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Priročnik za študentska dela

Long-tailed Manakin

Ime in priimek Razred Datum

Jane Kim, Long-tailed Manakin (2015), Cornell Lab of Ornithology. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Jane Kim topimpressionists.com/sl/artists/jane-kim_sl/
Datumi rojstva in smrti umetnika
1981 –
Naslikano
2015
Na lokaciji
Cornell Lab of Ornithology topimpressionists.com/sl/museums/cornell-lab-of-ornithology-ithaca_sl/
Artistic style
Realistic/Stylized
Influences
Basquiat
Notable elements
Flowing tails, map bg
Subject or theme
Birds in flight

V kontekstu

Long-tailed Manakin — Jane Kim

Kdaj je bilo to naslikano?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja, pri čemer se leta od rojstva štejejo od 0 naprej.

Naslikano, ko je bil avtor star 34. 0 od 55 datiranih del tega umetnika v našem katalogu je nastalo prej.

▲ to delo, 2015 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: topimpressionists.com/sl/art/similar/jane-kim-long-tailed-manakin-DD2KC4-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    White #eeede8

    Shranjena paleta

    • #EEEDE8
    • #43302D
    • #BDBBB4
    • #55807E

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Neutrals Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    White
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Jane Kim v zadnjih dvanajst mesecih — skupaj 2 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 85,7%
    2. 2 Združene države Amerike 14,3%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    17 najbolj gledanih del umetnika Jane Kim

    1. 1 South America mural detail, 2015 11,8%
    2. 2 Sapayoa, 2015 5,9%
    3. 3 Shoebill, 2015 5,9%
    4. 4 Gray-crowned Babbler, 2015 5,9%
    5. 5 Oilbird, 2015 5,9%
    6. 6 Magpie Goose, 2015 5,9%
    7. 7 American Oystercatcher, 2015 5,9%
    8. 8 Pale-winged Trumpeter, 2015 5,9%
    9. 9 Black Caiman, 2015 5,9%
    10. 10 Oriental Darter, 2015 5,9%
    11. 11 Europe and Eurasia mural detail, 2015 5,9%
    12. 12 Gastornis, 2015 5,9%
    13. 13 Africa and Madagascar mural detail, 2015 5,9%
    14. 14 Pelagornis, 2015 5,9%
    15. 15 Microraptor, 2015 5,9%
    16. 16 Tiktaalik, 2015 5,9%
    17. Long-tailed Manakin, 2015 ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 55 del te umetnice, pri čemer je bilo 16 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    O tem umetniškem delu

    Long-tailed Manakin — Jane Kim

    A Moment Frozen in Flight: Jane Kim’s “Long-tailed Manakin”

    Jane Kim's "Long-tailed Manakin" isn’t merely a painting; it’s an invitation into the vibrant heart of Central America. This arresting artwork, a portion of the larger mural “From So Simple a Beginning,” captures a fleeting moment of extraordinary grace – a flock of these diminutive birds in mid-flight against a subtly suggestive backdrop reminiscent of a stylized continental map. The piece immediately commands attention with its audacious color palette and dynamic composition, hinting at both the natural beauty and inherent drama of the manakin’s world.

    Kim's skill lies not just in replicating visual detail but in conveying an almost palpable sense of movement. The elongated tails of the birds aren’t simply decorative; they are the very essence of their flight, flowing lines that dominate the canvas and draw the eye across the scene. The artist masterfully utilizes a muted grey background – a deliberate choice that allows the brilliant hues of the manakins to truly pop, creating a striking contrast that amplifies the feeling of energy and vitality.

    Watercolor’s Delicate Embrace: Technique and Style

    Upon closer inspection, it becomes clear that Kim has employed watercolor or gouache paints. The smooth blending of colors, the subtle gradations in tone, and the delicate rendering of feathers all point to this medium. There's a remarkable softness to the painting’s texture, an almost ethereal quality that belies the intricate detail present throughout. The style leans towards contemporary illustrative realism – a deliberate departure from strict photographic representation, favoring instead a heightened sense of color and form.

    The artist’s approach is particularly noteworthy in her treatment of light. It's soft and diffused, creating gentle highlights on the birds’ plumage without resorting to harsh shadows. This contributes significantly to the painting’s overall mood – one of serene beauty and effortless movement. The slightly blurred edges of some elements further enhance this impression of fleeting motion, as if we are witnessing a moment captured in time.

    Echoes of the Rainforest: Symbolism and Context

    Beyond its aesthetic appeal, “Long-tailed Manakin” resonates with deeper symbolic meaning. The manakins themselves – endemic to Central America – represent resilience, adaptability, and the intricate beauty of a fragile ecosystem. Their elaborate courtship rituals, meticulously documented by researchers, speak to the power of instinct and the drive for connection. The inclusion of a map-like background subtly connects the artwork to its geographical origins, reminding us of the importance of conservation efforts in these biodiverse regions.

    Furthermore, Kim’s choice to depict these birds within a stylized continental landscape suggests a broader commentary on human interaction with nature. The muted grey backdrop could be interpreted as representing the impact of urbanization and environmental degradation – a poignant reminder of the delicate balance between humanity and the natural world. The artwork invites us to contemplate our role in preserving these vital habitats.

    A Legacy of Observation: Jane Kim’s Vision

    Jane Kim's work, as evidenced by her broader career with Ink Dwell Studio and her involvement with organizations like the California Working Families Party, is deeply rooted in community engagement and social awareness. Her artistic practice extends beyond mere representation; it serves as a platform for observation, reflection, and advocacy. “Long-tailed Manakin” stands as a testament to this commitment – a vibrant celebration of nature’s beauty coupled with a subtle yet powerful message about the importance of conservation.

    Umetnik in muzej

    Umetnik

    Jane Kim

    Rojen v New York, Združene države Amerike

    The Art of Advocacy: The Visionary World of Jane Kim

    Jane Kim stands at the intersection of fine art and scientific precision, a painter and science illustrator whose work serves as a vibrant bridge between humanity and the natural world. Born in 1981 and raised in Mount Prospect, Illinois, Kim’s artistic journey is deeply rooted in an intimate observation of life. Her practice, often executed through her Ink Dwell studio, transcends mere decoration; it is a form of visual advocacy designed to promote the protection and celebration of our planet's diverse ecosystems. By blending the meticulous detail of scientific illustration with the grand scale of public murals, she transforms urban landscapes into immersive educational experiences.

    Kim’s formal training provided the technical foundation for her unique aesthetic. She earned her B.F.A. in printmaking from the Rhode Island School of Design in 2003, a period that likely honed her appreciation for texture and layered composition. Seeking to deepen the connection between art and ecology, she later attended California State University, Monterey Bay, where she studied scientific illustration, graduating in 2010. This dual expertise allows her to capture the iridescent qualities of plumage and the delicate anatomy of flora with an accuracy that honors the biological reality of her subjects while maintaining a profound emotional resonance.

    A Symphony of Scale and Species

    The true impact of Kim’s work is perhaps most felt in her large-scale murals, which turn city walls into windows onto vanishing habitats. Her projects are often much more than aesthetic endeavors; they are ecological narratives. One of her most ambitious undertakings was the Migrating Mural, a series of six works spanning 120 miles along California’s Highway 395, featuring the Sierra Nevada bighorn sheep. Such works demonstrate her ability to use public space to foster a sense of shared stewardship for local wildlife.

    Her mastery of detail is equally evident in her more concentrated works, such as the monumental Wall of Birds at Cornell University's Lab of Ornithology. Completed in 2015, this massive piece depicts 243 modern bird families, rendered at life size and superimposed upon a map of the earth. In pieces like South Island Wren or Jocotoco Antpitta, Kim invites viewers into a meditative state, using a layered painting technique that builds richness through visible brushstrokes and a vibrant palette. Through these works, she captures the fragility of endangered species, turning every stroke of paint into a plea for conservation.

    Legacy and Ecological Connection

    Beyond the technical execution, Kim’s significance lies in her ability to weave social and historical narratives into the natural landscape. Her Flora From Fauna series in Redwood City, California, serves as a poignant example, commemorating the lost chrysanthemum industry of the 1920s and the history of Japanese immigrants in the region. This ability to intertwate human history with ecological study defines her contribution to contemporary art.

    Whether through her residency at the de Young Museum or her presence on corporate campuses, Kim continues to push the boundaries of where art can live and what it can achieve. Her work remains a testament to the power of observation, reminding us that by truly seeing the intricate beauty of a single bird or a hidden flower, we might find the inspiration necessary to protect the entire tapestry of life.

    Muzej

    Cornell Lab of Ornithology

    Na razstavi v Ithaca, Združene države Amerike

    Svet ptic: Raziskovanje Cornell Lab of Ornithology

    V valovitih gričih Ithace, New York, se nahaja Cornell Lab of Ornithology, ki presega običajno definicijo raziskovalnega inštituta; je živahno pričevanje o našem trajanju povezanosti z ptičjim svetom. Ustanovljen leta 1915 s strani Arthura A. Allena – vizionarja, ki je zagovarjal formalno študijo ptic – se je Lab razvil v globalno središče ornitološke znanosti, ohranjanja narave in angažmana državljanov. Od skromnih začetkov znotraj oddelka za entomologijo na univerzi Cornell do trenutnih najsodobnejših objektov v zavarovanem območju Sapsucker Woods Sanctuary je zgodba Cornealla Lab zgodba strastne predanosti in revolucionarnih odkritij. Je kraj, kjer znanstvena natančnost pleše s splošnim navdušenjem, spodbuja edinstveno okolje, ki vabi vsakogar, da pogleda navzgor in prisluhne. Bistvo Laba leži v njegovi zmožnosti preoblikovanja občasnih opazovalcev ptic v dragocene znanstvene sodelavce, s čimer utira pot duhu kolektivnega opazovanja, ki je revolucioniralo naše razumevanje ptičjega življenja.

    Moč kolektivnega opazovanja: eBird in širše

    V srcu te institucije bije zavezanost izkoriščanju moči deljenega znanja. Za razliko od tradicionalnih raziskovalnih okolij Cornell Lab aktivno vabi k sodelovanju ljubiteljev ptic vseh ravni. Ta pionirska duha najbolj jasno uteleša eBird, spletna baza podatkov, ki je temeljito spremenila naše razumevanje porazdelitve in migracijskih vzorcev ptic. Predstavljajte si zemljevid v realnem času, ki ga nenehno posodabljajo tisoče opazovalcev in razkriva zapleteno gibanje pernatega potovanja po celinah! To je osupljiva vizualizacija medsebojne povezanosti, ki prikazuje, kako se posamezne ugotovitve združijo v celovito sliko ptičjega življenja na Zemlji. Dopolnjuje jo digitalni čudež All About Birds, nagrajena spletna stran, ki ponuja izčrpne profile severnoameriških vrst – zakladnico nasvetov za identifikacijo, podrobnosti o življenjskem ciklu in očarljivih zvočnih posnetkov. Ti viri niso le informativni; spodbuja poglobitev občudovanja lepote in kompleksnosti ptičjega obstoja, sproža radovednost in navdihuje prizadevanja za ohranjanje narave.

    Arhitekturna harmonija z naravo

    Fizični prikaz te predanosti je Center Imogene Powers Johnson za ptice in biotsko raznolikost, odprt leta 2003 in nedavno izboljšan z večmilijonskim prenovo, končano junija 2024. Obiskovalni center ni le kraj za ogled razstav; je poglobljena izkušnja, zasnovana tako, da obiskovalce poveže s naravnim svetom. Sama arhitektura odraža to etiko in se brezhibno zlije z okoličnim zavarovanem območjem Sapsucker Woods – 300-hektarskega rezervata, ki se ponaša s petimi miljami vijugastih poti in je dom več kot 230 vrstam ptic. Sprehod po teh poteh lahko resnično razumete, zakaj je Arthur Allen izbral to lokacijo, sprva očaran z vzrejajočim parom rumenobelih dleskarjev, ki so dali zavarovanemu območju ime. Prenovljeni Obiskovalni center ponuja interaktivne razstave, ki oživljajo ptičjo ekologijo in jo naredijo dostopno in privlačno za vse starosti. Je prostor, kjer se obiskovalci ne le učijo o pticah; čutijo povezanost z njimi.

    Več kot muzej: Svetilnik upanja

    Cornell Lab of Ornithology ni zgolj muzej ali raziskovalni center; je svetilnik upanja za ptičjo biotsko raznolikost. Je kraj, kjer se znanstvena natančnost sreča s splošnim angažmanom, kjer se neguje radovednost in kjer lahko preprosto opazovanje ptice prispeva k večjemu razumevanju – in končno zaščiti – dragocene naravne dediščine našega planeta. Stoji kot močan opomin, da ima vsak od nas vlogo pri varovanju prihodnosti teh veličastnih bitij in ekosistemov, v katerih živijo. Trajna zapuščina Laba ni samo v njegovih znanstvenih odkritjih, temveč tudi v njegovi zmožnosti navdihniti občutek čudeža in odgovornosti pri generacijah, ki bodo sledile.

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    Preverite na spletu

    QR koda za dostop do strani za prenos Long-tailed Manakin

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    Navodila za citiranje umetniškega dela

    MLA
    Kim, Jane. Long-tailed Manakin. 2015, Cornell Lab of Ornithology. https://topimpressionists.com/sl/art/jane-kim-long-tailed-manakin-DD2KC4-en/
    APA
    Kim, Jane (2015). Long-tailed Manakin [Painting]. Cornell Lab of Ornithology. https://topimpressionists.com/sl/art/jane-kim-long-tailed-manakin-DD2KC4-en/
    Chicago
    Jane Kim. Long-tailed Manakin. 2015. Cornell Lab of Ornithology. https://topimpressionists.com/sl/art/jane-kim-long-tailed-manakin-DD2KC4-en/
    Harvard
    Kim, Jane (2015) Long-tailed Manakin. Cornell Lab of Ornithology. Available at: https://topimpressionists.com/sl/art/jane-kim-long-tailed-manakin-DD2KC4-en/

    Poglejte bližje

    Long-tailed Manakin — Jane Kim

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: manakins, birds, migration. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si Velika Žarna (2015), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Jane Kim je bil star približno 34, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Umetniški kviz

    Long-tailed Manakin — Jane Kim

    Kako dobro poznate to umetniško delo?

    Za vsako od spodnjih 5 vprašanj izberite en odgovor. Vsako vprašanje ima natanko en pravilni odgovor.

    1. 1. What is the primary subject of the painting "Long-tailed Manakin"?

      • A A solitary bird perched on a branch.
      • B A flock of Long-tailed Manakins in flight against a stylized map background.
      • C A close-up portrait of a male Long-tailed Manakin.
    2. 2. The painting utilizes which style?

      • A Impressionism
      • B Realism with stylized elements
      • C Abstract Expressionism
    3. 3. According to the description, what is a prominent feature of the Long-tailed Manakin's appearance?

      • A A muted brown plumage.
      • B Extremely long and flowing tail feathers.
      • C Bright yellow coloration.
    4. 4. What is the likely medium used in creating this artwork?

      • A Oil paint
      • B Watercolor or gouache paints
      • C Acrylics
    5. 5. The background of the painting resembles a stylized representation of:

      • A A European city skyline.
      • B The continental United States.
      • C An African savanna.

    Moj rezultat: ____ od 5

    Ključ odgovorov za učitelje

    To se začne na novi tiskani strani, zato lahko te strani pri kopiranju preprosto izpustite.

    1B · 2B · 3B · 4B · 5B

    Preverite vsak odgovor v primerjavi z zapisom v katalogu za to sliko

    Vprašanja in odgovori

    Ali avtorske pravice za "Long-tailed Manakin" avtorja Jane Kim dovoljajo reprodukcije?

    Status avtorske pravice za "Long-tailed Manakin" avtorja Jane Kim je jasen: del pripada še vedno pod avtorsko pravico. Njegova prisotnost v muzeju Cornell Lab of Ornithology ta status ne spreminja.

    Kakšen čustveni izraz prenosi "Long-tailed Manakin" avtorja Jane Kim?

    "Long-tailed Manakin" je povezano z Tranquil občutkom. Čustveni ton opisuje vtis, ki ga delo pusti.

    Ali je "Long-tailed Manakin" ostalo v domovini svojega avtorja?

    Da – umetniško delo se nahaja v državi izvenca. Rodna država umetnika Jane Kim je Združene države Amerike, original dela "Long-tailed Manakin" pa se nahaja v muzeju v državi Združene države Amerike.