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Vodnik po študentskem umetniškem delu

Augustus Saint Gaudens

Ime Razred Datum

Kenyon Cox, Augustus Saint Gaudens (1908). Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Kenyon Cox topimpressionists.com/sl/artists/kenyon-cox/
Datumi rojstva in smrti umetnika
1856 – 1919
Naslikano
1908
Prvotna velikost
85 x 120 cm
Gibanje
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

V kontekstu

Augustus Saint Gaudens — Kenyon Cox

Kakšna je velikost?

Prvotne dimenzije so 85 × 120 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 63 ob smrti.

Naslikano, ko je bil avtor star 52. Umetnik je doživel 63 let. 46 od 66 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Kenyon Cox (1856–1919) ▲ to delo, 1908 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1888 Glavni delovni leti: 1888–1910 Pozna dela: od 1910

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: topimpressionists.com/sl/art/similar/kenyon-cox-augustus-saint-gaudens-AQRBUN-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Clay #946931

    Katalogirana paleta

    • #946931
    • #C3A36A
    • #DBC9A1
    • #5D320F

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Clay
    Intenzivnost
    Vivid Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Bright Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Clear Color Presence Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Kenyon Cox v zadnjih dvanajst mesecih — skupaj 3 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 85,7%
    2. 2 Združene države Amerike 8,6%
    3. 3 Singapur 5,7%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    20 najbolj gledanih del umetnika Kenyon Cox

    1. 1 After Boltraffio, Sacra Conversazione, 1882 7,7%
    2. 2 Study for Mosaic, Wisconsin State Capitol,, 1912 5,1%
    3. 3 Study for Christ, 1905 5,1%
    4. 4 Study for Mosaic, Wisconsin State Capital, Justice, 1913 5,1%
    5. 5 Head of the Queen of Egypt, 1888 5,1%
    6. 6 The Fall, 1892 5,1%
    7. 7 (Untitled) (Greco Roman Discus Thrower), 1873 5,1%
    8. 8 (Iowa State Capitol Rotunda) (Hunting, study for panel), 1905 5,1%
    9. 9 Study for Mural for Appellate Court Building, New York Statute Law , Helmet for Figure of Force, 1899 2,6%
    10. 10 Study for Mosaic, Wisconsin State Capitol,, 1912 2,6%
    11. 11 Nude Study for Mosaic, Wisconsin State Capitol,, 1912 2,6%
    12. 12 Nude Study for Mosaic, Wisconsin State Capitol,, 1912 2,6%
    13. 13 Sketch for the Mural at Oberlin College, The Spirit of Self Sacrificing Love, 1914 2,6%
    14. 14 Study for Science Instructing Industry, 1898 2,6%
    15. 15 After Titian's Madonna of the Rabbit, 1882 2,6%
    16. 16 Sketch for Mosaic, Wisconsin State Capital, Justice, 1912 2,6%
    17. 17 An Eclogue, 1890 2,6%
    18. 18 Study for mosaic in the Wisconsin State Capital Government and Liberty, 1912 2,6%
    19. 19 Book of Pictures, 1917 2,6%
    20. — Augustus Saint Gaudens, 1908 ta slika 0,0%

    Skupaj ti deli predstavljajo 72,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 67 del te umetnice, pri čemer je bilo 30 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Kenyon Cox

    Kenyon Cox: Life and Legacy

    Early Life and Education

    Born: October 27, 1856, in Warren, Ohio.

    Parents: Jacob Dolson Cox and Helen Finney Cox.

    Kenyon Cox initially studied at the Art Academy of Cincinnati (formerly the McMicken School of Art). However, he quickly recognized the limited artistic opportunities available in the city.

    Following a visit to the Centennial Exposition in Philadelphia, he decided to pursue further education at the Pennsylvania Academy of Fine Arts, hoping it would lead to studies in Europe.

    Parisian Training and Influences

    In 1877, Cox moved to Paris, joining a wave of American artists seeking artistic inspiration. He believed Paris was experiencing a “second renaissance” in art.

    Influential Teachers: Carolus-Duran, Jean-Léon Gérôme, and Alexandre Cabanel at the École des Beaux-Arts.

    He initially studied under Carolus-Duran but became frustrated with what he perceived as a “vulgarity” in Duran’s style.

    Travels throughout France and Italy exposed him to the works of Renaissance masters, profoundly shaping his artistic vision.

    Career in New York and Artistic Style

    In 1882, Cox returned to New York City, where he established himself as a painter and illustrator.

    Illustration Work: He became well-known for his magazine illustrations, which reached a wider audience than his paintings.

    Art Criticism: Cox also wrote unsigned art criticisms for the New York Evening Post, supplementing his income.

    His artistic style leaned towards realism, with a focus on landscapes, portraits, and genre studies. He was known for idealized nudes and traditional treatments of classical themes.

    Teaching and Institutional Involvement

    Art Students League of New York: Cox became a highly influential instructor at the Art Students League, shaping generations of artists. He designed the League’s logo featuring the motto “Nulla Dies Sine Linea” (No Day Without a Line).

    Elected an Associate Academician of the National Academy of Design in 1900 and a full Academician in 1903.

    Founding Member: He was one of the founders and secretary of the National Free Arts League.

    Leadership Roles: Served as president of the National Society of Mural Painters from 1915 to 1919, and held memberships in various prestigious art organizations.

    Major Achievements and Historical Significance

    Cox’s work represented a commitment to classical ideals at a time when modern art movements were emerging. He advocated for careful drawing, modulated color, and the use of allegory and symbolism.

    His writings, such as “Two Ways of Painting,” articulated his views on figurative art versus abstract or representational styles.

    Legacy: Though not a radical innovator, Kenyon Cox played a crucial role in maintaining traditional artistic standards and educating aspiring artists. His influence extended through his teaching and his contributions to the American art establishment.

    Death: March 17, 1919.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Augustus Saint Gaudens

    topimpressionists.com/sl/art/download/kenyon-cox-augustus-saint-gaudens-AQRBUN-en/

    Citiranje umetniškega dela

    MLA
    Cox, Kenyon. Augustus Saint Gaudens. 1908, https://topimpressionists.com/sl/art/kenyon-cox-augustus-saint-gaudens-AQRBUN-en/
    APA
    Cox, Kenyon (1908). Augustus Saint Gaudens [Painting]. https://topimpressionists.com/sl/art/kenyon-cox-augustus-saint-gaudens-AQRBUN-en/
    Chicago
    Kenyon Cox. Augustus Saint Gaudens. 1908. https://topimpressionists.com/sl/art/kenyon-cox-augustus-saint-gaudens-AQRBUN-en/
    Harvard
    Cox, Kenyon (1908) Augustus Saint Gaudens. Available at: https://topimpressionists.com/sl/art/kenyon-cox-augustus-saint-gaudens-AQRBUN-en/

    Oglejte si bližje

    Augustus Saint Gaudens — Kenyon Cox

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: sculptor portrait, artistic creation, studio setting”. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si Augustus Saint-Gaudens (1908), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Kje lahko to opazite v tem delu?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Katera barva najbolj izstopa v delu "Augustus Saint Gaudens"?

    Prevladujoča barva dela "Augustus Saint Gaudens" avtorja Kenyon Cox je Clay (#946931).

    Ali je "Augustus Saint Gaudens" v celotnosti bolj svetel ali bolj temen?

    "Augustus Saint Gaudens" ima v celoti bright, njegova luminanca pa znaša Gentle Luminance.

    Kje lahko najdem umetniška dela, podobna delu "Augustus Saint Gaudens" avtorja Kenyon Cox?

    Stran Podobna dela za delo "Augustus Saint Gaudens" avtorja Kenyon Cox prikazuje sorodna umetniška dela.