Format papirja

Priročnik za študentska dela

St John

Ime in priimek Razred Datum

Léonard Limosin, St John (1547), Musée des Beaux-Arts. Dostopno v javni lastnini. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Léonard Limosin topimpressionists.com/sl/artists/leonard-limosin/
Datumi rojstva in smrti umetnika
1505 – 1575
Naslikano
1547
Prvotna velikost
92 x 43 cm
Na lokaciji
Musée des Beaux-Arts topimpressionists.com/sl/museums/musee-des-beaux-arts-chartres/

V kontekstu

St John — Léonard Limosin

Dimenzije

Prvotne dimenzije so 92 × 43 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1500
  2. 1510
  3. 1520
  4. 1530
  5. 1540
  6. 1550
  7. 1560
  8. 1570

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 70 ob smrti.

Naslikano, ko je bil avtor star 42. Umetnik je živel 70. 2 od 9 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Léonard Limosin (1505–1575) ▲ to delo, 1547 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1547 Glavni delovni leti: 1547–1556 Pozna dela: od 1556

Ti trije pasovi razdelijo dela v tem katalogu na prvo četrtino, srednjo polovico in zadnjo četrtino. Niso popolna celotina umetnikovega dela: tanjka obdobja je lahko praznina v arhivu, ne le obdobje manj intenzivnega ustvarjanja. Iste leta, v katerih se odtisa življenje umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: topimpressionists.com/sl/art/similar/leonard-limosin-st-john-8XZMTQ-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #301e22

    Shranjena paleta

    • #301E22
    • #6A5757
    • #E0D8D7
    • #AD907F

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Naziv primarne barve
    Phthalo Green
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Softly Mixed Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Léonard Limosin v zadnjih dvanajst mesecih — skupaj 2 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 87,5%
    2. 2 Združene države Amerike 12,5%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    6 najbolj gledanih del umetnika Léonard Limosin

    1. 1 Crucifixion, 1553 40,0%
    2. 2 Tric-Trac Board, 1537 20,0%
    3. 3 The Resurrection, central panel of an altarpiece. 10,0%
    4. 4 Angel with the sponge and lance, two instruments of the Passion of Christ, detail of an altarpiece with the Resurrection, Limoges artwork. 10,0%
    5. 5 Angel with the Cross and St Veronica's veil, detail of an altarpiece with the Resurrection, Limoges artwork. 10,0%
    6. 6 St John, 1547 ta slika 10,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 18 del te umetnice, pri čemer je bilo 6 vsaj enkrat ogledanih. Ta slika zaseda 6 mesto med njimi, s 10,0% takšne pozornosti. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Léonard Limosin

    Rojen v France

    Biography

    Léonard Limosin (b. ca. 1505, Limoges, d. ca. 1575/77) stands as one of the most celebrated enamel painters of Renaissance France, a figure whose legacy continues to inspire admiration for his masterful technique and profound artistic vision. Born in Limoges – a city renowned for its vibrant enamel tradition – he descended from a family of seven skilled enamellers, establishing him within a lineage deeply rooted in this distinctive art form. While precise details surrounding his early life remain elusive, scholarly consensus suggests that Limosin honed his craft under the tutelage of Jean Nardon Pénaud, a prominent Limoges artist whose influence undoubtedly shaped his formative years.

    Early Influences: Limosin’s artistic journey commenced with an undeniable connection to German Renaissance art. His inaugural authenticated work, dated 1532, comprises eighteen enamel plaques depicting the Passion of Christ – a direct adaptation of prints by Albrecht Dürer. This stylistic debt underscores the pervasive impact of Northern European artistic sensibilities on French painters during this period.

    The Fontainebleau School: Recognizing the importance of broadening his artistic horizons, Limosin actively sought inspiration from the Italian masters residing at Fontainebleau Palace. Artists such as Primaticcio, Rosso Fiorentino, Giulio Romano and Andrea Solari captivated him with their innovative use of arabesque ornament and their exploration of mythological subjects—elements that would subsequently permeate his own oeuvre.

    Service to Royalty: In 1530 Limosin entered the service of Francis I as painter and valet de chambre, a position he maintained throughout Henry II’s reign. This patronage afforded him unparalleled access to royal commissions, resulting in numerous portraits executed in enamel—among them striking depictions of Diane de Poitiers, who served as Henry II's mistress, and elaborate decorative works adorning the palaces of Versailles and Fontainebleau.

    His artistic output spanned an astonishing breadth of mediums and subjects. While Limosin achieved particular renown for his richly coloured enamels – characterized by their luminous hues and graceful grisaille designs on black or bright blue backgrounds – he was equally adept as an oil painter, producing works that showcased remarkable realism and expressive power. His meticulous attention to detail and masterful handling of pigment cemented his reputation as a true innovator within the artistic landscape of his time.

    Major Achievements & Legacy

    Limosin’s contribution to art history is undeniable, primarily evidenced by his monumental achievement: the creation of approximately two thousand enamels—a staggering number that testifies to his prolific creativity and unwavering dedication to his craft. Among his most enduring masterpieces are the two votive tablets commissioned for Sainte Chapelle in Paris – a breathtaking assemblage of twenty-three plaques meticulously crafted according to Dürer’s designs, symbolizing faith and devotion. These tablets remain treasured relics of Gothic art, captivating visitors with their exquisite artistry and symbolic grandeur. Furthermore, Limosin's portraits—including depictions of Henry II, Marguerite de Valois, the Duke of Guise and Cardinal Lorraine—are considered cornerstones of Renaissance portraiture, capturing the dignity and complexity of royal figures with unparalleled skill. His works continue to be exhibited at prestigious institutions such as the Louvre Museum, ensuring that his artistic legacy persists for generations to come.

    Notable Works

    Limosin’s oeuvre encompasses a diverse range of projects—from monumental enamel plaques to intimate miniature paintings—each reflecting his distinctive stylistic sensibilities and technical prowess. His most celebrated achievements include:

    The Sainte Chapelle Votive Tablets

    Portraits of Henry II, Marguerite de Valois, Duke of Guise & Cardinal Lorraine

    Enamel Plaques Depicting Diane de Poitiers

    His enduring influence extends beyond his individual creations; Limosin’s artistic innovations profoundly shaped the trajectory of enamel painting in France and established him as a pivotal figure within the broader context of Renaissance art.

    Muzej

    Musée des Beaux-Arts

    Na razstavi v Chartres, France

    A Journey Through Art & History at the Musée des Beaux-Arts, Chartres

    Nestled within the historic Bishop's Palace (Palais Épiscopal) in the heart of Chartres, France, the

    Musée des Beaux-Arts

    offers a captivating journey through centuries of artistic expression. This museum is more than just an art gallery; it’s a cultural landmark that blends stunning architecture with a diverse and compelling collection.

    Specializations & Collection Highlights

    Ancient to Modern Art:

    The museum's holdings span a broad chronological range, encompassing works from antiquity through the modern era.

    European Masters:

    Discover exceptional paintings by renowned artists such as

    Zurbaran

    , known for his dramatic religious scenes, and

    Chardin

    , celebrated for his still lifes and genre paintings.

    Soutine’s Expressive Power:

    The museum boasts a significant collection of works by Chaim Soutine, showcasing his unique and emotionally charged style.

    Unique Harpsichord Collection:

    A truly distinctive feature is the museum's remarkable assemblage of harpsichords. This collection offers insight into the history of musical instruments and their craftsmanship.

    Sacred Art & Decorative Arts:

    Explore a range of sacred artworks alongside exquisite examples of decorative arts, providing context to the artistic traditions of the region.

    Architecture & History

    The museum’s location within the Palais Épiscopal is integral to its charm. The Bishop's Palace itself is a historical treasure, reflecting centuries of architectural evolution. Originally built as a fortified residence, it underwent numerous transformations over time, showcasing various styles.

    Historical Significance:

    The palace has served as the seat of power for bishops of Chartres for generations, witnessing pivotal moments in French history.

    Architectural Blend:

    Visitors can admire a blend of architectural influences within the palace walls, from medieval foundations to Renaissance embellishments.

    What Makes It Unique?

    The Musée des Beaux-Arts distinguishes itself through its harmonious combination of artistic treasures and historical setting. The juxtaposition of fine art within the grand halls of the Bishop's Palace creates a truly immersive experience. It’s not merely viewing art; it’s stepping back in time and experiencing the cultural legacy of Chartres.

    Plan your visit today to discover the beauty and history that await you at the Musée des Beaux-Arts!

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos St John

    topimpressionists.com/sl/art/download/leonard-limosin-st-john-8XZMTQ-en/

    Navodila za citiranje umetniškega dela

    MLA
    Limosin, Léonard. St John. 1547, Musée des Beaux-Arts. https://topimpressionists.com/sl/art/leonard-limosin-st-john-8XZMTQ-en/
    APA
    Limosin, Léonard (1547). St John [Painting]. Musée des Beaux-Arts. https://topimpressionists.com/sl/art/leonard-limosin-st-john-8XZMTQ-en/
    Chicago
    Léonard Limosin. St John. 1547. Musée des Beaux-Arts. https://topimpressionists.com/sl/art/leonard-limosin-st-john-8XZMTQ-en/
    Harvard
    Limosin, Léonard (1547) St John. Musée des Beaux-Arts. Available at: https://topimpressionists.com/sl/art/leonard-limosin-st-john-8XZMTQ-en/

    Poglejte bližje

    St John — Léonard Limosin

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: saints. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si Crucifixion (1553), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Léonard Limosin je bil star približno 42, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kako lahko prenesem sliko dela "St John" avtorja Léonard Limosin?

    Digitalno sliko dela "St John" avtorja Léonard Limosin lahko prenesete na strani za prenos umetninine Prenos: prenos digitalne slike visoke ločljivosti.

    Kdo je ustvaril "St John" in v letu katerega?

    Léonard Limosin je ustvaril "St John" leta 1547.

    Od kod prihajajo obiskovalci dela "St John" avtorja Léonard Limosin?

    Stran Statistika za delo "St John" avtorja Léonard Limosin prikazuje statistiko javnih obiskov: mesečne obiske tega dela, primerjavo z najbolj ogledanimi deli tega umetnika in izvor obiskovalcev.