Vodnik po študentskem umetniškem delu
Avtorske pravice To del je v javni domeni. Samuel Lucas je umrl/a leta 1870; avtorska pravica velja 70 let po smrti avtorja, zato je pretekla leta 1940.
V kontekstu
Self Portrait — Samuel Lucas
Prvotne dimenzije so 24 × 21 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.
Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 65 ob smrti.
Osenčeno: življenjsko obdobje Samuel Lucas (1805–1870) vsaka datirana slika, desetletje za desetletjem
Za ta posnetek ni v evidenci natančne leta — glede na življenjsko dobo umetnika in slog dela, za katero desetletje bi ugledali?
Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.
Več podobnih del za kombiniranje z tem: topimpressionists.com/sl/art/similar/samuel-lucas-self-portrait-AQSLXR-en/
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Glavna barva
Espresso #38332c
Katalogirana paleta
Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi
Deset vodilnih držav
Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.
Skupaj ti deli predstavljajo 99,9% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 13 del te umetnice, pri čemer je bilo 7 vsaj enkrat ogledanih. Ta slika zaseda 1 mesto med njimi, s 22,2% takšne pozornosti. Isto velja tudi za posamezne mesece
Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.
Umetnik in muzej
Rojen v Hitchin, United Kingdom
In the tapestry of nineteenth-century British art, few figures possess the gentle, unassuming charm of Samuel Lucas. Born in 1805 in the historic town of Hitchin, Hertfordshire, Lucas lived a life that masterfully balanced the practical demands of a Victorian businessman with the soulful pursuits of an artist. While history remembers him as a brewer and a dedicated family man, his true essence was captured through the tip of a brush and the delicate flow of watercolor. His journey was one of quiet persistence, a lifelong endeavor to translate the serene beauty of the English countryside into enduring visual poetry.
Lucas’s early years were deeply rooted in the values of the Society of Friends. This Quaker upbringing instilled in him a profound sense of discipline and an intellectual curiosity that would later define his artistic temperament. Educated at the Tilehouse Free School in Hitchin and subsequently at the Fishponds School of Friends in Bristol, he discovered a burgeoning passion for drawing during his formative years. However, the path to artistry was not without its obstacles; the strictures of his community often discouraged overt artistic pursuits, requiring Lucas to channel his creative energies into the margins of his professional life as an apprentice and later as a merchant.
The artistry of Samuel Lucas is characterized by a remarkable versatility, ranging from meticul-ous, hyper-detailed representations to soft, impressionistic vistas. His technique was a sophisticated blend of Romantic idealism and an intuitive sensitivity to the atmosphere. Whether working in oils, watercolors, or ink, Lucas possessed an uncanny ability to capture the ephemeral qualities of light—the way it filters through a morning mist or bathes a rural meadow in the warmth of late afternoon. This mastery of light allowed him to depict not just landscapes, but moods.
His creative development was significantly enriched by his connections within the artistic community. A particularly notable chapter of his life involved his friendship with the fellow Quaker artist Jacob Thompson. Together, they sought inspiration in the rugged beauty of the Lake District, specifically within the valley of Mardale. Their shared explorations beneath what is now the Haweswater Reservoir allowed for a collaborative spirit that pushed the boundaries of their landscape commissions. It is also widely believed by art historians that Lucas may have been influenced by the legendary J. M. W. Turner, particularly in his ability to evoke the sublime power and atmospheric depth of the natural world.
Though he rarely sought the spotlight of major exhibitions—with the notable exception of sending The Ship Broxbournbury off the Islands of Amsterdam to the Royal Academy in 1828—the impact of Lucas’s work is felt through the permanence of his subjects. His paintings serve as a nostalgic window into a bygone era of British life, documenting everything from the bustling energy of local commerce to the silent dignity of wildlife. Some of his most significant contributions include:
Hitchin Marketplace (1860): A celebrated work that captured the heart of his home town so effectively that miniature versions were commissioned by admirers.
Stonechat on a Cairn (1861): A stunning example of his ability to blend Romantic landscape elements with intimate, detailed naturalism.
Salisbury Cathedral: An evocative oil painting that demonstrates his skill in capturing architectural grandeur within a serene, impressionistic setting.
Nature and Fauna Studies: His meticulous depictions of foxes and local wildlife that showcase his profound respect for the biological intricacies of the English countryside.
Today, the legacy of Samuel Lucas resides in prestigious institutions such as the British Museum and the Hitchin Museum & Art Gallery. His life, though marked by the quietude of a provincial brewer, achieved a lasting historical significance through his ability to immortalize the fleeting beauty of the natural world. He remains a vital figure for those seeking to understand the intersection of Victorian social history and the tender, observant spirit of British landscape painting.
topimpressionists.com/sl/art/download/samuel-lucas-self-portrait-AQSLXR-en/
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Self Portrait — Samuel Lucas
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Prevladujoča barva dela "Self Portrait" avtorja Samuel Lucas je Espresso (#38332c).
Podobna dela delu "Self Portrait" si lahko ogledate na strani Podobna dela.
Zabeležene dimenzije dela "Self Portrait" avtorja Samuel Lucas so 24 x 21 cm. Reprodukcije je mogoče naročiti v drugih velikostih, ob čemer se ohranijo iste proporcije.