1901 Поздние работы: с 1901

Эти три периода разделяют работы, датированные в данном каталоге, на первую четверть, середину и последнюю четверть. Они не представляют собой полный творческий путь художника: небольшой пробел может быть следствием отсутствия записей, а не периодом затишья. Те же годы, что и жизнь художника

Похожие произведения

Выберите одну из работ выше: назовите две общие черты с этим произведением и одно отличие.

Другие работы, которые дополнят эту: topimpressionists.com/ru/art/similar/anders-leonard-zorn-in-mourning-AQQLME-en/

Цветовая палитра

Определено по изображению

    Основной цвет

    Phthalo Green #261e1d

    Сохраненная палитра

    • #261E1D
    • #FEFEFE
    • #CBB8A3
    • #8C7159

    Эти цвета в составе всей палитры художника Найти другие картины по цвету

    Палитра
    Neutrals Преобладающая цветовая гамма изображения.
    Основной цвет
    Phthalo Green
    Интенсивность
    Monochromatic Насколько насыщенными и разнообразными могут быть цвета — от одного приглушенного оттенка до множества ярких.
    Контрастность
    Statement Степень различия цветов по светлоте и насыщенности в разных частях картины.
    Гармония
    Strong Color Unity Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Bright Общая светлость или темность картины: от глубокой тени до яркого блика.
    Насыщенность
    Muted Насколько чисты и насыщенны эти цвета — от почти серых до максимально ярких.

    В каких точках мира смотрят на эту картину?

    • менее 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% и более
    У этой картины слишком мало зафиксированных посетителей для построения карты, поэтому на плакате представлены все работы Андерс Зорн за последние двенадцать месяцев — всего в 20 странах. Откуда взяты эти данные

    Десять ведущих стран

    1. 1 Китай 68,1%
    2. 2 Соединенные Штаты Америки 8,3%
    3. 3 Сингапур 4,9%
    4. 4 Гонконг 3,5%
    5. 5 Швеция 2,8%
    6. 6 Болгария 2,1%
    7. 7 Бразилия 1,4%
    8. 8 Аргентина 0,7%
    9. 9 Австралия 0,7%
    10. 10 Чили 0,7%
    11. · 10 другие страны 6,8%

    Найдите на карте три самые темные страны. Находится ли музей, хранящий эту картину, в одной из них? Запишите одну причину, по которой люди из далеких краев могут захотеть ее увидеть.

    20 самых просматриваемых работ Андерс Зорн

    1. 1 Ida by the Window, 1908 4,5%
    2. 2 Нюдная женщина расчесывает волосы, 1907 3,4%
    3. 3 Isabella Stewart Gardner in Venice, 1894 3,4%
    4. 4 Self Portrait with Faun and Nymph 3,4%
    5. 5 Brodbaket 2,8%
    6. 6 Morning, 1891 2,2%
    7. 7 Junikväll (Evening in June) 2,2%
    8. 8 In Mourning, 1880 эта картина 1,7%
    9. 9 Portrait Mrs. Potter Palmer, 1893 1,7%
    10. 10 Isabella Gardner (study), 1894 1,7%
    11. 11 Flickan på loftet (Girl in the Loft) 1,7%
    12. 12 Portrait of a Lady in a Drawing Room, 1887 1,7%
    13. 13 Karleksnymf 1,7%
    14. 14 Untitled (AQQLQL), 1908 1,7%
    15. 15 Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862 1919), 1897 1,1%
    16. 16 The Schwartz Girls, 1889 1,1%
    17. 17 Isabella Stewart Gardner in Venice, 1894 1,1%
    18. 18 Untitled (AQQLRG), 1884 1,1%
    19. 19 Gondola in Front of the Palazzo Barbaro, 1894 1,1%
    20. 20 Untitled (AQQLQ8), 1902 1,1%

    В совокупности эти работы получили 40,4% всего внимания, которое получили картины этого художника за последние двенадцать месяцев. В каталоге содержится 263 работ этого художника, из которых 109 были просмотрены как минимум один раз. Эта картина занимает 8 место в этом рейтинге, привлекая 1,7% этого внимания. Те же показатели, месяц за месяцем

    Шкала измеряет внимание, а не качество. Выберите работу в верхней части списка и эту: назовите одну вещь, которая может сделать картину знаменитой помимо мастерства её исполнения.

    Об этом произведении

    In Mourning — Андерс Зорн

    The painting In Mourning by Anders Leonard Zorn is a masterpiece of watercolor technique, created in 1880. This poignant piece resides in the prestigious Nationalmuseum in Stockholm, Sweden. The artist masterfully uses a muted palette of dark grays, blacks, and browns, punctuated by a light, almost beige backdrop, to enhance the painting's melancholic mood.

    The Artist's Technique

    Anders Leonard Zorn was a prominent Swedish artist who obtained international success as a painter, sculptor, and etcher. His exceptional skill in watercolor technique is evident in In Mourning, where the subtle texturing of the subject's dark clothing and the soft folds of her veil are rendered with exquisite detail. This painting is considered one of his earliest masterpieces and showcases his ability to capture the individual character of his model. Key Features of the Painting:

    The use of a limited color range to enhance the melancholic mood

    The subtle texturing of the subject's clothing and veil

    The masterful depiction of the subject's somber expression

    The painting's impact was immediate, garnering significant attention at the Academy of Fine Arts' student exhibition and earning praise from critics and even King Oscar II. This early success propelled Zorn's career, leading to numerous portrait commissions and international recognition. More Information on Anders Leonard Zorn: For more information on Anders Leonard Zorn and his works, visit https://AllPaintingsStore.com. You can also find more about the Nationalmuseum and its collection at /en/art/show/art-aqqlme-en/

    The painting In Mourning is a testament to Zorn's artistic genius and the enduring power of emotional expression in art. Its intimate scale invites close examination, allowing viewers to fully appreciate the delicate brushstrokes and subtle nuances of emotion captured within.

    To learn more about Anders Leonard Zorn and his contributions to the art world, visit https://AllPaintingsStore.com and explore the extensive collection of handmade oil painting reproductions.

    Художник и музей

    Автор

    Андерс Зорн

    Место рождения Мора, Швеция

    Anders Leonard Zorn: A Swedish Master of Light and Life

    Anders Leonard Zorn, a name synonymous with vibrant Impressionism and masterful portraiture, stands as Sweden’s most celebrated artist. Born in 1860 amidst the rustic beauty of Dalarna, his journey from humble beginnings to international acclaim is a testament to raw talent nurtured by relentless dedication. Unlike many artists who sought formal training within established circles, Zorn's early education was rooted in the practicalities of rural life and an innate artistic sensibility that blossomed even before entering the Royal Swedish Academy of Arts at the remarkably young age of twelve. His childhood on his grandparents’ farm instilled a deep connection to the land and its people—a theme that would resonate throughout his oeuvre, particularly in his evocative depictions of Swedish peasant life. This early exposure wasn't merely about subject matter; it was about capturing a way of being, an authenticity that infused his work with a unique emotional depth.

    Early Years and Artistic Beginnings

    Zorn’s artistic journey began not within the hallowed halls of a prestigious academy, but on the very soil of his family’s farm in Mora, Sweden. His parents, though separated at birth, instilled in him a deep appreciation for craftsmanship and the rhythms of rural life. He spent his formative years learning wood carving from his grandparents, developing an early fascination with capturing form and detail – skills that would later inform his meticulous approach to portraiture. At the age of twelve, he was sent to Enköping, a nearby town, where he received a more structured education, attending a grammar school and discovering his exceptional talent for drawing. This initial recognition led to his acceptance into the Royal Swedish Academy of Arts in Stockholm at just fifteen years old – an extraordinary achievement for someone from such humble origins. Initially intending to pursue sculpture, Zorn quickly found himself drawn to watercolor painting, captivated by its ability to capture fleeting moments and atmospheric effects. He was particularly influenced by the work of Egron Lundgren, a prominent Swedish watercolorist whose vibrant landscapes demonstrated a mastery of light and color that deeply resonated with young Zorn.

    The Rise to International Recognition

    Zorn’s early success in watercolor propelled him onto the art scene, attracting commissions from Stockholm's elite and setting the stage for an international career. A pivotal moment arrived with “In Mourning” (1880), a watercolor portrait that showcased his remarkable sensitivity and technical prowess. This work, depicting a young girl grieving her deceased mother, captured the profound sadness of loss with breathtaking realism and emotional depth. The painting was exhibited at the Academy’s annual exhibition and immediately garnered widespread acclaim, establishing Zorn as a rising star in the Swedish art world. He quickly realized that his talent demanded more than the constraints of academic training; he sought to break free from traditional artistic conventions and forge his own unique style. This desire led him to embark on extensive travels throughout Europe – London, Paris, Spain, and Tangier – immersing himself in diverse cultures and artistic traditions. These journeys broadened his perspective and influenced his approach to subject matter, particularly his fascination with capturing the essence of everyday life.

    A Synthesis of Influences and Artistic Development

    Zorn’s style was not a simple imitation of any single movement or artist; rather, it was a carefully crafted synthesis of various influences. He absorbed elements from Spanish masters like Velázquez – particularly his masterful use of light and shadow – while simultaneously drawing inspiration from the directness and realism of Scandinavian naturalism. His time spent in Paris exposed him to new ideas and techniques, but he always remained true to his own artistic instincts, developing a distinctive style characterized by its luminous color palette, meticulous detail, and emotional intensity. A crucial turning point came when Zorn began experimenting with oil painting in the late 1880s. This allowed him to achieve a greater richness of color and texture, further enhancing the vibrancy and immediacy of his work. He embraced a limited palette, focusing on achieving maximum impact through subtle variations in tone and hue—a technique that became a hallmark of his style. His paintings from this period, such as “A Fisherman in St Ives,” demonstrate a newfound confidence and mastery of the medium.

    Portraits of Royalty and Presidents

    Zorn’s international success was largely fueled by his remarkable talent for portraiture. He possessed an uncanny ability to capture not just physical likenesses but also the character, intellect, and even the soul of his subjects. He painted portraits of royalty – including King Oscar II of Sweden – as well as prominent figures from American society, including Grover Cleveland, William H. Taft, and Theodore Roosevelt. His portraits were highly sought after by wealthy patrons and influential politicians alike, solidifying his reputation as one of the most accomplished portraitists of his era. His ability to distill the essence of his sitters into compelling visual narratives was a testament to his keen observational skills and profound understanding of human psychology.

    Legacy and Enduring Impact

    Anders Zorn’s influence extends far beyond his stunning body of work. He was not only a gifted artist but also a dedicated patron of the arts, establishing the Bellman Prize in 1920—a prestigious literary award for Swedish poets that continues to be awarded today. This act underscores his commitment to fostering creativity and supporting cultural expression within his homeland. His paintings are now held in prominent museums worldwide, including the Nationalmuseum in Stockholm, the Musée d'Orsay in Paris, and the Metropolitan Museum of Art in New York. The Zorn Collections in Mora, Sweden—comprising Zorngården, Zorn Museum, Gammelgård, and Gopsmor—serve as a lasting tribute to his life and legacy, offering visitors an intimate glimpse into his world. Zorn’s ability to capture the beauty of everyday life, combined with his technical brilliance and unwavering artistic vision, cemented his place as one of the most important artists of his generation. He remains a source of inspiration for artists today, a testament to the enduring power of light, color, and human connection in art. His work continues to resonate with audiences worldwide, reminding us of the beauty that can be found in both the grand and the mundane.

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    QR-код со ссылкой на страницу загрузки In Mourning

    topimpressionists.com/ru/art/download/anders-leonard-zorn-in-mourning-AQQLME-en/

    Цитирование произведения

    MLA
    Зорн, Андерс. In Mourning. 1880, https://topimpressionists.com/ru/art/anders-leonard-zorn-in-mourning-AQQLME-en/
    APA
    Зорн, Андерс (1880). In Mourning [Painting]. https://topimpressionists.com/ru/art/anders-leonard-zorn-in-mourning-AQQLME-en/
    Chicago
    Андерс Зорн. In Mourning. 1880. https://topimpressionists.com/ru/art/anders-leonard-zorn-in-mourning-AQQLME-en/
    Harvard
    Зорн, Андерс (1880) In Mourning. Available at: https://topimpressionists.com/ru/art/anders-leonard-zorn-in-mourning-AQQLME-en/

    Присмотритесь внимательнее

    In Mourning — Андерс Зорн

    Взгляните поближе

    Отвечайте своими словами. Здесь нет неправильных ответов — есть только те, которые вы можете объяснить.

    1. Что первым бросается вам в глаза и почему?
    2. Какие цвета или формы создают настроение — и какое это настроение?
    3. Сколько лиц вы сможете найти? ____ (в нашем каталоге насчитывается 1 — согласны ли вы с этим?)
    4. В нашем каталоге эта работа классифицирована по тегам: portrait, mourning, watercolor. Вы согласны? Что бы вы добавили или исключили?
    5. Вспомните работу Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918) (1900), представленную ранее в этом руководстве. Назовите две общие черты с этим произведением и одно отличие.

    Ваш ответ

    Напишите небольшой текст об этом произведении искусства, опираясь на факты из предыдущих разделов данного руководства и ваши ответы выше.

    Вопросы и ответы

    Какой художник и какой стиль стоят за «In Mourning»?

    «In Mourning» был создан Андерс Зорн в стиле Impressionism. Автор и направление определяют художественную традицию этого произведения.

    Какова яркость произведения «In Mourning», Андерс Зорн?

    Цвета произведения «In Mourning» обладают Bright Balance яркостью.

    Какой основной оттенок преобладает в «In Mourning», Андерс Зорн?

    В произведении «In Mourning» преобладает Golden Yellow Range оттенок.