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Vodnik po študentskem umetniškem delu

Interlude

Ime Razred Datum

David Simpson Foggie, Interlude (1935). Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
David Simpson Foggie topimpressionists.com/sl/artists/david-simpson-foggie/
Datumi rojstva in smrti umetnika
1878 – 1948
Naslikano
1935
Prvotna velikost
92 x 71 cm

V kontekstu

Interlude — David Simpson Foggie

Kakšna je velikost?

Prvotne dimenzije so 92 × 71 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 70 ob smrti.

Naslikano, ko je bil avtor star 57. Umetnik je doživel 70 let. 10 od 14 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje David Simpson Foggie (1878–1948) ▲ to delo, 1935 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1926 Glavni delovni leti: 1926–1935 Pozna dela: od 1935

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: topimpressionists.com/sl/art/similar/david-simpson-foggie-interlude-AQVAG5-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #23231a

    Katalogirana paleta

    • #23231A
    • #97735C
    • #C1B296
    • #61442E

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Phthalo Green
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja David Simpson Foggie v zadnjih dvanajst mesecih — skupaj 4 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 46,7%
    2. 2 Združeno kraljestvo 26,7%
    3. 3 Združene države Amerike 20,0%
    4. 4 Hong Kong 6,7%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    10 najbolj gledanih del umetnika David Simpson Foggie

    1. 1 The Blue Jug 40,0%
    2. 2 Joseph Lee (1876–1949), War Poet, 1911 13,3%
    3. 3 Sir James Caird (1837–1916), Bt, LLD (detail), 1929 6,7%
    4. 4 William Mackay Mackenzie (1872–1952), Historian, 1914 6,7%
    5. 5 Mrs Emma Grace Marryat (1849–1927) (step sister of Sir James Caird, Bt, LLD) (detail), 1929 6,7%
    6. 6 The Crescent in Wartime, 1940 6,7%
    7. 7 Sir James Key Caird (1837–1916), Bt, LLD, 1929 6,7%
    8. 8 Mrs Mary Noble, 1929 6,7%
    9. 9 Forfouchten (Tired Out) 6,7%
    10. — Interlude, 1935 ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 23 del te umetnice, pri čemer je bilo 9 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    David Simpson Foggie

    David Simpson Foggie (1878–1948): A Painter's Eye for Victorian Life

    David Simpson Foggie (1878–1948) stands as a significant figure in Scottish art history, recognized primarily for his meticulous portraits and evocative depictions of domestic scenes—particularly those capturing the essence of Victorian Scotland. Born in Dundee on December 31st, 1878, to James and Margaret Foggie – parents who instilled in him an appreciation for craftsmanship and social responsibility – Foggie’s artistic journey began early, nurtured by a formative encounter with William Grubb at Dundee College of Art, where he honed his skills as a Pupil Assistant. This initial training proved pivotal, shaping his approach to art and establishing connections with fellow artists like Stewart Carmichael, John Duncan, and Alec Grieve who fostered a vibrant intellectual environment.

    Early Influences: Foggie’s artistic sensibilities were profoundly impacted by the Impressionist movement, particularly through his studies in Antwerp, Paris, and Florence – experiences that broadened his visual vocabulary and exposed him to diverse artistic traditions.

    Return to Dundee & Artistic Collaborations: Upon returning to Dundee, he established a close association with Carmichael, Duncan and Grieve, forming part of a collective dedicated to elevating the standards of Scottish art. This collaborative spirit fueled experimentation and innovation within their circle.

    Recognition & Professional Achievements: Foggie’s dedication to his craft garnered him prestigious affiliations – RSW (Royal Scottish Watercolour Society) in 1918 and RSA (Royal Scottish Academy) in 1930 – cementing his position as a respected artist of his time. He served as Secretary of the RSA from 1932, overseeing its operations and furthering its mission to champion artistic excellence.

    Notable Works & Artistic Style

    Foggie’s oeuvre is characterized by remarkable technical precision combined with a sensitivity to emotion—a duality that distinguishes his paintings from many of his contemporaries. He excelled in capturing the subtleties of light and color, employing techniques reminiscent of Impressionism while maintaining a grounding in academic realism. His subjects ranged from portraits of individuals – including intimate depictions of family members – to landscapes reflecting the beauty of the Scottish Highlands. Among his most celebrated works are “Mrs Emma Grace Marryat (1849–1927)” and “David Foggie (1878–1948), Artist, Self Portrait,” both demonstrating his mastery of tonal gradation and compositional balance. The Dundee Art Institute Collection holds "Mother and Child," a poignant portrayal of maternal tenderness—a testament to Foggie’s ability to convey profound human emotion through visual representation.

    Technique: Foggie favored oil paints on canvas, meticulously blending pigments to achieve luminous effects and capturing the textures of surfaces with remarkable accuracy.

    Subject Matter: He frequently depicted scenes from everyday life—domestic interiors, portraits of family members—often imbued with a quiet dignity and understated beauty.

    Influence: Foggie’s artistic vision resonated deeply within his peers, notably Walter Vaes and Alec Grieve, who recognized the importance of capturing authentic emotion alongside skillful draughtsmanship.

    Legacy & Historical Significance

    David Simpson Foggie's contribution to Scottish art extends beyond individual masterpieces; he embodies a broader artistic ethos—one rooted in observation, empathy, and an unwavering commitment to craftsmanship. His work reflects the spirit of Victorian Scotland, capturing its social values and aesthetic sensibilities with grace and nuance. As noted by Matthew Jarron, Curator at Paisley Museum & Art Galleries, “The problems of actual painting interest him - light, form, color and technique – and it might without disrespect be said that his work is more interesting to the artist than the general public.” His enduring influence can be seen in subsequent generations of Scottish painters who admired his dedication to realism and his ability to infuse his canvases with emotional depth. Foggie’s legacy continues to inspire artists today, reminding us of the power of art to illuminate human experience and preserve cultural heritage.

    Further Exploration

    For a deeper understanding of David Simpson Foggie's artistic life and work, consult Art UK () where biographical information and reproductions of his paintings are available. Also consider examining the Dundee Art Institute Collection () to appreciate Foggie’s contribution to Scottish visual culture.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Interlude

    topimpressionists.com/sl/art/download/david-simpson-foggie-interlude-AQVAG5-en/

    Citiranje umetniškega dela

    MLA
    Foggie, David Simpson. Interlude. 1935, https://topimpressionists.com/sl/art/david-simpson-foggie-interlude-AQVAG5-en/
    APA
    Foggie, David Simpson (1935). Interlude [Painting]. https://topimpressionists.com/sl/art/david-simpson-foggie-interlude-AQVAG5-en/
    Chicago
    David Simpson Foggie. Interlude. 1935. https://topimpressionists.com/sl/art/david-simpson-foggie-interlude-AQVAG5-en/
    Harvard
    Foggie, David Simpson (1935) Interlude. Available at: https://topimpressionists.com/sl/art/david-simpson-foggie-interlude-AQVAG5-en/

    Oglejte si bližje

    Interlude — David Simpson Foggie

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Koliko obrazov lahko najdete? ____ (v našem katalogu jih je število 1 — se strinjate?)
    4. Oglejte si Woman with Clasped Hands (1927), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. David Simpson Foggie je bil star približno 57, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Ali je "Interlude" v celotnosti bolj svetel ali bolj temen?

    "Interlude" ima v celoti deep_shadow, njegova luminanca pa znaša Soft Shadow.

    Kakšen je format dela "Interlude"?

    Format dela "Interlude" je Portrait, kar je koristno pri načrtovanju postavitve reprodukcije.

    Ali so barve v delu "Interlude" avtorja David Simpson Foggie nasičene ali utemeljene?

    "Interlude" avtorja David Simpson Foggie ima Subtle Color saturacijo.