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Shell in Jávea

Ime Razred Datum

Joaquin Sorolla, Shell in Jávea (1900). Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Joaquin Sorolla topimpressionists.com/sl/artists/joaquin-sorolla_sl/
Datumi rojstva in smrti umetnika
1863 – 1923
Naslikano
1900
Prvotna velikost
160 x 96 cm
Gibanje
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

V kontekstu

Shell in Jávea — Joaquin Sorolla

Kakšna je velikost?

Prvotne dimenzije so 160 × 96 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 60 ob smrti.

Naslikano, ko je bil avtor star 37. Umetnik je doživel 60 let. 121 od 558 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Joaquin Sorolla (1863–1923) ▲ to delo, 1900 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1901 Glavni delovni leti: 1901–1911 Pozna dela: od 1911

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: topimpressionists.com/sl/art/similar/joaquin-sorolla-y-bastida-shell-in-javea-D2VLW4-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Espresso #3a3427

    Katalogirana paleta

    • #3A3427
    • #985B1B
    • #D0CBC6
    • #AFA57C

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Espresso
    Intenzivnost
    Vivid Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Clear Color Presence Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Joaquin Sorolla v zadnjih dvanajst mesecih — skupaj 48 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 41,5%
    2. 2 Združene države Amerike 8,4%
    3. 3 Francija 6,1%
    4. 4 Španija 5,2%
    5. 5 Južna Koreja 4,8%
    6. 6 Singapur 4,8%
    7. 7 Hong Kong 4,4%
    8. 8 Romunija 4,2%
    9. 9 Italija 3,1%
    10. 10 Združeno kraljestvo 2,3%
    11. · 38 drugih držav 15,2%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    20 najbolj gledanih del umetnika Joaquin Sorolla

    1. 1 Deklica z Cveti, 1886 7,0%
    2. 2 Spust po obali, 1909 2,0%
    3. 3 Seville, the Dance, 1915 1,5%
    4. 4 Running along the beach, 1908 1,5%
    5. 5 Valencia beach in the morning light, 1908 1,4%
    6. 6 Sewing the Sail, 1896 1,2%
    7. 7 bacante, 1886 1,1%
    8. 8 Midday at Valencia beach, 1904 1,0%
    9. 9 La Siesta, 1911 0,9%
    10. 10 On the Rocks at Javea, 1905 0,8%
    11. 11 Nude with Ball, 1887 0,8%
    12. 12 Swimmers, Jávea, 1905 0,8%
    13. 13 Clotilde on the Beach, 1904 0,8%
    14. 14 Coast at Santa Cristina, 1914 0,8%
    15. 15 Valencijski ribič, 1916 0,7%
    16. 16 Rastle Mreze, 1893 0,7%
    17. 17 Sea Idyll, 1908 0,7%
    18. 18 Types of Lagartera or Lagarterana bride, 1912 0,7%
    19. 19 The Horse’s Bath, 1909 0,7%
    20. — Shell in Jávea, 1900 ta slika 0,0%

    Skupaj ti deli predstavljajo 25,1% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 850 del te umetnice, pri čemer je bilo 454 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Joaquin Sorolla

    Rojen v Valencija, Španija

    Joaquín Sorolla y Bastida - A Life Bathed in Light

    Joaquín Sorolla y Bastida, a name synonymous with the radiant light and vibrant energy of Spain, was more than just a painter; he was a chronicler of his nation’s soul. Born in Valencia in 1863, Sorolla's early life was marked by tragedy. Orphaned at the tender age of two following a cholera epidemic that claimed both parents, young Joaquín and his sister were raised by their maternal aunt and uncle. This early experience with loss perhaps instilled within him a profound appreciation for the fleeting beauty of life – a sentiment that would permeate his art. Though hardship shadowed his beginnings, it did not dim the spark of artistic talent that quickly became apparent. He received initial instruction in Valencia, demonstrating an aptitude that led to studies under established artists like Cayetano Capuz and José Benlliure, eventually culminating in a four-year grant to study in Rome. It was there, amidst the classical grandeur of Italy, that Sorolla began to forge his unique artistic path, absorbing influences while simultaneously developing a style distinctly his own.

    Early Life and Influences

    Joaquín Sorolla’s formative years were shaped by profound loss and circumstance. Born on February 27th, 1863, in Valencia, Spain, he descended from a modest family – his father was a tradesman, and his wife Concepción Bastida. Tragically, both parents succumbed to cholera just two years later, leaving Joaquín and his sister under the care of their maternal aunt and uncle. This early exposure to grief undoubtedly instilled within him an awareness of mortality and a deep sensitivity to human emotion—themes that would recur throughout his oeuvre. Recognizing Sorolla’s exceptional talent from a young age, he commenced formal artistic training at Valencia's School of Artisans, where he honed his skills under the tutelage of prominent Valencian painters. Subsequently, he pursued further studies in Madrid with Salustiano Asenjo, immersing himself in the artistic traditions of Spain’s capital. His fascination with Velázquez—particularly the masterful use of light and shadow—became a cornerstone of his artistic vision. This admiration for the Old Master profoundly impacted Sorolla's technique and compositional choices.

    Rome and Impressionistic Exploration

    At eighteen, Sorolla embarked on a transformative journey to Rome, Italy, securing a prestigious scholarship from the Valencian government. During his four-year residency, he absorbed the influence of Italian Renaissance art while simultaneously encountering the burgeoning currents of Impressionism—a movement that would revolutionize European painting. He found inspiration in artists such as Francisco Pradilla Ortiz, the director of the Spanish Academy in Rome, who championed Sorolla’s artistic ambitions and encouraged him to experiment with innovative approaches. Exposure to Parisian exhibitions featuring Jules Bastien-Lepage and Adolph von Menzel further broadened his horizons, introducing him to new stylistic ideas and techniques. Sorolla skillfully blended these influences into a distinctive style characterized by loose brushstrokes, vibrant color palettes, and an unwavering dedication to capturing the ephemeral effects of sunlight—a hallmark of Luminism, as championed by artists like Claude Monet and Frederic Bazille.

    The Valencian Coast: A Celebration of Light

    Sorolla’s artistic focus shifted decisively upon his return to Valencia in 1888, where he married Clotilde García del Castillo, daughter of Antonio García Peris—a supporter who recognized Sorolla's prodigious talent and championed his endeavors. Together they established a family in Madrid, relocating there in 1890, and Sorolla dedicated the subsequent decade to producing monumental canvases depicting scenes from the Valencian coast—a region he adored for its dazzling sunlight and expansive horizon. He became renowned for his depictions of bathing children and adolescents, meticulously studying the interplay between light and color as it illuminated skin and reflected on water surfaces. Paintings like *Children on the Seashore* exemplify Sorolla’s unparalleled ability to convey atmosphere and emotion with breathtaking immediacy—a testament to his unwavering commitment to plein air painting and Luminist principles. His meticulous observation of nature served not merely as subject matter but as a catalyst for artistic innovation, propelling him to the forefront of Spanish Impressionism.

    Major Achievements and Legacy

    Sorolla’s career blossomed throughout the late 1890s and early 20th century, marked by prolific exhibitions in Madrid, Paris, Venice, Munich, Berlin, and Chicago—each showcasing his mastery of technique and capturing the spirit of his time. He garnered considerable acclaim for The Return from Fishing, acquired by the Musée du Luxembourg, cementing his reputation as a leading figure on the international stage. Sorolla’s artistic prowess was recognized with numerous honors and commissions, including the Grand Prix and medal of honor at the Universal Exhibition in Paris for Sad Inheritance. His monumental mural cycle commissioned by the Hispanic Society of America—Vision of Spain, completed posthumously—stands as an enduring symbol of his artistic vision and technical brilliance. Sorolla’s influence extended far beyond his lifetime, inspiring generations of artists who embraced Luminism and sought to emulate his distinctive style. Today, his paintings reside in prestigious museums worldwide—most notably the Museo Sorolla in Valencia—where they continue to captivate audiences with their luminous beauty and profound emotional resonance—a testament to Joaquín Sorolla y Bastida’s enduring legacy as one of Spain's greatest painters.

    Kje si lahko preberete več

    • Umetnik Joaquin Sorolla topimpressionists.com/sl/artists/joaquin-sorolla_sl/
    • Podobna dela Več del za primerjavo topimpressionists.com/sl/art/similar/joaquin-sorolla-y-bastida-shell-in-javea-D2VLW4-en/

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Shell in Jávea

    topimpressionists.com/sl/art/download/joaquin-sorolla-y-bastida-shell-in-javea-D2VLW4-en/

    Citiranje umetniškega dela

    MLA
    Sorolla, Joaquin. Shell in Jávea. 1900, https://topimpressionists.com/sl/art/joaquin-sorolla-y-bastida-shell-in-javea-D2VLW4-en/
    APA
    Sorolla, Joaquin (1900). Shell in Jávea [Painting]. https://topimpressionists.com/sl/art/joaquin-sorolla-y-bastida-shell-in-javea-D2VLW4-en/
    Chicago
    Joaquin Sorolla. Shell in Jávea. 1900. https://topimpressionists.com/sl/art/joaquin-sorolla-y-bastida-shell-in-javea-D2VLW4-en/
    Harvard
    Sorolla, Joaquin (1900) Shell in Jávea. Available at: https://topimpressionists.com/sl/art/joaquin-sorolla-y-bastida-shell-in-javea-D2VLW4-en/

    Oglejte si bližje

    Shell in Jávea — Joaquin Sorolla

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Valencia beach in the morning light (1908), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Kje lahko to opazite v tem delu?
    5. Joaquin Sorolla je bil star približno 37, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kako se slog dela "Shell in Jávea" povezuje z dobo njegovega ustvarjalca?

    "Shell in Jávea" avtorja Joaquin Sorolla uvrščamo v smer Impressionism, v obdobje 19. stoletje svojega ustvarjalca.

    Kdo je ustvaril "Shell in Jávea"?

    "Shell in Jávea" pripisujemo Joaquin Sorolla.

    Kdaj je bilo ustvarjeno "Shell in Jávea"?

    Ustvaritev dela "Shell in Jávea" avtorja Joaquin Sorolla datiramo v 1900.