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Landscape, County Durham

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Marjorie Arnfield, Landscape, County Durham, Middlesbrough Institute of Modern Art. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Marjorie Arnfield topimpressionists.com/sl/artists/marjorie-arnfield/
Datumi rojstva in smrti umetnika
1930 – 2001
Prvotna velikost
34 x 90 cm
Na lokaciji
Middlesbrough Institute of Modern Art topimpressionists.com/sl/museums/middlesbrough-institute-of-modern-art-middlesbrough_sl/

V kontekstu

Landscape, County Durham — Marjorie Arnfield

Dimenzije

Prvotne dimenzije so 34 × 90 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj bi bilo to lahko slikano?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 71 ob smrti.

Osenčeno: življenjsko obdobje Marjorie Arnfield (1930–2001) vsaka datirana slika, desetletje za desetletjem

Za ta posnetek ni v evidenci natančne leta — glede na življenjsko dobo umetnika in slog dela, za katero desetletje bi ugledali?

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: topimpressionists.com/sl/art/similar/marjorie-arnfield-landscape-county-durham-AQSMB9-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Sap Green #536e42

    Shranjena paleta

    • #536E42
    • #919843
    • #A1BBB9
    • #293D2A

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Naziv primarne barve
    Sap Green
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Marjorie Arnfield v zadnjih dvanajst mesecih — skupaj 1 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 100,0%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    4 najbolj gledanih del umetnika Marjorie Arnfield

    1. 1 Street Market, Lascala, 1998 50,0%
    2. 2 Conservatory, Backhouse Park, Sunderland, Tyne and Wear, 1950 25,0%
    3. 3 Woodhorn Colliery Museum 25,0%
    4. — Landscape, County Durham ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 13 del te umetnice, pri čemer je bilo 3 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Marjorie Arnfield

    A Life Painted in Vibrant Hues: The Story of Marjorie Arnfield

    Marjorie Helen Arnfield, born November 25th, 1930, and passing on April 26th, 2001, was a quietly remarkable English artist whose canvases pulsed with the energy of both industrial grit and the sun-drenched beauty of Mediterranean life. Though perhaps not a household name, Arnfield carved out a distinctive niche for herself through her vivid, impressionistic landscapes—a testament to resilience, keen observation, and a deeply personal connection to place. Her story is one of overcoming physical challenges, embracing color as an emotional language, and finding inspiration in the often-overlooked corners of the world. Raised in Sunderland, a city steeped in the traditions of coal mining and shipbuilding, Arnfield’s early life was profoundly shaped by the landscape of labor and industry that surrounded her. Her family background further nurtured this connection; paternal relatives were regional architects responsible for iconic structures like the Sunderland Empire Theatre, instilling an appreciation for built environments alongside the raw power of manual trades. However, at the tender age of four, Arnfield contracted juvenile chronic arthritis, a condition that would severely limit her mobility throughout her life. This physical adversity did not diminish her artistic drive but instead fueled it, forcing a unique perspective and a determined pursuit of creative expression.

    Early Training and Influences

    Arnfield’s formal art education began at Sunderland Church High School, followed by studies at Sunderland College of Art and later King Edward VII College of Art, University of Durham. It was here that she encountered a constellation of influential British artists who would shape her developing style. Lawrence Gowing, Quentin Bell, and Victor Passmore each left their mark on Arnfield’s approach to painting, encouraging experimentation with form and color. These mentors fostered an environment where artistic exploration flourished, allowing Arnfield to hone her skills and begin to articulate her own visual language. While the precise nature of these influences is difficult to pinpoint definitively, a sense of dynamic composition and bold use of color—characteristics that would become hallmarks of her work—can be traced back to this period of intensive training. The early years were also marked by a growing fascination with light and its ability to transform ordinary scenes into something extraordinary. This interest would later blossom during her extensive travels throughout the Mediterranean, where she sought to capture the “vibrancy of the sun” on canvas.

    From Coal Mines to Coastal Charms: A Diverse Palette

    Arnfield’s artistic output was remarkably diverse, encompassing industrial landscapes, rural scenes, and vibrant depictions of life in the Mediterranean. Her paintings of British coal mines stand as powerful testaments to a disappearing way of life—a gritty realism tempered by an empathetic understanding of the workers who toiled within them. These works are not merely documentary; they convey the energy, danger, and communal spirit inherent in these often-harsh environments. In contrast, her Mediterranean paintings radiate warmth and light, capturing the idyllic beauty of Provence and Spain with a distinctly impressionistic flair. Ochres, burnt siennas, cadmium yellows, viridian greens, reds, and blues—the “colors that sing,” as she described them—dominate these canvases, evoking the scent of lavender, the taste of salt air, and the dazzling intensity of the southern sun. She didn’t limit herself to grand vistas; Arnfield found beauty in everyday moments: fishermen mending nets, bustling market scenes, and quiet gardens bathed in golden light. This ability to find poetry in the mundane is a defining characteristic of her work. A particularly charming series focused on Cadaqués, Spain, showcases tranquil leisure and coastal charm through expressive brushstrokes and a masterful use of color.

    Recognition and Legacy

    Throughout her career, Arnfield exhibited widely across England and Scotland, gaining recognition for her unique vision and technical skill. She also dedicated many years to teaching art to adults and schoolchildren, sharing her passion with aspiring artists. Her commitment to education extended to leading painting holidays in France and the Greek islands, allowing others to experience the landscapes that had so profoundly inspired her. In 2000, Arnfield was awarded an MBE (Member of the Order of the British Empire) for services to British art—a fitting tribute to a lifetime dedicated to capturing the beauty and complexity of the world around her. Today, her paintings are held in public collections documenting industrial heritage and continue to captivate viewers with their vibrant colors, expressive brushwork, and deeply personal perspective. While she may not be as widely celebrated as some of her contemporaries, Marjorie Arnfield’s legacy endures—a testament to the power of art to transcend physical limitations and illuminate the beauty hidden in plain sight.

    A Lasting Impression

    Style: Impressionistic with a focus on vibrant color and dynamic composition.

    Subjects: Industrial landscapes, rural scenes, Mediterranean life (Provence & Spain).

    Key Characteristics: Empathetic portrayal of working-class life, capturing the energy of place, expressive brushwork, use of color as an emotional language.

    Influences: Lawrence Gowing, Quentin Bell, Victor Passmore.

    Arnfield’s work offers a unique perspective on 20th-century British art—a blend of social realism and impressionistic beauty that continues to resonate with audiences today.

    Muzej

    Middlesbrough Institute of Modern Art

    Na razstavi v Middlesbrough, Združeno kraljestvo

    A Sanctuary of Modernity in the Heart of Teesside

    Nestled within the industrial landscape of Middlesbrough, the

    Middlesbrough Institute of Modern Art

    , affectionately known as MIMA, stands as a luminous beacon of creativity and cultural resilience. It is not merely a gallery but a profound dialogue between the region's storied past and its vibrant, forward-looking identity. The museum serves as a vital sanctuary where the raw energy of contemporary art meets the thoughtful contemplation of historical context. For the discerning collector or the lover of fine aesthetics, MIBMA offers an immersive experience that transcends the traditional boundaries of a museum, acting instead as a living, breathing organism of artistic expression that breathes life into the urban fabric of the United Kingdom.

    The architecture of the institute itself is a masterclass in the seamless integration of heritage and modernity. As visitors step through its doors, they are greeted by a space that feels both grounded in history and unburdened by it. The museum’s design facilitates a rhythmic movement through light-filled galleries, where the interplay of shadow and illumination creates an ever-changing canvas for the works on display. This architectural fluidity is essential to the MIMA experience, providing a neutral yet evocative backdrop that allows the textures, colors, and scales of the artworks to command absolute attention. For interior designers seeking inspiration, the museum’s spatial harmony offers a profound lesson in how structure can elevate the emotional resonance of art.

    A Curated Journey Through Contemporary Voices

    The collection at MIMA is a curated journey through the complexities of the modern era, characterized by its bold commitment to contemporary voices and diverse perspectives. The highlights of the permanent holdings and rotating exhibitions often challenge the viewer to reconsider their place in a globalized world. The museum’s selection is nothing short of breathtaking, ranging from large-scale installations that redefine the perception of space to intimate, delicate works on paper that whisper of profound human emotion.

    Within its walls, one might encounter works such as:

    Across Low Moor

    by Peter Joyce, an acrylic on paper piece from 1994 that utilizes a bold red background and symbolic objects like chairs and a clock to invite deep interpretation.

    Odalisque

    by Brian Robb, a stunning 1949 oil on canvas that captures the viewer with its vibrant color scheme of reds, yellows, greens, and blues.

    Diverse works from internationally recognized artists that showcase the museum's commitment to the avant-garde.

    What truly distinguishes MIMA from its global counterparts is its unique ability to foster community through the lens of the contemporary. The museum’s exhibition program is renowned for its bravery, often tackling pressing social themes and presenting works that provoke deep, necessary conversations. Whether it is exploring the nuances of identity, the impact of technology, or the beauty of the natural world through an abstract lens, MIMA remains a cornerstone of artistic excellence, ensuring that the spirit of modern art continues to flourish and inspire generations of dreamers and creators.

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    Navodila za citiranje umetniškega dela

    MLA
    Arnfield, Marjorie. Landscape, County Durham. n.d., Middlesbrough Institute of Modern Art. https://topimpressionists.com/sl/art/marjorie-arnfield-landscape-county-durham-AQSMB9-en/
    APA
    Arnfield, Marjorie (n.d.). Landscape, County Durham [Painting]. Middlesbrough Institute of Modern Art. https://topimpressionists.com/sl/art/marjorie-arnfield-landscape-county-durham-AQSMB9-en/
    Chicago
    Marjorie Arnfield. Landscape, County Durham. n.d. Middlesbrough Institute of Modern Art. https://topimpressionists.com/sl/art/marjorie-arnfield-landscape-county-durham-AQSMB9-en/
    Harvard
    Arnfield, Marjorie (n.d.) Landscape, County Durham. Middlesbrough Institute of Modern Art. Available at: https://topimpressionists.com/sl/art/marjorie-arnfield-landscape-county-durham-AQSMB9-en/

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Breaking the Coal (c.1920) (1993), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?
    5. Če bi lahko umetniku zastavili le eno vprašanje o tem delu, katero bi to bilo?

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    Vprašanja in odgovori

    Ali se lahko delo "Landscape, County Durham" avtorja Marjorie Arnfield, ki se nahaja v muzeju Middlesbrough Institute of Modern Art, pravno reproducira?

    Originalno delo "Landscape, County Durham" se nahaja v Middlesbrough Institute of Modern Art, njegova avtorska pravica pa je še vedno pod avtorsko pravico.

    Ali "Landscape, County Durham" prikazuje močne svetlo-temne kontraste?

    Stopnja kontrasta dela "Landscape, County Durham" avtorja Marjorie Arnfield je Bold.

    Pod kakšnimi drugimi imeni je znan/a Marjorie Arnfield?

    Drugi imeni, ki so zabeležena za ustvarjalca dela "Landscape, County Durham", imenovanega Marjorie Arnfield, vključujejo Marjorie Helen Arnfield, M. Arnfield.