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Pietà

Meno Trieda Dátum

Carlo Crivelli, Pietà (1470), Philadelphia Art Museum. Pracovné dielo vo verejnej domäne. Vnímajte toto plátno pri pohyblivom svetle: kresbu, skutočnú farbu pod lakom aj čistý pigment

Fakty

Umenec
Carlo Crivelli topimpressionists.com/sk/artists/carlo-crivelli_sk/
Obdobia tvorby umelca
1435 – 1495
Maľované
1470
Technika
Oil On Canvas
Pôvodná veľkosť
71 x 47 cm
Koná sa v
Philadelphia Art Museum topimpressionists.com/sk/museums/philadelphia-art-museum-philadelphia_sk/
Artistic style
Linear, detailed
Influences
Vivarini, Mantegna
Notable elements
Cross, angels, book
Subject or theme
Virgin Mary, Jesus

V kontexte

Pietà — Carlo Crivelli

Rozmery

Pôvodné rozmery sú 71 × 47 cm (výška × šírka), zobrazené tu vedľa dospelého človeka priemerného vzrastu.

Kedy bolo toto vytvorené?

  1. 1430
  2. 1440
  3. 1450
  4. 1460
  5. 1470
  6. 1480
  7. 1490

Horný riadok: roky. Dolný riadok: vek umelca na začiatku a na konci každého obdobia — 0 pri narodení, 60 pri smrti.

Namaľované v čase, keď mal umvec 35 rokov. Umenec dožil do veku 60. 8 z 105 datovaných diel tohto umelca v našom katalógu vzniklo skôr.

Shaded: životný príbeh Carlo Crivelli (1435–1495) ▲ toto dielo, 1470 každý datovaný obraz, dekáda po dekáde

Prvé diela: až do 1473 Hlavné pracovné roky: 1473–1490 Neskoré diela: od 1490

Tieto tri pásma delia diela s uvedeným dátumom v tomto katalógu na prvú štvrtinu, strednú polovicu a poslednú štvrtinu. Ne predstavujú kompletný výsadok umelca: tento úzky úsek môže byť skôr chýbajúc záznam v archíve než obdobie menšej aktivity. Rovnaké roky, v ktorých sa odráža život umelca

Porovnajte s

  • Virgin and Child, 1482 topimpressionists.com/sk/art/carlo-crivelli-virgin-and-child-8XXR56-en/
  • St George, 1472 topimpressionists.com/sk/art/carlo-crivelli-st-george-8Y35V2-en/
  • Pietà topimpressionists.com/sk/art/carlo-crivelli-pieta-D3KAQF-en/

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: topimpressionists.com/sk/art/similar/carlo-crivelli-pieta-8XXR69-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Quinacridone Magenta #8a5c3e

    Katalogizovaná paleta

    • #8A5C3E
    • #080405
    • #B5895B
    • #512B22

    Tieto farby v rámci celej umeleckej palety Nájdite ďalšie obrazy podľa farby

    Paleta
    Earthy Dominantná farebná skupina na obraze.
    Názov hlavnej farby
    Quinacridone Magenta
    Intenzita
    Balanced Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Bold Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Strong Color Unity Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Shadow Celková svetlostrávenosť obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Balanced Soft Aký čistý a sýty je farebný rozsah, od takmer sivej až po plne živé tóny.

    Kde na svete sa na tento obraz pozırı?

    • menej ako 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a viac
    Tento jediný obraz má príliš málo zaznamenaných návštevníkov na to, aby sa dal zmapovať, preto táto karta uvádza každé dielo od Carlo Crivelli za posledných dvanásteros月的 — celkovo 13 krajín. Pôvod týchto údajov

    Desať vedúcich krajín

    1. 1 Čína 64,9%
    2. 2 Spojené štáty americké 15,8%
    3. 3 Singapur 6,1%
    4. 4 Hongkong 2,6%
    5. 5 Nemecko 1,8%
    6. 6 Mexiko 1,8%
    7. 7 Uruguaj 1,8%
    8. 8 Rakúsko 0,9%
    9. 9 Brazília 0,9%
    10. 10 Španielsko 0,9%
    11. · 3 ostatné krajiny 2,5%

    Na mape nájdite tri najtmavšie krajiny. Nachádza sa v ktorej z nich múzeum, ktoré uchováva tento obraz? Napíšte jeden dôvod, prečo by naň mohli prísť ľudia zďaleka.

    20 najsledovanejších diel umelca Carlo Crivelli

    1. 1 Madonna of the Passion, 1460 3,1%
    2. 2 Annunciation with Saint Emidius, 1486 3,1%
    3. 3 Lamentation over the Dead Christ, 1485 2,3%
    4. 4 St Jerome and St Augustine (detail), 1490 2,3%
    5. 5 St George, 1472 2,3%
    6. 6 St Jerome and St Augustine, 1490 2,3%
    7. 7 Polittico di Ascoli Piceno 2,3%
    8. 8 St. Thomas of Aquino 2,3%
    9. 9 María Magdalena 1 2,3%
    10. 10 Apostol St. Peter 2,3%
    11. 11 Virgin and Child, 1482 1,6%
    12. 12 Virgin proclamation, 1482 1,6%
    13. 13 Saint Bartholomew, 1475 1,6%
    14. 14 Madonna and Child Enthroned, 1477 1,6%
    15. 15 Saint James of the Marches with two kneeling donor, 1477 1,6%
    16. 16 Saint Michael, 1476 1,6%
    17. 17 Apostles, 1473 1,6%
    18. 18 Saint John the Baptist, 1468 1,6%
    19. 19 Koronácia Narodenia Najsvätejšej Bohorky, 1493 1,6%
    20. — Pietà, 1470 tento obraz 0,0%

    Spolu tieto diela si 차지li 39,0% celkového záujmu, ktorý si za posledných dvanásterí mesiacov získali obrazy tohto umelca. Katalóg obsahuje 192 diel tohto umelca, z ktorých bolo 83 aspoň raz pozretých. Tento obraz si v tomto období nikto ešte nepozeral — uzatvára zoznam bez uvedeného poradia. Stále to platí, mesiac po mesiaci

    Prúžky predstavujú mieru pozornosti, nie kvalitu. Vyberte si dielo na vrchole a toto jedno: uveďte jednu vec, ktorá by mohla urobiť obraz slávnym okrem toho, ako dobre je namalovaný.

    O tomto umelackom dielo

    Pietà — Carlo Crivelli

    A Timeless Lament: Carlo Crivelli’s Pietà – A Window into Venetian Gothic Devotion

    This exquisite hand-painted reproduction of Carlo Crivelli's Pietà, dating from 1470, offers a profound meditation on grief, faith, and the enduring power of maternal love. Measuring 71 x 47 cm, this artwork transcends mere representation; it’s a deeply felt expression of sorrow rendered with the meticulous detail characteristic of Crivelli's style. The scene depicts the Virgin Mary cradling her son Jesus in his tomb, an iconic image that has resonated through centuries of Christian devotion. Two angels flank the mourning mother, their presence not merely decorative but imbued with a palpable sense of comfort and support – a visual embodiment of divine solace.

    The Master’s Hand: Crivelli's Venetian Gothic Style

    Carlo Crivelli (1435-1495), born in Venice, was a pivotal figure in the transition from late Gothic to early Renaissance art. His training, initially under Jacobello del Fiore and the Vivarini school, shaped his distinctive approach – one characterized by a linear quality, an almost obsessive attention to detail, and a masterful use of “trompe l’oeil” techniques. This Pietà exemplifies these qualities perfectly. Notice the delicate rendering of Mary's drapery, cascading with folds that seem to shift and flow, creating a sense of volume and texture. The angels are similarly rendered with a graceful elegance, their features refined and expressive. Crivelli’s palette is rich and luminous, employing vibrant blues, reds, and golds – colors traditionally associated with piety and royalty – to heighten the emotional impact of the scene.

    Symbolism Woven into the Fabric

    Beyond its immediate depiction of grief, the Pietà is laden with symbolic meaning. The cross above Mary’s head serves as a constant reminder of Jesus' sacrifice, while the book likely represents sacred scripture – a testament to the events surrounding his death and resurrection. The inclusion of the small child standing beside Mary adds another layer of interpretation; perhaps representing an infant Jesus, or symbolizing hope for future salvation. Crivelli’s deliberate choices in composition and detail invite contemplation on themes of loss, redemption, and the unwavering faith that binds humanity to the divine.

    A Legacy of Devotion – Perfect for Interior Design

    This hand-painted reproduction offers a unique opportunity to bring a timeless masterpiece into your home or office. Its scale (71 x 47 cm) makes it suitable for a variety of spaces, from intimate studies to grand living rooms. The artwork’s serene and evocative imagery is guaranteed to create a focal point, inspiring reflection and adding an element of sophisticated beauty to any setting. Inspired by the works of masters like Mantegna and Squarcione, this Pietà is more than just a reproduction; it's a tangible connection to centuries of artistic tradition – a testament to Carlo Crivelli’s enduring legacy.

    Umenec a múzeum

    Umenec

    Carlo Crivelli

    Narodený v Benátky, Taliansko

    raný život a vzdelanie

    Tento taliansky renesančný maliar, Carlo Crivelli, sa narodil vo Venecii niekde okolo rokov 1430 až 1435. Pochádzal z umeleckej rodiny a svoju umeleckú formáciu si získal v mestách Venezia a Padua. Verí sa, že jeho rané výučbu vedl Jacobello del Fiore, ktorý bol aktívny ešte v roku 1436. Svoje vedomosti však dopĺňal aj štúdiom v škole rodiny Vivarini vo Venecii.

    kariéra a štýl

    Svoje rané roky strávil v regióne Veneto, kde neskoršie svedomie vstrebával vplyvy od majstrov ako Vivarini, Squarcione a Mantegna. Už v roku 1458 opustil Veneto a väčšinu svojej umeleckej dráhy zasvetil oblasti Marche di Ancona, kde si vypracoval nezamiteľný osobitý štýl, ktorý sa výrazne odlišuje od tvorby jeho vénetského súčasníka, Giovanna Belliniho. Crivelliho dielo je charakteristické konzervatívnym dekoračným citom neskej gotiky, ktorý vyniká lineárnou kvalitou, nevírodnou pozornosťou k detailu a majstrovským využívaním techniky „trompe l'oeil“, ktorá dokáže okom podrieti realitu.

    významné diela a spolupráce

    * Maľba od Carla Crivelliho s názvom „。Madonna a dieťa na tróne“ (106 x 55 cm, múzeum krásnych umení, Budapešť, Maďarsko) predstavuje najlepší príklad jeho umeleckého štýlu. Na viacerých projektoch spolupracoval so svojím mladším bratom, Vittoriom Crivellim. Jeho žiacom a spolupracovníkom bol aj Pietro Alemanno, maliar, ktorý emigroval do oblasti Marche di Ancona z oblasti dnešného Nemecka alebo Rakúska.

    múzeá a kolekcie

    * Galéria Pinacoteca di Brera v Miláne vo Taliansku predstavuje niekoľko Crivelliho diel, vrátane monumentálnej „Piety“ (128 x 241 cm). * Múzeum San Giovanni in Bragora vo Venecii v Taliansku uchováva zbierku umeleckých diel z rôznych období a štýlov, pričom niektoré z nich sú pripisované práve Crivellimu.

    Pozrite si diela Carla Crivelliho na AllPaintingsStore.com

    Preskúmajte diela Jacopa Robustího na AllPaintingsStore.com

    Dočítajte si viac o Carlo Crivellim na Wikipedia

    Crivelliho odkaz pokračuje v inšpirovaní milovníkov umenia aj odborníkov, pričom jeho tvorba zostáva trvým svedectvom nezničiteľnej sily konzervatívneho dekoračného citu neskej gotiky.

    Múzeum

    Philadelphia Art Museum

    Súčasne vystavené v Philadelphia, Spojené štáty americké

    A Sanctuary of Artistic Voices: The Philadelphia Museum of Art

    Nestled majestically atop Benjamin Franklin Parkway in the heart of Philadelphia, the Philadelphia Museum of Art is far more than a mere repository for art; it’s an immersive experience, a profound reflection of centuries of human creativity and a vibrant embodiment of American cultural identity. From its modest beginnings as a showcase for the Centennial Exposition to its current status as one of the nation's premier artistic institutions, the museum has consistently evolved while remaining deeply rooted in its rich and storied past. The iconic steps, immortalized in the film Rocky, beckon visitors not just to admire the building’s grandeur but to participate in a shared cultural narrative – a powerful symbol of perseverance, resilience, and the enduring allure of artistic aspiration.

    The museum's story truly begins with the ambitious vision of the 1876 Centennial Exposition. Initially conceived as a celebration of applied arts and sciences—a tribute to industry’s burgeoning innovations—it quickly blossomed into a comprehensive institution dedicated to preserving, exhibiting, and ultimately inspiring an appreciation for art from across the globe. The architectural design, masterfully spearheaded by Horace Trumbauer and brought to life through the invaluable contributions of Julian Abele – Philadelphia's first African-American graduate of the University of Pennsylvania’s Department of Architecture – is itself a breathtaking work of art. Constructed from imposing Minnesota dolomite, the building exudes an unparalleled elegance and grandeur, a physical manifestation of artistic ideals that continues to captivate visitors today. Abele’s meticulous detailing—the delicate carvings adorning the façade, the precisely placed columns lending structural strength, and the subtle variations in stone texture creating a mesmerizing interplay of light and shadow – elevates the entire structure beyond mere functionality, transforming it into a harmonious blend of classical inspiration and modern sensibility.

    Stepping inside is akin to embarking on a journey through time and across continents. The museum’s collection boasts an astonishing diversity of over 240,000 objects, encompassing a staggering range of artistic mediums and historical periods. European paintings form the cornerstone of the early galleries, offering a sweeping panorama from the Renaissance masters—Botticelli's ethereal Venus, a study in delicate color and idealized beauty; Rembrandt’s dramatic lighting capturing both the grandeur and vulnerability of human experience; and the Impressionists—Monet’s shimmering water lilies evoking the fleeting nature of light and atmosphere, Renoir’s joyful gatherings brimming with life and celebrating the simple pleasures of everyday moments. However, to limit the museum's scope solely to its European holdings would be a profound disservice. A comprehensive survey of American art unfolds before the visitor’s eyes, tracing the evolution of artistic expression within the United States from colonial times to contemporary explorations. This section provides a rich understanding of how America’s unique cultural landscape—its diverse influences and evolving identity—has shaped its artistic heritage, showcasing works by artists like William Michael Harnett, whose “Still Life: Writing Table” exemplifies the mastery of trompe-l’œil realism – a technique so convincingly deceptive that it appears to leap off the canvas, blurring the line between art and reality; and Nettie Pettway Young, whose iconic Gee’s Bend quilts embody the spirit of African American artistry—each meticulously stitched stitch a testament to tradition, resilience, and profound storytelling. Beyond Europe and America, the museum extends its reach across continents with an extensive collection of Asian art—ceramics, bronzes, paintings, and sculptures that offer glimpses into the region's profound artistic heritage, including the exquisite works of Gim Eung-won, a Korean master painter renowned for his intricate depictions of orchids and rocks – capturing both their delicate beauty and the strength of nature.

    A Living Cultural Hub: Exhibitions and Engagement

    The Philadelphia Museum of Art is not merely a place to passively observe art; it’s a dynamic space designed to foster engagement, spark curiosity, and inspire creativity in visitors of all ages. The museum consistently hosts rotating special exhibitions that bring fresh perspectives, introduce new artists to the public eye, and explore diverse themes—ranging from groundbreaking retrospectives celebrating the legacies of masters like Cézanne – exemplified by his poignant “Seated Peasant,” a study in muted tones and expressive brushstrokes – to thematic explorations of specific artistic movements. These carefully curated exhibitions ensure that the museum remains a vibrant cultural hub, constantly evolving and adapting to meet the needs and interests of its diverse community.

    Beyond these temporary displays, the museum offers a wealth of educational programs tailored for audiences ranging from young children to seasoned art enthusiasts. Family workshops provide hands-on opportunities for creative exploration, while school tours are designed to spark curiosity and foster an appreciation for art in young minds. Lectures and artist talks offer insightful perspectives on the creative process, providing valuable insights into the lives and works of renowned artists. The museum’s commitment to accessibility is evident through its comprehensive range of services—including wheelchair access, sensory-friendly programs, large print materials, and assistive listening devices—ensuring that art remains accessible and engaging for everyone.

    Architectural Marvels and Historical Context

    The building itself is an integral part of the Philadelphia Museum of Art’s story. The original design by Horace Trumbauer, complemented by Julian Abele's masterful detailing, reflects a profound commitment to architectural grandeur and artistic harmony. However, the museum’s evolution has continued through significant expansions and renovations over the decades, each adding new layers to its rich history.

    The addition of the Rodin Museum, housing Auguste Rodin’s iconic sculptures including The Thinker, provides a dedicated space for this influential artist's work – a powerful meditation on contemplation and humanity’s inner struggles. More recently, the Perelman Building, designed by Frank Gehry, opened in 2007, dramatically reshaping the interior and adding new galleries specifically designed to showcase prints, drawings, photographs, and design objects. This modern addition seamlessly integrates with the historic building, creating a dynamic and visually stunning space – a testament to the museum’s ability to embrace innovation while honoring its past. The “Rocky Steps” themselves are more than just a visual landmark; they're a powerful symbol of determination and achievement, attracting visitors from around the globe who come to reenact the iconic scene and connect with the spirit of perseverance.

    A Legacy of Innovation and Expansion

    Throughout its history, the Philadelphia Museum of Art has consistently demonstrated a commitment to growth, innovation, and inclusivity. The museum’s dedication to diversity, equity, inclusion, and accessibility is reflected in ongoing efforts to ensure that all visitors feel welcomed, valued, and represented within its walls. The Core Project, completed in 2021, represents a monumental investment in the museum's future, transforming the interior with new galleries, improved circulation, and enhanced visitor amenities—creating a more intuitive and engaging experience for all. The addition of stunning views of the city skyline from the renovated spaces further elevates the visitor experience. The museum’s commitment extends beyond its main building, encompassing the historic colonial-era houses of Mount Pleasant and Cedar Grove in Fairmount Park, adding another layer to its historical significance and offering a glimpse into Philadelphia's past.

    Kde si prečítať viac informácií

    Nájdite si toto online

    QR kód odkazujúci na stránku na stiahnutie Pietà

    topimpressionists.com/sk/art/download/carlo-crivelli-pieta-8XXR69-en/

    Citovať toto dielo

    MLA
    Crivelli, Carlo. Pietà. 1470, Philadelphia Art Museum. https://topimpressionists.com/sk/art/carlo-crivelli-pieta-8XXR69-en/
    APA
    Crivelli, Carlo (1470). Pietà [Painting]. Philadelphia Art Museum. https://topimpressionists.com/sk/art/carlo-crivelli-pieta-8XXR69-en/
    Chicago
    Carlo Crivelli. Pietà. 1470. Philadelphia Art Museum. https://topimpressionists.com/sk/art/carlo-crivelli-pieta-8XXR69-en/
    Harvard
    Crivelli, Carlo (1470) Pietà. Philadelphia Art Museum. Available at: https://topimpressionists.com/sk/art/carlo-crivelli-pieta-8XXR69-en/

    Pozrite si bližšie

    Pietà — Carlo Crivelli

    Pozrite si bližšie

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. V našom katalógu je toto dielo zaúčtované pod: virgin mary, jesus christ, tomb scene. Súhlasíte s tým? Čo by ste pridali alebo odobrali?
    4. Späť sa pozrite na dielo Virgin and Child (1482), o ktorom ste čítali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, ktorá je odlišná.
    5. Carlo Crivelli mal pri tvorbe tohto diela približne 35 rokov. Čo v ňom odzrkadľuje umelecký štýl umelca v tomto období života?

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umeleckom diele. Využite informácie z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.

    Otázky a odpovede

    Zostalo dielo „Pietà“ v domovskej krajine svojho umelca?

    Nie – dielo sa nachádza v zahraničí. Carlo Crivelli sa narodil v Taliansko, zatiaľ čo originál diela „Pietà“ je uložený v múzeu v krajine Spojené štáty americké.

    Akú atmosféru by do miestnosti priniesla reprodukcia diela „Pietà“ od Carlo Crivelli?

    Vďaka svojej Ethereal nálade je dielo „Pietà“ vhodné do Dining Room.

    Kedy a v akom štýle vzniklo dielo „Pietà“ od Carlo Crivelli?

    Dielo „Pietà“ od Carlo Crivelli pochádza z roku 1470 a patrí do smeru Late Gothic Style.