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Priročnik za študentska dela

Frederick Shum

Ime in priimek Razred Datum

Edward Newling, Frederick Shum (1920), Victoria Art Gallery. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Edward Newling topimpressionists.com/sl/artists/edward-newling/
Datumi rojstva in smrti umetnika
1890 – 1964
Naslikano
1920
Prvotna velikost
101 x 75 cm
Gibanje
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Na lokaciji
Victoria Art Gallery topimpressionists.com/sl/museums/victoria-art-gallery-bath_sl/

V kontekstu

Frederick Shum — Edward Newling

Dimenzije

Prvotne dimenzije so 101 × 75 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 74 ob smrti.

Naslikano, ko je bil avtor star 30. Umetnik je živel 74. 3 od 7 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Edward Newling (1890–1964) ▲ to delo, 1920 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: topimpressionists.com/sl/art/similar/edward-newling-frederick-shum-AR293S-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Espresso #67534c

    Shranjena paleta

    • #67534C
    • #1E1B18
    • #343030
    • #C39C81

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Espresso
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Serene V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Edward Newling v zadnjih dvanajst mesecih — skupaj 1 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 100,0%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    3 najbolj gledanih del umetnika Edward Newling

    1. 1 Second Lieutenant Gilbert Stuart Martin Insall (1894–1972), VC, MC, Royal Flying Corps and Later Squadron Leader, Royal Air Force, 1919 50,0%
    2. 2 Captain Albert Ball (1896–1917), VC, DSO, MC, Nottinghamshire and Derby Regiment and Royal Flying Corps, 1919 50,0%
    3. — Frederick Shum, 1920 ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 8 del te umetnice, pri čemer je bilo 2 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Edward Newling

    The Painter of Victorian Valor: The Life and Legacy of Edward Newling

    Edward Newling (1890-1964) stands as a quietly significant figure in 20th-century British art, primarily remembered for his evocative and dignified portraits of WWI heroes and members of the aristocracy. Born in Melbourne, Australia, in 1890, he later relocated to England, establishing himself as a respected artist specializing in capturing the solemnity and inherent dignity of those who served their country during a period of immense national upheaval. His work offers a poignant glimpse into the Victorian sensibilities that persisted even amidst the horrors of modern warfare, blending traditional portraiture techniques with an understated emotional depth.

    Newling’s artistic journey began with a formal education in art, though details remain somewhat sparse. He honed his skills primarily through self-study and observation, developing a distinctive style characterized by meticulous detail, subtle tonal gradations, and a remarkable ability to convey both physical presence and inner character. Unlike many of his contemporaries who embraced the bold brushstrokes and expressive distortions of modernism, Newling remained firmly rooted in academic traditions, favoring a controlled and refined approach that lent an air of timelessness to his subjects. His portraits were not flamboyant celebrations; they were quiet meditations on duty, sacrifice, and the weight of experience.

    A Mastery of Character and Tradition

    The essence of Newling's oeuvre revolves around his profound depictions of military figures, particularly those involved in the First World War. He produced a substantial body of work featuring legendary aviators such as Albert Ball, a Royal Flying Corps officer whose tragic death during a training flight left a void in the hearts of many, and McCudden, another celebrated pilot of the era. These portraits are far more than mere likenesses; they are imbued with a profound sense of respect and sorrow. Newling meticulously researched his subjects, often obtaining photographs and personal accounts to ensure an accurate representation of their character and the gravity of their service.

    Beyond the battlefield, Newling’s talent extended to the depiction of the British upper echelons, capturing the essence of the aristocracy with a similar level of reverence. His ability to render textures—from the crispness of a military uniform to the soft folds of formal attire—demonstrates his technical prowess. Notable works such as Sir Arbuthnot Lane and Frederick Shum showcase his capacity for realism and his skill in creating compositions that feel both intimate and monumental.

    Historical Significance and Artistic Impression

    The historical significance of Edward Newling lies in his role as a visual chronicler of an era defined by transition. As the world moved away from the structured certainties of the Victorian age into the fragmented reality of the modern era, Newling’s art provided a sense of continuity. His work serves as a bridge, preserving the dignity of a vanishing social order and the heroism of those who faced the unprecedented challenges of the early 20th century.

    To study Newling's collection is to encounter a legacy of:

    Academic Precision: A commitment to the classical techniques of portraiture that eschewed the fleeting trends of modernism.

    Emotional Resonance: The ability to translate historical tragedy into deeply moving, humanized imagery.

    Historical Documentation: Providing a vital visual record of key figures in British military and social history.

    Ultimately, Newling’s contribution to the art world is found in his restraint. By avoiding the sensationalism of his age, he created works that possess an enduring, quiet power, ensuring that the faces of the past remain etched in the collective memory with all their original grace and solemnity.

    Muzej

    Victoria Art Gallery

    Na razstavi v Bath, United Kingdom

    A Sanctuary of British Heritage

    Nestled within the historic heart of Bath, Somerset, the

    Victoria Art Gallery

    stands as a luminous testament to Britain’s enduring artistic legacy. This institution is far more than a mere repository for canvas and stone; it is a living dialogue between centuries of creativity. Housed within a magnificent Grade II* listed building, the gallery invites visitors on a journey that spans from the formal elegance of the 1700s to the provocative voices of the contemporary era. For the art lover, it offers a profound connection to the past, while for the interior designer, it serves as an unparalleled source of inspiration, showcasing how classical beauty and modern expression can coexist within a single, curated space.

    The architectural splendor of the gallery is, in itself, a masterpiece of Victorian grandeur. Designed by the visionary

    John McKean Brydon

    , the structure is a triumph of limestone ashlar and classical proportion. As one enters through the circular entrance hall, the sense of ceremony is immediate, guided by a seventeenth-century revival staircase crafted from rich mahogany. The Upper Gallery, bathed in the soft, ethereal light of specialized skylysts, reveals a space designed to honor classical ideals, featuring delicate plaster copies of the Parthenon friezes and intricately panelled dados. This architectural setting provides a majestic backdrop that elevates every object on display, turning a simple viewing into an immersive experience of historical luxury.

    A Curated Journey Through Time

    The collection itself is a curated treasure trove, boasting over 1,500 objects that capture the very soul of British art. Collectors will find themselves captivated by the meticulous craftsmanship of the Tudor era, most notably in the commanding portrait of

    Henry VIII by Holbein

    , which radiates royal power and humanist precision. The gallery’s strength lies in its ability to transition seamlessly between movements; one moment, a visitor might be lost in the serene, atmospheric landscapes of

    Thomas Gainsborough

    or the tranquil watercolors of

    Joseph Sheldon

    , and the next, confronted by the psychological depth and urban grit of

    Walter Sickert

    .

    This diversity is further enriched by contemporary voices like

    Grayson Perry

    , whose work challenges social conventions, ensuring the collection remains as relevant today as it was at the turn of the twentieth century. Beyond its permanent holdings, the Victoria Art Gallery thrives as a dynamic cultural hub through its rotating exhibitions and commitment to accessibility. The museum frequently hosts temporary showcases that explore varied themes, ranging from Impressionistic studies of the British countryside to evocative depictions of wartime life. Whether one is drawn to the realistic charm of

    Arthur Louis Townsend’s

    work or the abstracted, emotive figures of

    Hughie O’Donoghue

    , the gallery offers a sanctuary where history, technique, and emotion converge.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Frederick Shum

    topimpressionists.com/sl/art/download/edward-newling-frederick-shum-AR293S-en/

    Navodila za citiranje umetniškega dela

    MLA
    Newling, Edward. Frederick Shum. 1920, Victoria Art Gallery. https://topimpressionists.com/sl/art/edward-newling-frederick-shum-AR293S-en/
    APA
    Newling, Edward (1920). Frederick Shum [Painting]. Victoria Art Gallery. https://topimpressionists.com/sl/art/edward-newling-frederick-shum-AR293S-en/
    Chicago
    Edward Newling. Frederick Shum. 1920. Victoria Art Gallery. https://topimpressionists.com/sl/art/edward-newling-frederick-shum-AR293S-en/
    Harvard
    Newling, Edward (1920) Frederick Shum. Victoria Art Gallery. Available at: https://topimpressionists.com/sl/art/edward-newling-frederick-shum-AR293S-en/

    Poglejte bližje

    Frederick Shum — Edward Newling

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: formal portraiture, vintage elegance, studio photography. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si Captain Albert Ball (1896–1917), VC, DSO (1921), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Kje lahko to opazite v tem delu?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kakšna je barvna identiteta dela "Frederick Shum" avtorja Edward Newling?

    Barvna identiteta dela "Frederick Shum" avtorja Edward Newling: paleta Earthy, ki prevladuje z barvo Espresso (#67534c).

    Kakšna je oblika in velikost dela "Frederick Shum"?

    Format dela "Frederick Shum" je Portrait, izvirna velikost pa znaša 101 x 75 cm. Oba podatka sta koristna pri načrtovanju reprodukcije.

    Kakšna je dejanska velikost dela "Frederick Shum" avtorja Edward Newling?

    Originalne dimenzije dela "Frederick Shum" znašajo 101 x 75 cm. Prvotne mere so koristna referenca pri izbiri velikosti reprodukcije.