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Joaquín

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Joaquin Sorolla, Joaquín (1917), Sorolla Museum. Dostopno v javni lastnini. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Joaquin Sorolla topimpressionists.com/sl/artists/joaquin-sorolla_sl/
Datumi rojstva in smrti umetnika
1863 – 1923
Naslikano
1917
Na lokaciji
Sorolla Museum topimpressionists.com/sl/museums/sorolla-museum-madrid_sl/
Artistic style
Realism, Impressionism
Influences
Sorolla, Spanish art
Notable elements
Luminous light, detailed clothing
Subject or theme
Fashionable young man

V kontekstu

Joaquín — Joaquin Sorolla

Kdaj je bilo to naslikano?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 60 ob smrti.

Naslikano, ko je bil avtor star 54. Umetnik je živel 60. 501 od 558 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Joaquin Sorolla (1863–1923) ▲ to delo, 1917 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1901 Glavni delovni leti: 1901–1911 Pozna dela: od 1911

Ti trije pasovi razdelijo dela v tem katalogu na prvo četrtino, srednjo polovico in zadnjo četrtino. Niso popolna celotina umetnikovega dela: tanjka obdobja je lahko praznina v arhivu, ne le obdobje manj intenzivnega ustvarjanja. Iste leta, v katerih se odtisa življenje umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: topimpressionists.com/sl/art/similar/joaquin-sorolla-y-bastida-joaquin-D3XM8W-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Gray #706a53

    Shranjena paleta

    • #706A53
    • #9A907D
    • #414031
    • #BBB4AE

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Neutrals Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Gray
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Joaquin Sorolla v zadnjih dvanajst mesecih — skupaj 48 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 41,5%
    2. 2 Združene države Amerike 8,4%
    3. 3 Francija 6,1%
    4. 4 Španija 5,2%
    5. 5 Južna Koreja 4,8%
    6. 6 Singapur 4,8%
    7. 7 Hong Kong 4,4%
    8. 8 Romunija 4,2%
    9. 9 Italija 3,1%
    10. 10 Združeno kraljestvo 2,3%
    11. · 38 drugih držav 15,2%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    20 najbolj gledanih del umetnika Joaquin Sorolla

    1. 1 Deklica z Cveti, 1886 6,3%
    2. 2 Spust po obali, 1909 2,1%
    3. 3 Valencia beach in the morning light, 1908 1,4%
    4. 4 Sewing the Sail, 1896 1,2%
    5. 5 Seville, the Dance, 1915 1,2%
    6. 6 bacante, 1886 1,2%
    7. 7 Running along the beach, 1908 1,1%
    8. 8 La Siesta, 1911 1,0%
    9. 9 Midday at Valencia beach, 1904 1,0%
    10. 10 On the Rocks at Javea, 1905 0,9%
    11. 11 Nude with Ball, 1887 0,9%
    12. 12 Coast at Santa Cristina, 1914 0,8%
    13. 13 Valencijski ribič, 1916 0,7%
    14. 14 Rastle Mreze, 1893 0,7%
    15. 15 Sea Idyll, 1908 0,7%
    16. 16 Types of Lagartera or Lagarterana bride, 1912 0,7%
    17. 17 Clotilde on the Beach, 1904 0,7%
    18. 18 Children on the Seashore, 1903 0,7%
    19. 19 To the Water, 1908 0,7%
    20. 41 Joaquín, 1917 ta slika 0,5%

    Skupaj ti deli predstavljajo 24,5% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 850 del te umetnice, pri čemer je bilo 449 vsaj enkrat ogledanih. Ta slika zaseda 41 mesto med njimi, s 0,5% takšne pozornosti. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    O tem umetniškem delu

    Joaquín — Joaquin Sorolla

    A Portrait of Modernity: Joaquín by Joaquín Sorolla

    Joaquín Sorolla’s 1917 painting, “Joaquín,” isn't merely a likeness; it’s a carefully constructed tableau vivant, capturing the essence of early 20th-century Spanish society and the burgeoning spirit of modernity. The subject, also named Joaquín, is presented as a young man of leisure, embodying the fashionable dandy – a figure increasingly prevalent in the cosmopolitan cafes and social gatherings of Barcelona and Madrid during this period. Sorolla masterfully utilizes light and color to convey both the individual’s character and the vibrant atmosphere surrounding him. The painting feels less like a formal portrait and more like a fleeting moment captured, an intimate glimpse into a world of leisure and refinement.

    Composition: The arrangement is deliberately balanced, with Joaquín seated comfortably in an armchair, his posture relaxed yet dignified. The couch behind him subtly anchors the scene, suggesting a space of quiet contemplation amidst social activity.

    Color Palette: Sorolla’s signature use of light and color dominates. The dominant greens and yellows create a luminous effect, reflecting the sunlight streaming through an unseen window. These colors are not merely descriptive; they evoke a sense of warmth, vitality, and optimism – hallmarks of the era.

    Details: Notice the meticulous rendering of Joaquín’s attire—the impeccably tailored suit, the crisp white shirt, the elegant tie, and the distinctive yellow gloves. Each detail speaks to his status and adherence to contemporary fashion trends.

    The Sorolla Style: Light, Movement, and Spanish Identity

    Joaquín Sorolla was a pivotal figure in the transition from academic realism to modernism within Spanish painting. He rejected the heavy brushstrokes and dark palettes of earlier generations, embracing instead a brighter, more vibrant style characterized by loose, expressive brushwork and an intense focus on capturing light and movement. His work is deeply rooted in the Spanish landscape and culture, yet he infused it with a cosmopolitan sensibility, reflecting his travels to Europe and his engagement with contemporary trends. Sorolla’s ability to translate the warmth of the Mediterranean sun onto canvas is unparalleled, creating paintings that radiate energy and joy.

    Sorolla's technique involved layering thin glazes of paint to achieve luminous effects, a method he perfected during his time in Paris. He was particularly adept at capturing the fleeting qualities of light and shadow, imbuing his subjects with a sense of immediacy and spontaneity.

    Symbolism and Social Context

    “Joaquín” is more than just a portrait; it’s a reflection of the social changes sweeping through Spain in the early 20th century. The dandy figure represents a new breed of urban elite, embracing leisure, fashion, and social engagement. The presence of the couch suggests a comfortable lifestyle, while the overall composition hints at a world of cafes, theaters, and outdoor gatherings – spaces that were becoming increasingly popular among the fashionable crowd. Sorolla subtly captures the spirit of this era, portraying a society in transition, balancing tradition with modernity.

    The Armchair: Represents comfort, leisure, and social connection.

    The Gloves: A symbol of status and refinement, reflecting the dandy’s adherence to contemporary fashion.

    The Background: The couch behind Joaquín subtly suggests a world of entertainment and socializing.

    A Legacy of Light and Color

    Joaquín Sorolla's “Joaquín” stands as a testament to his artistic genius and his ability to capture the essence of his time. It’s a painting that invites viewers to step into a world of elegance, leisure, and social vibrancy – a world bathed in the radiant light of the Spanish sun. Reproductions of this captivating work offer a window into a bygone era, allowing us to appreciate Sorolla's mastery of color, composition, and his profound understanding of the human spirit. It remains one of his most beloved and enduring portraits, embodying the dynamism and optimism of early 20th-century Spain.

    Umetnik in muzej

    Umetnik

    Joaquin Sorolla

    Rojen v Valencija, Španija

    Joaquín Sorolla y Bastida - A Life Bathed in Light

    Joaquín Sorolla y Bastida, a name synonymous with the radiant light and vibrant energy of Spain, was more than just a painter; he was a chronicler of his nation’s soul. Born in Valencia in 1863, Sorolla's early life was marked by tragedy. Orphaned at the tender age of two following a cholera epidemic that claimed both parents, young Joaquín and his sister were raised by their maternal aunt and uncle. This early experience with loss perhaps instilled within him a profound appreciation for the fleeting beauty of life – a sentiment that would permeate his art. Though hardship shadowed his beginnings, it did not dim the spark of artistic talent that quickly became apparent. He received initial instruction in Valencia, demonstrating an aptitude that led to studies under established artists like Cayetano Capuz and José Benlliure, eventually culminating in a four-year grant to study in Rome. It was there, amidst the classical grandeur of Italy, that Sorolla began to forge his unique artistic path, absorbing influences while simultaneously developing a style distinctly his own.

    Early Life and Influences

    Joaquín Sorolla’s formative years were shaped by profound loss and circumstance. Born on February 27th, 1863, in Valencia, Spain, he descended from a modest family – his father was a tradesman, and his wife Concepción Bastida. Tragically, both parents succumbed to cholera just two years later, leaving Joaquín and his sister under the care of their maternal aunt and uncle. This early exposure to grief undoubtedly instilled within him an awareness of mortality and a deep sensitivity to human emotion—themes that would recur throughout his oeuvre. Recognizing Sorolla’s exceptional talent from a young age, he commenced formal artistic training at Valencia's School of Artisans, where he honed his skills under the tutelage of prominent Valencian painters. Subsequently, he pursued further studies in Madrid with Salustiano Asenjo, immersing himself in the artistic traditions of Spain’s capital. His fascination with Velázquez—particularly the masterful use of light and shadow—became a cornerstone of his artistic vision. This admiration for the Old Master profoundly impacted Sorolla's technique and compositional choices.

    Rome and Impressionistic Exploration

    At eighteen, Sorolla embarked on a transformative journey to Rome, Italy, securing a prestigious scholarship from the Valencian government. During his four-year residency, he absorbed the influence of Italian Renaissance art while simultaneously encountering the burgeoning currents of Impressionism—a movement that would revolutionize European painting. He found inspiration in artists such as Francisco Pradilla Ortiz, the director of the Spanish Academy in Rome, who championed Sorolla’s artistic ambitions and encouraged him to experiment with innovative approaches. Exposure to Parisian exhibitions featuring Jules Bastien-Lepage and Adolph von Menzel further broadened his horizons, introducing him to new stylistic ideas and techniques. Sorolla skillfully blended these influences into a distinctive style characterized by loose brushstrokes, vibrant color palettes, and an unwavering dedication to capturing the ephemeral effects of sunlight—a hallmark of Luminism, as championed by artists like Claude Monet and Frederic Bazille.

    The Valencian Coast: A Celebration of Light

    Sorolla’s artistic focus shifted decisively upon his return to Valencia in 1888, where he married Clotilde García del Castillo, daughter of Antonio García Peris—a supporter who recognized Sorolla's prodigious talent and championed his endeavors. Together they established a family in Madrid, relocating there in 1890, and Sorolla dedicated the subsequent decade to producing monumental canvases depicting scenes from the Valencian coast—a region he adored for its dazzling sunlight and expansive horizon. He became renowned for his depictions of bathing children and adolescents, meticulously studying the interplay between light and color as it illuminated skin and reflected on water surfaces. Paintings like Children on the Seashore exemplify Sorolla’s unparalleled ability to convey atmosphere and emotion with breathtaking immediacy—a testament to his unwavering commitment to plein air painting and Luminist principles. His meticulous observation of nature served not merely as subject matter but as a catalyst for artistic innovation, propelling him to the forefront of Spanish Impressionism.

    Major Achievements and Legacy

    Sorolla’s career blossomed throughout the late 1890s and early 20th century, marked by prolific exhibitions in Madrid, Paris, Venice, Munich, Berlin, and Chicago—each showcasing his mastery of technique and capturing the spirit of his time. He garnered considerable acclaim for The Return from Fishing, acquired by the Musée du Luxembourg, cementing his reputation as a leading figure on the international stage. Sorolla’s artistic prowess was recognized with numerous honors and commissions, including the Grand Prix and medal of honor at the Universal Exhibition in Paris for Sad Inheritance. His monumental mural cycle commissioned by the Hispanic Society of America—Vision of Spain, completed posthumously—stands as an enduring symbol of his artistic vision and technical brilliance. Sorolla’s influence extended far beyond his lifetime, inspiring generations of artists who embraced Luminism and sought to emulate his distinctive style. Today, his paintings reside in prestigious museums worldwide—most notably the Museo Sorolla in Valencia—where they continue to captivate audiences with their luminous beauty and profound emotional resonance—a testament to Joaquín Sorolla y Bastida’s enduring legacy as one of Spain's greatest painters.

    Muzej

    Sorolla Museum

    Na razstavi v Madrid, Španija

    Sončnim prepojenim dediščinom: Potopitev v svet Joaquina Sorolle

    Skrit v skrbno ohranjeni madridski hiši—ki je nekoč predstavljala samo srce umetnikovega življenja in njegovega ateljeja—Museo Sorolla ponuja neprepodobno potovanje v svetobiteljsko, svetlobno bogato obdobje enega najbolj ljubljenih španskih impresionistov. Več kot le skladišče slik je to intimen stik z samega Joaquina Sorolle, človeka, ki je svoje življenje posvetil zajemanju bežujoče lepote svetlobe, barv in vsakdanjega španskega življenja. Čeprav se mu trenutno izvaja obsežna sanacija, ki bo končana v letu 2026, mu muzej vljudno vabi obiskovalce, da stopijo čez čas in doživijo ustvarjalni proces, ki stoji za nekaterimi najbolj slavnimi španskimi umetnostnimi deli. Sama stavba—ki jo je zasnoval talentirani Enrique María Repullés—je nerazdružen del tega izkušnja; zasnovana z neomajno predanostjo maksimiziranju naravne osvetlitve, s svojimi zračnimi prostori in širokimi okni odraža Sorollino umetniško filozofijo – slavljenje svetlobe in atmosfere.

    Hiša kot platno:

    Arhitektura muzeja ni le dekorativna; je neločljivo povezana z Sorollino umetnostjo. Vsaka podrobnost, od strateško postavljenih oken do skrbno izbranih materialov, prispeva k splošnemu občutku radiantne topline in živahnih barv.

    <

    Umetnikov atelje:

    Obisk ateljeja je zares transformativna izkušnja. Platna se naslanjajo na stene, črtezi počivajo na paletah, zrak pa še vedno zdi se, kot bi vibriral od ustvarjalne energije—oprijemljiv opomin na Sorollino neustrašno predanost svojemu krasu.

    Zajemanje svetlobe in življenja: Prizniki kolekcije

    Sorollina slika so znane po svoji sposobnosti, da vzbudijo globok občutek topline, veselja in neposrednosti. Imel je izjemno darilo za spreminjanje običajnih prizorov—spust v živahno promenado ob plaži, vrt navlažen s sončno svetlobo, družinsko druženje—v zaprepadajoča umetniška dela. Njegova kolekcija prikazuje njegovo umetniško evolucijo, ki se začne z bolj akademskimi slogi in doseže vrhunec v njegovem zreli impresionističnem slogu. Ključna dela ponujajo vpogled v njegovo fascinacijo s zajemanjem trenutkov: otroci, ki se igrajo na obalah Valencije, ženske, ki skrbijo za svoje vrtove, ribiči, ki se vračajo z dnevnim ulovom. To niso grandiozne zgodbinske narative; so intimni portreti španskega življenja, slikani z izjemno občutljivostjo za svetlobo in barvo. Dela, kot sta »Šetnja po plaži« (1903) in »Elena v rumeni tuniki« (1907), utemeljujejo njegovo mojstvo—ne le pri prikazovanju prizorov, temveč pri prenašanju samega bistva človeške izkušnje.

    «Še ena margarete» (1892):

    Ta zgodnji uspeh je utrdil Sorollino ugled in pokazal njegovo sposobnost, da z izredno natančnostjo zajame svetlobo in barvo.

    «Smutno dedišvo» (1899):

    Prevzeman čudesno mojstvo, ki se je ukvarjalo z težko temo—trpljenjem otrok ob bolezni—z sočutjem in umetniško briljantnostjo. Velja za eno najbolj čustveno nagrajajočih Sorollinih del.

    Portreti družine:

    Muzej alberga izstopajočo zbirko portretov, ki zajimajo podobnosti in osebnosti Sorolline žene Clotilde in njegove trije otroke – María Clotilde, Joaquína in Eleno. Ti intimni prikazi ponujajo redko vpogled v umetnikov osebni življenjski slog.

    Ohranjeno dediščstvo: Pogled v leto 2026

    Čeprav je Museo Sorolla trenutno zaprt zaradi obsežnih obnov«, projekt, namenjen ohranjanju arhitekturne integritete stavbe in izboljšanju izkušnje obiskovalcev, je pričakovanje okoli njegove ponovne odprtja leta 2026 oprijemljivo. Obnova bo ne le zaščitila to narodno dragocenost, temveč tudi zagotovila, da bodo prihodnje generacije lahko v celoti cenile Sorollino dediščino. Med zaprtjem so izbrane skladbe iz kolekcije trenutno na razstavi v Galeriji kraljevskih zbirk v Madridu, kar ponuja navdihujoč predogled tega, kar čaka obiskovalce ob grandiozni ponovni odprtju muzeja. Museo Sorolla stoji kot pomembna kulturna institucija—spomenik moči umetnosti, da osvetli naš življenjski slog in nas poveže z preteklo_

    Dodatno raziskovanje in kontekst

    Zgodbinska pomembnost:

    Museo Sorolla je globoko prepleten z zgodovino Madrida, saj odraža razvoj mesta od srednjoveškega posta do živahnega kulturnega središča. Njegova lokacija v zgodovinski hiši nudi dragocen vpogled v družbeni in umetniški kontekst konca 19. in začetka 20. stoletja.

    Arhitekturne podrobnosti:

    Zasnova Enrique María Repullés je mojstrovina svetlobe in prostora, ki popolnoma dopolnjuje Sorollino umetniško vizijo. Orientacija stavbe in post placement oken sta bila skrbno načrtovana, da bi maksimizirala naravno osvetlitev—ključen element v Sorollini tehniki slikanja.

    Družinske povezave:

    Sorollina družina je igrala ključno vlogo pri ohranjanju njegove dediščine. Njegova hči, Elena Sorolla, je bila sama talentirana umetnica, ki je nadaljevala družajno umetniško tradicijo in pomembno prispevala k muzejski zbirki.

    Viri za further raziskovanje:

    Wikipedia - Museo Sorolla

    : Nudi celovit pregled zgodovine muzeja, kolekcije in trenutnega stanja.

    Google Arts & Culture - Museo Sorolla

    :

    Ponuja virtualne oglede in podrobne informacije o izložbah v muzeju.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Joaquín

    topimpressionists.com/sl/art/download/joaquin-sorolla-y-bastida-joaquin-D3XM8W-en/

    Navodila za citiranje umetniškega dela

    MLA
    Sorolla, Joaquin. Joaquín. 1917, Sorolla Museum. https://topimpressionists.com/sl/art/joaquin-sorolla-y-bastida-joaquin-D3XM8W-en/
    APA
    Sorolla, Joaquin (1917). Joaquín [Painting]. Sorolla Museum. https://topimpressionists.com/sl/art/joaquin-sorolla-y-bastida-joaquin-D3XM8W-en/
    Chicago
    Joaquin Sorolla. Joaquín. 1917. Sorolla Museum. https://topimpressionists.com/sl/art/joaquin-sorolla-y-bastida-joaquin-D3XM8W-en/
    Harvard
    Sorolla, Joaquin (1917) Joaquín. Sorolla Museum. Available at: https://topimpressionists.com/sl/art/joaquin-sorolla-y-bastida-joaquin-D3XM8W-en/

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: sorolla, spain, valencia. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si Valencia beach in the morning light (1908), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Joaquin Sorolla je bil star približno 54, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Umetniški kviz

    Joaquín — Joaquin Sorolla

    Kako dobro poznate to umetniško delo?

    Za vsako od spodnjih 5 vprašanj izberite en odgovor. Vsako vprašanje ima natanko en pravilni odgovor.

    1. 1. What is the primary subject of Joaquín Sorolla’s ‘Joaquín’?

      • A A portrait of a wealthy businessman.
      • B A depiction of a fashionable young man, Joaquín Sorolla's son.
      • C A landscape scene of Valencia.
    2. 2. The painting ‘Joaquín’ reflects which social trend of the early 20th century?

      • A The rise of rural life and agricultural pursuits.
      • B The increasing popularity of outdoor cafés and fashionable leisure activities.
      • C A return to traditional family values.
    3. 3. What is the dominant color palette used in ‘Joaquín’?

      • A Dark blues and greens, creating a somber mood.
      • B Bright yellows, greens, and blues, reflecting sunlight and vibrancy.
      • C Monochromatic grays, emphasizing the subject's seriousness.
    4. 4. According to the description, what details in ‘Joaquín’ convey a sense of gentlemanly style?

      • A The use of dark clothing and somber colors.
      • B His green gabardine coat and yellow gloves.
      • C A detailed depiction of his hands clasped together.
    5. 5. In what year was ‘Joaquín’ painted?

      • A 1892
      • B 1917
      • C 1900

    Moj rezultat: ____ od 5

    Ključ odgovorov za učitelje

    To se začne na novi tiskani strani, zato lahko te strani pri kopiranju preprosto izpustite.

    1B · 2B · 3B · 4B · 5C

    Preverite vsak odgovor v primerjavi z zapisom v katalogu za to sliko

    Vprašanja in odgovori

    Kakšno vzdušje ima "Joaquín"?

    "Joaquín" ima Calm vzdušje.

    Kako lahko ogledam "Joaquín" avtorja Joaquin Sorolla v obliki diorama?

    Diaporama dela "Joaquín" si lahko ogledate na strani Diaporama za to umetniško delo.

    Kako se tema dela "Joaquín" povezuje s tipičnimi temami umetnika Joaquin Sorolla?

    Med zabeleženimi temami umetnika Joaquin Sorolla – ki jih zastopajo light, spanish realism, sorolla’s style, social change, early 20th century, bourgeoisie leisure, fashionable society, sorolla's portraits – prinaša "Joaquín" lastno pozornost na sorolla, spain, valencia, portraiture, leisure, sunlight, gentleman, sport.