Format papirja

Priročnik za študentska dela

Hesperornis

Ime in priimek Razred Datum

Jane Kim, Hesperornis (2015), Cornell Lab of Ornithology. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Jane Kim topimpressionists.com/sl/artists/jane-kim_sl/
Datumi rojstva in smrti umetnika
1981 –
Naslikano
2015
Material
Acrylic On Paper
Gibanje
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Obdobje
Contemporary
Na lokaciji
Cornell Lab of Ornithology topimpressionists.com/sl/museums/cornell-lab-of-ornithology-ithaca_sl/
Artistic style
Scientific Illustration
Influences
Naturalism
Notable elements
Layered lines, cross-hatching
Subject or theme
Avian Anatomy

V kontekstu

Hesperornis — Jane Kim

Kdaj je bilo to naslikano?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja, pri čemer se leta od rojstva štejejo od 0 naprej.

Naslikano, ko je bil avtor star 34. 0 od 55 datiranih del tega umetnika v našem katalogu je nastalo prej.

▲ to delo, 2015 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: topimpressionists.com/sl/art/similar/jane-kim-hesperornis-DD2KDX-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    White #f1f0eb

    Shranjena paleta

    • #F1F0EB
    • #A3A3A4
    • #C5C5C3
    • #DEDEDA

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Monochrome Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    White
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Serene V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Jane Kim v zadnjih dvanajst mesecih — skupaj 2 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 85,7%
    2. 2 Združene države Amerike 14,3%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    17 najbolj gledanih del umetnika Jane Kim

    1. 1 South America mural detail, 2015 11,8%
    2. 2 Sapayoa, 2015 5,9%
    3. 3 Shoebill, 2015 5,9%
    4. 4 Gray-crowned Babbler, 2015 5,9%
    5. 5 Oilbird, 2015 5,9%
    6. 6 Magpie Goose, 2015 5,9%
    7. 7 American Oystercatcher, 2015 5,9%
    8. 8 Pale-winged Trumpeter, 2015 5,9%
    9. 9 Black Caiman, 2015 5,9%
    10. 10 Oriental Darter, 2015 5,9%
    11. 11 Europe and Eurasia mural detail, 2015 5,9%
    12. 12 Gastornis, 2015 5,9%
    13. 13 Africa and Madagascar mural detail, 2015 5,9%
    14. 14 Pelagornis, 2015 5,9%
    15. 15 Microraptor, 2015 5,9%
    16. 16 Tiktaalik, 2015 5,9%
    17. — Hesperornis, 2015 ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 55 del te umetnice, pri čemer je bilo 16 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    O tem umetniškem delu

    Hesperornis — Jane Kim

    A Chronicle in Feathers: Jane Kim’s “Hesperornis” – A Window into Cretaceous Flight

    Jane Kim's "Hesperornis," a monumental acrylic painting, isn’t merely a depiction of a prehistoric bird; it’s an immersive journey through the vast expanse of avian evolution. Completed in 2015 and currently residing within the Cornell Lab of Ornithology’s expansive mural collection, this artwork transcends its physical dimensions to become a testament to both scientific discovery and artistic vision. Kim, a science illustrator with a deep commitment to conservation, masterfully blends meticulous detail with an evocative sense of movement, inviting viewers into a world lost millions of years ago.

    The Paleontological Foundation: Echoes of the Cretaceous

    “Hesperornis” centers around the fossil remains of Hesperornis regalis, a remarkable bird unearthed in Kansas during the late 19th century. This early avian form, dating back to the Campanian age of the Late Cretaceous period, represents a pivotal moment in evolutionary history – a bridge between reptiles and modern birds. Kim’s work meticulously recreates this ancient creature, grounding the painting in rigorous paleontological research. The inclusion of Hesperornis isn't simply an artistic choice; it serves as a powerful reminder of our planet’s deep past and the intricate processes that have shaped life on Earth.

    Scientific Accuracy: Kim collaborated closely with paleontologists to ensure the anatomical details of *Hesperornis* were rendered with exceptional accuracy, capturing the bird's unique adaptations for flight and aquatic life.

    Temporal Context: The painting subtly incorporates elements that evoke the Cretaceous landscape – muted earth tones, hints of marine environments – transporting viewers back in time to a world dominated by dinosaurs and nascent avian forms.

    A Symphony of Line and Tone: Technique and Style

    Kim’s artistic approach is characterized by a deliberate restraint and an exquisite control over line and tone. The painting's palette is predominantly monochromatic, relying on subtle gradations of grey and white to build form and create a sense of depth. Fine hatching and cross-hatching techniques are employed extensively, layering lines upon lines to simulate the texture of feathers – each delicate barb meticulously rendered. This painstaking process results in an image that feels both incredibly detailed and remarkably atmospheric. The lack of strong directional light contributes to a diffused, almost dreamlike quality, focusing attention on the bird’s form and movement.

    The artist's choice of acrylic paint allows for layering and blending, creating a rich texture and subtle variations in tone that mimic the natural appearance of feathers.

    Symbolism of Flight: Freedom, Resilience, and Evolution

    Beyond its scientific accuracy, “Hesperornis” resonates with profound symbolic meaning. The bird’s outstretched wings, poised mid-flight, evoke a sense of freedom, aspiration, and the relentless pursuit of survival. Hesperornis, as an early avian form, represents the nascent stages of flight – a daring leap into a new dimension. Furthermore, its presence within the mural collection speaks to the enduring power of evolution—a continuous process of adaptation and transformation. The painting subtly suggests that even in the face of immense change, life finds a way to soar.

    A Legacy in Color: Reproductions and Artistic Inspiration

    Jane Kim’s “Hesperornis” stands as a remarkable achievement—a testament to her artistic skill, scientific curiosity, and dedication to conservation. High-quality reproductions of this artwork offer a captivating glimpse into the distant past, while also serving as a poignant reminder of our planet's rich biodiversity. Its evocative imagery and meticulous detail make it an ideal addition to art collections, interior spaces, or educational settings—a source of inspiration for artists, collectors, and anyone who appreciates the beauty and wonder of the natural world.

    Umetnik in muzej

    Umetnik

    Jane Kim

    Rojen v New York, Združene države Amerike

    The Art of Advocacy: The Visionary World of Jane Kim

    Jane Kim stands at the intersection of fine art and scientific precision, a painter and science illustrator whose work serves as a vibrant bridge between humanity and the natural world. Born in 1981 and raised in Mount Prospect, Illinois, Kim’s artistic journey is deeply rooted in an intimate observation of life. Her practice, often executed through her Ink Dwell studio, transcends mere decoration; it is a form of visual advocacy designed to promote the protection and celebration of our planet's diverse ecosystems. By blending the meticulous detail of scientific illustration with the grand scale of public murals, she transforms urban landscapes into immersive educational experiences.

    Kim’s formal training provided the technical foundation for her unique aesthetic. She earned her B.F.A. in printmaking from the Rhode Island School of Design in 2003, a period that likely honed her appreciation for texture and layered composition. Seeking to deepen the connection between art and ecology, she later attended California State University, Monterey Bay, where she studied scientific illustration, graduating in 2010. This dual expertise allows her to capture the iridescent qualities of plumage and the delicate anatomy of flora with an accuracy that honors the biological reality of her subjects while maintaining a profound emotional resonance.

    A Symphony of Scale and Species

    The true impact of Kim’s work is perhaps most felt in her large-scale murals, which turn city walls into windows onto vanishing habitats. Her projects are often much more than aesthetic endeavors; they are ecological narratives. One of her most ambitious undertakings was the Migrating Mural, a series of six works spanning 120 miles along California’s Highway 395, featuring the Sierra Nevada bighorn sheep. Such works demonstrate her ability to use public space to foster a sense of shared stewardship for local wildlife.

    Her mastery of detail is equally evident in her more concentrated works, such as the monumental Wall of Birds at Cornell University's Lab of Ornithology. Completed in 2015, this massive piece depicts 243 modern bird families, rendered at life size and superimposed upon a map of the earth. In pieces like South Island Wren or Jocotoco Antpitta, Kim invites viewers into a meditative state, using a layered painting technique that builds richness through visible brushstrokes and a vibrant palette. Through these works, she captures the fragility of endangered species, turning every stroke of paint into a plea for conservation.

    Legacy and Ecological Connection

    Beyond the technical execution, Kim’s significance lies in her ability to weave social and historical narratives into the natural landscape. Her Flora From Fauna series in Redwood City, California, serves as a poignant example, commemorating the lost chrysanthemum industry of the 1920s and the history of Japanese immigrants in the region. This ability to intertwate human history with ecological study defines her contribution to contemporary art.

    Whether through her residency at the de Young Museum or her presence on corporate campuses, Kim continues to push the boundaries of where art can live and what it can achieve. Her work remains a testament to the power of observation, reminding us that by truly seeing the intricate beauty of a single bird or a hidden flower, we might find the inspiration necessary to protect the entire tapestry of life.

    Muzej

    Cornell Lab of Ornithology

    Na razstavi v Ithaca, Združene države Amerike

    Svet ptic: Raziskovanje Cornell Lab of Ornithology

    V valovitih gričih Ithace, New York, se nahaja Cornell Lab of Ornithology, ki presega običajno definicijo raziskovalnega inštituta; je živahno pričevanje o našem trajanju povezanosti z ptičjim svetom. Ustanovljen leta 1915 s strani Arthura A. Allena – vizionarja, ki je zagovarjal formalno študijo ptic – se je Lab razvil v globalno središče ornitološke znanosti, ohranjanja narave in angažmana državljanov. Od skromnih začetkov znotraj oddelka za entomologijo na univerzi Cornell do trenutnih najsodobnejših objektov v zavarovanem območju Sapsucker Woods Sanctuary je zgodba Cornealla Lab zgodba strastne predanosti in revolucionarnih odkritij. Je kraj, kjer znanstvena natančnost pleše s splošnim navdušenjem, spodbuja edinstveno okolje, ki vabi vsakogar, da pogleda navzgor in prisluhne. Bistvo Laba leži v njegovi zmožnosti preoblikovanja občasnih opazovalcev ptic v dragocene znanstvene sodelavce, s čimer utira pot duhu kolektivnega opazovanja, ki je revolucioniralo naše razumevanje ptičjega življenja.

    Moč kolektivnega opazovanja: eBird in širše

    V srcu te institucije bije zavezanost izkoriščanju moči deljenega znanja. Za razliko od tradicionalnih raziskovalnih okolij Cornell Lab aktivno vabi k sodelovanju ljubiteljev ptic vseh ravni. Ta pionirska duha najbolj jasno uteleša eBird, spletna baza podatkov, ki je temeljito spremenila naše razumevanje porazdelitve in migracijskih vzorcev ptic. Predstavljajte si zemljevid v realnem času, ki ga nenehno posodabljajo tisoče opazovalcev in razkriva zapleteno gibanje pernatega potovanja po celinah! To je osupljiva vizualizacija medsebojne povezanosti, ki prikazuje, kako se posamezne ugotovitve združijo v celovito sliko ptičjega življenja na Zemlji. Dopolnjuje jo digitalni čudež All About Birds, nagrajena spletna stran, ki ponuja izčrpne profile severnoameriških vrst – zakladnico nasvetov za identifikacijo, podrobnosti o življenjskem ciklu in očarljivih zvočnih posnetkov. Ti viri niso le informativni; spodbuja poglobitev občudovanja lepote in kompleksnosti ptičjega obstoja, sproža radovednost in navdihuje prizadevanja za ohranjanje narave.

    Arhitekturna harmonija z naravo

    Fizični prikaz te predanosti je Center Imogene Powers Johnson za ptice in biotsko raznolikost, odprt leta 2003 in nedavno izboljšan z večmilijonskim prenovo, končano junija 2024. Obiskovalni center ni le kraj za ogled razstav; je poglobljena izkušnja, zasnovana tako, da obiskovalce poveže s naravnim svetom. Sama arhitektura odraža to etiko in se brezhibno zlije z okoličnim zavarovanem območjem Sapsucker Woods – 300-hektarskega rezervata, ki se ponaša s petimi miljami vijugastih poti in je dom več kot 230 vrstam ptic. Sprehod po teh poteh lahko resnično razumete, zakaj je Arthur Allen izbral to lokacijo, sprva očaran z vzrejajočim parom rumenobelih dleskarjev, ki so dali zavarovanemu območju ime. Prenovljeni Obiskovalni center ponuja interaktivne razstave, ki oživljajo ptičjo ekologijo in jo naredijo dostopno in privlačno za vse starosti. Je prostor, kjer se obiskovalci ne le učijo o pticah; čutijo povezanost z njimi.

    Več kot muzej: Svetilnik upanja

    Cornell Lab of Ornithology ni zgolj muzej ali raziskovalni center; je svetilnik upanja za ptičjo biotsko raznolikost. Je kraj, kjer se znanstvena natančnost sreča s splošnim angažmanom, kjer se neguje radovednost in kjer lahko preprosto opazovanje ptice prispeva k večjemu razumevanju – in končno zaščiti – dragocene naravne dediščine našega planeta. Stoji kot močan opomin, da ima vsak od nas vlogo pri varovanju prihodnosti teh veličastnih bitij in ekosistemov, v katerih živijo. Trajna zapuščina Laba ni samo v njegovih znanstvenih odkritjih, temveč tudi v njegovi zmožnosti navdihniti občutek čudeža in odgovornosti pri generacijah, ki bodo sledile.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Hesperornis

    topimpressionists.com/sl/art/download/jane-kim-hesperornis-DD2KDX-en/

    Navodila za citiranje umetniškega dela

    MLA
    Kim, Jane. Hesperornis. 2015, Cornell Lab of Ornithology. https://topimpressionists.com/sl/art/jane-kim-hesperornis-DD2KDX-en/
    APA
    Kim, Jane (2015). Hesperornis [Painting]. Cornell Lab of Ornithology. https://topimpressionists.com/sl/art/jane-kim-hesperornis-DD2KDX-en/
    Chicago
    Jane Kim. Hesperornis. 2015. Cornell Lab of Ornithology. https://topimpressionists.com/sl/art/jane-kim-hesperornis-DD2KDX-en/
    Harvard
    Kim, Jane (2015) Hesperornis. Cornell Lab of Ornithology. Available at: https://topimpressionists.com/sl/art/jane-kim-hesperornis-DD2KDX-en/

    Poglejte bližje

    Hesperornis — Jane Kim

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: birds, paleontology, evolution. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si Velika Žarna (2015), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Kje lahko to opazite v tem delu?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Umetniški kviz

    Hesperornis — Jane Kim

    Kako dobro poznate to umetniško delo?

    Za vsako od spodnjih 5 vprašanj izberite en odgovor. Vsako vprašanje ima natanko en pravilni odgovor.

    1. 1. What is the primary subject matter of Jane Kim’s ‘Hesperornis’?

      • A A detailed portrait of a modern bird species.
      • B A depiction of a prehistoric cormorant-like bird from the Cretaceous period.
      • C An abstract representation of flight and freedom.
    2. 2. The artwork ‘Hesperornis’ primarily utilizes which color palette?

      • A A vibrant, saturated rainbow of colors.
      • B A predominantly monochromatic scheme based on shades of grey and white.
      • C Bold, contrasting primary colors.
    3. 3. What technique is most prominently used to create texture and volume in ‘Hesperornis’?

      • A Large, loose brushstrokes with minimal detail.
      • B Extensive use of cross-hatching and layering of lines.
      • C Smooth gradients and blended colors.
    4. 4. According to the description, what is a symbolic element present in ‘Hesperornis’?

      • A The depiction of a specific habitat.
      • B The bird's outstretched wings might symbolize freedom or flight.
      • C A detailed representation of the artist’s signature.
    5. 5. In what geological period did ‘Hesperornis’ primarily exist?

      • A The Jurassic Period.
      • B The Cretaceous Period.
      • C The Pleistocene Epoch.

    Moj rezultat: ____ od 5

    Ključ odgovorov za učitelje

    To se začne na novi tiskani strani, zato lahko te strani pri kopiranju preprosto izpustite.

    1B · 2B · 3B · 4B · 5B

    Preverite vsak odgovor v primerjavi z zapisom v katalogu za to sliko

    Vprašanja in odgovori

    Katere velikosti bi moral "Hesperornis" natisniti za mojo sobo?

    V Living Room se za delo "Hesperornis" priporoča tisk v velikosti Large.

    Katera velikost reprodukcije se priporoča za "Hesperornis" avtorja Jane Kim?

    Priporočena velikost tiska za "Hesperornis" avtorja Jane Kim je Large.

    Kdo je ustvaril "Hesperornis" in v letu katerega?

    "Hesperornis" je ustvaril Jane Kim leta 2015.