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Vodnik po študentskem umetniškem delu

The Killing

Ime Razred Datum

Antoine Augustin Préault, The Killing (1834), Musée des Beaux-Arts. Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Antoine Augustin Préault topimpressionists.com/sl/artists/antoine-augustin-preault/
Datumi rojstva in smrti umetnika
1809 – 1879
Naslikano
1834
V mestu/lokaciji
Musée des Beaux-Arts topimpressionists.com/sl/museums/musee-des-beaux-arts-chartres/

V kontekstu

The Killing — Antoine Augustin Préault

Kdaj je bilo to naslikano?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 70 ob smrti.

Naslikano, ko je bil avtor star 25. Umetnik je doživel 70 let. 0 od 5 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Antoine Augustin Préault (1809–1879) ▲ to delo, 1834 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: topimpressionists.com/sl/art/similar/antoine-augustin-preault-the-killing-8Y3FVE-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #1d1b14

    Katalogirana paleta

    • #1D1B14
    • #F2F1F0
    • #69675B
    • #AAAAA1

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Neutrals Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Phthalo Green
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Bright Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Antoine Augustin Préault v zadnjih dvanajst mesecih — skupaj 2 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Združene države Amerike 66,7%
    2. 2 Argentina 33,3%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    3 najbolj gledanih del umetnika Antoine Augustin Préault

    1. 1 The Silence of Death, Tomb of Jacob Robles, 1849 42,9%
    2. 2 The Killing, 1834 ta slika 28,6%
    3. 3 Crucifix, 1840 28,6%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 5 del te umetnice, pri čemer je bilo 3 vsaj enkrat ogledanih. Ta slika zaseda 2 mesto med njimi, s 28,6% takšne pozornosti. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Antoine Augustin Préault

    Rojen v Paris, France

    Antoine-Augustin Préault: A Sculptor of Passion and Shadow

    Born in the heart of Paris’s Marais district in 1809, Antoine-Augustin Préault emerged as a significant figure within the French Romantic movement, though his artistic legacy has often been tragically overshadowed. More commonly known during his lifetime as Auguste Préault, he was an artist deeply attuned to emotion, social unrest, and the darker aspects of human experience – qualities that ultimately contributed to both his brilliance and his relative obscurity. His life unfolded against a backdrop of political upheaval and artistic conservatism, shaping not only his subject matter but also the trajectory of his career.

    Préault’s early training began under the tutelage of David d'Angers, a respected sculptor known for his Neoclassical style. However, Préault quickly developed an independent voice, one characterized by a raw intensity and dramatic flair that set him apart from many of his contemporaries. He was not merely replicating classical forms; he sought to imbue them with a palpable sense of feeling – a characteristic deeply rooted in the Romantic sensibility. This inclination towards emotional depth proved problematic within the rigid confines of the official Salon, where artistic merit was often judged by adherence to established conventions.

    The 1830 French Revolution profoundly impacted Préault’s life and work. He was actively involved in the activist circles that fueled the uprising, and his studio suffered a devastating attack – a deliberate act of vandalism intended to silence dissent. Many of his plaster models, crucial prototypes for future sculptures, were destroyed, effectively crippling his artistic output for years to come. This traumatic event cast a long shadow over his career, contributing significantly to the neglect with which his work has been treated by art historians and the public alike.

    Themes and Subject Matter: Echoes of Literature and Loss

    Préault’s sculptures are rarely celebratory or overtly heroic. Instead, they grapple with profound themes of suffering, loss, despair, and the darker corners of human nature. He drew heavily from literature – Dante's Inferno, Virgil's Aeneid, and Shakespeare’s Hamlet—as well as contemporary events, translating complex narratives into powerful visual forms. His choice of subjects often reflected his own turbulent emotional state and a deep empathy for the marginalized and oppressed.

    Notable examples of this thematic focus include ‘Ophelia,’ a haunting depiction of the tragic Shakespearean heroine drowning in a river – a work that captures both her beauty and her utter vulnerability. ‘The Killing’ (Tuerie), a brutally realistic portrayal of a violent encounter, showcases his willingness to confront uncomfortable truths. Similarly, his funerary sculptures, such as those commissioned for prominent figures, are imbued with an atmosphere of solemnity and timelessness, reflecting on the inevitability of death and the enduring nature of memory.

    Key Works and Recognition

    Despite facing consistent rejection from the Salon jury, Préault managed to secure a few notable commissions and exhibitions during his lifetime. ‘Ophelia,’ created in 1842 and now housed at the Musée d’Orsay, stands as arguably his most celebrated work – a testament to his technical skill and emotional depth. ‘Tuerie’ (The Killing), completed in 1834, is another masterpiece, recognized for its visceral realism and dramatic composition. The statue of Clemmence Isaure, located in the Jardin du Luxembourg, further demonstrates his ability to capture both classical beauty and Romantic intensity.

    It's important to note that several of Préault’s most compelling works – including ‘The Killing,’ ‘Ophelia,’ and a poignant depiction of Dante – were largely forgotten for decades after his death. A 1997 retrospective at the Musée d’Orsay, organized by Gallimard, brought renewed attention to his oeuvre, revealing the true scope and significance of his artistic vision. The exhibition highlighted not only these three masterpieces but also a broader range of sculptures exploring themes of literature, portraiture, and funerary art.

    A Forgotten Poet of Unhappiness

    As one critic eloquently described Préault, “The fever of poetry, the drunkenness of beauty, the horror of vulgarity, and the madness of glory possessed and tormented Préault.” This intense emotional engagement is evident in every aspect of his work. His sculptures are not merely representations of figures; they are expressions of profound feeling – a testament to his ability to translate inner turmoil into tangible form.

    Préault’s life was marked by hardship and rejection, yet he persevered in pursuing his artistic vision with unwavering passion. His story serves as a poignant reminder that true artistry often lies beyond the confines of convention and recognition. Interred in the Père Lachaise Cemetery, alongside Jacob Robles I, Préault's legacy continues to resonate, inviting viewers to contemplate the complexities of human experience and the enduring power of art to capture its darkest corners.

    Notable Commissions and Legacy

    Beyond his major sculptures, Préault received several public commissions throughout his career. The medallion depicting Thomas Shotter Boys, currently held in a private collection, exemplifies his skill in portraiture and his ability to capture the likeness and personality of his subjects. The ‘Silence’ sculpture, created for the tomb of Jacob Robles I, stands as a testament to his mastery of funerary art – an evocative piece that speaks to themes of mortality and remembrance. Antoine-Augustin Préault's work continues to be studied and appreciated by scholars and art enthusiasts alike, solidifying his place as a significant, if often overlooked, figure in the history of French Romantic sculpture.

    Muzej

    Musée des Beaux-Arts

    Na razstavi v Chartres, France

    A Journey Through Art & History at the Musée des Beaux-Arts, Chartres

    Nestled within the historic Bishop's Palace (Palais Épiscopal) in the heart of Chartres, France, the

    Musée des Beaux-Arts

    offers a captivating journey through centuries of artistic expression. This museum is more than just an art gallery; it’s a cultural landmark that blends stunning architecture with a diverse and compelling collection.

    Specializations & Collection Highlights

    Ancient to Modern Art:

    The museum's holdings span a broad chronological range, encompassing works from antiquity through the modern era.

    European Masters:

    Discover exceptional paintings by renowned artists such as

    Zurbaran

    , known for his dramatic religious scenes, and

    Chardin

    , celebrated for his still lifes and genre paintings.

    Soutine’s Expressive Power:

    The museum boasts a significant collection of works by Chaim Soutine, showcasing his unique and emotionally charged style.

    Unique Harpsichord Collection:

    A truly distinctive feature is the museum's remarkable assemblage of harpsichords. This collection offers insight into the history of musical instruments and their craftsmanship.

    Sacred Art & Decorative Arts:

    Explore a range of sacred artworks alongside exquisite examples of decorative arts, providing context to the artistic traditions of the region.

    Architecture & History

    The museum’s location within the Palais Épiscopal is integral to its charm. The Bishop's Palace itself is a historical treasure, reflecting centuries of architectural evolution. Originally built as a fortified residence, it underwent numerous transformations over time, showcasing various styles.

    Historical Significance:

    The palace has served as the seat of power for bishops of Chartres for generations, witnessing pivotal moments in French history.

    Architectural Blend:

    Visitors can admire a blend of architectural influences within the palace walls, from medieval foundations to Renaissance embellishments.

    What Makes It Unique?

    The Musée des Beaux-Arts distinguishes itself through its harmonious combination of artistic treasures and historical setting. The juxtaposition of fine art within the grand halls of the Bishop's Palace creates a truly immersive experience. It’s not merely viewing art; it’s stepping back in time and experiencing the cultural legacy of Chartres.

    Plan your visit today to discover the beauty and history that await you at the Musée des Beaux-Arts!

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos The Killing

    topimpressionists.com/sl/art/download/antoine-augustin-preault-the-killing-8Y3FVE-en/

    Citiranje umetniškega dela

    MLA
    Préault, Antoine Augustin. The Killing. 1834, Musée des Beaux-Arts. https://topimpressionists.com/sl/art/antoine-augustin-preault-the-killing-8Y3FVE-en/
    APA
    Préault, Antoine Augustin (1834). The Killing [Painting]. Musée des Beaux-Arts. https://topimpressionists.com/sl/art/antoine-augustin-preault-the-killing-8Y3FVE-en/
    Chicago
    Antoine Augustin Préault. The Killing. 1834. Musée des Beaux-Arts. https://topimpressionists.com/sl/art/antoine-augustin-preault-the-killing-8Y3FVE-en/
    Harvard
    Préault, Antoine Augustin (1834) The Killing. Musée des Beaux-Arts. Available at: https://topimpressionists.com/sl/art/antoine-augustin-preault-the-killing-8Y3FVE-en/

    Oglejte si bližje

    The Killing — Antoine Augustin Préault

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Koliko obrazov lahko najdete? ____ (v našem katalogu jih je število 5 — se strinjate?)
    4. Oglejte si Ophelia (1842), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Antoine Augustin Préault je bil star približno 25, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kdo je ustvaril "The Killing" in v letu katerega?

    "The Killing" je ustvaril Antoine Augustin Préault leta 1834.

    Katera je prevladujoča barva dela "The Killing" avtorja Antoine Augustin Préault?

    Prevladujoča barva dela "The Killing" avtorja Antoine Augustin Préault je Phthalo Green (#1d1b14).

    Ali je na voljo prenos v visoki ločljivosti za "The Killing"?

    "The Killing" je na voljo kot prenos digitalne slike visoke ločljivosti, ki ga lahko kupite neposredno na njegovi strani Visokoresolucijska digitalna slika.