obdobje

gibanje

1. Dnevna iluzija, senca velikega pianina, ki se približuje, 1931 — Salvador Dalí
2. Untitled — Michael Sowa
3. Illustration to "A Week of Kindness" — Max Ernst, 1934
4. Leda Atomica (prva neokončana različica), 1948 — Salvador Dalí
5. Memory of a journey — René Magritte, 1955
6. Figure with Flag. Illustration for 'Memories of Surrealism', circa 1971 — Salvador Dalí
7. Mulier e latere viri — Salvador Dalí, 1967

vibe

1. The Equivocal Woman (also known as The Teetering Woman) — Max Ernst
2. Approaching Puberty or The Pleiads — Max Ernst
3. View Of The Ayu Dag, Crimea — Ivan Aivazovski, 1868

teme

1. Mulier e latere viri — Salvador Dalí, 1967

ključne besede

ton

1. Untitled — Michael Sowa

glavna barva

1. Untitled (501) — Marlene Dumas
2. Drawing of Female Nude with charcoal and chalk — Pierre-Paul Prud'Hon, 1800
3. Mulier e latere viri — Salvador Dalí, 1967
4. Pleiades — Max Ernst, 1920
5. View Of The Ayu Dag, Crimea — Ivan Aivazovski, 1868
6. Untitled (Prud'hon drawing of standing female nude, rear view) — Joseph Cornell, 1969
7. Dnevna iluzija, senca velikega pianina, ki se približuje, 1931 — Salvador Dalí
8. FAMILLE ITALIENNE dit aussi REPOS DE PAYSANS DANS LA CAMPAGNE DE ROME — François Joseph Navez
9. Surrealism and Painting — Max Ernst, 1942
10. In the Bath — Giovanni Boldini
11. Memory of a journey — René Magritte, 1955
12. Seated Nude — Georgija O’Keeffe, 1917
13. Figure with Flag. Illustration for 'Memories of Surrealism', circa 1971 — Salvador Dalí
14. Illustration to "A Week of Kindness" — Max Ernst, 1934
15. Approaching Puberty or The Pleiads — Max Ernst
16. Untitled — Michael Sowa
17. Night — Jean-Léon Gérôme, 1850
18. Galatea of the Spheres — Salvador Dalí, 1952
19. Minerva — Auguste Rodin
20. The Equivocal Woman (also known as The Teetering Woman) — Max Ernst

drugo

1. David et Philistaeus (1 Samuel 17:43) — Salvador Dalí, 1967