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      Андерс Цорн, 1860 – 1920

      The 100 Most Famous Андерс Цорн Paintings, Ranked

      The best-loved painting by Андерс Цорн is Self-portrait (1882), which hangs in the Национальный музей Швеции, Стокгольм. Isabella Stewart Gardner in Venice (1894) and Junikväll (Evening in June) come next among the canvases readers know best. Our catalogue holds 340 works by Андерс Цорн: here are the 100 most famous, each with its year, its museum and what makes it memorable.

      Рейтинг основан на нашем показателе популярности, который учитывает количество поисковых запросов, посещений и заказов для каждой работы. Обновлено Октябрь 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Портрет Андерс Цорн
      Андерс Цорн · 1860 – 1920
      Дата рождения · дата смерти
      1860 – 1920, Мура
      Направление
      Impressionism
      Работы в нашем каталоге
      340
      Самые известные
      Self-portrait (1882)
      Больше всего работ в
      Национальный музей Швеции

      Top 10 Андерс Цорн paintings: the canvases everyone knows

      Self-portrait (1882) работы Андерс Цорн
      1

      Self-portrait

      1882 · Acrylic On Canvas · Национальный музей Швеции, Стокгольм

      Anders Leonard Zorn’s “Self-Portrait,” painted in 1882, isn't merely a likeness; it’s an intimate revelation, a carefully constructed glimpse into the mind and spirit of one of Sweden’s most celebrated artists. Executed in delicate watercolor on paper, this work transcends the typical self-portraiture of its time, offering not just a visual representation but a profound meditation on identity, observation, and the artist's own place within the world. The painting captures…

      Isabella Stewart Gardner in Venice (1894) работы Андерс Цорн
      2

      Isabella Stewart Gardner in Venice

      1894 · Acrylic On Canvas · Isabella Stewart Gardner Museum, Бостон

      Anders Leonard Zorn's "Isabella Stewart Gardner in Venice," painted in 1894, isn’t merely a portrait; it’s an exquisitely rendered distillation of memory, movement, and the enduring allure of Venetian light. The painting captures not just a likeness of the American socialite Isabella Stewart Gardner – a woman renowned for her passionate collecting and transformative influence on Boston's Museum of Fine Arts – but also a feeling, a fleeting moment suspended…

      Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918) (1900) работы Андерс Цорн
      4

      Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)

      1900 · Oil On Canvas · Метрополитен-музей, Нью-Йорк

      Anders Leonard Zorn’s “Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)” is more than just a portrait; it's a window into the life of a remarkable woman and a testament to her profound impact on the world of music. Painted in 1900, this oil-on-canvas masterpiece captures Mary Elizabeth Adams Brown – a philanthropist whose dedication resulted in one of the most significant collections of musical instruments housed at The Metropolitan…

      Ida by the Window (1908) работы Андерс Цорн
      5

      Ida by the Window

      1908 · Oil On Canvas

      Anders Zorn painted Ida by the Window in 1908. The subject of this work is Ida, who held the position of housekeeper at the artist's home in Mora. She is depicted standing before a window, wearing a green dress and a white scarf around her neck. Her hands rest on her hips as she gazes outward. In the background, two other figures are visible, one positioned on the left side…

      Valsen работы Андерс Цорн
      6

      Valsen

      Oil On Canvas

      , also known as The Waltz, is an oil painting by the Swedish artist Anders Zorn. Executed in 1891, the work captures a moment of movement within a social setting. The piece is recognized by both its original title and its English translation.

      Vallkulla работы Андерс Цорн
      7

      Vallkulla

      Etching

      Vallkulla is an etching produced by the Swedish artist Anders Zorn. This work originated in Sweden and was created in 1912. The piece is classified within the category of prints, etchings, and works on paper. It is a specific example of the artist's output during this period of his career.

      Halsey Cooley Ives (1894) работы Андерс Цорн
      8

      Halsey Cooley Ives

      1894 · Oil On Canvas · Saint Louis Art Museum, Сент-Луис

      The room feels quiet, heavy with the weight of a man’s presence. Halsey Cooley Ives sits in a three-quarter pose, his body angled slightly away while his gaze drifts toward an unseen point beyond the frame. There is a profound sense of stillness here, as if the air itself has paused to respect his contemplation. He is a man of substance, draped in a dark suit that seems to absorb…

      Portrait Study of a Man (1901) работы Андерс Цорн
      9

      Portrait Study of a Man

      1901 · Oil On Canvas · Институт искусств Чикаго, Чикаго

      The man sits in a quiet, heavy stillness, his gaze meeting the viewer with a steady and direct intensity. Light spills from the upper left, catching the ridge of his forehead and the edge of a hand, while the rest of his form retreats into deep, charcoal shadows. There is a profound sense of introspection here, as if he has just paused mid-thought to acknowledge an unexpected presence in the…

      Charles Nagel (1901) работы Андерс Цорн
      10

      Charles Nagel

      1901 · Oil On Canvas · Национальная портретная галерея, Вашингтон

      In this 1901 oil on canvas, we encounter Charles Nagel not as a mere likeness, but as a study in quiet dignity. The subject is positioned in a bust-length composition, his gaze meeting ours with a serious, steady expression that suggests a life of intellect and weight. There is a certain gravity to his posture, an unhurried stillness that commands the space around him. The lighting is handled with a…

      More Андерс Цорн canvases, 11 to 100

      Nude Girl in Doorway (1900) работы Андерс Цорн
      #11

      Nude Girl in Doorway

      1900 · Институт искусств Чикаго

      A single female figure occupies the center of a vertical frame, caught in the act of stepping through a heavy wooden door. The scene is rendered in grayscale,…

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      The Artist's Wife (1889) работы Андерс Цорн
      #12

      The Artist's Wife

      1889 · Национальный музей Швеции

      There is a profound stillness in this 1889 portrait. We find ourselves in a private, domestic moment, watching a woman lost in the pages of a book. The…

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      Maria Sheldon Scammon (1895) работы Андерс Цорн
      #13

      Maria Sheldon Scammon

      1895 · Институт искусств Чикаго

      The room feels quiet, held in a heavy stillness where light and shadow perform a slow dance across the figure of Maria Sheldon Scammon. She sits with a…

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      Castles in the Air (1885) работы Андерс Цорн
      #15

      Castles in the Air

      1885 · Национальный музей Швеции

      A young woman occupies the center of this 1885 watercolor, framed by the circular silhouette of a large parasol. The composition uses the parasol as a halo, casting…

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      Mefisto Consul Dahlander (1884) работы Андерс Цорн
      #16

      Mefisto Consul Dahlander

      1884 · Национальный музей Швеции

      Anders Zorn created Mefisto Consul Dahlander in 1884. The work functions as a role portrait, capturing a specific characterization rather than a standard likeness. The subject is Harald…

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      The Omnibus (1892) работы Андерс Цорн
      #24

      The Omnibus

      1892 · Isabella Stewart Gardner Museum

      Inside the dim, enclosed space of a public trolley, a quiet drama unfolds. This 1892 oil on canvas captures a fleeting slice of life from the bustling boulevards…

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      Abram Piatt Andrew, Jr. (1911) работы Андерс Цорн
      #25

      Abram Piatt Andrew, Jr.

      1911 · Isabella Stewart Gardner Museum

      This oil on canvas portrait depicts Abram Piatt Andrew, Jr. and was executed by the Swedish artist Anders Zorn. The work was created in 1911. The subject of…

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      Isabella Stewart Gardner in Venice (1894) работы Андерс Цорн
      #26

      Isabella Stewart Gardner in Venice

      1894 · Isabella Stewart Gardner Museum

      In the quiet, amber-hued corridors of art history, few portraits capture the ephemeral magic of a single moment as poignantly as Anders Leonard Zorn’s 1894 masterpiece, Isabella Stewart…

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      Nelson Wilmarth Aldrich (1913) работы Андерс Цорн
      #27

      Nelson Wilmarth Aldrich

      1913 · Национальная портретная галерея

      The sitter, Nelson Wilmarth Aldrich, meets the viewer with a presence that commands the space. He sits as a man of significant influence, a prominent American Republican politician…

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      Mrs Henriette Lamm работы Андерс Цорн
      #91

      Mrs Henriette Lamm

      Национальный музей Швеции

      In this portrait, titled Mrs Henriette Lamm, Anders Leonard Zorn turns his attention to a woman who occupied a significant place in his personal circle. The subject, Henriette…

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      Untitled (AQQLRN) (1918) работы Андерс Цорн
      #92

      Untitled (AQQLRN)

      1918

      A Glimpse into Swedish Elegance: Anders Zorn’s 1918 Portrait Anders Leonard Zorn's *Untitled (AQQLRN)*, painted in 1918, is more than just a portrait; it’s an intimate study of…

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      Grover Cleveland (1899) работы Андерс Цорн
      #93

      Grover Cleveland

      1899

      Anders Zorn, a Swedish painter who achieved international success, rendered this portrait of Grover Cleveland in 1899. The work captures the 22nd President of the United States with…

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      A Musical Family (1905) работы Андерс Цорн
      #95

      A Musical Family

      1905 · Национальный музей Швеции

      In this oil painting titled A Musical Family, the artist Anders Zorn captures a quiet moment of communal connection. Created in 1905, the work presents a scene of…

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      Mrs. Morewood (1883) работы Андерс Цорн
      #97

      Mrs. Morewood

      1883 · Suomen Kansallisgalleria

      In the realm of Swedish Impressionism, few works capture the delicate intersection of social poise and inner reflection as profoundly as Anders Leonard Zorn’s Mrs. Morewood. Painted in…

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      What Андерс Цорн painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Андерс Цорн's canvases hang

      8 музеев, в которых находится большинство картин со страницы.

      Музей Город Работы Андерс Цорн Картины из этого списка
      Национальный музей Швеции, СтокгольмНациональный музей Швеции Стокгольм 35 Self-portrait, The Artist's Wife, Girl from Dalecarlia knitting. Cabbage Margit
      Isabella Stewart Gardner Museum, БостонIsabella Stewart Gardner Museum Бостон 8 Isabella Stewart Gardner in Venice, The Omnibus, Abram Piatt Andrew, Jr.
      Thiel Gallery, StockholmThiel Gallery Stockholm 5 Model Study, On the Rock, In the Loft
      Метрополитен-музей, Нью-ЙоркМетрополитен-музей Нью-Йорк 5 Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), Wet, Edward R. Bacon (1846–1915)
      Институт искусств Чикаго, ЧикагоИнститут искусств Чикаго Чикаго 5 Portrait Study of a Man, Nude Girl in Doorway, Maria Sheldon Scammon
      Национальная портретная галерея, ВашингтонНациональная портретная галерея Вашингтон 4 Charles Nagel, Nelson Wilmarth Aldrich
      New York Historical Society, Нью-ЙоркNew York Historical Society Нью-Йорк 2 Charles Tracy Barney (1850–1907), Samuel Untermyer (1858–1940)
      National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 2 Untitled (AQQLRE), Agnes Branting (1862-1930), textile artist, textile researcher

      Андерс Цорн's best-loved canvas of each decade

      1. 1870s
        Model Study (1879) работы Андерс Цорн
        31 of 100

        Model Study

        Возраст 10 – 19 · Thiel Gallery
      2. 1880s
        Self-portrait (1882) работы Андерс Цорн
        Canvas 1 of 100

        Self-portrait

        Возраст 20 – 29 · Национальный музей Швеции

        Anders Leonard Zorn’s “Self-Portrait,” painted in 1882, isn't merely a likeness; it’s an intimate revelation, a carefully constructed glimpse into the mind and spirit of one of Sweden’s…

      3. 1890s
        Isabella Stewart Gardner in Venice (1894) работы Андерс Цорн
        2 of 100

        Isabella Stewart Gardner in Venice

        Возраст 30 – 39 · Isabella Stewart Gardner Museum

        Anders Leonard Zorn's "Isabella Stewart Gardner in Venice," painted in 1894, isn’t merely a portrait; it’s an exquisitely rendered distillation of memory, movement, and the enduring allure of…

      4. 1900s
        Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918) (1900) работы Андерс Цорн
        4 of 100

        Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)

        Возраст 40 – 49 · Метрополитен-музей

        Anders Leonard Zorn’s “Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)” is more than just a portrait; it's a window into the life of a remarkable woman and…

      5. 1910s
      6. 1920s

      About Андерс Цорн's canvases: your questions answered

      What is the best-known painting by Андерс Цорн?Read the answer

      Self-portrait (1882), Национальный музей Швеции, Стокгольм. Isabella Stewart Gardner in Venice (1894) and Junikväll (Evening in June) follow.

      What age was Андерс Цорн when Self-portrait was painted?Read the answer

      Андерс Цорн, born in 1860, was 22 years old: Self-portrait dates from 1882.

      What are the 10 most famous paintings by Андерс Цорн?Read the answer

      Self-portrait, Isabella Stewart Gardner in Venice, Junikväll (Evening in June), Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), Ida by the Window, Valsen, Vallkulla, Halsey Cooley Ives, Portrait Study of a Man и Charles Nagel. Each canvas in the ranking above comes with its year and its museum.

      How many works did Андерс Цорн paint in all?Read the answer

      340 works by Андерс Цорн are in our catalogue, dated 1879 to 1920.

      Where can I see Андерс Цорн's most famous canvases?Read the answer

      Mostly in Национальный музей Швеции (Стокгольм), Isabella Stewart Gardner Museum (Бостон) и Thiel Gallery (Stockholm); the list above names each museum and its canvases.

      When did Андерс Цорн paint the best-loved canvases?Read the answer

      In 1900s, which gave 26 of the 100 works on this page, Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918) among them.

      Which are Андерс Цорн's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Model Study (1879); the latest is red stocking (1920).

      What did Андерс Цорн paint most often?Read the answer

      Woman (15), Portrait (14) и Man (8), across the 100 works on this page.

      Which medium did Андерс Цорн paint in most often?Read the answer

      Oil On Canvas, used in 19 of the 100 works on this page.

      Which movement is Андерс Цорн's painting part of?Read the answer

      Impressionism, as the canvases on this page show.

      Which Андерс Цорн canvases hang at the Национальный музей Швеции?Read the answer

      The Национальный музей Швеции, Стокгольм holds 17 of the works on this page, among them Self-portrait, The Artist's Wife и Girl from Dalecarlia knitting. Cabbage Margit.

      Can I buy a reproduction of a Андерс Цорн canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Андерс Цорн: a life in paint

      Anders Leonard Zorn: A Swedish Master of Light and Life

      Anders Leonard Zorn, a name synonymous with vibrant Impressionism and masterful portraiture, stands as Sweden’s most celebrated artist. Born in 1860 amidst the rustic beauty of Dalarna, his journey from humble beginnings to international acclaim is a testament to raw talent nurtured by relentless dedication. Unlike many artists who sought formal training within established circles, Zorn's early education was rooted in the practicalities of rural life and an innate artistic sensibility that blossomed even before entering the Royal Swedish Academy of Arts at the remarkably young age of twelve. His childhood on his grandparents’ farm instilled a deep connection to the land and its people—a theme that would resonate throughout his oeuvre, particularly in his evocative depictions of Swedish peasant life. This early exposure wasn't merely about subject matter; it was about capturing a way of being, an authenticity that infused his work with a unique emotional depth.

      Early Years and Artistic Beginnings

      Zorn’s artistic journey began not within the hallowed halls of a prestigious academy, but on the very soil of his family’s farm in Mora, Sweden. His parents, though separated at birth, instilled in him a deep appreciation for craftsmanship and the rhythms of rural life. He spent his formative years learning wood carving from his grandparents, developing an early fascination with capturing form and detail – skills that would later inform his meticulous approach to portraiture. At the age of twelve, he was sent to Enköping, a nearby town, where he received a more structured education, attending a grammar school and discovering his exceptional talent for drawing. This initial recognition led to his acceptance into the Royal Swedish Academy of Arts in Stockholm at just fifteen years old – an extraordinary achievement for someone from such humble origins. Initially intending to pursue sculpture, Zorn quickly found himself drawn to watercolor painting, captivated by its ability to capture fleeting moments and atmospheric effects. He was particularly influenced by the work of Egron Lundgren, a prominent Swedish watercolorist whose vibrant landscapes demonstrated a mastery of light and color that deeply resonated with young Zorn.

      The Rise to International Recognition

      Zorn’s early success in watercolor propelled him onto the art scene, attracting commissions from Stockholm's elite and setting the stage for an international career. A pivotal moment arrived with “In Mourning” (1880), a watercolor portrait that showcased his remarkable sensitivity and technical prowess. This work, depicting a young girl grieving her deceased mother, captured the profound sadness of loss with breathtaking realism and emotional depth. The painting was exhibited at the Academy’s annual exhibition and immediately garnered widespread acclaim, establishing Zorn as a rising star in the Swedish art world. He quickly realized that his talent demanded more than the constraints of academic training; he sought to break free from traditional artistic conventions and forge his own unique style. This desire led him to embark on extensive travels throughout Europe – London, Paris, Spain, and Tangier – immersing himself in diverse cultures and artistic traditions. These journeys broadened his perspective and influenced his approach to subject matter, particularly his fascination with capturing the essence of everyday life.

      A Synthesis of Influences and Artistic Development

      Zorn’s style was not a simple imitation of any single movement or artist; rather, it was a carefully crafted synthesis of various influences. He absorbed elements from Spanish masters like Velázquez – particularly his masterful use of light and shadow – while simultaneously drawing inspiration from the directness and realism of Scandinavian naturalism. His time spent in Paris exposed him to new ideas and techniques, but he always remained true to his own artistic instincts, developing a distinctive style characterized by its luminous color palette, meticulous detail, and emotional intensity. A crucial turning point came when Zorn began experimenting with oil painting in the late 1880s. This allowed him to achieve a greater richness of color and texture, further enhancing the vibrancy and immediacy of his work. He embraced a limited palette, focusing on achieving maximum impact through subtle variations in tone and hue—a technique that became a hallmark of his style. His paintings from this period, such as “A Fisherman in St Ives,” demonstrate a newfound confidence and mastery of the medium.

      Portraits of Royalty and Presidents

      Zorn’s international success was largely fueled by his remarkable talent for portraiture. He possessed an uncanny ability to capture not just physical likenesses but also the character, intellect, and even the soul of his subjects. He painted portraits of royalty – including King Oscar II of Sweden – as well as prominent figures from American society, including Grover Cleveland, William H. Taft, and Theodore Roosevelt. His portraits were highly sought after by wealthy patrons and influential politicians alike, solidifying his reputation as one of the most accomplished portraitists of his era. His ability to distill the essence of his sitters into compelling visual narratives was a testament to his keen observational skills and profound understanding of human psychology.

      Legacy and Enduring Impact

      Anders Zorn’s influence extends far beyond his stunning body of work. He was not only a gifted artist but also a dedicated patron of the arts, establishing the Bellman Prize in 1920—a prestigious literary award for Swedish poets that continues to be awarded today. This act underscores his commitment to fostering creativity and supporting cultural expression within his homeland. His paintings are now held in prominent museums worldwide, including the Nationalmuseum in Stockholm, the Musée d'Orsay in Paris, and the Metropolitan Museum of Art in New York. The Zorn Collections in Mora, Sweden—comprising Zorngården, Zorn Museum, Gammelgård, and Gopsmor—serve as a lasting tribute to his life and legacy, offering visitors an intimate glimpse into his world. Zorn’s ability to capture the beauty of everyday life, combined with his technical brilliance and unwavering artistic vision, cemented his place as one of the most important artists of his generation. He remains a source of inspiration for artists today, a testament to the enduring power of light, color, and human connection in art. His work continues to resonate with audiences worldwide, reminding us of the beauty that can be found in both the grand and the mundane.

      Все 340 работ Андерс Цорн →