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Olive Trees, Les Baux

Ime Razred Datum

Frederick John Pym Gore, Olive Trees, Les Baux (1948). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Frederick John Pym Gore topimpressionists.com/sl/artists/frederick-john-pym-gore/
Datumi rojstva in smrti umetnika
1913 – 2009
Naslikano
1948
Prvotna velikost
51 x 61 cm

V kontekstu

Olive Trees, Les Baux — Frederick John Pym Gore

Kakšna je velikost?

Prvotne dimenzije so 51 × 61 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 96 ob smrti.

Naslikano, ko je bil avtor star 35. Umetnik je doživel 96 let. 1 od 2 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Frederick John Pym Gore (1913–2009) ▲ to delo, 1948 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: topimpressionists.com/sl/art/similar/frederick-john-pym-gore-olive-trees-les-baux-AR2AWN-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #31331c

    Katalogirana paleta

    • #31331C
    • #9A8034
    • #AD5F14
    • #5D5824

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Dark Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Phthalo Green
    Intenzivnost
    Vivid Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Clear Color Presence Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Frederick John Pym Gore v zadnjih dvanajst mesecih — skupaj 1 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Združeno kraljestvo 100,0%300 visits

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    4 najbolj gledanih del umetnika Frederick John Pym Gore

    1. 1 Teesdale 71,4%500 visits
    2. 2 Cretan Musicians, 1947 14,3%100 visits
    3. 3 Olive Trees, Evening, Les Baux, France 14,3%100 visits
    4. — Olive Trees, Les Baux, 1948 ta slika 0,0%0 visits

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 9 del te umetnice, pri čemer je bilo 3 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Frederick John Pym Gore

    A Legacy of Light and Landscape: The Life of Frederick John PyM Gore

    To step into the world of Frederick John PyM Gore is to enter a realm where the boundaries between movement, color, and terrain dissolve into a singular, poetic vision. Born in Edinburgh in 1913, Gore was destined for an artistic life, cradled in the influence of his father, Spencer Frederick Gore, a pivotal figure and president of the Camden Town Group. This early immersion in a household defined by vibrant palettes and expressive brushwork laid the foundation for a career that would eventually bridge the gap between the static beauty of canvas and the rhythmic grace of the ballet. While his academic pursuits at Trinity College, Oxford, initially leaned toward the contemplative depths of philosophy, it was the tactile reality of paint and light that truly captured his soul, leading him to refine his craft at the Ruskin School of Art and later the prestigious Slade School of Fine Art.

    Gore’s artistic development was a fascinating tapestry woven from diverse disciplines. In London, he found himself at the intersection of fine art and theatrical spectacle, collaborating with luminaries such as Mark Gertler and Natalia Goncharova. It was here that he mastered the "flat-on-the-floor" technique for backdrop painting, a skill that would become indispensable during his tenure with the Balalaika Dance Group. His ability to translate visual grandeur into theatrical settings allowed him to contribute not just as a painter, but as a storyteller of movement. His most celebrated choreographic achievement, The Weaver, stands as a testament to this unique synthesis, capturing the very essence of rural English life through a masterful blend of color and motion.

    Travels, Triumph, and the English Fauve

    The trajectory of Gore’s career was profoundly shaped by his encounters with the Mediterranean sun. Before the shadows of World War II descended upon Europe, a generous Greek patron recognized the burgeoning brilliance in Gore's work, sponsoring an extended period of exploration throughout Greece and France. These travels were transformative; the stark, brilliant light of the Greek islands and the lush, textured landscapes of Provence breathed new life into his compositions. It was during this era of discovery that his talent garnered international acclaim, most notably at the Galerie Borghese in Paris in 1938, where critics famously bestowed upon him the evocative title of "the English Fauve." This moniker reflected his ability to utilize bold, emotive colors to convey the emotional temperature of a landscape.

    However, the tranquility of his artistic wanderlust was interrupted by the necessity of war. During the Second World War, Gore transitioned from capturing landscapes to protecting them, serving as a camouflage officer for the south-east of England. His meticulous eye for detail and understanding of terrain were utilized to prepare troops for the monumental D-Day invasion, proving that his artistic sensibilities possessed a vital, practical utility in times of global crisis. This period of service added a layer of profound gravity to his later works, as he returned to the canvas with a deepened appreciation for the enduring stability of the natural world.

    A Lasting Impression on British Art

    Beyond his personal canvases, Gore’s historical significance is cemented by his monumental role as an educator and mentor. From 1946, he became a cornerstone of Saint Martin's School of Art, eventually serving as the Head of Painting from 1951 until 1979. As Vice-Principal, he steered the institution through decades of creative evolution, nurturing a generation of artists who would go on to redefine twentieth-century art. His legacy is not merely found in his own landscapes—which remain celebrated for their evocative charm and technical mastery—but in the enduring spirit of innovation he instilled in his students.

    The breadth of Gore's contribution can be summarized through several key pillars of his life:

    Artistic Lineage: Carrying forward the vibrant traditions of the Camden Town Group through his father’s influence.

    Interdisciplinary Mastery: Successfully merging the visual arts with ballet choreography and theatrical design.

    Global Inspiration: Utilizing the light of Greece and Provence to evolve a uniquely British Impressionist style.

    Educational Leadership: Shaping the future of British art through decades of dedicated teaching at Saint Martin's School of Art.

    Today, the works of Frederick John PyM Gore continue to resonate with collectors and enthusiasts alike. Whether through his sweeping vistas of the English countryside or his sun-drenched Mediterranean scenes, his paintings remain a profound celebration of the light that illuminates our world.

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    topimpressionists.com/sl/art/download/frederick-john-pym-gore-olive-trees-les-baux-AR2AWN-en/

    Citiranje umetniškega dela

    MLA
    Gore, Frederick John Pym. Olive Trees, Les Baux. 1948, https://topimpressionists.com/sl/art/frederick-john-pym-gore-olive-trees-les-baux-AR2AWN-en/
    APA
    Gore, Frederick John Pym (1948). Olive Trees, Les Baux [Painting]. https://topimpressionists.com/sl/art/frederick-john-pym-gore-olive-trees-les-baux-AR2AWN-en/
    Chicago
    Frederick John Pym Gore. Olive Trees, Les Baux. 1948. https://topimpressionists.com/sl/art/frederick-john-pym-gore-olive-trees-les-baux-AR2AWN-en/
    Harvard
    Gore, Frederick John Pym (1948) Olive Trees, Les Baux. Available at: https://topimpressionists.com/sl/art/frederick-john-pym-gore-olive-trees-les-baux-AR2AWN-en/

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    Ali je "Olive Trees, Les Baux" avtorja Frederick John Pym Gore portretna, krajinska ali kvadratna kompozicija?

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