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Vodnik po študentskem umetniškem delu

James Meakin (1807–1852)

Ime Razred Datum

Edwin Arthur Ward, James Meakin (1807–1852) (1889). Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Edwin Arthur Ward topimpressionists.com/sl/artists/edwin-arthur-ward/
Datumi rojstva in smrti umetnika
1859 – 1933
Naslikano
1889
Prvotna velikost
126 x 100 cm

V kontekstu

James Meakin (1807–1852) — Edwin Arthur Ward

Kakšna je velikost?

Prvotne dimenzije so 126 × 100 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 74 ob smrti.

Naslikano, ko je bil avtor star 30. Umetnik je doživel 74 let. 1 od 12 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Edwin Arthur Ward (1859–1933) ▲ to delo, 1889 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1889 Glavni delovni leti: 1889–1922 Pozna dela: od 1922

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: topimpressionists.com/sl/art/similar/edwin-arthur-ward-james-meakin-1807-1852-AS7SKM-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Walnut #5d370e

    Katalogirana paleta

    • #5D370E
    • #241206
    • #EDB46F
    • #95631E

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Walnut
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Balanced V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Edwin Arthur Ward v zadnjih dvanajst mesecih — skupaj 4 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 50,0%300 visits
    2. 2 Združeno kraljestvo 16,7%100 visits
    3. 3 Hong Kong 16,7%100 visits
    4. 4 Združene države Amerike 16,7%100 visits

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    6 najbolj gledanih del umetnika Edwin Arthur Ward

    1. 1 James Meakin (1807–1852), 1889 ta slika 16,7%100 visits
    2. 2 Sir William Selby Church (1837–1928), Bt, KCB, DM, PRCP, 1922 16,7%100 visits
    3. 3 George Meakin (1832–1891), 1889 16,7%100 visits
    4. 4 An Officer of a Volunteer Battalion, The Middlesex Regiment, c.1904, 1904 16,7%100 visits
    5. 5 Francis Howse, 1906 16,7%100 visits
    6. 6 Thomas Bescoby, Mayor (1890), 1891 16,7%100 visits

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 14 del te umetnice, pri čemer je bilo 6 vsaj enkrat ogledanih. This painting ranks 1 of them, with 16,7% of that attention (100 visits). Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Edwin Arthur Ward

    The Architect of Character: The Life and Legacy of Edwin Arthur Ward

    In the golden twilight of the Victorian and Edwardian eras, a period defined by rigid social hierarchies and an unwavering respect for institutional dignity, few artists captured the essence of British prestige as masterfully as Edwin Arthur Ward. Born in 1859 in the quiet town of Basford, Nottinghamshire, Ward’s journey from the Midlands to the heart of London’s vibrant art scene is a testament to a life dedicated to the pursuit of technical perfection and the subtle nuances of human character. His early years were steeped in the influence of his father, a man involved in the decorative arts, which planted the seeds of a lifelong fascination with design, texture, and the meticulous rendering of form.

    Upon arriving in London at the age of nineteen, Ward sought to refine his burgeoning talents within the prestigious halls of the Slade School of Fine Art. It was here that he encountered the legendary Frederic Leighton, a pivotal moment that would forever shape his artistic philosophy. Under Leighton’s tutelage, Ward embraced the classical ideals of anatomical precision and compositional balance, learning that a truly great portrait does more than merely replicate a face; it must evoke the very soul and social standing of the sitter. This rigorous training in drawing and etching provided him with the foundational tools to navigate the competitive London art world, eventually leading to his election as a member of the Royal Society of Portrait Painters in 1891.

    A Mastery of Muted Grandeur

    Ward’s career was defined by a remarkable period of consistent excellence, particularly between 1884 and 1903, when his works became staples of the Royal Academy exhibitions. He possessed a rare ability to navigate the complexities of society portraiture, moving seamlessly between the depiction of high-ranking military officers, members of the aristocracy, and influential civic leaders. His style was never one of flashy bravado; instead, he favored a sophisticated, muted tonal palette that allowed the subject's inherent gravitas to take center stage. Through a profound understanding of drapery and light, Ward could render the heavy velvet of a formal robe or the crisp linen of a uniform with such tactile realism that the viewer could almost feel the weight of the fabric.

    The brilliance of his technique lay in his ability to balance physical accuracy with psychological depth. While his hands were skilled in the meticulous rendering of anatomy, his eyes were attuned to the subtle shifts in expression that reveal a subject's inner life. Whether he was capturing the solemnity of The Reverend Canon E. N. Gowing or the youthful energy of a young Winston Churchill, Ward’s brushwork served to elevate his subjects, imbuing them with a sense of timelessness and historical importance. His work did not merely document a person; it constructed a legacy.

    Enduring Impressions and Historical Significance

    The true measure of an artist often lies in the permanence of their impact on the cultural landscape. Ward’s reputation was cemented through prestigious commissions that saw his portraits gracing the halls of town halls, museums, and private estates across Britain. His depictions of figures such as Thomas Bescoby for Retford Town Hall stand as enduring monuments to a bygone era of British civic pride. Even as the world moved toward the more fragmented styles of modernism, Ward remained a steadfast guardian of the classical tradition, ensuring that the dignity of his subjects was preserved through the medium of oil on canvas.

    Though he passed away in 1933 in Dorset, leaving behind a legacy that includes notable works held within the Nottingham Castle Museum, Ward’s influence continues to resonate. He remains a vital figure for historians and art enthusiasts alike, representing a bridge between the meticulous craftsmanship of the nineteenth century and the evolving portraiture of the twentieth. His life's work serves as a window into the social fabric of his time, offering a gaze into the faces of those who shaped the British identity during one of its most transformative epochs.

    Kje si lahko preberete več

    • Umetnik Edwin Arthur Ward topimpressionists.com/sl/artists/edwin-arthur-ward/
    • Podobna dela Več del za primerjavo topimpressionists.com/sl/art/similar/edwin-arthur-ward-james-meakin-1807-1852-AS7SKM-en/

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos James Meakin (1807–1852)

    topimpressionists.com/sl/art/download/edwin-arthur-ward-james-meakin-1807-1852-AS7SKM-en/

    Citiranje umetniškega dela

    MLA
    Ward, Edwin Arthur. James Meakin (1807–1852). 1889, https://topimpressionists.com/sl/art/edwin-arthur-ward-james-meakin-1807-1852-AS7SKM-en/
    APA
    Ward, Edwin Arthur (1889). James Meakin (1807–1852) [Painting]. https://topimpressionists.com/sl/art/edwin-arthur-ward-james-meakin-1807-1852-AS7SKM-en/
    Chicago
    Edwin Arthur Ward. James Meakin (1807–1852). 1889. https://topimpressionists.com/sl/art/edwin-arthur-ward-james-meakin-1807-1852-AS7SKM-en/
    Harvard
    Ward, Edwin Arthur (1889) James Meakin (1807–1852). Available at: https://topimpressionists.com/sl/art/edwin-arthur-ward-james-meakin-1807-1852-AS7SKM-en/

    Oglejte si bližje

    James Meakin (1807–1852) — Edwin Arthur Ward

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Mrs Morton Jackson (1889), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Edwin Arthur Ward je bil star približno 30, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Katera barva najbolj izstopa v delu "James Meakin (1807–1852)"?

    Prevladujoča barva dela "James Meakin (1807–1852)" avtorja Edwin Arthur Ward je Walnut (#5d370e).

    Kdo je ustvaril "James Meakin (1807–1852)" in leta kdaj?

    "James Meakin (1807–1852)" je ustvaril Edwin Arthur Ward leta 1889.

    Kakšna barvna paleta je uporabljena v delu "James Meakin (1807–1852)" avtorja Edwin Arthur Ward?

    "James Meakin (1807–1852)" avtorja Edwin Arthur Ward uporablja Earthy barvno paleto, ki opredeljuje splošni barvni značaj dela.