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Going West

Meno Trieda Dátum

Paul Jackson Pollock, Going West (1935). Verejná doména Pozrite si toto plátno pri pohyblivom svetle: kresbu, skutočnú farbu pod lakom, čistý pigment

Základné informácie

Umenec
Paul Jackson Pollock topimpressionists.com/sk/artists/paul-jackson-pollock_sk/
Životné obdobia umelca
1912 – 1956
Maľované
1935
Materiál
Oil On Canvas
Pôvodná veľkosť
38 x 52 cm
Pohyb
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Obdobie
Modern
Artistic style
Regionalist, Early Abstract
Influences
Thomas Benton
Notable elements
Drip technique, family journey
Subject or theme
American West, Pioneer life

V kontexte

Going West — Paul Jackson Pollock

Aká je jeho veľkosť?

Pôvodné rozmery sú 38 × 52 cm (výška × šírka), zobrazené tu vedľa dospelého človeka priemerného vzrastu.

Kedy bolo toto vytvorené?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Horný riadok: roky. Dolný riadok: vek umelca na začiatku a na konci každého obdobia — 0 pri narodení, 44 pri smrti.

Vytvorené v čase, keď mal umvec 23 rokov. Umenec dožil do veku 44. 0 z 50 datovaných diel tohto umelca v našom katalógu vzniklo skôr.

Shaded: životný príbeh Paul Jackson Pollock (1912–1956) ▲ toto dielo, 1935 každý datovaný obraz, dekáda po dekáde

Prvé diela: až do 1941 Hlavné pracovné roky: 1941–1948 Neskoré diela: od 1948

Tieto tri pásma delia diela, ktoré tento katalóg obsahuje, na prvé štvrtinu, strednú polovicu a poslednú štvrtinu. Ne predstavujú úplný výsadok umelca: ten úzky úsek môže byť skôr chýbajúc záznam v archíve než obdobie menšej aktivity. Tie isté roky, v ktorých sa odráža život umelca

Podobné diela

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: topimpressionists.com/sk/art/similar/paul-jackson-pollock-going-west-7YKFZF-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Black #0a090b

    Uložená paleta

    • #0A090B
    • #2F2923
    • #9E8551
    • #5F4B27

    Tieto farby v rámci celej umeleckej palety Nájdite ďalšie obrazy podľa farby

    Paleta
    Earthy Dominantná farebná skupina na obraze.
    Dominantná farba
    Black
    Saturácia
    Monochromatic Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Gentle Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Softly Mixed Palette Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Deep_shadow Celkový kontrast obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Muted Aký čistý a silný je farebný rozsah, od takmer sivej až po plne živé tóny.

    Kde na svete sa na tento obraz pozırı?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a viac
    Tento jediný obraz má príliš málo zaznamenaných návštevníkov na to, aby sa ich dal zmapovať, preto táto karta uvádza každé dielo od Paul Jackson Pollock za posledných dvanásteros月的 — celkovo 69 krajín. Z ktorej časti sveta pochádzajú tieto údaje

    Desať vedúcich krajín

    1. 1 Čína 19,1%
    2. 2 Francúzsko 8,2%
    3. 3 Spojené štáty americké 7,4%
    4. 4 Nemecko 7,1%
    5. 5 Japonsko 5,8%
    6. 6 Španielsko 5,6%
    7. 7 Taliansko 5,3%
    8. 8 Brazília 3,2%
    9. 9 Singapur 2,7%
    10. 10 Mexiko 2,6%
    11. · 59 ďalšie krajiny 33,0%

    Nájdite na mape tri najtmavšie krajiny. Nachádza sa múzeum, ktoré uchováva tento obraz, v ktorejkoľom z nich? Napíšte jeden dôvod, prečo by sa naň mohli pozerať ľudia zďaleka.

    20 najsledovanejších diel umelca Paul Jackson Pollock

    1. 1 Číslo 1, 1949, 1950 36,1%
    2. 2 Jeseňský Rytmus. Číslo 30, 1950 6,9%
    3. 3 One. Number 31, 1950 5,9%
    4. 4 Konvergence 5,2%
    5. 5 Number 5, 1948 2,8%
    6. 6 Biele svetlo, 1954 2,4%
    7. 7 Number 5, 1948 2,0%
    8. 8 Number 10, 1949 2,0%
    9. 9 Číslo 1A 1,8%
    10. 10 Number 1, 1948 1,4%
    11. 11 Number 3, 1948 1,4%
    12. 12 Number 3, 1949 1,3%
    13. 13 Number 6, 1949 1,2%
    14. 14 Number 8 1,1%
    15. 15 Number 2, 1951 0,9%
    16. 16 Out of the Web. Number 7 0,8%
    17. 17 Saint 0,8%
    18. 18 Cathedral 0,8%
    19. 19 Blue poles (Number 11), 1952 0,7%
    20. 29 Going West, 1935 tento obraz 0,5%

    Spolu tieto diela si 차지li 76,0% celkového záujmu, ktorý si za posledných dvanásterí mesiacov získali obrazy tohto umelca. Katalóg obsahuje 176 diel tohto umelca, z ktorých bolo 121 aspoň raz pozretých. Tento obraz sa v tomto poriadí umiestňuje na 29 mieste, pričom získal 0,5% takejto pozornosti. Stále to platí, mesiac po mesiaci

    Prúžky predstavujú mieru pozornosti, nie kvalitu. Vyberte si dielo na vrchole a toto jedno: uveďte jednu vec, ktorá by mohla urobiť obraz slávnym okrem toho, ako dobre je namalovaný.

    O tomto umedení

    Going West — Paul Jackson Pollock

    Jackson Pollock’s “Going West”: A Journey of Family and Form

    Jackson Pollock's "Going West," painted in 1935, isn’t merely a depiction of a winter landscape; it’s a deeply personal narrative woven into the fabric of American pioneering spirit. Born Paul Jackson Pollock in Cody, Wyoming – a town intimately linked to westward expansion – the painting resonates with a profound sense of familial history and the yearning for a new horizon. The scene unfolds at night, dominated by a snow-dusted mountain range, a backdrop that immediately evokes the vastness and rugged beauty of the American West. A small group of figures stands before this imposing vista, their forms rendered in a style that’s both recognizable and subtly abstracted – a characteristic born from Pollock's early experimentation with various artistic influences.

    The painting’s genesis is believed to be rooted in a family photograph of a bridge in Cody, Wyoming. This seemingly simple starting point becomes the foundation for a richer exploration of themes: the journey westward undertaken by Pollock’s own family during his childhood from Arizona to California. This personal connection imbues the artwork with an emotional weight, transforming it into more than just a landscape; it's a visual embodiment of displacement, aspiration, and the enduring pull of home. The inclusion of a dog amongst the figures adds another layer of intimacy, suggesting companionship and shared experience on this arduous journey.

    Echoes of Benton: Regionalism and Early Influence

    To fully appreciate “Going West,” it’s crucial to recognize the significant influence of Thomas Hart Benton, Pollock's mentor. Benton, a prominent American Regionalist painter, championed a style characterized by realistic depictions of everyday life, particularly focusing on rural America and its history. Pollock, in his early career, was deeply drawn to Benton’s approach – evident in the careful rendering of the figures and the detailed depiction of the landscape. However, Pollock quickly moved beyond mere imitation, incorporating elements of Surrealism and drawing inspiration from Native American art, ultimately forging his own distinctive style.

    Notice how Benton's use of bold lines and a somewhat flattened perspective is echoed in Pollock’s composition, though subtly transformed. The figures aren’t sharply defined; they possess an almost dreamlike quality, contributing to the painting’s overall atmosphere of mystery and introspection. This early experimentation with different styles demonstrates Pollock’s artistic restlessness and his willingness to absorb influences before ultimately establishing his revolutionary drip technique.

    The Language of Paint: Technique and Atmosphere

    Going West” is a masterclass in the expressive potential of oil paint. Pollock employs a layered, almost chaotic application, building up texture and depth through multiple layers of color. The dark blues and blacks of the night sky contrast dramatically with the warm hues of the mountains and the figures’ clothing, creating a powerful sense of drama and visual tension. The technique is not about precise representation; it's about conveying feeling – the coldness of the winter air, the vastness of the landscape, and the quiet contemplation of the group before them.

    The use of impasto—thickly applied paint—adds a tactile quality to the canvas, inviting viewers to reach out and touch the surface. This physicality is particularly striking in the depiction of the mountains, where the paint seems to ripple and flow like water. The overall effect is one of movement and energy, despite the static pose of the figures. It’s important to note that this technique was still developing as Pollock moved toward his signature drip painting style, making “Going West” a crucial stepping stone in his artistic evolution.

    A Testament to American Identity

    Going West” transcends its immediate subject matter to become a potent symbol of the American experience. It speaks to the pioneering spirit, the challenges and rewards of westward expansion, and the enduring connection between family and place. Pollock’s ability to blend personal history with broader themes of American life is what makes this painting so compelling – it's not just a landscape; it’s a meditation on identity, journey, and the search for belonging. The painting serves as an important piece in understanding Pollock's early artistic development, setting the stage for his later abstract expressionist works.

    For those seeking to own a piece of this remarkable artwork, AllPaintingsStore offers meticulously crafted hand-painted reproductions of “Going West.” These faithful recreations capture the painting’s rich textures, dramatic lighting, and emotional depth, allowing you to bring this iconic image into your home or office. Explore our reproduction options today!

    Umenec a múzeum

    Umenec

    Paul Jackson Pollock

    Miesto narodenia Cody, Spojené štáty americké

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the very beginning. His early life was marked by constant movement; his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West, relocating the family frequently. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures – particularly through encounters with Native American art during those surveying trips. These early experiences, filled with the raw energy of the frontier and the traditions of indigenous peoples, subtly shaped his artistic vision later in life, though he never explicitly imitated these styles. Despite the challenges of a nomadic upbringing, Pollock’s mother, Stella May McClure, recognized and nurtured her son's creative potential, fostering an appreciation for art within the family.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, where he developed a foundational understanding of drawing and design. Following this, he continued his studies at the Art Students League of New York under the guidance of Thomas Hart Benton, a prominent figure in the Regionalist movement. Benton emphasized rhythmic composition and narrative themes rooted in American life – a style that initially influenced Pollock’s work, encouraging him to explore dynamic forms and tell stories through visual elements. However, Pollock's inherent inclination leaned towards more abstract explorations, seeking ways to express emotions and ideas beyond representational imagery. Furthermore, he was profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with his own sense of justice and the human condition. These early influences – the rugged beauty of the American West, the traditions of Native Americans, and the dramatic narratives of Regionalist art combined with the passionate social commentary of Mexican murals – laid a foundation for Pollock’s unique artistic voice.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s witnessed a period of experimentation for Pollock as he sought alternatives to traditional brushwork, driven by a desire to capture spontaneity and emotion in his art. He began exploring various techniques, including pouring paint directly onto the canvas – an unconventional approach that would ultimately revolutionize painting. Around 1947, however, Pollock’s artistic trajectory underwent a radical transformation. Abandoning the easel entirely, he laid canvases directly on the floor of his studio, initiating what would become known as his “drip technique.” This involved dripping, splashing, and flinging paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process. This innovative approach positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction. Works like Blue Poles, with its vibrant blue hues and swirling patterns, became instantly iconic, capturing the public's imagination and solidifying Pollock’s reputation as a groundbreaking artist.

    Beyond the technical aspects of his technique, Pollock’s work explored profound themes related to human experience – anxiety, spirituality, and the search for meaning in a rapidly changing world. His paintings are often described as “action paintings,” reflecting the physical energy and process involved in their creation. The scale of these works—often monumental in size—further emphasized the immersive nature of Pollock’s artistic practice, inviting viewers to engage with his art on a visceral level.

    Influence and Historical Significance

    Jackson Pollock's impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City’s position as a global center for modern art, shifting the focus away from European dominance. Pollock's influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism. He wasn’t simply creating beautiful images; he was redefining what it meant to be an artist in the 20th century. His legacy continues to inspire artists today, demonstrating the power of experimentation, spontaneity, and emotional honesty in artistic creation. Despite initial skepticism from some critics, Pollock's work has since been recognized as a cornerstone of modern art, securing his place among the most important and influential figures in the history of painting.

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    Získajte informácie online

    QR kód odkazujúci na stránku na stiahnutie Going West

    topimpressionists.com/sk/art/download/paul-jackson-pollock-going-west-7YKFZF-en/

    Citácia diela

    MLA
    Pollock, Paul Jackson. Going West. 1935, https://topimpressionists.com/sk/art/paul-jackson-pollock-going-west-7YKFZF-en/
    APA
    Pollock, Paul Jackson (1935). Going West [Painting]. https://topimpressionists.com/sk/art/paul-jackson-pollock-going-west-7YKFZF-en/
    Chicago
    Paul Jackson Pollock. Going West. 1935. https://topimpressionists.com/sk/art/paul-jackson-pollock-going-west-7YKFZF-en/
    Harvard
    Pollock, Paul Jackson (1935) Going West. Available at: https://topimpressionists.com/sk/art/paul-jackson-pollock-going-west-7YKFZF-en/

    Pozrite si bližšie

    Going West — Paul Jackson Pollock

    Detailný pohľad

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. V našom katalógu je toto dielo zaúčtované pod: american west, family journey, landscape. Súhlasíte s tým? Čo by ste pridali alebo odobrali?
    4. Späť sa pozrite na dielo Číslo 1, 1949 (1950), o ktorom ste čítali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, ktorá je odlišná.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Kde sa to v tomto diele dá vidieť?

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umeleckom diele. Využite informácie z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.

    Otázky a odpovede

    Aký emocionálny tón sprevádza štýl Abstract Expressionism diela „Going West"?

    V rámci smeru Abstract Expressionism je dielo „Going West“ zachytené s Melancholic tónom.

    Ako by sa malo opísať nálada diela „Going West“ od Paul Jackson Pollock?

    Going West“ od Paul Jackson Pollock je v nálade opísaný ako Dramatic. Táto klasifikácia môže pomôcť pri prislúchajúcom umiestnení diela.

    Aká technika bola použitá pre „Going West“ od Paul Jackson Pollock?

    Technikou diela „Going West“ od Paul Jackson Pollock je Oil On Canvas. Reprodukcie majú za cieľ verné odovzdanie vzhľadu tejto techniky.