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Mrs Thomas Hope

Ime Razred Datum

Cosmo Alexander, Mrs Thomas Hope (1763), University of Nottingham. Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Cosmo Alexander topimpressionists.com/sl/artists/cosmo-alexander/
Datumi rojstva in smrti umetnika
1724 – 1772
Naslikano
1763
V mestu/lokaciji
University of Nottingham topimpressionists.com/sl/museums/university-of-nottingham-nottingham/

V kontekstu

Mrs Thomas Hope — Cosmo Alexander

Kdaj je bilo to naslikano?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 48 ob smrti.

Naslikano, ko je bil avtor star 39. Umetnik je doživel 48 let. 29 od 32 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Cosmo Alexander (1724–1772) ▲ to delo, 1763 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1751 Glavni delovni leti: 1751–1757 Pozna dela: od 1757

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: topimpressionists.com/sl/art/similar/cosmo-alexander-mrs-thomas-hope-AQTN8T-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #371b04

    Katalogirana paleta

    • #371B04
    • #E3BFA2
    • #A4764D
    • #724110

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Dark Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Phthalo Green
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Clear Color Presence Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Cosmo Alexander v zadnjih dvanajst mesecih — skupaj 3 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 80,0%1.200 visits
    2. 2 Singapur 13,3%200 visits
    3. 3 Združene države Amerike 6,7%100 visits

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    16 najbolj gledanih del umetnika Cosmo Alexander

    1. 1 Mary Ogilvie, Wife of Alexander Irvine, 17th Laird of Drum, 1756 11,8%200 visits
    2. 2 Portrait of a Woman 11,8%200 visits
    3. 3 The Ladies Barbara and Margaret Stuart, 1755 5,9%100 visits
    4. 4 George Keith, 5th Earl Marischal, 1742 5,9%100 visits
    5. 5 Adrian Hope of Amsterdam (1709–1781), 1763 5,9%100 visits
    6. 6 James Maitland (1718–1789), 7th Earl of Lauderdale 5,9%100 visits
    7. 7 John, 7th Earl of Galloway, 1753 5,9%100 visits
    8. 8 Lady Lucy Stuart, 1756 5,9%100 visits
    9. 9 John Drummond (1679–1757), 2nd Duke of Perth 5,9%100 visits
    10. 10 Mary Ogilvie, Wife of Alexander Irvine, 17th Laird of Drum, 1756 5,9%100 visits
    11. 11 James Maitland, 7th Earl of Lauderdale 5,9%100 visits
    12. 12 James Duff iz Corsindae, 1760 5,9%100 visits
    13. 13 John Robertson of Pitmillan and Foveran, Provost of Aberdeen (1736–1737) 5,9%100 visits
    14. 14 John Robertson of Pitmillan and Foveran, Provost of Aberdeen 5,9%100 visits
    15. 15 Elizabeth of York 5,9%100 visits
    16. — Mrs Thomas Hope, 1763 ta slika 0,0%0 visits

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 46 del te umetnice, pri čemer je bilo 15 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Cosmo Alexander

    A Legacy of Portraiture and Pedagogy

    The story of Cosmo Alexander is one of wandering brilliance and the profound influence of a master upon his pupil. Born in Scotland to the noted portrait painter John Alexander, Cosmo was destined for a life steeped in the traditions of fine art. Before his journey took him across the Atlantic, he refined his eye through extensive travels across Europe, documenting his presence in Italy between 1745 and 1751, including time in Rome. His artistic development continued in Holland, where he achieved professional recognition by joining the painters' guild at The Hague. These formative years in the great art centers of Europe provided him with a sophisticated foundation in classical techniques that would later define his work in the American colonies.

    Though Alexander often referred to himself as a history painter, his enduring legacy resides in his mastery of the portrait. His style, which aligns closely with the Classical Realism later championed by John Singleton Copley, captured the essence of the Scottish community and the colonial elite with remarkable precision. As he moved through the American landscape between 1766 and 1772, his brush followed a path of significant historical importance. From the bustling streets of Philadelphia to the coastal elegance of Newport, Rhode Island, and even as far south as Charleston, South Carolina, Alexander sought to capture the likenesses of a burgeoning nation through a lens of European refinement.

    The Teacher of a Master

    Perhaps the most significant chapter in Alexander’s life was his role as a mentor. In Newport, Rhode Island, he encountered a young Gilbert Stuart, a meeting that would alter the course of American art history forever. Recognizing the potential in the fourteen-year-old, Alexander took Stuart on as an apprentice. This relationship was more than a mere professional arrangement; it was a passing of the torch from the Old World traditions to the New. The two traveled together through the colonies, eventually returning to Edinburgh in 1771, where the bond between master and student remained unbroken until Alexander’s sudden death.

    Alexander's life was marked by both artistic triumph and personal hardship. Driven by financial debts that had forced him to leave London, he arrived in America with the hope of rebuilding his fortune through his craft. While his travels were frequent—visiting New York City, Boston, and Williamsburg—his ability to secure patrons remained a testament to his skill. In Burlington, New Jersey, he even resided within the governor's mansion, utilizing such high-profile connections to find sitters for his portraits. Though his life was cut short in Edinburgh, the impact of his work remains visible in the collections of prestigious institutions today.

    Key Artistic Contributions: Known for over twenty-five identified American portraits that showcase his skill in portraiture and historical genre painting.

    Notable Mentorship: Served as the primary teacher and mentor to the legendary American artist Gilbert Stuart.

    Geographic Reach: His career spanned Scotland, Italy, Holland, England, and various American colonies including New York, Pennsylvania, and Rhode Island.

    Muzej

    University of Nottingham

    Na razstavi v Nottingham, United Kingdom

    A Journey Through Time: The University of Nottingham Museum

    Nestled within the serene Lakeside Arts Centre on the University Park Campus in Nottingham, England, lies a treasure trove for those captivated by the echoes of history – the University of Nottingham Museum. More than just a repository of artifacts, it’s an immersive experience, inviting visitors to trace the story of this region from its prehistoric roots to the present day. This isn't merely a display of relics; it’s a vibrant narrative woven through 250,000 years of human existence, offering a remarkably intimate perspective on the lives and cultures that have shaped the very landscape we inhabit.

    The museum’s core strength resides in its extensive regional archaeology. Unlike grand narratives focused solely on empires, the University of Nottingham Museum champions the stories of ordinary people – the Iron Age Britons who carved their existence from the land, the Roman settlers who left an indelible mark on the region's infrastructure and customs, and the generations that followed. The collection is remarkably diverse, encompassing everything from intricately crafted pottery shards and weathered tools to fragments of Roman mosaics and even Egyptian antiquities, a testament to the museum’s dedication to showcasing a truly global perspective within a localized context. The presence of Greek artifacts adds another layer of sophistication, hinting at the region's connections to ancient Mediterranean civilizations – a subtle reminder that Nottingham’s story is inextricably linked to broader European narratives.

    Architectural Harmony and Historical Context

    The museum itself is a beautiful reflection of its surroundings. Built within the Lakeside Arts Centre complex, it seamlessly blends into the natural beauty of University Park Campus. The architecture isn't imposing or overtly grand; instead, it’s characterized by understated elegance and a harmonious integration with the parkland setting. This deliberate design choice underscores the museum’s mission – to present history in an accessible and inviting manner, fostering a sense of connection between scholarship and public engagement. The building’s construction reflects a commitment to both functionality and aesthetic appeal, creating a space that is as stimulating for researchers as it is welcoming for casual visitors.

    Interestingly, the museum's origins are intertwined with the history of University College Nottingham itself. Founded in 1881, the college initially occupied a cramped building on Shakespeare Street before relocating to its current campus in 1928. The construction of the Lakeside Arts Centre and the subsequent establishment of the museum were integral parts of this expansion, solidifying the institution’s role as a center for learning and cultural enrichment. The legacy of figures like Hugh Stewart (Principal of University College Nottingham from 1929-1934), whose influence shaped the college's early development, is subtly acknowledged within the museum’s exhibits – a reminder that the museum’s story is deeply rooted in the university’s own evolution.

    Notable Exhibitions and Unique Features

    While the permanent collection forms the backbone of the museum’s appeal, it regularly hosts temporary exhibitions that delve deeper into specific themes or historical periods. These events often feature collaborations with leading academics and experts, ensuring a high level of scholarly rigor and intellectual engagement. Past exhibitions have explored topics ranging from Roman Britain to the impact of industrialization on Nottinghamshire's landscape – demonstrating the museum’s commitment to presenting diverse and thought-provoking narratives.

    One particularly noteworthy feature is the museum’s role as a research resource for students and academics at the University of Nottingham. The collection serves as a valuable primary source, facilitating ongoing scholarship and fostering a dynamic link between academic inquiry and public understanding. The museum's curators actively engage with researchers, providing access to artifacts and expertise – contributing significantly to the university’s broader research agenda.

    A Visitor’s Perspective

    Admission to the University of Nottingham Museum is delightfully free, making it an accessible destination for all. Located within the Lakeside Arts Centre, easily reachable via public transport or car, the museum offers a rewarding and enriching experience for visitors of all ages and backgrounds. Whether you're a seasoned archaeologist eager to examine ancient artifacts or simply curious about the history of your local region, the University of Nottingham Museum promises a journey through time – a chance to connect with the past and appreciate the enduring legacy of those who came before us.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Mrs Thomas Hope

    topimpressionists.com/sl/art/download/cosmo-alexander-mrs-thomas-hope-AQTN8T-en/

    Citiranje umetniškega dela

    MLA
    Alexander, Cosmo. Mrs Thomas Hope. 1763, University of Nottingham. https://topimpressionists.com/sl/art/cosmo-alexander-mrs-thomas-hope-AQTN8T-en/
    APA
    Alexander, Cosmo (1763). Mrs Thomas Hope [Painting]. University of Nottingham. https://topimpressionists.com/sl/art/cosmo-alexander-mrs-thomas-hope-AQTN8T-en/
    Chicago
    Cosmo Alexander. Mrs Thomas Hope. 1763. University of Nottingham. https://topimpressionists.com/sl/art/cosmo-alexander-mrs-thomas-hope-AQTN8T-en/
    Harvard
    Alexander, Cosmo (1763) Mrs Thomas Hope. University of Nottingham. Available at: https://topimpressionists.com/sl/art/cosmo-alexander-mrs-thomas-hope-AQTN8T-en/

    Oglejte si bližje

    Mrs Thomas Hope — Cosmo Alexander

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si James Duff iz Corsindae (1760), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Cosmo Alexander je bil star približno 39, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kje lahko najdem statistične podatke o "Mrs Thomas Hope" avtorja Cosmo Alexander?

    Stran Statistika pregledov za delo "Mrs Thomas Hope" avtorja Cosmo Alexander prikazuje statistiko javnih obiskov: mesečne število ogledov tega dela, primerjavo z najbolj ogledanimi deli tega umetnika in izvor obiskovalcev.

    Kdo je ustvaril "Mrs Thomas Hope" in v letu katerega?

    "Mrs Thomas Hope" je ustvaril Cosmo Alexander leta 1763.

    Kje je danes razstavljeno "Mrs Thomas Hope" avtorja Cosmo Alexander?

    Originalno delo "Mrs Thomas Hope" lahko vidite v muzeju University of Nottingham, Nottingham, United Kingdom.