obdobje

gibanje

1. Orpheus with Animals, Design for a Tapestry — Franc Marko, 1907

vibe

teme

1. Devica med množico živali — Albrecht Dürer, 1503
2. Madonna with the many animals — Albrecht Dürer, 1503
3. Three Animals (Dog, Fox and Cat) — Franc Marko, 1912
4. Animals in Landscape (aka Painting with Bulls) — Franc Marko
5. Mary among a Multitude of Animals, c. 1503 — Albrecht Dürer, 1503
6. Sleeping Animals — Franc Marko, 1913
7. Middle part of a Three-part Firescreen with Landscape and animal like Elements — Franc Marko, 1913
8. Fairy Animals — Franc Marko, 1913
9. Animal Destinies (The Trees Show their Rings, the Animals their Veins) — Franc Marko
10. Figures and animals — Maciej Antoni Babinski, 1967
11. The First Animals — Franc Marko, 1913

ključne besede

ton

glavna barva

1. Orpheus with Animals, Design for a Tapestry — Franc Marko, 1907
2. Symbiotic Woman-Animal, 1928 — Salvador Dalí
3. Mary among a Multitude of Animals, c. 1503 — Albrecht Dürer, 1503
4. Animal studies from a notebook — giovannino de' grassi, 1390
5. Birds and Animals Used in Military Insignia — zhuwu jushi, 801
6. Figures and animals — Maciej Antoni Babinski, 1967
7. The First Animals — Franc Marko, 1913
8. Figure or personnage animal — André Masson
9. Sleeping Animals — Franc Marko, 1913
10. Devica med množico živali — Albrecht Dürer, 1503
11. Middle part of a Three-part Firescreen with Landscape and animal like Elements — Franc Marko, 1913
12. three animals (dog, fox and cat) - — Franc Marko, 1912
13. Fairy Animals — Franc Marko, 1913
14. Creation of the Animals — Tintoretto
15. Symbiotična Ženska-Žival — Salvador Dalí, 1928
16. Animals in Landscape (aka Painting with Bulls) — Franc Marko
17. Composition with Animals — Giuseppe Arcimboldo
18. Three Animals (Dog, Fox and Cat) — Franc Marko, 1912
19. Animal Destinies (The Trees Show their Rings, the Animals their Veins) — Franc Marko
20. Seated Mythical Animal — Franc Marko, 1913
21. Two Animals — Franc Marko, 1913

drugo

1. Fate of the Animals — Franc Marko, 1913
2. Animal studies — Jheronimus Bosch