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Ploughing

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John Atkinson Ii, Ploughing (1919). Dostopno v javni lastnini. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
John Atkinson Ii topimpressionists.com/sl/artists/john-atkinson-ii/
Datumi rojstva in smrti umetnika
1863 – 1924
Naslikano
1919
Prvotna velikost
54 x 74 cm

V kontekstu

Ploughing — John Atkinson Ii

Dimenzije

Prvotne dimenzije so 54 × 74 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 61 ob smrti.

Naslikano, ko je bil avtor star 56. Umetnik je živel 61. 5 od 9 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje John Atkinson Ii (1863–1924) ▲ to delo, 1919 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1907 Glavni delovni leti: 1907–1919 Pozna dela: od 1919

Ti trije pasovi razdelijo dela v tem katalogu na prvo četrtino, srednjo polovico in zadnjo četrtino. Niso popolna celotina umetnikovega dela: tanjka obdobja je lahko praznina v arhivu, ne le obdobje manj intenzivnega ustvarjanja. Iste leta, v katerih se odtisa življenje umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: topimpressionists.com/sl/art/similar/john-atkinson-ii-ploughing-ARAGHN-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Driftwood #ab966d

    Shranjena paleta

    • #AB966D
    • #8C7349
    • #62482F
    • #C5B698

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Driftwood
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja John Atkinson Ii v zadnjih dvanajst mesecih — skupaj 1 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 100,0%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    6 najbolj gledanih del umetnika John Atkinson Ii

    1. 1 Hay Cart Pulled by Two Horses, 1920 20,0%
    2. 2 Horse and Cart on a Moorland Track (probably the N. Yorkshire Moors) 20,0%
    3. 3 Making a Haystack, 1907 20,0%
    4. 4 Horses and Groom Resting 20,0%
    5. 5 H.R.H. Prince of Wales and Field Marshal Sir John Denton Pinkstone Frence 1st Earl of Ypres 20,0%
    6. — Ploughing, 1919 ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 18 del te umetnice, pri čemer je bilo 5 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    John Atkinson Ii

    John Atkinson II (1863 – 1924): A Painter of Rural England

    John Atkinson II, born in Leeds, Yorkshire, in 1863, emerged as a prominent figure in British art during the Victorian era and transitioned into Impressionism with remarkable grace. His artistic journey was marked by meticulous observation of the natural world and an unwavering dedication to capturing its subtle nuances—a characteristic that would define his distinctive style and secure his place within the canon of nineteenth-century landscape painting.

    Early Life & Education: Atkinson’s formative years were spent in a family steeped in artistic tradition. His father, John Atkinson Sr., was also a painter, fostering an environment where creativity flourished. He received his initial artistic training at Leeds Art School and subsequently pursued further studies at the Royal Academy of Arts in London, honing his skills under influential instructors who championed realism and tonal harmony.

    Early Career & Influences: Atkinson’s early works demonstrated a fascination with Yorkshire landscapes—particularly the bleak beauty of the moors. He was profoundly impacted by artists like Albert Brumel and Frederic Leighton, whose meticulous attention to detail and atmospheric rendering served as models for his own approach. These influences instilled in him a belief that art should strive for accuracy and emotional resonance simultaneously.

    The Yorkshire Moor Landscapes: A Defining Style

    Atkinson’s artistic reputation solidified with his celebrated depictions of the Yorkshire moors, where he achieved unparalleled mastery of tonal painting. He eschewed bright colors in favor of muted hues—ochres, browns, greys—creating canvases that conveyed a palpable sense of solitude and melancholy. His technique involved layering thin washes of pigment to build up complex textures and gradations of tone, capturing the diffused light and atmospheric haze characteristic of these landscapes. Consider his iconic painting “The Shepherdess,” showcasing a solitary figure amidst windswept heather – an image imbued with profound psychological depth.

    Notable Paintings: Among Atkinson’s most acclaimed works are "The Moorland Scene," "Winter Landscape," and "A Cottage Interior." Each piece exemplifies his signature style, demonstrating exceptional draughtsmanship and a masterful command of color and light. These paintings continue to resonate with viewers today due to their evocative portrayal of rural life and their ability to evoke feelings of nostalgia and contemplation.

    Technique & Materials: Atkinson’s palette consisted primarily of earth pigments—iron oxides, manganese oxides—which he skillfully blended to achieve subtle variations in hue. He utilized brushes meticulously crafted from sable hair, applying paint with deliberate precision to build up textured surfaces. Furthermore, he employed glazing techniques—applying thin layers of translucent pigment over dried underlayers—to enhance luminosity and deepen tonal harmonies.

    Transition Towards Impressionism & Later Years

    As the Victorian era drew to a close, Atkinson began experimenting with Impressionistic influences. He embraced looser brushstrokes and brighter colors—though retaining his core tonal palette—incorporating elements of plein air painting into his practice. This stylistic evolution reflected a broader trend within British art at the time, signaling a move away from academic conventions toward greater spontaneity and expressive freedom. Despite facing considerable challenges during his later years – including financial difficulties – Atkinson persevered in his artistic endeavors until his death in 1924.

    Legacy & Influence: John Atkinson II’s contribution to British art is undeniable. His meticulous observation of nature and his innovative tonal painting technique established him as a pioneer of Impressionism within Yorkshire. He remains an admired figure among landscape artists, inspiring subsequent generations to explore the expressive potential of subtle color gradations and atmospheric effects.

    Concluding Remarks: An Artist Rooted in Tradition Yet Embracing Innovation

    Ultimately, John Atkinson II’s artistic legacy resides in his ability to synthesize Victorian realism with Impressionistic sensibilities. He achieved a remarkable balance between accuracy and emotion—a testament to his unwavering dedication to craftmanship and his profound understanding of the human condition. His paintings continue to captivate audiences worldwide, serving as enduring reminders of the beauty and melancholy inherent in the English countryside and cementing his place as one of Britain’s most significant landscape painters.

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    topimpressionists.com/sl/art/download/john-atkinson-ii-ploughing-ARAGHN-en/

    Navodila za citiranje umetniškega dela

    MLA
    Ii, John Atkinson. Ploughing. 1919, https://topimpressionists.com/sl/art/john-atkinson-ii-ploughing-ARAGHN-en/
    APA
    Ii, John Atkinson (1919). Ploughing [Painting]. https://topimpressionists.com/sl/art/john-atkinson-ii-ploughing-ARAGHN-en/
    Chicago
    John Atkinson Ii. Ploughing. 1919. https://topimpressionists.com/sl/art/john-atkinson-ii-ploughing-ARAGHN-en/
    Harvard
    Ii, John Atkinson (1919) Ploughing. Available at: https://topimpressionists.com/sl/art/john-atkinson-ii-ploughing-ARAGHN-en/

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    Ploughing — John Atkinson Ii

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Making a Haystack (1907), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. John Atkinson Ii je bil star približno 56, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kdo prodaja ročno slikane kopije dela "Ploughing" avtorja John Atkinson Ii?

    "Ploughing" je na voljo kot ročno slikana oljna reprodukcija na lnenem platnu. Naročilo lahko oddate na njegovi strani Ročno slikana reprodukcija, pri čemer lahko izbirate med različnimi velikostmi.

    Ali uporablja "Ploughing" avtorja John Atkinson Ii močne kontraste ali nežne harmonije?

    Barvna analiza dela "Ploughing" avtorja John Atkinson Ii beleži Gentle kontrast in Unified Palette harmonijo.

    Ali je na voljo prenos v visoki ločljivosti za "Ploughing"?

    "Ploughing" je na voljo kot prenos digitalne slike visoke ločljivosti, ki ga lahko kupite neposredno na njegovi strani Digitalna slika.