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Priročnik za študentska dela

Sarah Venables

Ime in priimek Razred Datum

Francis Dodd, Sarah Venables (1901), Bolton Museum And Art Gallery. Dostopno v javni lastnini. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Francis Dodd topimpressionists.com/sl/artists/francis-dodd_sl/
Datumi rojstva in smrti umetnika
1874 – 1949
Naslikano
1901
Prvotna velikost
75 x 55 cm
Na lokaciji
Bolton Museum And Art Gallery topimpressionists.com/sl/museums/bolton-museum-and-art-gallery-bolton_sl/

V kontekstu

Sarah Venables — Francis Dodd

Dimenzije

Prvotne dimenzije so 75 × 55 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 75 ob smrti.

Naslikano, ko je bil avtor star 27. Umetnik je živel 75. 1 od 36 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Francis Dodd (1874–1949) ▲ to delo, 1901 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1916 Glavni delovni leti: 1916–1935 Pozna dela: od 1935

Ti trije pasovi razdelijo dela v tem katalogu na prvo četrtino, srednjo polovico in zadnjo četrtino. Niso popolna celotina umetnikovega dela: tanjka obdobja je lahko praznina v arhivu, ne le obdobje manj intenzivnega ustvarjanja. Iste leta, v katerih se odtisa življenje umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: topimpressionists.com/sl/art/similar/francis-dodd-sarah-venables-AQSCM5-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #252822

    Shranjena paleta

    • #252822
    • #50422E
    • #AA9B7B
    • #72573B

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Naziv primarne barve
    Phthalo Green
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Francis Dodd v zadnjih dvanajst mesecih — skupaj 3 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 82,4%
    2. 2 Združene države Amerike 11,8%
    3. 3 Španija 5,9%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    17 najbolj gledanih del umetnika Francis Dodd

    1. 1 An Elderly Woman, 1895 10,5%
    2. 2 Signora Lotto, 1906 10,5%
    3. 3 John Russell Scott (1879–1949), 1920 5,3%
    4. 4 An Operation at the Military Hospital, Endell Street Dr L. Garrett, Dr Nora Murray, Dr W. Buckley, 1921 5,3%
    5. 5 Arthur Lionel Smith (1850–1924), Izobraževanje (1868), Član Akademije znanosti in umetnosti (1882–1916), Dekan (1907–1916), Voditelj Akademije (1916–1924), 1913 5,3%
    6. 6 Edward Taylor Scott (1883–1932), 1920 5,3%
    7. 7 Sir Stanley Marchant (1883–1949), CVO, FRAM, Principal of the Royal Academy of Music (1936–1949), 1946 5,3%
    8. 8 Colonel Sir William John Kent, CBE, TD, DL, JR, 1945 5,3%
    9. 9 The Right Reverend Martin Linton Smith, Bishop of Warrington (1918–1920), Bishop of Hereford (1920–1930), Bishop of Rochester (1930–1939), Honorary Fellow (1930) 5,3%
    10. 10 Louisa Garrett Anderson (1873–1943), 1921 5,3%
    11. 11 Sir Henry N. Holmes (1868–1940), Lord Mayor of Norwich (1921 1932), 1934 5,3%
    12. 12 Lord Birdwood, Master (1931–1938) 5,3%
    13. 13 Sarah Venables, 1901 ta slika 5,3%
    14. 14 Portrait of a Past Rhodes Trustee, 1943 5,3%
    15. 15 Rt Hon. George Viscount Cave, DCL, GCMG 5,3%
    16. 16 Walter Alexander Raleigh (1861–1922) 5,3%
    17. 17 Ely, 1926 5,3%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 43 del te umetnice, pri čemer je bilo 17 vsaj enkrat ogledanih. Ta slika zaseda 13 mesto med njimi, s 5,3% takšne pozornosti. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Francis Dodd

    Rojen v Holyhead, Združene države Amerike

    The Life and Legacy of Francis Dodd

    Francis Edgar Dodd was a distinguished British portrait painter, landscape artist, and printmaker whose work captured the profound essence of his subjects through remarkable accuracy and depth. Born in Holyhead, Wales, as the son of a Wesleyan minister, Dodd’s artistic journey began with formal training at the Glasgow School of Art. It was during his time in Glasgow that he demonstrated exceptional promise, winning the Haldane Scholarship in 1893. This prestigious achievement allowed him to traverse the cultural landscapes of France, Italy, and Spain, experiences that undoubtedly enriched his visual vocabulary and technical mastery.

    Upon returning to England in 1895, Dodd settled initially in Manchester, where he cultivated significant friendships within the artistic community, before eventually moving to Blackheath in London in 1904. His career was marked by a versatile command over various media, ranging from evocative, atmospheric watercolors of urban scenes like High Street, Greenwich to meticulously detailed oil portraits. His ability to convey not just a likeness, but a palpable sense of character—whether through the stern gaze of a professional in John Russell Scott or the serene contemplation found in Marianne Frances Bernard—established him as a master of his craft.

    Artistic Achievements and Historical Significance

    The historical importance of Francis Dodd extends beyond the canvas into the very fabric of British institutional art. During the tumultuous years of World War I, Dodd was appointed an official war artist in 1916 by the head of the War Propaganda Bureau. Serving on the Western Front, he produced more than thirty portraits of senior military figures, documenting the human element of the conflict with a disciplined hand. This period of service solidified his reputation as an artist capable of capturing gravity and authority under the most pressing historical circumstances.

    His professional accolades were numerous and reflected his standing among the elite of the British art world:

    Elected Associate of the Royal Academy of Arts in 1927.

    Achieved full Membership of the Royal Academy of Arts in 1935.

    Served as a trusted trustee of the Tate Gallery, holding the position for six years starting in 1929.

    Dodd’s legacy is preserved through his contributions to significant collections, including the Imperial War Museum and the Tate, ensuring that his precise brushwork and ability to capture the light and texture of his era continue to resonate with viewers today. His work remains a vital window into the social conventions and psychological depths of the early twentieth century.

    Muzej

    Bolton Museum And Art Gallery

    Na razstavi v Bolton, United Kingdom

    A Tapestry of Time: The Soul of Bolton Museum and Art Gallery

    Nestled within the architectural grandeur of Le Mans Crescent, the

    Bolton Museum and Art Gallery

    serves as a profound testament to the enduring spirit of creativity and heritage. This beautifully preserved landmark, situated near the historic Bolton Town Hall, is far more than a mere repository for artifacts; it is an immersive journey through the millennia. Since its opening in 1934, the museum has evolved from a modest collection into a multifaceted cultural beacon, harmoniously blending natural history, aquatic life, and fine art. To walk through its halls is to experience a seamless dialogue between the ancient past and the contemporary moment, where the echoes of Egyptian pharaohs meet the vibrant pulse of modern British painting.

    The museum’s collection is a breathtaking mosaic of global and local narratives. One cannot help but be captivated by the profound stillness of its ancient treasures, most notably the magnificent reproduction of

    Pharaoh Thutmose III's burial chamber

    . This centerpiece transports visitors into the heart of Egyptian ritual, where detailed hieroglyphs and vibrant pigments illuminate the complex relationship between divinity and mortality. As one moves from the shadows of antiquity into the light of the gallery spaces, the focus shifts to the industrial soul of the North West. The museum masterfully chronicles Bolton’s transformation from a modest settlement into a global powerhouse of textile manufacturing, presenting portraits of influential figures like

    Samuel Crompton

    alongside artifacts that tell the story of the people who fueled the Industrial Revolution.

    A Sanctuary for Aesthetic Mastery and Natural Wonder

    For the connoisseur of fine art and the discerning interior designer, the gallery offers an exquisite selection of works that define various eras of aesthetic mastery. The collection showcases a remarkable breadth of styles, ranging from 19th-century oil paintings that capture the sweeping drama of Romantic landscapes to the bold, modernist experiments of the 20th century. A true jewel in the museum's crown is

    Ivon Hitchens’

    Still Life with Poppies

    . Created in 1945, this oil on canvas piece exemplifies the artist's unique ability to use color and rhythmic brushstrokes to breathe life into everyday objects, offering a sense of depth and dimension that continues to inspire contemporary sensibilities. Such works provide a window into the evolution of British art, blending the tranquil rurality found in the works of artists like

    Hugh Bolton Jones

    with more experimental, boundary-pushing movements.

    What truly distinguishes Bolton Museum and Art Gallery is its holistic approach to curation, fostering an environment where scientific discovery and artistic contemplation coexist. The presence of a captivating aquarium alongside fine art galleries encourages a unique reflection on the interconnectedness of human culture and the natural world. Whether exploring the architectural elegance of the Grade II listed Le Mans Crescent or engaging with rotating exhibitions that feature both established masters and emerging talents, visitors are invited to participate in an ongoing celebration of human achievement. It remains a sanctuary for those seeking intellectual curiosity and aesthetic beauty, making it an essential destination for anyone captivated by the enduring power of the arts.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Sarah Venables

    topimpressionists.com/sl/art/download/francis-dodd-sarah-venables-AQSCM5-en/

    Navodila za citiranje umetniškega dela

    MLA
    Dodd, Francis. Sarah Venables. 1901, Bolton Museum And Art Gallery. https://topimpressionists.com/sl/art/francis-dodd-sarah-venables-AQSCM5-en/
    APA
    Dodd, Francis (1901). Sarah Venables [Painting]. Bolton Museum And Art Gallery. https://topimpressionists.com/sl/art/francis-dodd-sarah-venables-AQSCM5-en/
    Chicago
    Francis Dodd. Sarah Venables. 1901. Bolton Museum And Art Gallery. https://topimpressionists.com/sl/art/francis-dodd-sarah-venables-AQSCM5-en/
    Harvard
    Dodd, Francis (1901) Sarah Venables. Bolton Museum And Art Gallery. Available at: https://topimpressionists.com/sl/art/francis-dodd-sarah-venables-AQSCM5-en/

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    Sarah Venables — Francis Dodd

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si John Russell Scott (1879–1949) (1920), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Francis Dodd je bil star približno 27, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kakšne so dimenzije izvornega dela "Sarah Venables" avtorja Francis Dodd?

    Zabeležene dimenzije dela "Sarah Venables" avtorja Francis Dodd so 75 x 55 cm. Reprodukcije je mogoče naročiti v drugih velikostih, pri čemer se ohranijo iste proporcije.

    Kje lahko vidim predogled za "Sarah Venables"?

    Stran Predogled za delo "Sarah Venables" vam omogoča ogled umetnin pred naročilom.

    Kje lahko prenesem "Sarah Venables" avtorja Francis Dodd?

    Digitalna datoteka za "Sarah Venables" je na voljo: stran Prenos za to umetnino ponuja prenos digitalne slike visoke ločljivosti.