obdobje

gibanje

1. Love Flowers — Raphael Kirchner, 1903
2. Love Flowers — Raphael Kirchner, 1903
3. Flower Garden — Gustav Klimt, 1907
4. Art nouveau building at 2 Smilšu iela in Riga, Latvia — Konstantīns Pēkšēns
5. Building. art nouveau building at 18 Pikk, Tallinn, Estonia — jacques gustav-adolf rosenbaum-ehrenbush
6. Girls with flowers at feet — Raphael Kirchner, 1902
7. Girls with flowers at feet — Raphael Kirchner, 1902
8. Ice Flowers — Raphael Kirchner, 1899

vibe

teme

1. Dve ženski z cvetličnimi plašči — Renoir, 1915
2. Two Women (also known as Flowered Hair) — Eugène Henri Paul Gauguin, 1902
3. Profile of Woman with Art Nouveau hat — Remedios Varo
4. Three Women with Heads of Flowers Finding The Skin of A — Salvador Dalí

ključne besede

ton

glavna barva

1. Girls with flowers at feet — Raphael Kirchner, 1902
2. Red Flower: The Women of Okinawa (3 of 11) — Ishikawa Mao, 1975
3. Six Putti with Flowers and Fruit and Attributes of the Art of Drawing, Jurriaan Andriessen, 1782 — jurriaan hendrik andriessen, 1782
4. Ice Flowers — Raphael Kirchner, 1899
5. Girls with flowers at feet — Raphael Kirchner, 1902
6. Untitled (two young women with flowers and straw hats) — Joseph Cornell
7. Flower Garden — Gustav Klimt, 1907
8. Love Flowers — Raphael Kirchner, 1903
9. Two Women Holding Flowers — Fernand Léger
10. Love Flowers — Raphael Kirchner, 1903
11. Dalí Three Women with Heads of Flowers Finding The Skin Of A — Salvador Dalí
12. Three Women with Heads of Flowers Finding The Skin of A — Salvador Dalí
13. Red Flower: The Women of Okinawa (7 of 11) — Ishikawa Mao, 1975
14. Flower stall at the Women — Christina Livingston Broom, 1909
15. Art nouveau building at 2 Smilšu iela in Riga, Latvia — Konstantīns Pēkšēns

drugo

1. Red Flower: The Women of Okinawa (9 of 11) — Ishikawa Mao, 1975
2. Three women with flowers — Fernand Léger
3. Red Flower: The Women of Okinawa (8 of 11) — Ishikawa Mao, 1975
4. Red Flower: The Women of Okinawa (11 of 11) — Ishikawa Mao, 1975
5. Two Breton Women under a Flowering Apple Tree — Paul Sérusier, 1890