Atelje — Brezplačna svetovna dostava — Dostava v 2–6 tednih
      
      Predogled v realnem okolju Predogled v AR Kopija tiska Ročno izdelano oljno slikarstvo Digitalna slika Pošlji
      Priročnik Dodaj v priljubljene Prenesi sliko Podobni izdelki Rentgenski posnetek Predvajaj diaporama Vprašanja in odgovori Statistika

      Cranes

      The sublime simplicity of the supple necks and luxuriant feathers of this group of cranes is complemented by the tangle of angular legs at ground level. A patch of water bridges the gap between the two screens, compelling unification in the mind’s eye. As the birds call to and gaze at each other in the shallow pictorial space, their body language echoes the distinctive coiled ripples inked on the azurite water. Although iconic in its own right, Kiitsu’s painting also self-consciously extends an emblem of the School of Kōrin by creatively reprising a crane painting by his master, Sakai Hōitsu (1761–1828). Hōitsu’s painting was itself a reworking of a magnificent pair of crane screens by Ogata Kōrin (1658–1716).

      Vprašanja in odgovori

      Ali je "Cranes" v javni domeni?

      Status avtorskih pravic za "Cranes" avtorja Suzuki Kiitsu: del je v javni domeni – avtorska pravica je zastarela. To določa, ali se lahko reprodukcije slike izdelujejo prosto.

      Kdo je ustvaril "Cranes" in v letu katerega?

      Avtor dela "Cranes" je Suzuki Kiitsu, delo pa je datirano v 1820.

      Kako lahko ogledam "Cranes" avtorja Suzuki Kiitsu v obliki diorama?

      Diaporama dela "Cranes" si lahko ogledate na strani Slidešov za to umetniško delo.

      Suzuki Kiitsu (1796 – 1858)

      Suzuki Kiitsu (1796-1858) was a prominent Rinpa painter known for his stunning folding screens & nature scenes. Reinterpreted works showcase his skill & influence.

      Harvard Art Museums (Cambridge, Združene države Amerike)

      Raziščite svetovljadno umetnost v Harvard Art Museums! Od renesančnih mojstrovin do azijske in moderne umetnosti v osupljivi stavbi Renza Piana – obvezna destinacija v Cambridgeu.

      O umetniškem delu