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Famine

Meno Trieda Dátum

John Charles Dollman, Famine (1904), Salford Museum - Art Gallery. Verejná doména Pozrite si toto plátno pri pohyblivom svetle: kresbu, skutočnú farbu pod lakom, čistý pigment

Základné informácie

Umenec
John Charles Dollman topimpressionists.com/sk/artists/john-charles-dollman/
Životné obdobia umelca
1851 – 1934
Maľované
1904
Pôvodná veľkosť
122 x 213 cm
Miesto konania
Salford Museum - Art Gallery topimpressionists.com/sk/museums/salford-museum-art-gallery-greater-manchester_sk/

V kontexte

Famine — John Charles Dollman

Aká je jeho veľkosť?

Pôvodné rozmery sú 122 × 213 cm (výška × šírka), zobrazené tu vedľa dospelého človeka priemerného vzrastu.

Kedy bolo toto vytvorené?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Horný riadok: roky. Dolný riadok: vek umelca na začiatku a na konci každého obdobia — 0 pri narodení, 83 pri smrti.

Vytvorené v čase, keď mal umvec 53 rokov. Umenec dožil do veku 83. 6 z 11 datovaných diel tohto umelca v našom katalógu vzniklo skôr.

Shaded: životný príbeh John Charles Dollman (1851–1934) ▲ toto dielo, 1904 každý datovaný obraz, dekáda po dekáde

Prvé diela: až do 1879 Hlavné pracovné roky: 1879–1913 Neskoré diela: od 1913

Tieto tri pásma delia diela, ktoré tento katalóg obsahuje, na prvé štvrtinu, strednú polovicu a poslednú štvrtinu. Ne predstavujú úplný výsadok umelca: ten úzky úsek môže byť skôr chýbajúc záznam v archíve než obdobie menšej aktivity. Tie isté roky, v ktorých sa odráža život umelca

Podobné diela

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: topimpressionists.com/sk/art/similar/john-charles-dollman-famine-AQU9MU-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Espresso #5a563a

    Uložená paleta

    • #5A563A
    • #B7AD80
    • #8C835E
    • #343323

    Tieto farby v rámci celej umeleckej palety Nájdite ďalšie obrazy podľa farby

    Dominantná farba
    Espresso
    Saturácia
    Balanced Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Bold Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Unified Palette Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Shadow Celkový kontrast obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Subtle Color Aký čistý a silný je farebný rozsah, od takmer sivej až po plne živé tóny.

    Kde na svete sa na tento obraz pozırı?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a viac
    Tento jediný obraz má príliš málo zaznamenaných návštevníkov na to, aby sa ich dal zmapovať, preto táto karta uvádza každé dielo od John Charles Dollman za posledných dvanásteros月的 — celkovo 5 krajín. Z ktorej časti sveta pochádzajú tieto údaje

    Desať vedúcich krajín

    1. 1 Čína 54,5%
    2. 2 India 18,2%
    3. 3 Španielsko 9,1%
    4. 4 Slovinsko 9,1%
    5. 5 Spojené štáty americké 9,1%

    Nájdite na mape tri najtmavšie krajiny. Nachádza sa múzeum, ktoré uchováva tento obraz, v ktorejkoľom z nich? Napíšte jeden dôvod, prečo by sa naň mohli pozerať ľudia zďaleka.

    7 najsledovanejších diel umelca John Charles Dollman

    1. 1 Famine, 1904 tento obraz 47,1%
    2. 2 Study for 'The Unknown', 1912 23,5%
    3. 3 His Only Friend, 1875 5,9%
    4. 4 The Dogs Refuge, 1871 5,9%
    5. 5 Table d'Hote at a Dogs' Home, 1879 5,9%
    6. 6 A Very Gallant Gentleman, 1913 5,9%
    7. 7 The Rising Generation, 1891 5,9%

    Spolu tieto diela si 차지li 100,0% celkového záujmu, ktorý si za posledných dvanásterí mesiacov získali obrazy tohto umelca. Katalóg obsahuje 13 diel tohto umelca, z ktorých bolo 7 aspoň raz pozretých. Tento obraz sa v tomto poriadí umiestňuje na 1 mieste, pričom získal 47,1% takejto pozornosti. Stále to platí, mesiac po mesiaci

    Prúžky predstavujú mieru pozornosti, nie kvalitu. Vyberte si dielo na vrchole a toto jedno: uveďte jednu vec, ktorá by mohla urobiť obraz slávnym okrem toho, ako dobre je namalovaný.

    Umenec a múzeum

    Umenec

    John Charles Dollman

    John Charles Dollman: A Victorian Observer of London and Myth

    John Charles Dollman (1851-1934) remains a quietly compelling figure in 19th-century British art, an artist whose evocative scenes—particularly his depictions of London life and ambitious mythological narratives—have only recently begun to receive the recognition they deserve. Born in Hove, Sussex, into a family with strong artistic roots tracing back to French hatmakers, Dollman’s journey from a modest upbringing to a respected Royal Watercolour Society member reflects both his innate talent and a persistent dedication to his craft. His work offers a unique window into Victorian England, capturing not just the visual landscape but also the social rhythms and emotional textures of the era.

    Dollman's early artistic development was shaped by formal training at South Kensington and the Royal Academy Schools in London. These institutions provided him with a rigorous foundation in technique and composition, yet it was his independent spirit and keen observational skills that truly defined his style. Unlike many artists of his time who sought to emulate established conventions, Dollman developed a distinctive approach—a blend of realism and expressive brushwork—that allowed him to imbue his subjects with a palpable sense of atmosphere and character. His early work, often characterized by meticulous detail and a subtle use of color, is believed to have subtly influenced the later paintings of Vincent van Gogh, particularly in their shared interest in capturing the energy and immediacy of everyday life.

    London Scenes and Mythological Visions

    Dollman’s most enduring legacy lies perhaps in his series of London scenes. He possessed a remarkable ability to distill the essence of urban life onto canvas, creating images that are both intimate and grand. The “London Cab Stand” (1888), arguably his most famous work, exemplifies this talent. The painting—which exists in multiple versions—captures a chaotic yet strangely harmonious tableau of horses, drivers, and onlookers amidst a stormy afternoon. Dollman’s masterful use of light and shadow, combined with his keen eye for detail, transforms a commonplace scene into a compelling study of human interaction and the drama of urban existence. Beyond London, he produced bold compositions of animals and people, such as “Robinson Crusoe and His Man Friday” (1903), a poignant depiction of companionship and survival, and "Polo and Mowgli made leader of the Bandar-log" (1903), a whimsical exploration of power dynamics.

    However, Dollman’s artistic ambition extended far beyond the confines of London. He was deeply fascinated by mythology and folklore, and his paintings frequently drew inspiration from classical myths and legends. Works like “The Unknown” (1912) – featuring a girl surrounded by chimpanzees—and "Orpheus and His Lute with Lions" are testament to this interest. These mythological scenes are not merely decorative; they serve as allegorical explorations of human nature, morality, and the relationship between humanity and the natural world. The dramatic lighting and carefully rendered details imbue these narratives with a sense of timelessness and emotional resonance.

    Technique and Style

    Dollman’s artistic style is characterized by a remarkable blend of realism and expressive brushwork. He was a meticulous observer, paying close attention to detail—particularly in his depictions of animals and human figures. Yet, he also possessed a gift for capturing the fleeting effects of light and atmosphere, using loose, gestural strokes to convey movement and emotion. His use of color is often subtle and nuanced, creating a sense of depth and realism. He was particularly adept at rendering textures—the rough bark of trees, the wet sheen of horses’ coats, the folds of clothing—adding a tactile quality to his paintings. It's worth noting that he frequently created multiple versions of individual works, demonstrating a willingness to experiment with composition and technique.

    Legacy and Recognition

    Despite his considerable talent and consistent output, Dollman remained largely outside the mainstream art world during his lifetime. His work was exhibited at the Royal Academy from 1870 to 1912, but he never achieved widespread fame or recognition. However, in recent decades, there has been a growing appreciation for his unique vision and artistic skill. His paintings are now held in prestigious collections around the world—including the Art Gallery of South Australia, the Royal Watercolour Society, the Laing Art Gallery, and the Walker Art Gallery—and are increasingly being studied by art historians and critics. John Charles Dollman’s legacy as a Victorian artist who captured both the beauty and the complexity of his time continues to grow, solidifying his place as a significant figure in British art history.

    Múzeum

    Salford Museum - Art Gallery

    Vystavené v Greater Manchester, United Kingdom

    A Victorian Legacy Preserved: Exploring Salford Museum & Art Gallery

    Salford Museum & Art Gallery stands as a testament to both artistic heritage and local identity, nestled in the heart of Greater Manchester. Founded in 1850 as Britain’s first free public library—a bold vision for its time—the museum resides within Lark Hill House, a magnificent mansion constructed in 1790 that now serves as an evocative backdrop to its remarkable collections. More than just bricks and mortar, Lark Hill embodies the spirit of Victorian ambition and philanthropy, mirroring the values underpinning the institution’s enduring mission.

    Architectural Significance:

    The mansion's Georgian façade speaks volumes about the era’s aesthetic sensibilities—symmetry, grandeur, and meticulous craftsmanship are hallmarks of its design. Its interior spaces have been thoughtfully preserved, allowing visitors to step back in time and experience the atmosphere of Victorian society.

    A Journey Through Time:

    Lark Hill Place, a meticulously recreated Victorian streetscape, isn’t merely decorative; it's an immersive educational tool. Visitors can wander amongst period shops and residences, gaining firsthand insight into daily life during the 1890s—a fascinating contrast to the modern cityscape surrounding it.

    Celebrating Artistic Diversity: The Museum’s Collection Highlights

    Salford’s artistic treasures span centuries, reflecting influences from across Europe and beyond. The Paintings Gallery houses masterpieces by artists ranging from Romantic painters like John Constable to Impressionists experimenting with light and color. Examining these canvases reveals not only stylistic evolution but also the cultural preoccupations of their respective times—themes of landscape, portraiture, and mythology are recurring motifs.

    Ceramic Excellence:

    The Ceramics Collection showcases a stunning progression in pottery techniques and artistic expression. From Staffordshire porcelain to Wedgwood stoneware, each piece tells a story about industrial innovation and decorative artistry.

    Decorative Arts Showcase:

    Explore exquisitely crafted furniture pieces—Victorian sofas upholstered in velvet and mahogany tables adorned with inlaid marquetry—alongside textiles featuring intricate floral patterns and vibrant hues. These objects illuminate the tastes of Victorian elites and demonstrate the skill of artisans working at the forefront of their craft.

    More Than Just Exhibits: Engaging Experiences

    Salford Museum & Art Gallery distinguishes itself through its commitment to fostering connections between art and community. Regular events, including artist talks and workshops, provide opportunities for visitors to engage directly with artistic ideas and practices. Furthermore, the ‘Relax with Art’ sessions offer a tranquil space for contemplation and reflection—a welcome respite from the bustle of urban life.

    Accessibility & Community Focus:

    Admission is free, reflecting the museum's dedication to inclusivity and ensuring that art appreciation remains accessible to all.

    Supporting Local Talent:

    The Museum’s Shop offers a curated selection of gifts inspired by Salford’s artistic heritage—a tangible reminder of the museum’s mission to celebrate creativity.

    A Destination for Inspiration

    Whether you're an art historian researching Victorian aesthetics, an interior designer seeking inspiration for elegant spaces, or simply someone captivated by history and beauty, Salford Museum & Art Gallery promises a rewarding experience. Its unique blend of architectural grandeur, artistic diversity, and community engagement makes it a truly exceptional cultural institution.

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    QR kód odkazujúci na stránku na stiahnutie Famine

    topimpressionists.com/sk/art/download/john-charles-dollman-famine-AQU9MU-en/

    Citácia diela

    MLA
    Dollman, John Charles. Famine. 1904, Salford Museum - Art Gallery. https://topimpressionists.com/sk/art/john-charles-dollman-famine-AQU9MU-en/
    APA
    Dollman, John Charles (1904). Famine [Painting]. Salford Museum - Art Gallery. https://topimpressionists.com/sk/art/john-charles-dollman-famine-AQU9MU-en/
    Chicago
    John Charles Dollman. Famine. 1904. Salford Museum - Art Gallery. https://topimpressionists.com/sk/art/john-charles-dollman-famine-AQU9MU-en/
    Harvard
    Dollman, John Charles (1904) Famine. Salford Museum - Art Gallery. Available at: https://topimpressionists.com/sk/art/john-charles-dollman-famine-AQU9MU-en/

    Pozrite si bližšie

    Famine — John Charles Dollman

    Detailný pohľad

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. Späť sa pozrite na dielo Friends in Adversity, Christmas Day at the Dreadnought Hospital, Greenwich (Coming Down to Dinner) (1880), o ktorom ste čítali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, ktorá je odlišná.
    4. John Charles Dollman mal pri tvorbe tohto diela približne 53 rokov. Čo v ňom odzrkadľuje umelecký štýl umelca v tomto období života?
    5. Čo by vás umelec mohol chcieť vyvolať v pocitoch?

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umeleckom diele. Využite informácie z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.

    Otázky a odpovede

    Aké sú rozmery originálu „Famine“ od John Charles Dollman?

    Zaznamenané rozmery diela „Famine“ od John Charles Dollman sú 122 x 213 cm. Reprodukcie je možné objednať v iných rozmeroch pri zachovaní rovnakých pomerov.

    V akom orientovaní je dielo „Famine“ od John Charles Dollman?

    „Famine“ od John Charles Dollman je Panoramic kompozícia. Pred výberom veľkosti tlače si odporúčame skontrolovať jej proporcie.

    Akým mierou sú farby diela „Famine“ od John Charles Dollman harmonické?

    Farebná harmónia diela „Famine“ je zaznamenaná ako Unified Palette.