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Elisabeth at the Table

Имя Класс обучения Дата

Август Макке, Elisabeth at the Table (1909). Общественное достояние Посмотрите на этот холст при движении света: рисунок, истинный цвет под лаком, чистый пигмент

Факты

Автор
Август Макке topimpressionists.com/ru/artists/%D0%B0%D0%B2%D0%B3%D1%83%D1%81%D1%82-%D0%BC%D0%B0%D0%BA%D0%BA%D0%B5_ru/
Даты жизни автора
1887 – 1914
Живопись
1909
Материал
Oil On Canvas
Размер оригинала
22 x 16 cm
Динамика
Fauvist Style
Период
Modern
Artistic style
Expressionist
Influences
Impressionists, Post-Imp.
Notable elements
Bold colors, brushstrokes
Subject or theme
Intimate scene

В контексте

Elisabeth at the Table — Август Макке

Размер

Оригинальный размер составляет 22 × 16 см (высота × ширина); здесь он представлен рядом с фигурой взрослого человека среднего роста.

Дата написания

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Верхняя строка: годы. Нижняя строка: возраст художника в начале и в конце каждого периода — 0 при рождении, 27 на момент смерти.

Написано, когда художнику было 22. Художник прожил 27. 8 из 138 датированных работ этого художника в нашем каталоге были созданы ранее.

Затененная область: годы жизни Август Макке (1887–1914) ▲ эта работа, 1909 каждая картина с датой, десятилетие за десятилетием

Похожие произведения

  • Женщина в зеленом пальто, 1913 topimpressionists.com/ru/art/%D0%B0%D0%B2%D0%B3%D1%83%D1%81%D1%82-%D0%BC%D0%B0%D0%BA%D0%BA%D0%B5-%D0%B6%D0%B5%D0%BD%D1%89%D0%B8%D0%BD%D0%B0-%D0%B2-%D0%B7%D0%B5%D0%BB%D0%B5%D0%BD%D0%BE%D0%BC-%D0%BF%D0%B0%D0%BB%D1%8C%D1%82%D0%BE-8XXPEQ-ru/
  • Батающие девушки на фоне города, 1913 topimpressionists.com/ru/art/%D0%B0%D0%B2%D0%B3%D1%83%D1%81%D1%82-%D0%BC%D0%B0%D0%BA%D0%BA%D0%B5-%D0%B1%D0%B0%D1%82%D0%B0%D1%8E%D1%89%D0%B8%D0%B5-%D0%B4%D0%B5%D0%B2%D1%83%D1%88%D0%BA%D0%B8-%D0%BD%D0%B0-%D1%84%D0%BE%D0%BD%D0%B5-%D0%B3%D0%BE%D1%80%D0%BE%D0%B4%D0%B0-8XXPFV-ru/
  • Художественная мастерская, 1913 topimpressionists.com/ru/art/%D0%B0%D0%B2%D0%B3%D1%83%D1%81%D1%82-%D0%BC%D0%B0%D0%BA%D0%BA%D0%B5-%D1%85%D1%83%D0%B4%D0%BE%D0%B6%D0%B5%D1%81%D1%82%D0%B2%D0%B5%D0%BD%D0%BD%D0%B0%D1%8F-%D0%BC%D0%B0%D1%81%D1%82%D0%B5%D1%80%D1%81%D0%BA%D0%B0%D1%8F-8XXPEP-ru/

Выберите одну из работ выше: назовите две общие черты с этим произведением и одно отличие.

Другие работы, которые дополнят эту: topimpressionists.com/ru/art/similar/august-macke-elisabeth-at-the-table-8XXPFC-en/

Цветовая палитра

Определено по изображению

    Основной цвет

    Black #090d0b

    Сохраненная палитра

    • #090D0B
    • #948F6E
    • #383221
    • #765126

    Эти цвета в составе всей палитры художника Найти другие картины по цвету

    Палитра
    Earthy Преобладающая цветовая гамма изображения.
    Основной цвет
    Black
    Интенсивность
    Monochromatic Насколько насыщенными и разнообразными могут быть цвета — от одного приглушенного оттенка до множества ярких.
    Контрастность
    Gentle Степень различия цветов по светлоте и насыщенности в разных частях картины.
    Гармония
    Balanced Harmony Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Deep_shadow Общая светлость или темность картины: от глубокой тени до яркого блика.
    Насыщенность
    Subtle Color Насколько чисты и насыщенны эти цвета — от почти серых до максимально ярких.

    В каких точках мира смотрят на эту картину?

    • менее 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% и более
    У этой картины слишком мало зафиксированных посетителей для построения карты, поэтому на плакате представлены все работы Август Макке за последние двенадцать месяцев — всего в 40 странах. Откуда взяты эти данные

    Десять ведущих стран

    1. 1 Китай 44,1%
    2. 2 Соединенные Штаты Америки 5,8%
    3. 3 Мексика 5,1%
    4. 4 Германия 4,7%
    5. 5 Испания 4,1%
    6. 6 Франция 3,4%
    7. 7 Гонконг 3,4%
    8. 8 Южная Корея 3,4%
    9. 9 Колумбия 2,4%
    10. 10 Индия 2,0%
    11. · 30 другие страны 21,6%

    Найдите на карте три самые темные страны. Находится ли музей, хранящий эту картину, в одной из них? Запишите одну причину, по которой люди из далеких краев могут захотеть ее увидеть.

    20 самых просматриваемых работ Август Макке

    1. 1 Женщина в зеленом пальто, 1913 41,0%
    2. 2 Пейзаж с коровами и верблюдом, 1914 4,8%
    3. 3 Батающие девушки на фоне города, 1913 3,5%
    4. 4 Художественная мастерская, 1913 2,8%
    5. 5 Market in Tunis II 2,5%
    6. 6 Still life hyacinths carpet, 1910 1,5%
    7. 7 Three girls in yellow straw hats I, 1913 1,3%
    8. 8 Milliner 1,3%
    9. 9 Little Walter, 1912 1,0%
    10. 10 Inner courtyard of house in St. Germain, 1914 1,0%
    11. 11 Man Reading in a Park, 1914 0,8%
    12. 12 Portrait of Franz Marc, 1910 0,8%
    13. 13 At the Garden Table, 1914 0,8%
    14. 14 Red house in park, 1914 0,8%
    15. 15 Church with Flags, 1914 0,8%
    16. 16 Sailing boat on the Tegernsee, 1910 0,8%
    17. 17 Promenade, 1913 0,8%
    18. 18 Bright House, 1914 0,8%
    19. 19 Hat Shop, 1914 0,8%
    20. — Elisabeth at the Table, 1909 эта картина 0,0%

    В совокупности эти работы получили 67,9% всего внимания, которое получили картины этого художника за последние двенадцать месяцев. В каталоге содержится 228 работ этого художника, из которых 118 были просмотрены как минимум один раз. У этой картины пока нет просмотров за указанный период — она завершает список без рейтинга. Те же показатели, месяц за месяцем

    Шкала измеряет внимание, а не качество. Выберите работу в верхней части списка и эту: назовите одну вещь, которая может сделать картину знаменитой помимо мастерства её исполнения.

    Об этом произведении

    Elisabeth at the Table — Август Макке

    A Moment of Quietude: August Macke's "Elisabeth at the Table"

    August Macke’s “Elisabeth at the Table,” painted in 1909, is more than just a depiction of two women sharing a moment; it’s a vibrant distillation of Fauvist principles and a poignant glimpse into the burgeoning artistic spirit of early 20th-century Germany. Measuring a modest 22 x 16 cm, this oil on canvas radiates an immediate warmth, drawing the viewer into a scene of intimate companionship rendered with a boldness rarely seen before its time. Macke, a key figure within the influential Der Blaue Reiter group, masterfully employs color and brushstroke to evoke not just what he saw, but how he felt about it – a characteristic hallmark of Expressionism.

    Fauvist Color and Energetic Form

    The painting’s power lies fundamentally in its embrace of Fauvism. Macke abandons traditional representational accuracy for an unrestrained use of color, employing hues that are often jarringly bright and deliberately non-naturalistic. The reds, blues, and yellows aren't meant to mimic reality; instead, they pulsate with emotional intensity, contributing to the painting’s dynamic energy. Notice how the brushstrokes themselves – loose, gestural, and applied with a palpable urgency – further amplify this effect. This technique wasn't simply about aesthetics; it was a deliberate attempt to convey subjective experience, a core tenet of the movement.

    A Portrait of Modern Life

    The subject matter itself—two women seated at a table laden with books, handbags, and chairs – speaks volumes about the changing social landscape of the period. This isn’t a formal portrait intended to elevate status; it's an observation of everyday life, imbued with a sense of quiet contemplation. The objects themselves are rendered with a remarkable degree of detail, suggesting a comfortable domesticity, yet they are presented within Macke’s intensely colored framework, elevating them to something almost symbolic. The woman on the left, seemingly engrossed in a book, and the other, perhaps engaged in conversation or simply enjoying the moment, create an atmosphere of relaxed intimacy.

    Historical Context and Artistic Influence

    "Elisabeth at the Table" was created during a period of immense artistic upheaval. Macke’s work reflects the broader trends of his time – the rejection of academic conventions in favor of subjective expression, and the exploration of new visual languages. His association with Der Blaue Reiter (The Blue Rider) further contextualizes the painting, placing it within a circle of artists who were pushing the boundaries of artistic convention. Macke’s influence extends beyond Fauvism; his emphasis on emotional intensity and dynamic brushwork foreshadowed many later developments in modern art.

    Collecting this Masterpiece – A Reproduction Opportunity

    WahooArt offers a meticulously crafted hand-painted reproduction of August Macke’s “Elisabeth at the Table,” allowing you to bring this captivating artwork into your home or office. Each reproduction is created using archival materials and techniques, ensuring its longevity and fidelity to the original. This isn't merely a print; it's an investment in art history, a tangible connection to one of the most significant figures of the early 20th-century art scene. Consider this piece as more than just decoration – it’s a window into a world of vibrant color, emotional intensity, and profound artistic vision.

    Художник и музей

    Автор

    Август Макке

    Место рождения Мещёха, Германия

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name forever intertwined with the brief but intensely brilliant flowering of German Expressionism, lived a life tragically curtailed by the horrors of the First World War. Born in 1887 in Meschede, a small town nestled within the Westphalian countryside, his artistic journey was one of rapid evolution and profound exploration – a relentless pursuit to capture not just what he saw, but how he felt about it. Macke’s early years were marked by a quiet determination, a yearning for creative expression that propelled him from his hometown to Bonn, where he began to hone his nascent talent under the guidance of local educators. Though formally trained at the Düsseldorf Art Academy between 1904 and 1906, under the tutelage of Adolf Maennchen, it was through independent study, travel, and a deep immersion in the artistic currents of the time that his unique voice truly began to emerge. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques – a careful study of light, color, and brushwork – laying a foundation for the bolder, more emotionally charged expressions he would later develop. He supplemented his income with stage design work, a demanding profession that sharpened his compositional skills and cultivated a keen eye for visual harmony.

    Influences and Artistic Development: A Synthesis of Styles

    Macke’s artistic trajectory was profoundly shaped by encounters with key figures and movements of the early 20th century – a confluence of influences that ultimately forged his distinctive style. A pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism focused on pure abstraction and vibrant color harmonies. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast and influencing his work towards a more dynamic and non-representational approach. He began experimenting with broken planes of color and abstracted forms, seeking to convey not just what he saw, but how he felt about what he saw – a core tenet of Expressionism. Simultaneously, his close friendship with Franz Marc, a fellow artist and member of the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations, he embraced the group’s spirit of artistic freedom and spiritual inquiry. His paintings began to reflect a growing interest in depicting the emotional resonance of landscapes and everyday life, imbued with a sense of joy and optimism. The influence of Matisse was also significant; Macke adopted the Fauves’ bold use of color and expressive brushstrokes, injecting energy and vitality into his compositions. He wasn't simply copying these styles; he was synthesizing them, creating something entirely new – a visual language uniquely his own.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group’s exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn't simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes – often reflecting the anxieties of the time – Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. His later works, like Türkisches Café, demonstrate his luminist approach, capturing the play of light and shadow with remarkable sensitivity. The artist’s job, he wrote, was to explore and express the human soul - our inner life - via representation of form and use of (non-naturalistic) color.

    Major Achievements: A Legacy of Color and Emotion

    August Macke's artistic achievements are characterized by a remarkable ability to capture the essence of modern experience through vibrant color, dynamic composition, and an underlying sense of optimism. His paintings – landscapes, portraits, still lifes, and scenes of everyday life – are imbued with a palpable energy that reflects both the beauty and the anxieties of his time. He was particularly adept at depicting the natural world, transforming ordinary landscapes into evocative expressions of emotion. Bathing Girls with Town in the Background is perhaps his most famous work, a testament to his ability to capture the fleeting moments of joy and connection within the urban landscape. His portraits, such as Woman in a Green Jacket, are equally compelling, radiating warmth and vitality through their bold color palettes and confident brushwork. Macke’s influence extended beyond Germany, inspiring artists across Europe who were seeking new ways to express themselves in the wake of World War I. His work continues to be exhibited and studied today, serving as a reminder of the power of art to illuminate the human condition.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor, he volunteered for military service in 1914. Tragically, he was killed in action just weeks later, on September 26th, at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent. Despite his untimely death, August Macke’s legacy endures. He remains a significant figure in the history of Expressionism, celebrated for his vibrant colors, dynamic compositions, and optimistic vision. His paintings offer a glimpse into a world on the cusp of change, imbued with a sense of beauty and hope amidst growing uncertainty. Exploring his works today reveals an artist who not only captured the spirit of his time but also created timeless images that continue to resonate with viewers across generations.

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    topimpressionists.com/ru/art/download/august-macke-elisabeth-at-the-table-8XXPFC-en/

    Цитирование произведения

    MLA
    Макке, Август. Elisabeth at the Table. 1909, https://topimpressionists.com/ru/art/august-macke-elisabeth-at-the-table-8XXPFC-en/
    APA
    Макке, Август (1909). Elisabeth at the Table [Painting]. https://topimpressionists.com/ru/art/august-macke-elisabeth-at-the-table-8XXPFC-en/
    Chicago
    Август Макке. Elisabeth at the Table. 1909. https://topimpressionists.com/ru/art/august-macke-elisabeth-at-the-table-8XXPFC-en/
    Harvard
    Макке, Август (1909) Elisabeth at the Table. Available at: https://topimpressionists.com/ru/art/august-macke-elisabeth-at-the-table-8XXPFC-en/

    Присмотритесь внимательнее

    Elisabeth at the Table — Август Макке

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    Отвечайте своими словами. Здесь нет неправильных ответов — есть только те, которые вы можете объяснить.

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    2. Какие цвета или формы создают настроение — и какое это настроение?
    3. В нашем каталоге эта работа классифицирована по тегам: fauvism painting, macke artwork, women at table. Вы согласны? Что бы вы добавили или исключили?
    4. Вспомните работу Женщина в зеленом пальто (1913), представленную ранее в этом руководстве. Назовите две общие черты с этим произведением и одно отличие.
    5. Август Макке было около 22 лет, когда это произведение было создано. Что в нем напоминает о творчестве художника именно этого периода?

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    Вопросы и ответы

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    Доступна ли загрузка изображения «Elisabeth at the Table» в высоком разрешении?

    Цифровой вариант работы «Elisabeth at the Table» можно приобрести как скачивание цифрового изображения в высоком разрешении, оформив заказ непосредственно на странице Цифровое изображение.

    Доступна ли предварительный просмотр в дополненной реальности для «Elisabeth at the Table»?

    Страница Предпросмотр в AR для работы «Elisabeth at the Table», Август Макке использует дополненную реальность, чтобы показать произведение в вашем интерьере на совместимом устройстве.