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Vodnik po študentskem umetniškem delu

Blind

Ime Razred Datum

Mykola Yaroshenko, Blind (1879). Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Mykola Yaroshenko topimpressionists.com/sl/artists/mykola-yaroshenko/
Datumi rojstva in smrti umetnika
1846 – 1898
Naslikano
1879
Prvotna velikost
95 x 140 cm
Gibanje
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

V kontekstu

Blind — Mykola Yaroshenko

Kakšna je velikost?

Prvotne dimenzije so 95 × 140 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 52 ob smrti.

Naslikano, ko je bil avtor star 33. Umetnik je doživel 52 let. 2 od 23 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Mykola Yaroshenko (1846–1898) ▲ to delo, 1879 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1882 Glavni delovni leti: 1882–1892 Pozna dela: od 1892

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: topimpressionists.com/sl/art/similar/mykola-yaroshenko-blind-8XYKX6-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Putty #d3e2df

    Katalogirana paleta

    • #D3E2DF
    • #454234
    • #9EA288
    • #1C1B17

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Neutrals Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Putty
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Bright Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Mykola Yaroshenko v zadnjih dvanajst mesecih — skupaj 2 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 75,0%
    2. 2 Združene države Amerike 25,0%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    6 najbolj gledanih del umetnika Mykola Yaroshenko

    1. 1 Girl student, 1883 33,3%
    2. 2 The Student, 1881 16,7%
    3. 3 Portrait of P.Strepetova, 1886 16,7%
    4. 4 The Prisoner, 1878 16,7%
    5. 5 Portrait of S.V. Panina, 1892 16,7%
    6. — Blind, 1879 ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 26 del te umetnice, pri čemer je bilo 5 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Mykola Yaroshenko

    Rojen v Poltava, Ukraine

    Mykola Yaroshenko: A Soulful Chronicle of the Russian Empire

    Born in Poltava, Ukraine, in 1846, Mykola Yaroshenko’s life and artistic journey were inextricably linked to the tumultuous shifts of the 19th century. His early years, steeped in the traditions of Ukrainian rural life, provided a fertile ground for his later work – a poignant exploration of the hardships, dignity, and quiet beauty of everyday existence within the waning grandeur of the Russian Empire. Yaroshenko’s artistic development wasn't a straightforward ascent; it was shaped by a complex interplay of formal training, personal experiences, and a deep-seated desire to capture the essence of his subjects with unflinching honesty.

    Initially, he received instruction from Ivan Kondratyevich Zaitsev, a local artist who instilled in him a foundational understanding of drawing. This early mentorship laid the groundwork for his later focus on realism, but it was his time at the Poltava Cadet Corps and subsequently the Mikhailovsky Artillery School in Saint Petersburg that truly shaped his artistic trajectory. These institutions provided access to formal training and exposure to the prevailing artistic trends of the era – particularly the influence of academic painting. However, Yaroshenko’s spirit resisted rigid adherence to convention; he sought a more direct connection with reality, a desire that would ultimately define his unique style.

    Yaroshenko's artistic career gained momentum through his association with the Peredvizhniki – “the Wanderers” – a group of Russian realist artists who rejected the opulent salons and academic standards of the Imperial Academy of Arts. Founded in 1870, the Peredvizhniki championed social realism, depicting scenes from the lives of ordinary people, often focusing on the struggles of the working class and peasantry. This movement offered Yaroshenko a vital platform to showcase his work and connect with fellow artists who shared his commitment to portraying the realities of Russian society. He quickly became recognized for his ability to imbue his subjects with empathy and dignity, capturing not just their physical appearance but also their inner lives.

    The Palette of Hardship: Themes and Techniques

    Yaroshenko’s oeuvre is dominated by a profound exploration of hardship – the relentless toil of agricultural labor, the poverty and vulnerability of rural communities, and the quiet dignity of those enduring difficult circumstances. His paintings are rarely celebratory; instead, they offer a starkly honest portrayal of life's challenges, often rendered in somber tones that reflect the gravity of his subjects’ experiences. He frequently depicted scenes of peasant life – harvesting, threshing, tending livestock – but always with an eye toward capturing the emotional weight of these activities.

    Technically, Yaroshenko was a master of observation and detail. He meticulously studied his subjects, paying close attention to their clothing, posture, and expressions. His brushwork is generally smooth and controlled, yet imbued with a subtle sense of texture that adds depth and realism to his compositions. He employed a muted color palette – browns, grays, ochres, and blues – to create a mood of quiet melancholy and reinforce the somber themes of his work. The use of light is particularly effective, often casting long shadows that emphasize the hardships faced by his subjects.

    Notable examples include ‘Girl student,’ a poignant portrait capturing the weariness and resilience of a young woman navigating the challenges of education; ‘Sunset,’ an evocative seascape that utilizes atmospheric perspective to convey both beauty and solitude; and ‘Portrait of the sculptor L.V. Posen’, a meticulously rendered depiction of a prominent figure in the artistic community, demonstrating his ability to capture personality and character with remarkable precision.

    A Legacy Within the Peredvizhniki

    Yaroshenko’s contribution to the Peredvizhniki movement extended beyond simply producing compelling works of art. He was actively involved in shaping the group's artistic direction, advocating for a more direct and accessible style of realism that resonated with a wider audience. His paintings were frequently exhibited alongside those of other prominent Peredvizhniki artists such as Ilya Repin and Vasily Perov, contributing to the movement’s growing visibility and influence.

    His work was not without controversy during his lifetime. Some critics found his depictions of poverty and hardship overly bleak or sentimental, while others questioned his commitment to purely realist representation. However, Yaroshenko remained steadfast in his artistic vision, continuing to produce powerful and emotionally resonant works that offered a valuable counterpoint to the idealized portrayals often favored by academic art circles.

    The Enduring Significance

    Mykola Yaroshenko’s legacy lies not only in his impressive body of work but also in his unwavering commitment to portraying the realities of Russian society with honesty and empathy. His paintings provide a valuable window into the lives of ordinary people during a period of profound social and political change, offering insights into the challenges they faced and the dignity they maintained. His influence can be seen in subsequent generations of realist artists who followed in his footsteps, and his work continues to resonate today as a testament to the power of art to illuminate the human condition.

    Today, his paintings are housed primarily in museums such as the Poltava Art Museum and the Kislovodsk Museum, ensuring that his artistic legacy will continue to be appreciated for generations to come. Further research can be found on platforms like WikiArt and Wikipedia, offering a more comprehensive understanding of his life and work.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Blind

    topimpressionists.com/sl/art/download/mykola-yaroshenko-blind-8XYKX6-en/

    Citiranje umetniškega dela

    MLA
    Yaroshenko, Mykola. Blind. 1879, https://topimpressionists.com/sl/art/mykola-yaroshenko-blind-8XYKX6-en/
    APA
    Yaroshenko, Mykola (1879). Blind [Painting]. https://topimpressionists.com/sl/art/mykola-yaroshenko-blind-8XYKX6-en/
    Chicago
    Mykola Yaroshenko. Blind. 1879. https://topimpressionists.com/sl/art/mykola-yaroshenko-blind-8XYKX6-en/
    Harvard
    Yaroshenko, Mykola (1879) Blind. Available at: https://topimpressionists.com/sl/art/mykola-yaroshenko-blind-8XYKX6-en/

    Oglejte si bližje

    Blind — Mykola Yaroshenko

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: portraits, hills, rivers. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si The Student (1881), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Kje lahko to opazite v tem delu?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    V kateri umetniški smer spada "Blind" avtorja Mykola Yaroshenko?

    "Blind" je del umetniškega sloga Realism, ki predstavlja umetniško tradicijo, v katero je delo vključeno.

    Ali uporablja "Blind" avtorja Mykola Yaroshenko močne kontraste ali nežne harmonije?

    Barvna kompozicija dela "Blind" avtorja Mykola Yaroshenko združuje Statement kontrast z Discordant Palette harmonijo.

    Katera barva prevladuje v kompoziciji dela "Blind" avtorja Mykola Yaroshenko?

    Prevladujoča barva dela "Blind" avtorja Mykola Yaroshenko je Putty (#d3e2df).