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Ignácio Pinázo Camarlench

1849 - 1916

Základné informácie

  • Top-ranked work: Amorcillo vstavajúceho
  • Creative periods: mature period
  • Color intensity: vyvážené
  • Movements: impressionism
  • Works on APS: 171
  • Copyright status: Public domain
  • Nationality: Španielsko
  • Viac…
  • Born: 1849, Valencia, Španielsko
  • Lifespan: 67 years
  • Museums on APS:
    • Corts Valencianes
    • Corts Valencianes
    • Corts Valencianes
    • Corts Valencianes
    • Corts Valencianes
  • Art period: 19. storočie
  • Also known as:
    • Ignacio Pinazo
    • Pinázo Camarlench
  • Died: 1916
  • Top 3 works:
    • Amorcillo vstavajúceho
    • Allegória lásky
    • Pictures of Ignacio Pinazo Camarlench

Kvíz o umení

Pri každej otázke je iba jedna správna odpoveď.

Otázka 1:
Kedy sa narodil Ignacio Pinazo Camarlench?
Otázka 2:
V akom povolaniach pracoval Ignacio Pinazo Camarlench pred tým, ako začal mať úspešnú kariéru malého umelca?
Otázka 3:
Čo Pinazo začal robiť po návrate z cestovania do Ríma v roku 1873?
Otázka 5:
Kto bol jeho hlavným umeleckým vzorom?
Otázka 6:
Čo spôsobilo, že Pinazo dočasne odišiel z Valencije do Bétera v roku 1884?

Ignacio Pinazo Camarlench: Life and Legacy

Ignacio Pinazo Camarlench, born in Valencia, Spain, in 1849, emerged from humble beginnings into a family grappling with poverty—a circumstance that profoundly shaped his formative years. From a young age, he was compelled to contribute financially to the household income, undertaking various trades to secure sustenance for his loved ones. His education was curtailed by the untimely passing of his mother due to cholera and subsequently by his father’s death, leaving him under the care of his grandparents—experiences that instilled in him an enduring appreciation for familial bonds. A pivotal moment arrived in 1864 when he enrolled at the San Carlos Academy of Fine Arts in Valencia, supplementing his income with employment as a hatter. This decision marked the commencement of his artistic journey and solidified his dedication to mastering the craft. His initial artistic endeavors leaned toward conventional historical subjects—a stylistic choice reflective of the prevailing academic traditions of his time—yet this trajectory underwent a dramatic transformation following an unforgettable expedition to Rome in 1873. The Roman sojourn ignited Pinazo’s creative spirit, propelling him towards exploring themes deeply rooted in personal experience: intimate family portraits, evocative depictions of nude figures, and candid portrayals of everyday life—a stylistic direction that foreshadowed the burgeoning Impressionist movement championed by luminaries such as Joaquín Sorolla y Bastida and Francisco Domingo. Recognizing the transformative potential of this innovative approach, he embarked on a second extended stay in Rome between 1876 and 1881, fueled by a royal grant—an investment that further honed his Impressionistic sensibilities. Pinazo’s artistic style distinguished itself through its deliberate use of subdued hues—primarily blacks, browns, and earthy tones—harmoniously interwoven with the vibrant palette characteristic of Impressionism. He achieved this effect through masterful brushstrokes executed with remarkable speed and precision, capturing fleeting moments of light and color with unparalleled sensitivity. This distinctive technique became a hallmark of his oeuvre and cemented his reputation as one of Spain’s foremost artists of the late nineteenth century. Throughout his illustrious career, Pinazo garnered considerable acclaim within the artistic community—receiving commissions from prominent Valencian aristocrats, including the Marchioness of Benicarló. His unwavering commitment to excellence was recognized through prestigious awards: silver medals at art exhibitions in 1881 and 1885, followed by gold medals in 1887 and 1899—honors bestowed upon him for his artistic contributions. Furthermore, he was awarded a royal medal—a testament to the esteem held for his talent and dedication—solidifying his place among Spain’s most celebrated painters. In 1912, the city of Valencia commemorated Pinazo's enduring legacy by erecting a street bearing his name—an act symbolizing civic pride and acknowledging his indelible impact on Valencian culture. His artistic progeny included two sons, Ignacio and Jose, both of whom pursued careers as painters—carrying forward the family tradition of creative expression. Pinazo’s artistic output comprises notable works such as *Las hijas del Cid*, *Los últimos momentos del rey Don Jaime el Conquistador*, *El guardavía*, and *Barca en la playa*. These paintings exemplify his masterful command of Impressionistic technique while simultaneously conveying profound emotional resonance—capturing the essence of Spanish life during his era. The Institut Valencià d'Art Modern (IVAM) houses the largest collection of Pinazo’s artworks, though not all pieces are permanently displayed—a testament to their enduring significance and accessibility for scholars and enthusiasts alike. His masterpieces can also be admired in the Museu de Belles Arts de València and the Museo del Prado—institutions that safeguard invaluable treasures of Spanish artistic heritage. Ignacio Pinazo Camarlench passed away in Godella, Spain, in 1916 at the age of 67—leaving behind a legacy that continues to inspire artists and captivate audiences worldwide.



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