Format papirja

Priročnik za študentska dela

Coast Scene with a Lighthouse

Ime in priimek Razred Datum

Rowland Suddaby, Coast Scene with a Lighthouse, Ferens Art Gallery. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Rowland Suddaby topimpressionists.com/sl/artists/rowland-suddaby/
Datumi rojstva in smrti umetnika
1912 – 1972
Prvotna velikost
76 x 83 cm
Gibanje
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Na lokaciji
Ferens Art Gallery topimpressionists.com/sl/museums/ferens-art-gallery-hull_sl/

V kontekstu

Coast Scene with a Lighthouse — Rowland Suddaby

Dimenzije

Prvotne dimenzije so 76 × 83 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj bi bilo to lahko slikano?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 60 ob smrti.

Osenčeno: življenjsko obdobje Rowland Suddaby (1912–1972) vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1937 Glavni delovni leti: 1937–1941 Pozna dela: od 1941

Ti trije pasovi razdelijo dela v tem katalogu na prvo četrtino, srednjo polovico in zadnjo četrtino. Niso popolna celotina umetnikovega dela: tanjka obdobja je lahko praznina v arhivu, ne le obdobje manj intenzivnega ustvarjanja. Iste leta, v katerih se odtisa življenje umetnika

Za ta posnetek ni v evidenci natančne leta — glede na življenjsko dobo umetnika in slog dela, za katero desetletje bi ugledali?

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: topimpressionists.com/sl/art/similar/rowland-suddaby-coast-scene-with-a-lighthouse-AQVCAP-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Rosy Brown #98a2a8

    Shranjena paleta

    • #98A2A8
    • #646F67
    • #C4CAD6
    • #27302A

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Neutrals Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Rosy Brown
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Rowland Suddaby v zadnjih dvanajst mesecih — skupaj 3 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 66,7%
    2. 2 Združeno kraljestvo 27,8%
    3. 3 Združene države Amerike 5,6%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    14 najbolj gledanih del umetnika Rowland Suddaby

    1. 1 Floods, 1938 15,8%
    2. 2 Fishing Village, 1931 15,8%
    3. 3 Paddock at Stoke by Nayland, Essex 10,5%
    4. 4 Winter Landscape, near Lavenham, 1942 5,3%
    5. 5 Fishing Boats at Staithes, Yorkshire, 1938 5,3%
    6. 6 Spring Landscape, 1940 5,3%
    7. 7 Still Life, 1936 5,3%
    8. 8 Landscape in Suffolk (Stoke by Nayland, Suffolk) 5,3%
    9. 9 Coast Scene with a Lighthouse ta slika 5,3%
    10. 10 Sunflowers and Fruit 5,3%
    11. 11 Stour Valley, Suffolk 5,3%
    12. 12 Berkshire Landscape 5,3%
    13. 13 Landscape 5,3%
    14. 14 Coast Scene near the Stour Estuary, Suffolk, 1946 5,3%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 26 del te umetnice, pri čemer je bilo 14 vsaj enkrat ogledanih. Ta slika zaseda 9 mesto med njimi, s 5,3% takšne pozornosti. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Rowland Suddaby

    A Quiet Observer of Rural England

    Rowland Suddaby (1912–1972) remains a poignant voice in the history of British mid-century art, serving as a dedicated chronicler of the English landscape. Born in Kimberworth, Yorkshire, his artistic sensibilities were forged through a rigorous academic journey that began with a prestigious scholarship to the Sheffield College of Art in 1926. This foundational period provided him with the technical precision that would later allow him to capture the subtle nuances of light and atmosphere. His subsequent training at the Royal College of Art further refined his craft, placing him within a lineage of artists who sought to balance formal excellence with an intimate connection to the natural world. Suddaby’s early life was not merely a period of study but a deep immersion into the textures of the British countryside, a theme that would resonate through every canvas he produced.

    The transition to London in 1931 acted as a catalyst for his professional evolution, thrusting him into the vibrant heart of the nation's artistic commerce. During this era, Suddaby demonstrated a remarkable versatility, securing work designing film titles for the studios of Wardour Street—a role that required a keen eye for composition and visual storytelling. This commercial success provided a stable foundation for his more personal explorations in fine art. His emergence into the prestigious London gallery scene, with exhibitions at the Wertheim Gallery and the Redfern Gallery, signaled his arrival as a significant talent. Through these venues, he engaged with the contemporary dialogues of his time, often finding himself aligned with the sensibilities of the New English Art Club, where the pursuit of capturing fleeting moments through light and color was paramount.

    The Poetics of Landscape and Still Life

    Suddaby’s oeuvre is characterized by a profound ability to elevate the mundane into the monumental. Whether he was painting the rolling hills of Yorkshire or the serene vistas of Suffolk, his work possessed an evocative quality that transcended simple topography. His landscapes often feel like quiet meditations; in works such as Winter Landscape, near Lavenham, one can sense the stillness of a frost-covered morning, where the weight of the atmosphere is rendered with masterful sensitivity. His technique frequently leaned toward an Impressionistic approach, utilizing loose, visible brushstrokes to prioritize the emotional resonance of a scene over rigid realism. This method allowed him to capture the diffused light and soft shadows that define the English countryside, creating a sense of warmth and abundance even in more somber settings.

    Beyond the expansive horizon, Suddaby found equal inspiration in the intimate arrangements of his still lifes. In masterpieces like Still Life with Fruit and Flowers, he utilized a vibrant palette of reds, blues, and yellows to breathe life into inanimate objects. These compositions were far more than mere studies of form; they were celebrations of texture and light. The contrast between the smooth surface of a vase and the rough skin of ripening fruit served to ground his more expressive brushwork in a tangible reality. This duality—the ability to move seamlessly from the sweeping vistas of Scholes, Yorkshire to the delicate intimacy of a tabletop arrangement—demonstrates a technical breadth that made him a truly versatile observer of the world around him.

    Legacy and Historical Significance

    The later years of Suddaby’s life saw him returning to the very landscapes that had shaped his soul. Moving near Sudbury, Suffolk, during the onset of World War II, he found a sanctuary in the rural landscape alongside his family. This period of relative seclusion allowed for a deepening of his connection to the land, a sentiment reflected in his involvement with the Recording Britain project commissioned by Sir Kenneth Clarke. This monumental effort to document the changing face of the British landscape ensured that Suddaby’s vision was woven into the historical fabric of the nation. His later appointment as the curator of Gainsborough's House in Sudbury from 1968 until his death in 1972 further solidified his role as a custodian of British artistic heritage.

    Today, the significance of Rowland Suddaby’s work is preserved within the collections of numerous esteemed institutions, including the Victoria and Albert Museum and the Government Art Collection. His legacy is defined by several key contributions to British art:

    Documentary Value: His meticulous yet emotive depictions provide a vital visual record of mid-century English rural life and landscapes that have since been altered by time.

    Technical Mastery: He successfully bridged the gap between commercial graphic design and fine art, bringing a unique sense of composition to both mediums.

    Emotional Depth: Through his use of light and color, he moved beyond mere representation to capture the "feeling" of the English atmosphere, making his work timelessly relatable.

    Suddaby remains a celebrated figure for those who seek beauty in the quiet corners of the world, reminding us that there is profound art to be found in the simple observation of nature's enduring rhythms.

    Muzej

    Ferens Art Gallery

    Na razstavi v Hull, United Kingdom

    A Legacy Etched in Hull: The Soul of Ferens Art Gallery

    Nestled within the vibrant coastal embrace of Hull, United Kingdom, the

    Ferens Art Gallery

    stands as a profound testament to the transformative power of beauty and the enduring legacy of human creativity. To step through its doors is to embark on a journey that transcends time, moving seamlessly from the meticulous precision of the Old Masters to the evocative abstractions of the modern era. Established by the visionary industrialist

    Thomas Robinson Ferens

    , the gallery was born from a philanthropic dream to democratize art, ensuring that the treasures of the past and present remain accessible to all. It is not merely a repository for canvas and pigment; it is a living narrative of cultural evolution, where every brushstroke whispers stories of maritime adventure, societal shifts, and the eternal quest for aesthetic truth.

    The collection itself is a breathtaking tapestry of European excellence, anchored by works that define entire epochs. Visitors are often captivated by the gallery’s exceptional holdings in

    Dutch and Flemish art

    , where the masterful manipulation of light and shadow creates an almost tactile reality. One cannot help but feel the pulse of human emotion in the dynamic portraiture of

    Frans Hals

    , whose ability to capture a fleeting glance or a subtle smile remains unparalleled. This dialogue with light continues through the luminous Venetian landscapes of

    Canaletto

    , whose atmospheric perspectives transport the viewer to sun-drenched canals and bustling piazzas. For those drawn to the sea, the gallery’s collection of British Marine paintings offers a poignant connection to Hull’s own seafaring heritage, presenting dramatic scenes of naval life and the formidable, unpredictable force of the ocean.

    A Sanctuary of Light and Architectural Grandeur

    The architectural experience of the gallery is as much a part of the art as the paintings themselves. The building, a

    Grade II listed structure

    , exudes an understated grandeur and a sense of tranquil permanence. Following a significant restoration and extension in 1991 and a major £4.5 million makeover in preparation for the 2017 Turner Prize, the space has been transformed into a light-filled sanctuary designed for deep contemplation. The spacious galleries allow expansive canvases to breathe, while the architectural harmony of the building provides a serene backdrop that encourages visitors to linger.

    Beyond its permanent treasures, the gallery serves as a vital bridge to the 20th century and beyond, hosting significant temporary exhibitions that range from explorations of the Royal Collection to celebrated features on artists like

    Francis Bacon

    . This curated tension between tradition and innovation makes the gallery a sanctuary for both the seasoned art historian and the modern collector seeking inspiration. Whether wandering through the quietude of the permanent collections or engaging with the lively atmosphere of the children's gallery and cafe, one finds that the Ferens Art Gallery is an immersive experience where history, art, and architecture converge to inspire a lifelong passion for the sublime.

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    Navodila za citiranje umetniškega dela

    MLA
    Suddaby, Rowland. Coast Scene with a Lighthouse. n.d., Ferens Art Gallery. https://topimpressionists.com/sl/art/rowland-suddaby-coast-scene-with-a-lighthouse-AQVCAP-en/
    APA
    Suddaby, Rowland (n.d.). Coast Scene with a Lighthouse [Painting]. Ferens Art Gallery. https://topimpressionists.com/sl/art/rowland-suddaby-coast-scene-with-a-lighthouse-AQVCAP-en/
    Chicago
    Rowland Suddaby. Coast Scene with a Lighthouse. n.d. Ferens Art Gallery. https://topimpressionists.com/sl/art/rowland-suddaby-coast-scene-with-a-lighthouse-AQVCAP-en/
    Harvard
    Suddaby, Rowland (n.d.) Coast Scene with a Lighthouse. Ferens Art Gallery. Available at: https://topimpressionists.com/sl/art/rowland-suddaby-coast-scene-with-a-lighthouse-AQVCAP-en/

    Poglejte bližje

    Coast Scene with a Lighthouse — Rowland Suddaby

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: coastal scene, lighthouse view, ocean landscape. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Poglejte nazaj na Stoke by Nayland, ki ste ga prej videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Kje lahko to opazite v tem delu?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kakšna barvna paleta je uporabljena v delu "Coast Scene with a Lighthouse" avtorja Rowland Suddaby?

    Paleta dela "Coast Scene with a Lighthouse" avtorja Rowland Suddaby je opisana kot Neutrals. Gre za jedinkaven opis barv v tem delu.

    Kdaj je "Coast Scene with a Lighthouse" pripisano kateremu umetniku?

    Delo "Coast Scene with a Lighthouse" je ustvaril Rowland Suddaby. Informacije na tej strani opisujejo izvirno delo umetnika Rowland Suddaby.

    Kakšna je dejanska velikost dela "Coast Scene with a Lighthouse" avtorja Rowland Suddaby?

    Originalne dimenzije dela "Coast Scene with a Lighthouse" znašajo 76 x 83 cm. Prvotne mere so koristna referenca pri izbiri velikosti reprodukcije.