Papir

Vodnik po študentskem umetniškem delu

The Ninth Wave. Study

Ime Razred Datum

Ivan Aivazovski, The Ninth Wave. Study (1857). Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Ivan Aivazovski topimpressionists.com/sl/artists/ivan-aivazovski_sl/
Datumi rojstva in smrti umetnika
1817 – 1900
Naslikano
1857
Gibanje
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.

V kontekstu

The Ninth Wave. Study — Ivan Aivazovski

Kdaj je bilo to naslikano?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890
  10. 1900

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 83 ob smrti.

Naslikano, ko je bil avtor star 40. Umetnik je doživel 83 let. 230 od 667 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Ivan Aivazovski (1817–1900) ▲ to delo, 1857 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1851 Glavni delovni leti: 1851–1883 Pozna dela: od 1883

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

  • Deveti val, 1850 topimpressionists.com/sl/art/ivan-konstantinovich-aivazovsky-deveti-val-6E3TJV-sl/
  • Seacape with Full Moon topimpressionists.com/sl/art/ivan-konstantinovich-aivazovsky-seacape-with-full-moon-D4K4NN-en/
  • Rocky Cliffs topimpressionists.com/sl/art/ivan-konstantinovich-aivazovsky-rocky-cliffs-D4K4QT-en/

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: topimpressionists.com/sl/art/similar/ivan-konstantinovich-aivazovsky-the-ninth-wave-study-8XY9BC-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Rosy Brown #c6a17e

    Katalogirana paleta

    • #C6A17E
    • #2A282C
    • #58504B
    • #9F7C63

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Rosy Brown
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Ivan Aivazovski v zadnjih dvanajst mesecih — skupaj 44 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 47,1%30.800 visits
    2. 2 Združene države Amerike 9,0%5.900 visits
    3. 3 Hong Kong 7,6%5.000 visits
    4. 4 Singapur 6,1%4.000 visits
    5. 5 Romunija 4,4%2.900 visits
    6. 6 Španija 3,8%2.500 visits
    7. 7 Francija 3,8%2.500 visits
    8. 8 Nemčija 2,4%1.600 visits
    9. 9 Italija 2,1%1.400 visits
    10. 10 Bolgarija 1,2%800 visits
    11. · 34 drugih držav 12,5%8.000 visits

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    20 najbolj gledanih del umetnika Ivan Aivazovski

    1. 1 Deveti val, 1850 8,3%7.800 visits
    2. 2 Tempest on the sea at nidht, 1849 3,1%2.900 visits
    3. 3 Jesus walks on water, 1888 2,5%2.400 visits
    4. 4 Lunar night on Capri, 1841 2,2%2.100 visits
    5. 5 Bitja Cesme ponoči, 1848 1,8%1.700 visits
    6. 6 Between the waves, 1898 1,7%1.600 visits
    7. 7 Najlažji zaljubljen v morje Ivan Aivazovski, 1840 1,6%1.500 visits
    8. 8 View of Constantinople and the Bosporus 1,4%1.300 visits
    9. 9 Seacape with Full Moon 1,3%1.200 visits
    10. 10 Clouds above a sea, calm, 1889 1,2%1.100 visits
    11. 11 Darial Gorge, 1862 1,1%1.000 visits
    12. 12 Marina, 1892 1,1%1.000 visits
    13. 13 Sea view, 1895 1,1%1.000 visits
    14. 14 Peter the First to light out a watch fire, 1846 1,0%900 visits
    15. 15 Stormy Sea., 1868 1,0%900 visits
    16. 16 Portrait of the Artist's Wife Anna Burnazyan, 1882 1,0%900 visits
    17. 17 Misty morning in Italy, 1864 0,8%800 visits
    18. 18 Ship in the Stormy Sea, 1887 0,8%800 visits
    19. 19 The Rainbow., 1873 0,8%800 visits
    20. — The Ninth Wave. Study, 1857 ta slika 0,0%0 visits

    Skupaj ti deli predstavljajo 33,8% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 1006 del te umetnice, pri čemer je bilo 351 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Ivan Aivazovski

    Rojen v Feodosia, Rusija

    Ivan Konstantinovich Aivazovsky – Hovhannes Aivazian: The Soul of the Sea

    Ivan Konstantinovich Aivazovsky, born Hovhannes Aivazian in 1817, was more than just a painter; he was an embodiment of Russia’s fascination with the ocean—a profound connection that shaped his artistic vision and propelled him to unparalleled success. His existence seemed inextricably intertwined with Feodosia, Crimea – a sprawling expanse of turquoise waters that would forever inspire his canvases and solidify his place as one of the greatest marine artists in history. From humble beginnings in an Armenian family, Aivazovsky’s journey began amidst the artistic fervor of Saint Petersburg, nurtured by Jacob Koch's recognition of his talent and honed within the rigorous academic framework of the Imperial Academy of Arts. Yet, it was the constant presence of salt spray and the cries of gulls—the very sounds of the sea—that truly instilled in him an instinctive understanding of its moods and majesty.

    Early Influences and Artistic Formation

    Aivazovsky’s formative years were marked by exposure to European artistic trends, particularly Romanticism. Artists like Claude Lorrain and Salvator Rosa captivated his imagination with their depictions of sublime landscapes, influencing his stylistic choices and fostering a desire to capture the grandeur of nature. His formal training at Saint Petersburg instilled in him technical precision but it was equally important that he absorbed the spirit of his time—a yearning for emotion, imagination, and awe-inspiring beauty. The Armenian heritage – baptized at St. Sargis Armenian Church in Feodosia – subtly infused his worldview and occasionally manifested itself in thematic explorations reflecting Armenian culture and traditions. This early exposure to diverse artistic styles would prove invaluable as he embarked on a prolific career dedicated to translating the ocean’s soul onto canvas.

    The Navy Painter and Maritime Inspiration

    A pivotal moment arrived when Aivazovsky was appointed official artist of the Russian Navy in 1845. This wasn't merely an honor; it provided him with unparalleled access—to ships, sailors, naval battles, and firsthand observation that profoundly deepened his understanding of maritime life and fueled his artistic creativity. He became intimately acquainted with the rhythms of seafaring existence, capturing not just visual spectacle but also the palpable tension between man and nature. The experience instilled in him a conviction that art should strive to convey emotion as much as it portrays reality—a principle that would permeate his entire oeuvre. His paintings frequently depicted naval engagements, conveying both heroism and vulnerability, reflecting the anxieties of a nation grappling with its imperial ambitions.

    A Master of Atmospheric Perspective and Dramatic Composition

    Aivazovsky’s artistic technique was characterized by remarkable innovation and sensitivity. He championed plein air painting—working directly from nature—capturing fleeting light effects with meticulous detail. His mastery of atmospheric perspective created luminous textures and conveyed a sense of depth that transported viewers into the heart of a storm or onto the deck of a ship battling towering waves. Unlike many artists of his era, he eschewed academic conventions in favor of expressive brushstrokes and bold color palettes—a stylistic choice that distinguished him from his contemporaries and cemented his reputation as a visionary artist. His compositions were deliberately dramatic, emphasizing grandeur and conveying a profound emotional resonance. Works like A Ship in a Stormy Sea exemplify this approach, capturing the terror and beauty of naval warfare with breathtaking realism.

    Legacy and Enduring Influence

    Ivan Konstantinovich Aivazovsky’s legacy extends far beyond his artistic achievements—he remains an icon of Russian Romanticism and a symbol of Russia's connection to the sea. His prolific output – approximately 6,000 paintings – testifies to his unwavering dedication and extraordinary talent. He profoundly influenced generations of artists who followed him, establishing standards for marine painting that endure to this day. The phrase “worthy of Aivazovsky’s brush” became a celebrated accolade—a testament to his unparalleled skill in capturing the sublime beauty and inherent drama of the ocean. His paintings continue to inspire awe and contemplation, reminding us of humanity's relationship with nature and its capacity for both terror and transcendence. He cemented his place as one of Russia’s most beloved artists, ensuring that his vision of the sea—a vision imbued with emotion, imagination, and artistic brilliance—would resonate across time.

    Kje si lahko preberete več

    • Umetnik Ivan Aivazovski topimpressionists.com/sl/artists/ivan-aivazovski_sl/
    • Podobna dela Več del za primerjavo topimpressionists.com/sl/art/similar/ivan-konstantinovich-aivazovsky-the-ninth-wave-study-8XY9BC-en/

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos The Ninth Wave. Study

    topimpressionists.com/sl/art/download/ivan-konstantinovich-aivazovsky-the-ninth-wave-study-8XY9BC-en/

    Citiranje umetniškega dela

    MLA
    Aivazovski, Ivan. The Ninth Wave. Study. 1857, https://topimpressionists.com/sl/art/ivan-konstantinovich-aivazovsky-the-ninth-wave-study-8XY9BC-en/
    APA
    Aivazovski, Ivan (1857). The Ninth Wave. Study [Painting]. https://topimpressionists.com/sl/art/ivan-konstantinovich-aivazovsky-the-ninth-wave-study-8XY9BC-en/
    Chicago
    Ivan Aivazovski. The Ninth Wave. Study. 1857. https://topimpressionists.com/sl/art/ivan-konstantinovich-aivazovsky-the-ninth-wave-study-8XY9BC-en/
    Harvard
    Aivazovski, Ivan (1857) The Ninth Wave. Study. Available at: https://topimpressionists.com/sl/art/ivan-konstantinovich-aivazovsky-the-ninth-wave-study-8XY9BC-en/

    Oglejte si bližje

    The Ninth Wave. Study — Ivan Aivazovski

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: disaster, sea, night. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si Deveti val (1850), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Kje lahko to opazite v tem delu?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kako je opisan barvni spekter dela "The Ninth Wave. Study" avtorja Ivan Aivazovski?

    Paleta dela "The Ninth Wave. Study" avtorja Ivan Aivazovski je opisana kot Earthy, kar predstavlja jedinkaven povzetek barv v tem delu.

    Kdo je ustvaril "The Ninth Wave. Study" in leta kdaj?

    Ivan Aivazovski je ustvaril "The Ninth Wave. Study" leta 1857.

    Ali je delo "The Ninth Wave. Study" avtorja Ivan Aivazovski v javni lastini?

    V zvezi z avtorskimi pravicami je "The Ninth Wave. Study" v v javni domeni – avtorska pravica je zastarela.