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Salisbury Cathedral from Lower Marsh Close

Ime Razred Datum

John Constable Reeve, Salisbury Cathedral from Lower Marsh Close (1820). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
John Constable Reeve topimpressionists.com/sl/artists/john-constable-reeve/
Datumi rojstva in smrti umetnika
1929 – 2020
Naslikano
1820
Prvotna velikost
97 x 116 cm

V kontekstu

Salisbury Cathedral from Lower Marsh Close — John Constable Reeve

Kakšna je velikost?

Prvotne dimenzije so 97 × 116 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1820
  2. 1840
  3. 1860
  4. 1880
  5. 1900
  6. 1920
  7. 1940
  8. 1960
  9. 1980
  10. 2000
  11. 2020

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 91 ob smrti.

Osenčeno: življenjsko obdobje John Constable Reeve (1929–2020) ▲ to delo, 1820 vsaka datirana slika, desetletje za desetletjem

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Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: topimpressionists.com/sl/art/similar/john-constable-reeve-salisbury-cathedral-from-lower-marsh-close-D38J5H-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Rosy Brown #b79f80

    Katalogirana paleta

    • #B79F80
    • #332C16
    • #907E60
    • #584B24

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Rosy Brown
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja John Constable Reeve v zadnjih dvanajst mesecih — skupaj 2 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 90,0%
    2. 2 Združene države Amerike 10,0%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    6 najbolj gledanih del umetnika John Constable Reeve

    1. 1 Hampstead Heath looking West towards Harrow (II), 1821 30,0%
    2. 2 Salisbury Cathedral from the Bishop, 1826 20,0%
    3. 3 Clouds, 1822 20,0%
    4. 4 Laura Moubray, née Hobson (born 1788), 1808 20,0%
    5. 5 Handley Page V1500, Bircham Newton, Norfolk, 1918 10,0%
    6. — Salisbury Cathedral from Lower Marsh Close, 1820 ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 30 del te umetnice, pri čemer je bilo 5 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    John Constable Reeve

    A Legacy of the Suffolk Soil: The Life of John Constable Reeve

    Born in 1929 at Valley Farm, Sproughton, within the heart of Ipswich, John Constable Reeve was a man whose very identity was woven into the pastoral fabric of East Anglia. As the son of Clarence Victor Reeve and Mabel Rose Wright, his early years were defined by the rhythms of the family farm. While he embraced the physical labors of agricultural life, his soul remained tethered to the canvas. This dual existence—the diligent farmer and the observant painter—allowed him to witness the subtle shifts of the English landscape with an intimacy that few outsiders could replicate. His education, which commenced in the winter of 1943, provided a foundation for a lifelong pursuit of capturing the ephemeral beauty of the natural world.

    Reeve’s artistic journey was marked by an early and precocious talent. Even as a young student, his eye for light and composition began to garner attention within the local artistic community. By 1941, he was already showcasing works such as “Lower Meadow Bridge” and “Sunshine” at the Ipswich Art Club, signaling the arrival of a significant new voice in regional art. His dedication to his craft earned him prestigious accolades from the Royal Drawing Society and the Children’s Academy, where pieces like "Ivywell Farm, Sproughton, Suffolk" and "After the Shower" demonstrated a maturity far beyond his years. These early successes were not merely personal triumphs but served to cement his reputation as a gifted chronicler of the rural experience.

    The Evolution of a Painter's Vision

    As Reeve matured, his artistic style underwent a profound evolution, moving toward a more nuanced exploration of light and atmosphere. He found deep inspiration in the luminist traditions, drawing subtle influences from painters such as John Ottis Adams. This fascination with luminosity led him to master the delicate medium of watercolor, a tool that allowed him to capture the translucent quality of the sky and the soft, shifting textures of the Suffolk countryside. His later years, spent residing near Mettingham, saw him perfecting his ability to render the serene and idyllic scenes that would become his hallmark.

    His work often functioned as a visual symphony of color and light. Whether he was depicting the vibrant, post-storm radiance in Salisbury Cathedral from the Meadows or the historical weight of wartime machinery in his oil painting Lancaster Bomber B1, Reeve possessed a unique ability to blend realism with an emotive, almost impressionistic touch. His landscapes were never static; they breathed with the humidity of a summer rain and the warmth of a setting sun. Through his brush, the quietude of the English countryside was transformed into a lasting testament to the beauty of the mundane and the magnificent alike.

    Artistic Community and Lasting Contributions

    Beyond his individual canvases, Reeve was a vital thread in the tapestry of the British art scene. His active membership in influential organizations, including the Ipswich Art Club from 1945 to 1958 and the Norfolk & Norwich Art Circle from 1949 to 1966, allowed him to foster deep connections with his contemporaries. He was not merely a solitary observer but an engaged participant in the cultural life of his region. His commitment to his community extended even into his later years, exemplified by his generous donation of the watercolor “Happy Pigs” to the Westhall Secret Postcard Auction in 2013, a gesture that supported local heritage and the preservation of art.

    The significance of John Constable Reeve lies in his ability to bridge the gap between the traditional landscape tradition and a deeply personal, lived experience. His oeuvre stands as a record of a vanishing way of life, capturing the textures of Suffolk farms and the atmospheric shifts of the English sky with unparalleled devotion. To look upon a Reeve painting is to step into a world of eternal peace, where the heavy foliage of a foreground tree or the soft roll of a distant hill invites the viewer to slow down and rediscover the profound tranquility found within the natural landscape.

    Kje si lahko preberete več

    • Umetnik John Constable Reeve topimpressionists.com/sl/artists/john-constable-reeve/
    • Podobna dela Več del za primerjavo topimpressionists.com/sl/art/similar/john-constable-reeve-salisbury-cathedral-from-lower-marsh-close-D38J5H-en/

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Salisbury Cathedral from Lower Marsh Close

    topimpressionists.com/sl/art/download/john-constable-reeve-salisbury-cathedral-from-lower-marsh-close-D38J5H-en/

    Citiranje umetniškega dela

    MLA
    Reeve, John Constable. Salisbury Cathedral from Lower Marsh Close. 1820, https://topimpressionists.com/sl/art/john-constable-reeve-salisbury-cathedral-from-lower-marsh-close-D38J5H-en/
    APA
    Reeve, John Constable (1820). Salisbury Cathedral from Lower Marsh Close [Painting]. https://topimpressionists.com/sl/art/john-constable-reeve-salisbury-cathedral-from-lower-marsh-close-D38J5H-en/
    Chicago
    John Constable Reeve. Salisbury Cathedral from Lower Marsh Close. 1820. https://topimpressionists.com/sl/art/john-constable-reeve-salisbury-cathedral-from-lower-marsh-close-D38J5H-en/
    Harvard
    Reeve, John Constable (1820) Salisbury Cathedral from Lower Marsh Close. Available at: https://topimpressionists.com/sl/art/john-constable-reeve-salisbury-cathedral-from-lower-marsh-close-D38J5H-en/

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    Salisbury Cathedral from Lower Marsh Close — John Constable Reeve

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    Vprašanja in odgovori

    Kdo je avtor dela "Salisbury Cathedral from Lower Marsh Close"?

    "Salisbury Cathedral from Lower Marsh Close" pripisujemo John Constable Reeve.

    Ali je "Salisbury Cathedral from Lower Marsh Close" avtorja John Constable Reeve svetlo ali temno umetniško delo?

    "Salisbury Cathedral from Lower Marsh Close" avtorja John Constable Reeve je zabeležen z jasnostjo shadow in luminanco Soft Shadow.

    Kakšen je format dela "Salisbury Cathedral from Lower Marsh Close"?

    Delo "Salisbury Cathedral from Lower Marsh Close" avtorja John Constable Reeve je v Landscape formatu. Format določa razmerja kompozicije.