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Harmagh

Ime in priimek Razred Datum

James Brooks, Harmagh (1967). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik
James Brooks topimpressionists.com/sl/artists/james-brooks/
Datumi rojstva in smrti umetnika
1906 – 1992
Naslikano
1967
Prvotna velikost
121 x 153 cm

V kontekstu

Harmagh — James Brooks

Kakšna je velikost?

Originalne dimenzije so 121 × 153 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Osenčeno: življenjsko obdobje James Brooks (1906–1992) ▲ to delo, 1967

Primerjajte z

  • Number 13, 1965 topimpressionists.com/sl/art/james-brooks-number-13-D3FJ7Z-en/
  • Untitled, 1952 topimpressionists.com/sl/art/james-brooks-untitled-D7RA89-en/
  • B 1955 topimpressionists.com/sl/art/james-brooks-b-1955-AQRGVR-en/

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: topimpressionists.com/sl/art/similar/james-brooks-harmagh-AQRGVX-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Putty #d9d1ba

    Shranjena paleta

    • #D9D1BA
    • #616A64
    • #98A198
    • #1B1618
    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Putty
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    James Brooks

    Rojen v St. Louis, United States of America

    Early Life and Education

    Born: October 18, 1906, St. Louis, Missouri

    Family moved to Dallas, Texas in 1916

    Studied art at Southern Methodist University (1922-1924)

    Private lessons with James A. Waddell and Martha Simkins in Dallas

    Moved to New York City in 1926

    Studied at the Art Students League under Boardman Robinson and Kimon Nicolaides

    Worked as a commercial artist to support himself

    The WPA Years and Early Murals

    Active in the Works Progress Administration (WPA) Federal Art Project from 1936-1942

    Painted three murals for the WPA, demonstrating social realist style.

    Flight (1940-1942): A significant mural at La Guardia Airport's Marine Air Terminal, depicting the history of aviation. It was the largest WPA mural and later restored after being painted over.

    Friendships with Jackson Pollock and Philip Guston during this period

    Abstract Expressionist Period: Style and Development

    Served as a combat artist in the U.S. Army (1942-1945)

    Returned to New York City in 1946, reconnected with Pollock and Krasner

    Shifted towards Abstract Expressionism, influenced by Surrealist principles

    Developed a unique staining technique: Experimenting with the bleed of paste through canvas.

    Early works showed influences of Synthetic Cubism.

    Palette initially featured browns, grays, blacks and vivid colors.

    Later work incorporated larger forms, broader strokes, and simpler compositions using acrylics.

    Often used numbers and letters to identify paintings, incorporating nonsense syllables as titles (e.g., Pask, Burwak, Jondol).

    Major Exhibitions and Recognition

    First solo exhibition at the Peridot Gallery in New York City (1949)

    Participated in the historic Ninth Street Exhibition (1951) – a key event in Abstract Expressionism.

    Featured in exhibitions such as Twelve Americans and New American Painting at the Museum of Modern Art.

    Documenta, Kassel, West Germany (1959).

    John Simon Guggenheim Memorial Foundation Fellowship (1969)

    Legacy and Historical Significance

    Considered a first-generation Abstract Expressionist painter.

    Known for his innovative staining techniques and lyrical abstraction.

    His work is held in prominent collections including the Art Institute of Chicago, The Museum of Modern Art, Tate Gallery, and National Gallery of Art.

    Brooks's artistic journey reflects the evolution of Abstract Expressionism and his willingness to experiment with new approaches to painting.

    Died on March 9, 1992, in East Hampton, New York.

    Preberite več

    • Avtor James Brooks topimpressionists.com/sl/artists/james-brooks/
    • Podobna dela Več del za primerjavo topimpressionists.com/sl/art/similar/james-brooks-harmagh-AQRGVX-en/

    Preverite na spletu

    QR koda za dostop do strani za prenos Harmagh

    topimpressionists.com/sl/art/download/james-brooks-harmagh-AQRGVX-en/

    Navodila za citiranje umetniškega dela

    MLA
    Brooks, James. Harmagh. 1967, https://topimpressionists.com/sl/art/james-brooks-harmagh-AQRGVX-en/
    APA
    Brooks, James (1967). Harmagh [Painting]. https://topimpressionists.com/sl/art/james-brooks-harmagh-AQRGVX-en/
    Chicago
    James Brooks. Harmagh. 1967. https://topimpressionists.com/sl/art/james-brooks-harmagh-AQRGVX-en/
    Harvard
    Brooks, James (1967) Harmagh. Available at: https://topimpressionists.com/sl/art/james-brooks-harmagh-AQRGVX-en/

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    Harmagh — James Brooks

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Number 13 (1965), ki ste ga že videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    4. James Brooks je bil star približno 61, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tej dobi?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

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