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Priročnik za študentska dela

Self Portrait (verso)

Ime in priimek Razred Datum

David Bomberg, Self Portrait (verso) (1937), Pallant House Gallery. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
David Bomberg topimpressionists.com/sl/artists/david-bomberg_sl/
Datumi rojstva in smrti umetnika
1890 – 1957
Naslikano
1937
Material
Oil On Canvas
Prvotna velikost
61 x 51 cm
Gibanje
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Obdobje
Modern
Na lokaciji
Pallant House Gallery topimpressionists.com/sl/museums/pallant-house-gallery-chichester_sl/
Artistic style
Expressionism, early Fauvism
Influences
Paul Cézanne, Walter Sickert
Notable elements or techniques
Impasto, thick brushstrokes, gestural lines
Subject or theme
Introspective male portrait

V kontekstu

Self Portrait (verso) — David Bomberg

Dimenzije

Prvotne dimenzije so 61 × 51 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 67 ob smrti.

Naslikano, ko je bil avtor star 47. Umetnik je živel 67. 63 od 100 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje David Bomberg (1890–1957) ▲ to delo, 1937 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1920 Glavni delovni leti: 1920–1942 Pozna dela: od 1942

Ti trije pasovi razdelijo dela v tem katalogu na prvo četrtino, srednjo polovico in zadnjo četrtino. Niso popolna celotina umetnikovega dela: tanjka obdobja je lahko praznina v arhivu, ne le obdobje manj intenzivnega ustvarjanja. Iste leta, v katerih se odtisa življenje umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: topimpressionists.com/sl/art/similar/david-bomberg-self-portrait-verso-AQSFVW-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Rosy Brown #be9381

    Shranjena paleta

    • #BE9381
    • #875641
    • #361F1F
    • #583834

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Rosy Brown
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja David Bomberg v zadnjih dvanajst mesecih — skupaj 5 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 89,1%
    2. 2 Združene države Amerike 4,3%
    3. 3 Bolgarija 2,2%
    4. 4 Španija 2,2%
    5. 5 Paragvaj 2,2%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    20 najbolj gledanih del umetnika David Bomberg

    1. 1 Mount Saint Hilarion and the Castle Ruins, 1948 5,7%
    2. 2 Alora, Andalucia, 1935 5,7%
    3. 3 Composition, 1919 5,7%
    4. 4 Sappers at Work : Canadian Tunnelling Company, R14, St Eloi, 1919 3,8%
    5. 5 Ronda, Spain, 1957 3,8%
    6. 6 Ju Jitsu, 1913 3,8%
    7. 7 Double Self Portrait (recto), 1937 3,8%
    8. 8 The St John Ophthalmic Hospital, Jerusalem, 1927 3,8%
    9. 9 Kanalski blok, 1920 3,8%
    10. 10 The Mud Bath 3,8%
    11. 11 Flowers, Evening Gold, 1947 3,8%
    12. 12 Kitty, the Artist's Sister, 1929 3,8%
    13. 13 Study for Ghetto Theatre I, 1921 3,8%
    14. 14 David Bomberg, 1937 3,8%
    15. 15 The Broken Aqueduct, Wadi Kelt near Jericho, 1926 1,9%
    16. 16 Bideford, Devon, 1946 1,9%
    17. 17 Trendrine, Cornwall, 1947 1,9%
    18. 18 Ronda Bridge, Spain, 1935 1,9%
    19. 19 Interior of the Armenian Church, Jerusalem, 1925 1,9%
    20. — Self Portrait (verso), 1937 ta slika 0,0%

    Skupaj ti deli predstavljajo 68,4% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 109 del te umetnice, pri čemer je bilo 36 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    O tem umetniškem delu

    Self Portrait (verso) — David Bomberg

    A Window into the Soul: The Raw Intensity of David Bomberg

    In the quiet, brooding depths of David Bomberg’s 1937 Self Portrait (verso), we encounter more than just a likeness; we meet a psyche laid bare. This evocative work serves as a profound testament to the power of Expressionism, capturing a moment of intense introspection that transcends the boundaries of time. The subject, a man with eyes that pierce through the canvas, possesses a gaze so heavy with melancholy and wisdom that it commands the viewer's immediate attention. There is no attempt at vanity here; instead, Bomberg presents a raw, psychological exploration, where the furrowed brow and shadowed features suggest a lifetime of complex emotion and unyielding thought.

    The mastery of the piece lies in its visceral technique. Utilizing a heavy impasto method, Bomberg applies oil paint with such thickness that the canvas itself becomes a sculptural landscape. Each brushstroke is visible, gestural, and unapologetically bold, creating a textured surface that catches the light and adds a sense of physical immediacy to the portrait. The palette is a somber, sophisticated arrangement of warm ochres, deep umbers, and earthy browns, punctuated by sudden, dramatic flashes of dark reds and bruised purples in the shadows. This interplay of light and shadow—a technique reminiscent of the dramatic chiaroscuro found in classical masters but reimagined through a modern, fractured lens—creates a sense of depth and movement within an otherwise flattened, two-dimensional space.

    The Legacy of the Whitechapel Boys

    To understand the emotional weight of this portrait, one must look to the historical currents that shaped Bomberg’s hand. As a prominent member of the 'Whitechapel Boys', an influential group of East End artists, Bomberg was part of a movement that sought to redefine British modernism. His training under Walter Sickert and his exposure to the radical shifts of Cubism and Post-Impressionism are subtly woven into the fabric of this work. While the composition avoids the rigid geometry of his earlier avant-garde experiments, it retains that same structural energy, using loose, expressive lines to define form through suggestion rather than precise outlines.

    For the discerning collector or interior designer, Self Portrait (verso) offers a sophisticated focal point that brings a sense of historical gravity and intellectual depth to any space. It is a piece that invites contemplation, making it an ideal addition to a gallery-style study, a contemporary living room, or a curated collection of early 20th-century modernism. The artwork does not merely decorate a wall; it anchors a room with its somber mood and commanding presence. Owning a high-quality reproduction of this masterpiece allows one to inhabit the same atmosphere of profound reflection that Bomberg captured in 1937, bringing the enduring spirit of British Expressionism into the modern home.

    Umetnik in muzej

    Umetnik

    David Bomberg

    Rojen v Birmingham, Združeno kraljestvo

    Zgodnje življenje in umetniška izobraževanja

    Rodjen: Birmingham, Združeno kraljestvo (5. december 1890)

    Umrl: London, Združeno kraljestvo (19. avgust 1957)

    Eden iz »otrokov Whitechapela« – skupina umetnikov z East Enda, ki so izstopili v začetku 20. stoletja.

    Kot sin poljsko-židovskih imigrantov, Abrahama in Rebece Bomberg, je David najprej študiral na Tehnični umetniški šoli City and Guilds, preden se je v Birminghamu usposabil za delo litografa.

    Pod mentorstvom Walterja Sickerta na Westminster School of Art (1908–1910) je razvil občutljivost za obliko in urban lif, pri čemer ga je močno navezala tudi izpostavljenost delom Paula Cézanneja na letni 1910 전시bi Rogerja Fryja »Manet in postimpresionisti«. Ob obisku Slade School of Art leta 1911 je s svojo risbo soštudenta Isaaca Rosenberga osvojil nagrado Tonks.

    Avantgardne leta: Kubizem, futurizem in kontroverze

    Na šoli Slade je Bomberg bil del izjemne generacije, ki so jo tvorili Mark Gertler, Stanley Spencer, C.R.W. Nevinson in Dora Carrington.

    Njegov razvoj je oblikovala londonska razstava italijanskih futuristov leta 1912 ter Fryjeva druga postimpresionistična razstava (Picasso, Matisse, fauvisti, Wyndham Lewis).

    Razvil je prepoznaven slog, ki združuje kubizem in futurizem – značilne so njegove geometrične kompozicije, omejena barvna paleta, kotne figure in mrežaste strukture.

    Njegov radikalni pristop je leta 1913 privabil izključitev s šole Slade, saj je bil njegov slog velчан za konvencionalne metode institucije.

    Kratko je bil povezan z delavnicami Omega skupine Bloomsbury in je izlagal v okviru Camden Town Group. Čeprav je pokazoval naklonjenost vorticističnemu gibanju Wyndhama Lewisa, je ostal neodvisen in se je izogibal popolni pripadnosti temu gibanju.

    Od vojne do pejzaža: Preoblikovanje sloga

    Izkušnje v uniformi vojaka med prvo svetovno vojno so globoko vplile na njegovo umetniško vizijo in ga vodile v odklon od abstrakcije.

    V dvinskih letih je Bomberg sprejel bolj figurativni slog, s poudarkom na portretih in pejzažih, izvlečenih neposredno iz narave. Razvil je vse bolj ekspresionistično tehniko, ki jo odlikuje teksturna impasto in čustvena intenzivnost.

    Obiski Bliskovih vzhodov (predvsem Palestine) in Evrope so bistveno vplivali na njegovo poznejše delo, pri čemer so njegove interpretacije Jeruzalemija še posebej izstopajoče.

    Pozna leta in dediščina

    Od leta 1945 do 1953 je poučeval na Borough Polytechnic (danes London South Bank University), kjer je vplival na generacijo umetnikov, vključno s Frankom Auerbachom, Leonom Kosoffom, Philipom Holmesom in mnogimi drugimi.

    Poročil se je s slikarko pejzažev Lilian Holt.

    Kljub obdobjem relativnega pozabljanja čez svoj življenj, je Bombergovo delo v zadnjih desetletjih pridobilo vse večje priznanje kot pomembna prispevek britanski moderni umetnosti.

    V čast njemu je na London South Bank University poimenovana David Bomberg House.

    Njegova dediščina počiva v edinstveni sintezi evropskih avantgardnih gibanj in kasnejši razvoj močnega, ekspresivnega pejzažnega sloga, ki je zajel bistvo prostora in človeške izkušnje.

    Muzej

    Pallant House Gallery

    Na razstavi v Chichester, United Kingdom

    A Sanctuary for British Modernism

    Nestled in the heart of Chichester, a city steeped in Roman and Anglo-Saxon heritage,

    Pallant House Gallery

    serves as both a custodian of Britain’s vibrant artistic past and a beacon illuminating its contemporary expressions. More than just a destination for art lovers, it offers an immersive experience—a journey through the evolution of British art from the early 20th century to the present day. All these treasures are housed within the elegant embrace of a beautifully restored Queen Anne townhouse, where the very stones whisper stories of centuries past. This historic setting provides a striking and harmonious counterpoint to the often-challenging and innovative artworks contained within its walls, creating a space where walking through the rooms feels akin to stepping into a profound dialogue between history and modernity, tradition and rebellion.

    The soul of the gallery resides in its extraordinary collection, which traces the pulse of British creativity. The story begins with the remarkable vision of Walter Hussey, who in 1977 left a foundational bequest that established the gallery's core identity. This initial gift brought luminaries such as

    Barbara Hepworth

    ,

    Henry Moore

    ,

    John Piper

    ,

    Ceri Richards

    , and

    Graham Sutherland

    into the light of public appreciation. Over the decades, this landscape of expression has been enriched by generous donations from figures like Charles Kearley and Sir Colin St John Wilson, adding layers of complexity that bridge the gap between national identity and international movements. Visitors may find themselves captivated by the rhythmic abstractions of

    Ben Nicholson

    or drawn into the visceral, human depths of works by

    Lucian Freud

    and

    Richard Hamilton

    .

    Architectural Dialogue and Living Culture

    The architectural experience of Pallant House Gallery is a masterclass in the interplay between old and new. While the original Queen Anne townhouse exudes a timeless, stately elegance, the addition of the contemporary wing, designed by Long & Associates, demonstrates a bold embrace of the future. This extension is far more than a mere structural addition; it is a carefully considered architectural dialogue. The way light and shadow dance within the modern wing enhances the viewing experience, drawing the eye to the intricate textures and emotional resonance of each piece on display. For the art lover or interior designer, this juxtaposition of classical grace and avant-garde geometry offers a profound lesson in how space can elevate subject matter.

    Beyond its permanent treasures, Pallant House Gallery distinguishes itself as a living cultural hub through a vibrant program of temporary exhibitions that consistently introduce fresh perspectives. By showcasing both established masters and emerging voices, the gallery ensures that its narrative remains dynamic and ever-evolving. This commitment to engagement extends into the digital realm through

    Perspectives

    , the gallery’s insightful blog, which offers behind-the-scenes glimpses into the creative process. Whether one is a seasoned collector seeking depth or a curious wanderer looking for inspiration, Pallant House Gallery offers a sanctuary where the legacy of British Modernism can be felt, seen, and deeply understood.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Self Portrait (verso)

    topimpressionists.com/sl/art/download/david-bomberg-self-portrait-verso-AQSFVW-en/

    Navodila za citiranje umetniškega dela

    MLA
    Bomberg, David. Self Portrait (verso). 1937, Pallant House Gallery. https://topimpressionists.com/sl/art/david-bomberg-self-portrait-verso-AQSFVW-en/
    APA
    Bomberg, David (1937). Self Portrait (verso) [Painting]. Pallant House Gallery. https://topimpressionists.com/sl/art/david-bomberg-self-portrait-verso-AQSFVW-en/
    Chicago
    David Bomberg. Self Portrait (verso). 1937. Pallant House Gallery. https://topimpressionists.com/sl/art/david-bomberg-self-portrait-verso-AQSFVW-en/
    Harvard
    Bomberg, David (1937) Self Portrait (verso). Pallant House Gallery. Available at: https://topimpressionists.com/sl/art/david-bomberg-self-portrait-verso-AQSFVW-en/

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Koliko obrazov lahko najdete? ____ (v našem katalogu jih je število 1 — se strinjate?)
    4. Naš katalog to delo uvršča pod: portrait painting, emotional expression, dark palette. Se strinjate? Bi kaj dodali ali odvzeli?
    5. Oglejte si Composition with Figures (1913), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Koliko je izražen kontrast v delu "Self Portrait (verso)" avtorja David Bomberg?

    "Self Portrait (verso)" avtorja David Bomberg prikazuje Gentle kontrast med svetlim in temnimi cončami.

    Kakšna je barvna identiteta dela "Self Portrait (verso)" avtorja David Bomberg?

    Barvna identiteta dela "Self Portrait (verso)" avtorja David Bomberg: paleta Earthy, ki prevladuje z barvo Rosy Brown (#be9381).

    Kakšna je oblika in velikost dela "Self Portrait (verso)"?

    "Self Portrait (verso)" avtorja David Bomberg je kompozicija v formatu Portrait, ki v izvornem izмерu znaša 61 x 51 cm.