Sprievodca študentskou tvorbou
Autorské právo Toto dielo sa nachádza vo verejnej domäne. Ito Jakuchu zomrel(a) v roku 1800; autorské právo trvá 70 rokov po smrti umelca, takže v roku 1870 zaniklo.
V kontexte
Old Pine — Ito Jakuchu
Pôvodné rozmery sú 101 × 40 cm (výška × šírka), zobrazené tu vedľa dospelého človeka priemerného vzrastu.
Shaded: životný príbeh Ito Jakuchu (1716–1800) ▲ toto dielo, 1796
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Ďalšie diela, ktoré sa k tomuto hodia: topimpressionists.com/sk/art/similar/ito-jakuchu-old-pine-D2UBPA-en/
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O tomto umedení
Old Pine — Ito Jakuchu
The trunk of an old pine tree bends across the lower part of the painting, its contorted branches and pine boughs filling the frame with the spiky brushwork characteristic of Jakuchū’s mature painting style. The background is filled with a light ink wash, leaving fine white unpainted areas around the branches and pine needles. The luminous outlining, in combination with the unstained knots and front edge of the tree trunk, creates a sense of seeing the tree at night bathed in full moonlight.The painting is signed “Beito’ō hachijūsan-sai ga” (Painted by Beito’ō, aged 83). The “Beito’ō” signature indicates that the work was painted in the final phase of Jakuchū’s long career, when he kept a painting studio in front of the Sekihōji Temple, south of Kyoto. There he sold quickly executed ink paintings to support himself after the disastrous Kyoto fire of 1788 left him in financial ruin. Because he would exchange a quickly executed painting for a to (about four gallons) of rice, he began to call himself Beito’ō (Old Rice-Measure Man).
Umenec a múzeum
Miesto narodenia Kyoto, Japonsko
Ito Jakuchu (1716 – 1800) stands as a singular figure in Edo period art, an artist whose unconventional approach and profound connection to Zen Buddhism irrevocably altered the trajectory of Japanese painting. Unlike many of his contemporaries who adhered rigidly to established artistic lineages—primarily those associated with the Kano school—Jakuchu forged his own path, prioritizing direct observation of nature and rejecting traditional conventions that prioritized idealized representations over truthful depictions. His legacy continues to inspire artists today, cementing his place as one of Japan’s most influential masters.
Early Life and Family Background
The Kano School Influence and Initial Artistic Training
Breaking Tradition: Style and Subject Matter – Birds, Flowers, and Zen Philosophy
Notable Works and Recognition During His Lifetime
Rediscovery in the 20th Century and Lasting Impact on Art History
Ito Jakuchu was born in Kyoto’s Nishiki market district, a vibrant hub of commerce and culture—a location that would profoundly shape his worldview. His father, Ito Genzaemon, operated Masuya, a sizable wholesaler specializing in vegetables, providing young Jakuchu with a comfortable upbringing rooted in the practical realities of Edo society. This familial environment instilled in him an awareness of societal shifts and the growing influence of Kyoto’s merchant class—a perspective that subtly permeated his artistic vision. While expected to eventually inherit the family business, Jakuchu harbored a deep passion for painting from childhood, demonstrating exceptional talent early on.
Jakuchu initially studied under Ōoka Shunboku, a prominent Kano school artist known for his masterful depictions of birds and flowers—a stylistic choice that reflects the prevailing artistic sensibilities of the time. However, recognizing the limitations of formal training, Jakuchu swiftly transcended conventional expectations, prioritizing independent exploration and developing an idiosyncratic style characterized by bold experimentation with perspective and color. This divergence from established norms aligned him with a burgeoning movement championed by Nobuo Tsuji—the “Lineage of Eccentrics”—which celebrated artists who challenged artistic conventions.
Jakuchu’s artistic style distinguishes itself through its unwavering commitment to capturing the essence of nature with unparalleled accuracy—a hallmark of Zen Buddhist philosophy. Rejecting idealized representations favored by many Kano school artists, he focused on meticulous observation, meticulously rendering details that conveyed a sense of immediacy and vitality. His fascination with birds—particularly chickens—became a recurring motif in his oeuvre, elevating them from humble farm animals to subjects worthy of profound artistic contemplation. Beyond mere imitation of nature, Jakuchu sought to embody Zen principles—a contemplative stillness, an appreciation for impermanence, and reverence for the natural world—as evidenced by masterpieces like “Bean Vine,” which transcends visual representation to express a deeper spiritual truth.
Despite his artistic brilliance, Jakuchu remained largely unrecognized during his lifetime—a poignant irony considering his enduring influence on subsequent generations of artists. However, Tsuji’s groundbreaking scholarship in 1970 revolutionized perceptions of Edo period painting, elevating Jakuchu's status as a pivotal figure and sparking renewed interest in his work. His paintings, particularly “Five Hundred Arhats” and “Hanshan and Shide,” are celebrated for their monumental scale and breathtaking artistry—testaments to Jakuchu’s extraordinary skill and dedication.
The rediscovery of Ito Jakuchu's art in the 20th century marked a watershed moment in Japanese art history—a testament to the enduring power of an artist who dared to defy convention and capture the spirit of his time with unparalleled originality. His influence can be seen in the development of Ukiyo-e, the popular genre of woodblock prints, demonstrating a broader impact on Japanese artistic culture. Today, Ito Jakuchu is revered not only for his technical prowess but also for his visionary aesthetic—a beacon of innovation and contemplation that continues to inspire artists worldwide.
topimpressionists.com/sk/art/download/ito-jakuchu-old-pine-D2UBPA-en/
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Old Pine — Ito Jakuchu
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